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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Middlewest #1

11/22/2018

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Middlewest #1
Image Comics 2018
Written by Skottie Young
Illustrated by Jorge Corona
Coloured by Jean-François Beaulieu
Lettered by Nate Piekos of Blambot


     The lands between the coasts are vast, slow to change, and full of hidden magic’s. Mistakes have been made, and an unwitting adventurer searches for answers to quell a coming storm that knows his name.

     For me personally Skottie is a hit or miss kind of guy, he’s got his comfort zone and doesn’t veer out of it. Still you never what is going to resonate with you until you try the story right, right. I wasn’t prepared for what we see here and while I wouldn’t say I'm gutted by what I see maybe gob-smacked would be more accurate. What we see in this issue draws out some serious emotions from me as a reader and in the course of the issue I found myself drawn into Abel’s world and feeling like a protective Uncle. That is something I have never felt before for a character in a comic book so gentlemen job well done.

     I like the way that this book is structured. The opening is our introduction to Abel and it’s dramatic, frightening and incredibly intriguing to me. It is definitely what you want to see in the opening of a first issue and most assuredly one that starts off a new series. This shouldn’t have any problem in getting people to read as the desire to see more is there and I couldn’t have been any more impressed with how this starts. The way Skottie creates the ebb and flow of the story and it’s revelations plot twists is extremely well done. I like that we can never truly trust what our eyes are seeing and I still wonder what the Fox is or represents. So there’s more fair amount of mystery surrounding this and I am hopeful that will remain a constant.

     The characterisation here is phenomenal. Abel is a teenage boy and as such well he’s kind of difficult to nail down. When I was about that age I was a hellion, rebellious and by thirteen I thought I knew everything. So while we don’t see that we do get enough sense of him to know that he’s a complicated young man and seeing him go through what he does here well it’s impressive that he managed that. The characters around him while kind of transient feeling are also still fleshed out nicely and of course there’s his dad who we get to know quite well. Overall how we see the characters is as important to the story as the story itself.

     My biggest concern was the interior artwork. Just because the book features kids doesn’t mean we have kid centric artwork and seeing as I am one of those who gravitate towards that finer, cleaner and crisper work that highlights attention to detail well I found this to be somewhere kind of smack dab between the two. I like what we see and how we see it and how there is that attention to detail but done in a way that we don’t see anywhere else. Jorge does a marvellous job in bringing this to life, the characters are identifiable, show personality and emotions which is exactly what we should see. The utilisation of the page layouts and now we see the angles and perspective in the panels shows off a good eye for storytelling. The way backgrounds are utilised is fabulous and really helps show the size and scope of the story.
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      So with Abel on his way to discover what his life is going to be about now this book ends on something of an odd note. I will say however the beginning and the ending sharing what it does is the kind of symbolic that is fantastic to see. This would earn highest marks in school and 10/10 in my book as it’s incredibly well written and beautifully illustrated.

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Night Moves #1

11/21/2018

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Night Moves #1
IDW Publishing 2018
Written by V.J. & Justin Boyd
Illustrated by Clay McCormack
Coloured by Mike Spicer
Lettered by Shawn Deasquale


      Noir meets horror as small-time Vegas hustler Chris Dundee finds himself tangled in a web of danger and the occult. He’s been on the wrong end of a pair of brass knuckles plenty of times, but this time he might be dealing with the devil himself.

      Be prepared for Bob Seger lyrics to be strung throughout this review as the title alone makes me break out in song. I think what the brothers Boyd have written here is pretty effin spectacular! Chris is a character we can all find something in, of and about that we like and possibly relate to. He is this kind of loveable loser who has a modicum of skill in breaking the law though he pushes his luck too much. There is something inherently interesting about how the flow of this book reveals information, the plot/story development and characterisation. So much so that at some point I imagined it competing with True Detective for air time.

       The way this is structured is fantastic and how the opening sets the stage for what we are going to see is extremely well done. What I see as a young man sussing about a house trying to peek into a forbidden room is kind of just that though the young man, Nolan, doesn’t live there but he does succeed in getting the reader interested in what is behind that door as well. The way this is done sets up the possibility that this could be a great franchise with six issue arcs telling different stories from Chris’ life as he relates them to Nolan.

