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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Ask For Mercy #2

11/24/2018

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Ask For Mercy #2
Comicraft & Comixology Originals 2018
Created, Lettered & Written by Richard Starkings
Created & Illustrated by Abigail Jill Harding


      Mercy wakes up in a cafe in Paris, France, amongst the strange characters that rescued her from the monstrous "Siegeists" that attacked her after she stepped through Alizarine's mysterious gate. Now she has to come to terms not only with WHERE she is, but also WHEN she is.

       I am kind of sad these are Digital Exclusives (available on Comixology and Kindle) as I’d love to have physical copies of this run for my collection and personal enjoyment. What these two have created and brought to life and encouraged by Comixology to set their imaginations loose has resulted in one sensational story. I am not only fascinated by what is happening in the story by literally entranced by the work Abigail does here. Together these two make such an extraordinary team and the work to me is inspired which comes across in flying colours.

     Mercy’s living arrangement is seen here and I have to say I am not sure if she’s a guest that Mister Mansouri has allowed to stay or if these are her relatives. Though I will say from the immediate characterisation that we get here I like the old man not so much however Simine is a jealous, jealous woman who’s bitter by her life choices and would rather be cruel and nasty then deal with things and change her life for the better. Okay I am projecting a little bit my relationship with my sister but hey I don’t have to live or deal with her so I’m good.

      While I am interested in her little abode and all these little animals who come to her and fill her life what happens during the night, I am assuming night, however is when the story really begins. The way that this is structured is fabulous and I like how the ebb & flow on the whole feels within these pages. Then of course there is the characterisation that we’re seeing which is perfectly in sync with the advancement of the story’s plot. The dialogue and the way we see the introduction of new characters is so solidly done. Immediately we get a sense of who they are and what they are about and it’s spectacular to feel like we know who they are as well as picking out favourites which is never a good sign.

      Let us talk about the interiors and what Abigail has managed to achieve here. Her sense of style is gorgeous to see and how she manages to convey the emotions and feelings the characters have at that moment in time is sensational to see. Her imagination is incredible to see brought to life in these demons and creatures in the doorway calling to her. The people, the animals the locations I cannot stress how much it all looks and appears to be so hauntingly beautiful and accurate. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off such a stellar eye for storytelling. The way backgrounds are utilised is gorgeously done and to see Paris in the 1939/40’s as the backdrop makes my heart sing. Abigail is truly a magnificent artiste and illustrator.
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     I adore the fact that this is a book that features forces of light versus forces of dark and ties into the occult and Nazi Germany. There is so much of a reality based feel to the story that’s filled with fantasy and imminent danger. You can feel the tensions, the angst and the fear of the unknown when it comes to the world that Mercy now finds herself in. It really is this incredibly mesmerising and slightly haunting feeling to read this but I wouldn’t change a thing about it!

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G.I. Joe A Real American Hero: Silent Option #2

11/24/2018

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G.I. Joe A Real American Hero: Silent Option #2
IDW Publishing 2018
Written by Larry Hama
Illustrated by Netho Diaz
Inked by Alisson Rodrigues & Jagdish Kumar
Coloured by Vinicius Townsend
Lettered by Neil Uyetake


      Bombstrike leads her covert team of JOE special operators in a desperate search and rescue mission to save the enigmatic Agent Helix! Plus, Ryan Ferrier and Kenneth Loh dive deeper into Helix’s origin in “Codename: Helix,” Part 2!

      Say what you will but I believe that ever single person should be reading IDW’s G.I. Joe A Real American Hero. The reason really is simple, Larry Hama. He is the man who knows these characters the best, better than any have really and he’s managed to do something impossible he’s made them feel current, relevant and NOW. The team we see in these pages well it feels more like a script for Mission Impossible than anything we saw in the cartoons or those disastrous cinema features (okay the first was fun the second not so much).

      No laser guns, they don’t exist yet, so guns it is and no outlandish gear or stuff everything that we see them with is something that is very much in use at this moment or it’s slightly ahead but the point is it’s realistic. So are the attitudes, personalities and backgrounds of the Joe’s which didn’t have to be gender or racially swapped to include diversity, Larry does that naturally. As Larry has grown so too has the franchise and that it’s evolved into something so strongly written and gorgeously illustrated that it’s no wonder why I long for the days when this becomes a cartoon, this version right here even if it’s only an animated feature length film.