      Welcome to Las Vegas, Sin City in so many ways and the setting for this particular story. There is a mystique to the city that plays well into this story and in essence thanks to the mix of characters it kind of becomes that supporting character that you always see but never think of, like many a character actor, but she’s always there--Tight pants points hardly renown She was a black-haired beauty with big dark eyes And points all her own sitting way up high Way up firm and high. Also a pub called Alchemy has that mystique and allure for that which should make tourists nervous and the locals weary if they aren’t aware of the score. I found that the settings we see are rich with flavour and add that little something extra to the story and it’s almost easy to overlook that.

      Clay continues to impress me with each new project he works on. What he brings to this story is fabulous and the attention to detail and how he uses the varying weights in the linework to his advantage with the finer details is splendid to see. With Mike colouring this the whole overall mood, tone and feel of the book is bloody impressive. This has such an incredibly unique look and it matches so perfectly like a well tailored suit. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off a stellar eye for storytelling. I am a huge fan of how the backgrounds are utilised here to expand the moment and bring a great size and scope to the story.

     There is some utterly spectacular dialogue going on here and page twenty alone felt almost like a book with the amount of word balloons that covered the page. The banter was delightful and the countering viewpoints kind of demonstrate the beginning of the connection the characters share. There are plenty of little gem moments throughout the book that showcase why this is an exciting new title that will or should take us by storm.  Out in the back seat of my '60 Chevy Workin' on mysteries without any clues Workin' on our night moves Trying' to make some front page drive-in news

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American Carnage #01

11/21/2018

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American Carnage #01
Vertigo Comics 2018
Written by Bryan Hill
Illustrated by Leandro Fernandez
Coloured by Dean White
Lettered by Pat Brousseau


       Disgraced FBI agent Richard Wright is offered a chance for redemption when his old mentor sends him undercover to infiltrate a white supremacist group believed to be responsible for the death of a fellow agent.

      Being a fan of Bryan’s I knew I was going to read this, I was a little worried it was from Vertigo (DC) but after reading this issue it just reaffirms that this man is as talented as they come. The idea behind it couldn’t be any more relevant to what is happening in the United States right now. There are shades of cover-ups and decidedly biased viewpoints within the superiors of the FBI as well as the Attorney General. No one wants to upset any kind of cash flow now do they so the fact that our elected officials are so easily bought by “philanthropists” and businessmen is one of worst kept secrets in Washington DC.

      I rather like the way that this book is structured. The opening is great and it’s a very effective way to get the story started. This approach is perfect actually to tell us how we got to where we need to be and the current status FBI Agent Curry. This is one of the best examples of now and then storytelling that is merged together to flesh out everything we need before moving forward. Also there is some absolutely splendid characterisation going on here as well as some interesting story plot points and story development. Bryan is on point, not to mention on fire with this one it feels controversial and all too ripped from the headlines and that makes it that much better.

     The flow of this book is excellent and moving from segment to segment it’s easy to follow the story and what’s happening. This leading up to the introduction of Richard, Rick, is spectacularly sensational, in a National Enquirer kind of way. Oh my word what it could’ve been seeing him naked snorting cocaine in the mirror but not even a tuchus sigh. Still the dialogue here is bloody marvellous as the two old acquaintances play catch-up, yeah right. The language here is such that if you are easily offended or looking to be butthurt, yes there are too many of those out there, then you need to pass on this. The language that we see used feels like it comes from the characters, used not only just for effect from them but sometimes because it’s meant and you have to be able to recognise which is which.

     The interiors here are what I was expecting. I thought we’d get more streamlined and that kind of attention to detail that makes the eyes pop. Instead it’s more along an impressionable style where I cannot tell what Rick is and half the time the nose is missing. Then there are the eyes and there is something about them that just always sit well with me. I find that odd because there are pages where the work looks I would expect it to so I know he can do it. The utilisation of the page layouts and how we see the angles and perspective in the panels shows a fine eye for storytelling. There is so much potential here and perhaps it’ll grow on me more but I’ll have throughout the entire to find out.
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     I am intrigued by the story here. There are too many aspects that seem contradictory and yet work amazingly well opposite each other. Rule breaking, law breaking, hate groups and government officials on someone else’s payroll than the American people I mean what’s not to love about something so volatile that even a cigarette would make it blow like a bomb!