      The way this book is structured is amazing to see. There is a natural progression of events that unfold that makes this as believable as possible, at least to me. Since this mini-unit is going after Helix, yes rescue mission I know, they really are going into each situation blind and that makes the tension heighten and the feeling we get from more intense. It is wonderfully done so that it really feels like it’s an action adventure story almost a black ops kind of deal and as it doesn’t feel fantastical and it’s bloody as all get out well yeah.

     The interior artwork here is superb. The attention to detail is stunning in how it’s been done and the steady creative mind of Netho is just a pure joy to see unfold. I mean to see the hatching work in the mats and the knots in the rope it just goes to show that no detail is overlooked and all of it is treated the same way to bring as complete a picture as humanly possible without it being a photograph. The inkers bring those pencils to a stage where they are ready for the colours is extremely well done and that inked linework really looks amazingly strong. Then the colours wow the shading from light sources are superb and how the colours naturally gradate is sensational, a lot of that is hair work too. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off an amazing eye for storytelling. The way backgrounds are utilised strengthen that and bring a fuller picture of what is happen as well as the size and scope of the story.
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     I am so impressed with this story as well as the main book in the franchise. It has everything I think it should have and when Larry makes changes or kills someone off, yes there are death’s that stick in this version, they make sense and I don’t get upset about it. Shocked, well sure, surprised, definitely but this franchise will outlive us all and it deserves all accolades it gets and so much more.

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Rivers of London: Action At A Distance #2

11/24/2018

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Rivers of London: Action At A Distance #2
Titan Comics 2018
Created by Ben Aaronovitch
Written by Andrew Cartmel
Illustrated by Brian Williamson
Coloured by Stefani Renne
Lettered by Rob Steen


      In October 1957, Nightingale was reunited with an old friend from the war, Angus Strallen. The pair both survived the conflict, returning to Britain to pursue careers in law enforcement, which led Strallen to London; he was pursuing a serial killer. The man in question was one Professor Uwe Fischer, a Luftwaffe pilot turned boffin at a factory in Strallen’s neck of the woods, Cumberland. Fischer was preying upon young women, and Strallen had some evidence to suggest that he was using more than physical power to commit these crimes. He knew of only one man who could help him. It was up to the pair of old friends to work together and apprehend Fischer before he had the chance to strike again…

`     This has become one of my go to franchises as it really combines the world of magic and the world of crime drama’s exceedingly well. I need to find which novel is first in the series and order it unless Ben feels generous heh my Dad and I are always looking for new authors with a nice run of novels. These stories are always so well done and how they are structured and information is dolled out. This makes the ebb & flow of the book pretty strong and lovely to follow along with and as the story unfolds and further characterisation is revealed those characters whom we might as background characters or supporting depending on your view get a chance to be spotlighted.

      The opening here is spectacular and throughout the book as a whole I love that we see Fischer in the act but we haven’t had a chance for him to show off why he does it. His desires and tastes are his alone to know and I rather prefer it that way if I’m honest it keeps the mystery and an air intrigue to him that turns an ordinary man into an extraordinary character. I know there is a lot of hype surrounding the magic aspect but we really rarely see them use actual magic and a part of me appreciates that as detective work is always fun to see happen but a part of me thinks wouldn’t using magic’s be so much easier? Either way the way the events unfold here is rather marvellous and keeps us more than interested and always coming back for more.

       The interiors here are really well done. I very much like the way the linework is used as Brian manages to create such delicate looking lines along with those bolder ones that standout. Molly particularly has some stellar moments that shine through thanks to how we see her facial expressions and well Nightingale portrayed as one heck of a sexy man. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off a rather nice eye for storytelling. The way backgrounds are utilised come out spectacularly, the buildings and such really bring the city to life and almost a character in it’s own right. The colours here are done superbly. Fischer and his dress wouldn’t be the same without that work and then the past, and some of the moodier moments stand out because of the work Stefani does.
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     This is one of those series that needs to get a bigger spotlight on it. It is more than delightful and it has such varied and lively characters that are fun to get to know through their dialogue and characterisation. The interiors are always so solid and bring this to life beautifully. This is a solid franchise and if you like detective stories in novels, comics or in the cinema you should do yourself a favour and pick this series up.