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Conspiracy #1

11/21/2018

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Conspiracy #1
Zenescope Entertainment 2018
Written by Hans Rodionoff
Illustrated by J.G. Miranda
Coloured by Leonardo Paciarotti
Lettered by Taylor Esposito of Ghost Glyph Studios


               The Illuminati
      Is the government monitoring you? Are there secret organizations controlling society? Do creatures not of this world live among us? All of this and more is explored in this new thrilling series that delves into some of the horrifying truths hidden in plain sight.

        This book is fantastic and I love the fact that Zenescope is continuing to branch out from their typical series to create new ones that are smart, intelligent and dipped in the fear of the familiar unknown. Conspiracy theories have been around as long as I can think of, I mean if someone doesn’t know the truth they’ll create it so they look smarter and more important than they are. It’s like playing telephone as well for each retelling things change and grow even more outrageous and it’s no wonder that nowadays we consider these folks crazier than the Mad Hatter.

       The opening here in Tulsa at the Fairgrounds is great it doesn’t tell us a gosh darn thing it just piques the curiosity and makes you wonder what is going on. I won’t say it’s bloody brilliant but it does come damn close to it. Then to go where it did shocked the heck out of me and that’s pretty hard to do, also I want a pair of those gun-heeled shoes! Still I absolutely adore the fact that I went from shock to shock in my amazement of what was being done here. When I saw that I almost went overboard I wasn’t sure what was going on here but it was nothing like the reality of it and I totally misjudged what he was doing. Well done this is why I love comics and I love smart, intelligent and outside the box thinking this has me completely and utterly hooked.

      The way this book is structured is brilliant and the ebb and flow of what we see and how things are revealed to us blew my mind. There is a great build up and we see one of those fringe type groups who like their President want to “Make America Great Again” and through all the excitement and such cause their followers to do the strangest things. Create an army of followers, don’t explicitly tell them to do horrendous deeds but encourage them to act out to those that wronged them. That is kind of what Hate Groups do right they incite their followers into a frenzy then sit back and what happens, okay the leaders do that, unless I got it wrong. Regardless what this story makes you think of and examine in our minds is sensationally well done.

      I am a huge fan of the interiors here as well. The attention to detail and the manipulation of the varying weights in the linework is spectacular to see. The whole overall look of the characters is wonderful they have that elevated comic book style to them so it feels comfortable. The intensity he brings to this just blows me away, seriously you can feel the tension, anger and all of those insane thoughts getting to this guy and it’s kind of amazing. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off a stellar eye for storytelling. The way backgrounds are utilised makes me somewhat happy as I would like to see more of them in use.

      The writing with its pacing, structure, story development and the stellar characterisation are utterly delightful. There is this delicious tension built up and the reveal at the end of the issue drives me crazy because I want more and I want it now. The classification of our heart's a sin Cause me, me I want more Don't want to pump nobody's gas-I want more Don't want to kiss my boss's ass-I want more Don't want to take the first job I find-I want more yes I am singing that right now I can’t help it that is what it makes me feel.

     This is going to be one of your new favourite series if it continues on like this. Utterly brilliant and bloody amazingly well done!

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Love Town #0

11/21/2018

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Love Town #0
1First Comics 2018
Written by John Yuan & Matthew Yuan
Illustrated by John Yuan
Digital Shading by Matthew Yuan


     Love Town is a city built upon a foundation of corruption, violence and greed—where millionaire celebrities rub shoulders with ruthless gangsters and scheming politicians, where the figurative magic of the silver screen competes with the literal magic of the streets. Magic is the siren’s song that lures so many to their doom. Whether it’s the quick fix of a back alley spell to make you stronger, faster, smarter...or a customised charm from the hands of an oriental prince, magic always has a price. And in Love Town, nobody has paid a higher price than The Infected. For these vampires, werewolves and ghouls suffer from the only known disease that renders them both less and more than human.