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The Whispering Dark #2

11/23/2018

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The Whispering Dark #2
Dark Horse Comics 2018
Written by Christofer Emgard
Illustrated by Tomas Aira
Lettered by Mauro Mantella


     An Army pilot confronts a supernatural horror in this thriller in the tradition of Lovecraft's At the Mountains of Madness and Coppola's Apocalypse Now! Surviving on little more than go-pills and fear, Hannah Vance finds her morality and her sanity, tested to their limits--and beyond--as she desperately seeks a way out of enemy territory.

     By Queen and Crown this is an extraordinary story being told here. The idea that this group of soldier’s and a helicopter pilot, who happens to be the highest ranking officer left alive, are in the Russian wilderness where strange things are happening isn’t for the feint of heart. I feel like perhaps that a Baba Yaga may be lurking unseen watching, waiting and biding her time while she forces the soldiers ever onward. Usually when we get a horror story involving soldier’s they are responding to something, going in under false pretences where they are besieged. This is different, and different is good.

      I like the way that this book is structured and the way we see it flow through the pages. It has both a natural feel to it and even with the horror element there is a lot here that I can see being actually accurate. Well I don’t know about these go-pills but in reality it wouldn’t surprise me and when we see news stories about soldiers dying in ways that have nothing to do with battle so. Also I really like the way that in the opening sequence we get that quick peek at each of them and the assessment of them through Hannah’s opinion. She is now squad leader and she needs to do this but she also has to know that this ragtag group of miscreants needs rest.

    There is a sequence of events that we get to see unfold and the information we learn while may be perceived differently from their vantage point has chilling aspects to them. Consequences of some actions are also on the table and as they move forward with little to no sleep and artificially stimulated the mind players wonderfully dastardly results. The constant sense of movement is portrayed extremely well here and as a reader I get that feeling of moving along with them and at times it can be a bit disconcerting but it’s also a marvellous testament to the skill that Christofer has at his fingertips.

      The interiors here are stunning. The way we see the linework used to create this attention to detail is mind blowing to me. From mushrooms growing on trees to the mountains in the distance or the way a softer delicate touch is needed for faces and facial expressions the work is just that good. Tomas has a way with what he does and then that he colours this as well means that every line he uses is meant for something and the shading and colours he chooses for highlights or lowlights is just impressive. As is the detail that we get in seeing the camouflage pattern in the uniforms. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off a spectacular eye for storytelling.
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     The way that Christof is building up the tension in this story is sensationally well done. With little information but with extraordinary characterisation we are getting to care about these characters already. We have become a part of their lives in a sense and while I still can’t figure out if Hannah’s talking to her father before or after all this mishegas happens it really doesn’t change how we see things. There is a mystery surrounding these folks and I am waiting to see them picked off one-by-one. With extremely solid writing and stunning interior artwork Dark Horse has another certifiable hit on their hands. 

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Marvel Knights #2

11/23/2018

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Marvel Knights #2
Marvel Comics 2018
Story by Matthew Rosenberg & Donny Cates
Written by Matthew Rosenberg
Illustrated by Niko Henrichon
Lettered by VC’s Cory Petit


      The world has forgotten about super heroes. And so have the heroes themselves. Bruce Banner is the key. Someone comes to him while he sleeps, leaving notes about the former identities of the world’s superhumans. He’s convinced a cop name Frank Castle (formerly the Punisher) that the world is not as it seems—and now Castle and Banner are on a mission to awaken the memories of more people like them. But when Matthew Murdock’s memories as Daredevil awaken, his memories of Castle don’t, and he refuses to help them. Murdock tries to flee to his law office, but his friends there don’t remember him either. With nowhere left to turn, he prays for salvation—and finds himself face-to-face with his long-lost love, Karen Page.