     I do rather appreciate the zero issue because it’s a great way to introduce us to a series and get a bit of the explanations out of the way so that the first issue can right down to business. I am rather intrigued by this one even more so after reading it, several times I might add. There is very much a kind of noir feel to the book and with the gangsters and crooked politicians that feels right then by adding in the magic and supernatural creatures it elevates the story into something else entirely all the while remaining Noir.

      The way this is structured is nicely done and we do kind of start off in the middle of what’s going on. It’s been two weeks since Detective Saxon was turned into a vampire now she’s with Subs who is a Captain and asked for her specifically. The explanation for this and what their relationship is going to be is all kind of played out with this issue. I like that we get something of an explanation as to why these two will be working partners and how that’s going to work. It isn’t at all what I or Saxon was thinking but hey that’s a great thing as it’s keeping me on my toes.

      Now the interiors took me a few pages to warm up to. This kind of style isn’t usually something I go for but I will admit that it fits the style of the story incredibly well. The black and white work is inherently Noir and the strength of the linework is bold and understated at the same time which honestly I didn’t think was possible. I always want to see more attention to detail but it doesn’t feel that it’s the right thing here and the imagery that is produced is more than sufficient. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off a great eye for storytelling. Backgrounds are in the same category as the attention to detail here and it’s weird that I find myself incredibly attracted to this by the end of the issue so well done for changing my opinion.

      The characterisation here is incredibly strong and clear in defining who the characters are. Who’s in charge and what roles they are supposed to play. I think that if there is a major mystery to be solved in the coming issues that will just keep raising the intrigue factor here. We kind of have one started here but it doesn’t feel all that big to me so I cannot wait to see what it is that the boys are going to be bringing us.
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     This is a surprisingly strong story that weaves through the pages with excellent pacing and characterisation. It is all wrapped up in this interior artwork that’s stylised perfectly for the story and genre that we see.

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Gideon Falls #8

11/20/2018

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Gideon Falls #8
Image Comics 2018
Written by Jeff Lemire
Illustrated by Andrea Sorrentino
Lettered & Designed by Steve Wands


     As the gossamer threads that appear to connect Father Fred and Norton across Space and Time become more entwined, Norton suffers a mental setback that could jeopardize both their investigations.

      I love this series it is without missing a beat a perennial favourite and it has yes to disappoint me in any way. There is something about seeing this playing out in two different places at the same time (relatively speaking) in different places that just plays out so incredibly beautifully that it engrosses the reader. It is hard to say that one side of the coin is better than the other because really it isn’t and the fact that I want to see both stories equally continue or be longer is excellent. There is some frustrating aspects and that only centres around the fact the issue isn’t long enough.

      Seeing Norton’s past at school was a treat and if I am completely honest more than a little bit scary. Granted all the horror stories we hear about these kind of Catholic institutions and Nuns are never all that good which makes me happy I am a nice Jewish guy. Though part of me thinks without the faith you can’t have that which lurks in the dark coming after him. The way that this opening feels so utterly complete to me in showing us just how mentally messed up Norton has been since childhood.

      The way the book is structured is amazing. The whole back and forth between the two arcs is with apparent ease and it never leaves us feeling as if we’re missing anything. That the two somehow tie into one another is a bit mischievous as well. Although never as much they do in this issue which for me couldn’t be any better. The flow for this is extraordinary and while there is so much going on in these page nothing ever, ever feels rushed or glossed over. Then there is the way that we see information and revelations come to pass here and I swear every single time we learn something new there’s something else to replace with an even mysterious twist looming. This is how you build and maintain such tension in the series.