      I cannot tell you the last time I was this excited for a Marvel book, okay I can but when I do they get cancelled and even though this one is a limited series I would really like these guys to revive the Marvel Knights line and keep this series moving. The premise is solid and the boys are approaching this is sensationally well done and the overall storytelling from top to bottom is utterly marvellous. The way this is structured is incredibly well done and the ebb and flow of the book swirls around as if on the verge of a whirlpool. The effect is almost mesmerising and lulls the reader in this false sense of security and then certain things hit you and if you’ve ever thought of it hit by water is a lot more painful than you realise.

      After the opening featuring Matt dealing with what has happened thus far we get to something I wanted to see last issue. Bruce Banner meeting up with Frank Castle! While we don’t get hide nor hair of the villains this time around I am perfectly fine with that as I want that mystery, along with another one to really have a chance to simmer. Still seeing Bruce walk into a police station looking for Castle is one of the best scenes I have seen come to life in quite some time. There is just something inherently wrong or off with the idea because “in the real world” these two would never be working together on anything. So the Odd Couple pairing is intriguing and something we want to see more of. This is the power of writing and how good strong, solid characterisation can carry off even that which seems impossible.

      Whoever said art doesn’t sell comics doesn’t realise the impact it actually does have. The work being done here by Niko is a huge selling factor for me in my enjoyment of the series. The linework is positively beautiful it has this effect that a grittier almost super-hero noir title should have and that we can see such subtlety in the work is amazing. I love how the characters look, classic with a twist and that twist being Niko’s style. Then there is the colouring here as well which with the pops of colour strategically done it packs that much more of a wallop to me. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off a great eye for storytelling. To see backgrounds utilised as well as they are enhance the story in all the ways they should be doing.
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     I love the pacing of this book, how it’s being told and the sheer audacity that something this large can be done in a limited series. This for me far outweighs anything of this stupidly produced never finished so-called crossover events. This is what Marvel Comics is to me, it’s this quality of storytelling that I have missed.

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The Lollipop Kids #2

11/23/2018

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The Lollipop Kids #2
Aftershock Comics 2018
Story by Adam & Aidan Glass
Written by Adam Glass
Illustrated by Diego Yapur
Coloured by DC Alonso
Lettered by Sal Cipriano


     Nick knows he’s not hero, so he says thanks to the Lollipop Kids for all of the bad memories, and heads out of the park, back to his old, safe, boring life. But something follows Nick, a GREMLIN named EXPO. Nick almost kills Expo, but FRESNO stops him and explains that the Gremlin is on their side, not all monsters are evil. Fresno gives Nick one last chance to join their ranks and to fulfil his destiny, but Nick’s soiled pants tell him all he needs to know. Nick leaves again, but soon he stumbles upon something much worse than a gremlin—and this time NOBODY is coming to his rescue.

     Wow just wow. I am so extremely impressed with this series already and mainly because the series gets explained through action and words. The saying goes “No rest for the wicked” and that’s true but there’s also no rest for the Lollipop Kids, yes try saying that without switching out Kids for Guild cause I almost wrote it down. There is something electric about this book that is somewhat difficult to explain but anyone who has read it will understand exactly what I mean. This kind of writing and the level at which we get it is just amazingly well done.

     The way this is structured is fabulous I like that the fact this picks up where we left off and has that whole real-time feel to it is something that I appreciate. If you have been reading my reviews then you know I am a huge fan of Adam’s, and Aftershock, and this continues that admiration that I have as his dialogue throughout this book is bloody marvellous. It doesn’t matter if it’s a brief moment or an extended one the characters base personalities are established and just waiting to bloom like rose, on the grey Ooh, the more I get of you, the stranger it feels yeah and now that your rose….

      Nick is an interesting contradiction in character study. I know with his mixed lineage and his Dyslexia he has a massive inferiority complex. This is seen as cowardice by some and even himself but he’s not had a proper opportunity to really prove himself otherwise. Out looking for his sister that’s an act of bravery all it’s own and that he’s been following the clues left behind well I have to say this young man is much more on his way to figuring out who he is then he realises. This is the level of characterisation that I was talking about.