     Andrea is a godsend to the industry with his precision and ability to create such amazing linework. The way that the characters are brought to life, the expressions on their faces really captures their feelings and emotions. That creature in the dark is creepy as all get out and that two-page spread oy vey the creativity and imagination he has with the precision of how those panels are utilised give me the chills. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off his masters eye for storytelling. While the words are what are needed to maintain the story these visuals are the glue that keeps our eyes on the page.
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     There are aspects of the book that just surprised me story wise. Kadri busting into Norton’s home to find him and Dr, Xu then sedating and literally absconding with him and we’ve no idea just who Kadri is and what his intentions are. Though truth be told I wouldn’t be surprised to learn that he was the one who ransacked the place while he was in session with Dr. Xu. Also I wonder if he even realises that she’s seen the Black Barn as well, if so would she also end up in a padded cell? This man already infuriates me and I want bitch-slap him so hard his great-grandfathers seed shrivels up. If that statement alone doesn’t tell you how invested this creative team has made me nothing else will.

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Apama The Undiscovered Animal #5

11/20/2018

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Apama The Undiscovered Animal #5
Hero Tomorrow Comics 2018
Written by Ted Sikora & Milo Miller
Illustrated by Benito Gallego
Coloured & Lettered by Ted Sikora


        They Call It Helltown Turn On, Tune In, Drop Dead!
     Apama just saved the city so he's probably earned a little time off, right? Not a chance. Instead our 'Mane Man' discovers that the urban legend of Helltown is a lot more than just a good campfire spook story. There's a certain
psycho-delic mistress of mayhem that will ensure Apama's stay there will be nasty, short, and brutish (not-to-mention groovy beyond compare).

       I am enjoying this series immensely and yes the name Apama is of a fictional or as yet undiscovered species of animal which makes it that much more interesting to me. The fact that we know for a fact that there are as yet unknown species alive and extinct everyone from the frozen tundra to the unexplored rain forests. So that Ted and company have decided to go this route is something I can wholeheartedly get behind. Vixen has her totem, the original Blue Beetle’s scarab granted him his powers and the American Flag and Ragman’s suit each gifted its wearer with powers so that Apama gets his from his suit, well it augments him or activated him I'm not sure the classification, puts him in damn good company.

      Without a manual or some sort training guide it’s fun to see him stumbling around in the dark making it up as he goes along. Quite honestly when the heroes started out they had no one to guide them other than their own moral compass. Trying to do what you feel is best doesn’t always work the way you want it to or plan on it but then again we learn from our mistakes, hopefully. Ted and Milo manage to infuse those philosophies into this extremely well and make Ilyia one of the more interesting characters in comics right now. I mean he’s kind of a loser and he makes a living driving an Ice Cream Truck and with those dreads and his timid personality well let’s just say they really created a character with the utmost potential for growth.

       I like the way that this book is structured starting with the inside cover. I adore the fact that it has a recap there where we can see and learn what’s come before. More series should have this so that a new reader would get a nice little boost on what they about to look at. Then the way that the story flows through these pages is fantastic to see as what started out as a training session, testing himself and the powers he has, turns into a fight to save the life of a young woman and not to mention his own. It is easy to read, fun, interesting and the way characters are introduced feel natural.

     The interiors here are pretty darn interesting to me. Benito uses a very distinct style for this one different from “traditional” comic book style that we see today but kind of a this fusion of some akin to Kirby and what we consider traditional. I’ve seen his work elsewhere and you can his signature style in all of them but this feels very much for this series. The way we see the linework here is extremely well done and the attention to detail he creates with it has a great look and feel to it. The utilisation of page layouts and how we see the angles and perspective in the panels shows us a solid eye for storytelling. That backgrounds are utilised so well also makes me a happy camper. Ted also does some really nice work on the colours and making them fit the work superbly.
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     This book is fun, quirky and feels like the Everyman finally got his wish for a costume and powers. We can relate to Ilya, except those damn dreads, because we are him and he is us and would we be any better at this, no we wouldn’t we all know it. This is sensationally written and illustrated and keeps proving my point why you need to be reading comics from small press companies.

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The Family Graves #3

11/20/2018

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The Family Graves #3
Source Point Press 2018
Written by Timothy Bach
Illustrated by Brian Atkins
Coloured by Ander Zarate
Lettered by Marco Della Verde


      I Was a Werewolf Single Father! With his wife missing, Phil Graves tries to hold his family together while keeping his werewolf curse at bay-all while also stopping Gustav from getting the mirrors he needs to feed off the space-time continuum. Meanwhile, Bjanka plans a dangerous escape. Can they be super team of monsters if they can't even be a family?!