     There has to be an award for Diego and DC for their work here. I am gob-smacked by the level of talent I see here and the intricacy of the linework and how the varying weights are manipulated in such ways to really bring these faces to life, Life, life, let my creature live Life, life, it's life that you must give Fate, fate, through this storm and strife. DC’s work more so on the backgrounds where we see the trees and the mood lighting even more so when we see that show horse and carriage it’s jaw dropping work. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off an elite eye for storytelling. Then the utilisation of the backgrounds as integral points in the storytelling is brilliantly done.
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     This is the kind of book that comes around once a generation for me it’s starting off on par if not higher than The New Teen Titans did back in the 80’s and when you can produce work to rival and surpass Wolfman & Perez well then you know your doing something right. This is the book that will eclipse your expectations of what comics can be.

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Sagas of the Northmen #1

11/23/2018

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Sagas of the Northmen #1
Black Jack Press 2018
Written by Mark Wheaton, Sean Fahey, Tom Pinchuk, Derek Fridolfs
Ken Jones & Susan Wallis
Illustrated by Jok, Borch, Marcelo Basile, Ezequiel Rosingana
Micheal Kennedy & Totor Hristov
Letters & Production Design by Kel Nuttall


      Sagas of the Northmen is a comic book anthology about the bold lives and heroic deeds of the men and women of The Viking Age. In the tradition of the medieval Icelandic Sagas, the book features tales about (seemingly) ordinary men and women finding themselves in extraordinary circumstances.

      I do like an anthology series but for me seven tales in this was a bit much I think four to five stories in a book this size is preferable. Personal feelings aside I loved this book I think the subject matter of it is what tipped that scale for me. With Vikings, Norsemen and The Last Kingdom we are really seeing a resurgence of properly good stories that feature the brave men and women from the Viking Age.

      I think why I would like fewer stories in an anthology is that I want each tale to be longer. Shorter ones end when I find myself smack dab in the middle of it’s grip and that leaves me wanting more that’s not going to come. Which is the reason I don’t read short stories in novel form either but here there are some stories that are left open-ended so that perhaps they can be revisited at a later date. Whomever decided upon which story went where in this book deserves some rather high praise because I think the order in which we read these is not only important but the first one is the one that will make someone decide whether to keep going or not.

      Universally throughout the stories we see things that we are all consciously aware whether we realised it or not. Some taken straight out of history books and others taken from supposition and logical conclusions of what has happened in the past. In that regard the stories resonated with me and then I felt as if they were accurate and that impressed me. Even with a shorter amount of space the pacing of the stories are rather impressive and the characterisation equally so. This whole issue at sixty-three pages is impressive laid out and each story while done by separate teams still feels as if it all flows naturally from one to the other.

     The interiors here are extremely impressive to me! The linework that we see throughout is utterly sensational and the varying weights we see to create the attention to detail is delightful. Black and white is an unforgiving style to work with and you’d best hope for the strongest and best work you can possibly do, it would really easy for us to see the mistakes in the work. There is not one among these seven that wasn’t done beautifully. The styles may vary but the strength of the work does not and each one perfectly expresses the story and makes the reader FEEL. The utilisation of page layouts and how we see the angles and perspective in the panels show a number of stellar eyes for storytelling and that backgrounds are utilised as they really flesh out these stories beautifully.

     I have my favourite stories out of these and if you read the book, which I am hoping you will, then we can discuss them then. This happens to be a prime example of why I keep telling you all that small press or indie books are those you need to be paying attention to. Some of the most interesting and talent folks don’t work at the familiar named companies and quite honestly this freedom they have to their stories is so much more appealing.
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      You can head over to the following links to get the book and see why I am making such a strong fuss over it!
https://www.drivethrucomics.com/browse/pub/3616/Black-Jack-Press?fbclid=IwAR3i7-vr_RTZ0ULcmpnUyQ_aORAg7-ugchhxUxCfpNKIXSkJjyVjIW2iu9g
https://www.facebook.com/BlackJackPress/



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Smooth Criminals #1

11/22/2018

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Smooth Criminals #1
Boom! Box at Boom! Studios 2018
Created & Written by Kurt Lustgarten & Kirsten ‘Kiwi’ Smith
Illustrated by Leisha Riddel
Coloured by Brittany Peer
Lettered by Ed Dukeshire


      There are certain things Brenda expects to find while hacking: money, secrets, occasional pictures of cats. She is NOT expecting to find a cryogenically frozen master thief from the 60s. Mia is everything Brenda is not—cool, confident, beautiful. And utterly unprepared for the digital age. Despite their differences, the two will need to team up to find out what happened to Mia—and how to pull off the heist of the century.

      First I am surprised this from the Boom! Box imprint as I thought were more aimed at a younger all-ages audience and somehow two women who are going to try and pull of a string of thefts while dodging the men chasing them seems a bit more grown up in concept and execution. That being said what a fun book this is! I wasn’t sure what to expect but if I am honest I found to be humorous along the lines of Future Man, which if you never seen fix that. It is kind of funny that this is set in 1999 because honestly I don’t remember it being anything special our groundbreaking about it. Sure Y2K was coming but that’s all I can think of. I guess hacking was big but I thought that was earlier in the 90’s.

     Okay so the way this is structured is very well done. The opening is superb and I love seeing this woman blading through the streets of San Francisco while Brenda narrates. Of course learning what her narration really is however is something I am not soon likely to forget. It is great though because it introduces us to one of the main characters and gives a brief synopsis of her life and how she is seen by others. Also in some regards that she is what we consider nowadays to appear to be on the spectrum and is socially awkward and doesn’t stand up for herself but is completely confident in her abilities is a nice dichotomy.

      The introduction of Mia as well was something that I feel I’ve seen before, or at least something like it. Regardless it’s handled very well and I think her actions speak volumes about the type of woman she is. Then it gets really interesting. The way the book flows and how we see Brenda flourish in her element and as desperate as she is for a friend I think she’s getting in way over heard but I am looking forward to seeing how this pairing is going to play out. Through the ever evolving characterisation it’ll be interesting to see how they develop as characters.

      The interiors are really rather very nice. The linework is sensational and I like how the varying weights are utilised in both the characters and the world around them is spectacular to see. The overall effect of the linework and the colours is something that creates a warmth and comfort that helps with how we see the ease of the story unfold. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off a solid eye for storytelling. Backgrounds are utilised fairly well and they in panels than I had expected so they do a really nice job in expanding the moments and giving us a size and scope of the story.
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     It is a great premise and it has a strong presence about it so that the base characterisation laid down is nicely done. How the story is so in sync with the visuals in being able to move it along and engages the reader is extremely well done. This is a delightful surprise that takes a different look at the meaning of partners in crime.

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Lightstep #1

11/22/2018

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Lightstep #1
Dark Horse Comics/Eipix Comics 2018
Written by Milos Slavkovic & Mirko Topalski
Illustrated by Milos Slavkovic
Lettered by Andrej Bunjac


     January Lee is of royal descent, part of the ruling class that lives out their lives on accelerated, ''Lightstepped'' worlds where a single day is a lifetime on a normal planet. But her ''holy ailment,'' which allows her to see the truth behind the Primogenitor's lies, marks her for banishment to the outer worlds. This is the beginning of a fantastic tale of alien worlds, a star-spanning empire, and rogues and rebels seeking a weapon hidden in the transmission of a radio drama from Earth thousands of years ago.

     I had to really look at this one but it wasn’t that hard to decide I had to have it. Milos and Mirko aren’t household names but I knew of them or thought I recognised their names, after all I do read a lot of books that come from all over Europe. I will say that this is a huge pick-up for Dark Horse as it is usually something the States would see through Titan Comics. With Dark Horse however there really is a better chance of it being seen. It needs to be seen too this is electrifying, infectious and pretty mesmerising in how it’s told in both words and visually.

     I really like the way this book is structured. The opening of the first issue of a never before seen series is the most important opening you’ll get. It has to be dynamic, interesting and capture the readers mind and imagination leaving them wanting or desire to know and see more. This does exactly that and right from the start we see that Milos has his own distinct style of illustrating and I will tell you what it’s gorgeous. I like how the first things we see and learn here are much of the ideology of these people and to start so strongly and interestingly make me expect big things to come.