       I love this! It’s like if the Munsters were the Fantastic Four with all the drama, all the action, the science and infighting you can handle! With each issue that I read I find myself more and more engrossed in not only their lives, which seems to be steadily growing more chaotic with each new issue, but with the whole concept behind what we see. Guys I keep shouting till I am horse that you need to be looking outside the supposed Big 2 or 3 depending on your point of view and read books from small publishers because the level of quality and enjoyment you’ll get from them is what you keep moaning, groaning and bitching about being missing.

     Last issue saw Phil’s absentee father show up and abscond with his wife while the kids watched it happen. What happens next well that’s what is going on here I have to say Timothy’s writing here is sublime. Not only does the opening make you say wha?, but it also has some of the nicest dialogue I have seen in some time. The pacing and the way he creates the whole ebb & flow the story so it’s like that winding brook that if your not careful becomes rapids around the bend. Although you just need to hop on and drift until it all does sideways and enjoy the ride.

      I do love the characterisation here. No one not even the baby escapes getting just the right amount of attention at just the right moments. Also the sheer fact that the family can come together when they need to and when they are comfortable or at least not in fear of their lives as well as act like a normal family, sibling ribbing and such, even when the chips are down well hell that’s just plain good writing. This is just fantastic stuff and the more you read the more you enjoy and the more you find little things that you’ve missed previously. That is always a good sign that it takes multiple reads to get absolutely everything or at least as close as you get.

      The interiors here are rather impressive as well. I really am enjoying the way Brian is able to use the linework to create the little details here which stand out when you add Ander’s colours. You can see Brian getting better in this issue and there are real flashes of what’s to come and I cannot wait to see that. The creativity and imagination that is on display here is sensational and it comes to life in ways that not only feel natural but look as accurate as can be. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off a nice eye for storytelling. Seeing backgrounds utilised like they are is nice but for a story like this they are pretty essential to really flesh things out so they could be a little sharper and used more often.
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     Overall this is a great book, it reminds me why I started reading comics in the first place, For the life of me I cannot remember What made us think that we were wise and We'd never compromise, and it’s about time that we had more series like this on stands. This is proof positive that quirky characters, outrageous looks and fanciful abilities that can have that edge to them and still remain bright and positive is more than possible it’s preferable.  

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Captain Ginger #02

11/19/2018

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Captain Ginger #02
Ahoy Comics 2018
Written by Stuart Moore
Pencilled by June Brigman
Inked by Roy Richardson
Coloured by Veronica Gandini
Lettered by Comicraft’s Jimmy Betancourt


      How many cats is too many? Captain Ginger has his hands full-literally-when his starship undergoes a rapid population explosion. Meanwhile, Sergeant Mittens learns the horrors of Litterbox Duty! Extra story: The heroes of HASHTAG: DANGER learn that being super-evolved doesn't make you smart. Plus more AHOY illustrated-story extras!

      I really didn’t think I would enjoy a book about anthropomorphic cats. I was totally wrong on that account as this book is clearly demonstrating. Stuart has taken this and made different and interesting than anything we can preconceive coming into it. That is quite the feat to take that preconceived notion and flip it, twist and serve it up on a silver platter as something you have no idea what to expect from and thoroughly enjoy.

      I love meeting more of the crew of this ship and Sergeant Buddy-Cat does not disappoint at all! He’s old possibly senile and has this crazed look about him telling us he’s not all there and ya know what I hope we see more of him! So we meet him basically because Sergeant Mittens led a mutiny and challenged Captain Ginger for leadership and lost spectacularly. To see him here doing this is something that is necessary and somewhat degrading and he knows why he’s there the real question is can he handle the stress of his own emotions to overcome that? Personalities shine here through the excellent characterisation we are seeing.

      While the ship has a lot of things wrong with it it’s nice to see Ginger and his people trying to work on solutions. Even though Science Cat is sick as a dog and Ramscoop just had a litter of kittens which kind of brings us to a problem she’s trying to bring to the forefront. I like that there are a few different things happening all at once as we see the Captain being inundated with problems. The layering of this is rather extraordinary if I’m being honest and it presents avenues for the book and it’s characters to explore setting us up for some truly interesting possibilities.