     The overall flow of the book is extremely well done and the whole idea of January, her visions and what it means for her to see what she does is sensational. Then there is how much information is given out here as it establishes the past for us in some truly original ways. I always thought it was those who forgot the past were doomed to repeat it and yet here it’s the overzealous disciples who believe they must follow in the exact footsteps as their Primogenitor. Throw in religious style belief and make it something that goes to the extreme and suddenly they are most dangerous people alive. That for me this is demonstrated a number of times throughout the story to the perfectly desired effect.

     The interiors here are stunningly gorgeous in my humble opinion. The strength and crisp, clean linework that we see to create that attention to detail and make it strong while still looking delicate is sublime. The colouring and how it kind of has a more muted pastel feel to it keeps feeling more dreamlike and that affect just heightens the work we see. It also makes the linework or any mistakes front and centre but thankfully there are no mistakes that I can see. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off an amazing eye for storytelling. The way that backgrounds are utilised really help expand this world and show us the size and scope of the story beautifully.
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     This is one of the stronger first issues to a new series I have seen in a very long time. The writing is impeccable with it’s characterisation, pacing and story development alongside this stunningly beautiful interior artwork make this something to remember.

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Bettie Page in The Princess and The Pin-Up #1

11/22/2018

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Bettie Page in The Princess & The Pin-Up #1
Dynamite Entertainment 2018
Written by David Avallone
Illustrated by Julius Ohta
Coloured by Ellie Wright
Lettered by Taylor Esposito


      Introduction
     This volume continues the declassified adventures of Bettie Page, from the period of her life when she served as a government agent under my supervision. I had thought, honestly, that the exploits chronicled in “Bettie in Hollywood” and “Model Agent” might have served to sufficiently inform the public of Bettie’s heroism and patriotism, but Dynamite assures me that there is a hunger for stories of this kind at the moment. With some reluctance, I submitted to having further entries of Bettie’s “Secret Diary” adapted into this form. Despite Mr. Avallone’s long association with subversive elements, I am convinced by previous chapters that this commitment to Ms. Page’s legacy, and indeed, America, is not in question
Col. L McKnight, Special Agent, (Ret.)

     It’s books like this that remind us how fun the imagination can be. The mystery that surrounds some former celebrities and why they disappeared from the spotlight can be obsessive. David’s alternate reality spy thriller is one of the more interesting versions that I have had the pleasure to read. His arcs have been excellently written with delightful characterisation and pretty absurd situations the interdimensional demon who constantly plagues Bettie is one of those you could consider that. For proof take a gander at the opening.

     I love the way that this book is structured. Also the fact that each arc has been tied into the bigger picture and yet is still new reader friendly shows us that David can really utilise the tools of his trade. The way we are able to see how David traverses so smoothly from segment to segment is fantastic as the whole flow of the book is pretty amazing to see. Nothing about this feels rushed, glossed over or even missing in any manner which is one of those things that I love about his writing.

     The concept behind this story is pretty sweet as well. From the dialogue/banter between Bettie and McKnight is the stuff that legends are made of and I can never tell if they are flirting and or fighting with one another, there’s a thin line between love and hate.
Still it’s also a chance to show the reader just how much someone like Bettie is underestimated while showing her intelligence and observational accruement. The character development here is something that I love to see and it’s continual and makes Bettie one of the more fascinating characters out there right now.

      We skipped the light fandango Turned cartwheels ‘cross the floor But the crowd call out for more. That is kind of what I feel when at the interiors here. The attention to detail here is utterly phenomenal and the way that the varying weights of the linework are utilised to create such near delicate lines to show us things like aged stone or the clothes they wear to the unwelcome guests at the end are complete wow factors. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off one of the better eyes for storytelling around. I love how the backgrounds are utilised here to show size and scope of the story as well as enhance the moments we see. Oh and the way they are coloured to highlight such things is just as spectacular and complete that overall look, tone and feel.
​

     Spoiler alert we see Winston Churchill here and what Bettie thinks of him and he of her oh to hear that exchange in person to catch those subtle nuances in their speech pattern, that’s already in my head. With an absolutely cracker story concept, story development and stunning characterisation alongside some of the best interiors around make this what we’ll all be talking about after the Holidays!

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