     The interiors here are great. I doubt it’s easy to figure out the ways the cats become advanced and operate more bipedal or humanoid. Also to see so many of these kittens on board, feral cats, takes time and discipline and I am extremely impressed with the level and quality of work making each one an individual with it’s own look. The utilisation of age layouts and how we see the angles and perspective in the panels show off a nice eye for storytelling. The way backgrounds are utilised is extremely nice to see as they really do expand the size and scope of the story. I really do think that all this beautifully done and the inking plus the colouring here is extraordinarily good.

     I love the characterisation here as we see each of them with their own distinct personalities and names that aren’t really so much given as they are more in tune with what they do. While the evolution of them is nicely done it doesn’t seem as if it’s complete yet. So will they keep evolving over generations or find a way to do that to themselves are things that are on the table as far as I am concerned.
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     The writing here is sensational, the characters delightful and the fact that so many variations of the same species, yes like humans, having no choice but to work together if they are to survive. Yeah that sounds a little familiar only here it’s done so much better than we’re doing it in the real world. Trust me when I say this will shatter any expectations or preconceived notions you have and you will find it becoming one of your go to series!

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Infinite Dark #2

11/19/2018

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Infinite Dark #2
Top Cow Productions 2018
Written by Ryan Cady
Illustrated by Andrea Mutti
Coloured by K. Michael Russell
Lettered by Troy Peteri of a Larger World


     Unrest on the Orpheus, an entity from beyond reality itself, and a therapy session gone horribly awry—Security Director Deva Karrell’s investigation turns up few clues but many fresh horrors.

     Last issue impressed the heck out of me so I was worried that this might have that so-called sophomoric slump. I needn’t have worried however since Ryan is an extremely capable writer and this one not only picks up after recent events, not directly but that’s okay, and expands the story in some new and surprising ways. I am actually continually impressed with what we see here and the fact that what is left of the human civilisation has set up shop in this station that functions more like a world than a floating pile of metal parts.

      What doesn’t surprise me is that as the population decreases and living quarters or inhabitable regions of the station become more packed that people would begin to display some psychological problems would be inevitable. Only that’s not the only thing we have to contend with here as there are some who like we saw last issue have gone apparently stark raving violently bonkers. There is something happening on this station that no one is prepared for or willing to admit is real. That alone is going to be one of the more interesting aspects of the story to see unfold.

     The way that this issue is structured is extremely well done. I love that the characterisation is so strong and that we, alongside everyone who knows her, sees her handling what has happened as poorly as can be imagined. She does put up a brave front and is trying with all her might, tell me are you a Christian child—I said ma’am I am tonight, to appear as functional as she can and there’s definitely something to be said for that kind of willpower, determination and tenacity. That we see her reactions throughout the whole book be what they are you have to admire the way she’s coping.

     I love Andrea and his ability to tell a story visually. The way he can create and use the linework to show off such delicate work and make it seem as strong as a steel cable is amazing to me. His talent and skill to bring his imagination to life and make the environments seem so realistic is sensational. Then to see the simulated therapy session and how different that looks and the way the pixelation is utilised to denote it’s glitches and such is superb. Then there is the Dark Sector and how we see that and honestly it’s creepy as hell and you could do a whole horror story slasher/survival type of deal in there and we’d eat it up. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off a masters eye for storytelling. The way that backgrounds are utilised really complete the way we see what is happening and experiencing with a sense of size and scope that’s almost genius.

     I love that while ever one has secrets we don’t always get to see them but they are hinted at and some exposed. This is the natural flow of storytelling to get revelations and information alongside the main character as they dig deeper into what is going on around them. Ryan is bringing us a stellar example of stupendous storytelling by hitting all the right notes without us seeing them ahead of time. That there is no score to accompany the writing we don’t get any advance notice when something is about to happen and that means we get the kind of attention that is integral to this type of storytelling.
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     This happens to be one of the strongest books that you’ll find on stands from concept through execution this is one you need not miss!

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