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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Ghost Wolf Vol.3 #1

2/29/2020

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​Ghost Wolf Vol.3 #1
Amigo Comics 2020
Written by Massimo Rosi
Illustrated by Vito Coppola
Coloured by Viviana Di Chiara
Lettered by Monkey Typers


     The End of All Tales
     When the old tales of light are told again, the old tales of darkness awake. After millennia, the nemesis of the Ghost Wolf will reveal themselves to Mara Wolf-Arm, Jarl of the Northern Wastes. And also to her son Lif, who now wears the mantle... and this will be their end!

     I am super impressed with the story here. Massimo is writing a hell of a story here and I really do like the way the book flows and how the story itself unfolds. Plus to see the beginnings of how the old ways and the new collide spectacularly with these pages. I love seeing the Viking ways and then to see the issue protagonist as he comes through all this makes for rather poignant reader and is very much what has happened in our own timeline so there is more than just a bit for the reader to relate with.

     The way that this is being told is exceptionally well done and how the book flows between sections or arcs so that they converge is pretty amazing to see. Also while Mara is Jarl and she's a good strong leader she is also preoccupied with the death of her children and obsessed with finding them and talking to them in the other realm. This leaves her not at her finest regardless of how strong she thinks she is. The opening here is fantastic and we get to see some very interesting and misguided notion that he has. Still it sets up what it is that we are going to be seeing in this arc and it builds a delicious tension along the way.

     The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented beautifully. The character development that we see and how we get the sense of who these people is clear as day and it wonderful to experience these characters so fully. We really do get such an understanding of them so that we can see their point of view and while misguided or full of arrogance the villainy is and isn't any less pronounced. This is the kind of writing that say while it may be the third act it makes it very easy to make this a great jumping on point. The pacing is superb and how it takes us through the page revealing the twist and turns along the way it helps to create the books ebb & flow which is so good that you are so wrapped up in it that you feel it goes all too quickly.

     The interiors here are really rather nice to see. The linework is strong and we definitely see Vito's style within the way he utilises the varying weights to bring about the attention to detail is quite delightful. Also to see the way that backgrounds are utilised and how they are part of the story itself is so perfect to see in my opinion. Also how they work within the composition in the panels to bring depth perception, scale and the overall sense of size and scope to the book is extremely well done. Also seeing Mara's arm the way it is while impressive I do wish it had a more detailed, streamlined way about it to make it more impressive and more frightful. The utilisation of the page layouts and how we see the angles and perspective in the panels show a really nice, strong eye for storytelling. The colour work is fabulous as well here. I like how the shadows are utilised as they are to make the darkness and what lies within it that much more palpable. The various hues and tones within the colours utilised to create the shading and highlights is really beautifully rendered as well so that it makes a nice impact of their own.
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     This is fun, exciting, engaging and takes the idea of history, fantasy and the world around them to create something that resonates in the world today. Massimo has emerged as a writer of a new generation whose voice needs to be heard and who's work should be celebrated.

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Finger Guns #1

2/27/2020

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Finger Guns #1
Vault Comics 2020
Written by Justin Richards
Illustrated by Val Halverson
Coloured by Rebecca Nalty
Lettered by Taylor Esposito


     Two troubled teenagers discover they can manipulate emotions by firing Finger Guns. There will be laughs. There will be tears. There will be uncomfortable teen feelings and angst. Oh yeah... and chaos. So much chaos.

     I wasn't all to sure what this was going to be like but it's Vault and I yet to be disappointed by anything I have read from them. So far that stands. Though this the first all-ages I have seen from them which surprised me a little bit. The opening where we meet Wes is really well done and it does allow us to get to know him and understand a little about his life. This way what we see so quickly has that impact on how the reader is going to feel about him which is a bonding experience. This gets us invested quickly and there are few things more important in storytelling then being able to have your audience bond with your character so quickly.

     I like the way that this is being told is really well done. The story & plot development we see through how the sequence of events unfold and how the reader learns information is presented in a great way. That what we see is what we see and as of now there doesn't seem to be any type of explanation forthcoming I find that I actually prefer things this way. The character development we see is rather nicely done. The way that it's done feels almost as if we are seeing everything around him is showing us who Wes and I have never seen it done quite like this before and I don't we will again. The pacing that we see is superb and as it takes through the pages revealing the twists and turns along the way it helps to create the books ebb & flow. There is some amazing and unique utilisation in storytelling happening here and I have to say I really think that this feels a lot more innovate than I would have thought.

     The interiors here really have that all-ages appeal to it and they characters look like they belong in their age brackets which I really appreciate. The linework that we see is strong and laid down extremely well and I am thoroughly enjoying how we see the attention to detail as well how backgrounds are utilised. The way all of this works together and creates the depth perception, scale and brings this overall sense of size and scope to the book is remarkably well done. The utilisation of the page layouts and how we see the angles and perspective in the panels show a great eye for storytelling. I am enjoying the colour we are seeing as there some nice utilisation of both solid colour alongside seeing the colour blocking for shading and highlights so it really does make for some really interesting visuals.
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     This wasn't anything like I was expecting it to be and I really really like that. The way we see this progress through the pages reveals such a delightful story. This will surprise and entertain you in ways you don't expect making this a dynamic new addition to Vault's line-up.  ​

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Force Works 2020 #1

2/26/2020

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Force Works 2020 #1
Marvel Comics 2020
Written by Matthew Rosenberg
Illustrated by Juanan Ramírez
Coloured by Federico Blee
Lettered by VC's Clayton Cowles


     Tony Stark's adopted brother, Arno Stark, and his business partner, Sunset Bain, have seized control of Stark Unlimited and the Iron Man name. Their goal is to institute new regulations for A.I.s to limit the potential hazards of rogue robotics harming humans. These measure have resulted in widespread dissent in the robotic community, and small radicalised factions of machines have begun rising up and launching Violent terrorism attacks in protest. Together, a small group of military operatives stands as humanity's last line of defence against the robot rebels.......

      I was curious about this, mainly because I really wanted to see how Mockingbird and U.S. Agent were going to be portrayed. When I saw the first page I knew I was going to like this and immediately picked it up. Boy howdy am I glad that I did too because this makes me want to see Force Works come back as a monthly book. The quality and level of storytelling that we see throughout the book is fantastic and it makes me think that Marvel really is in the midst of a great revival in their books. While I had no idea the reason behind this coming to be, I am still not a fan of all the tie-in stuff, that it still feels like it's own entity and can be enjoyed that way is fantastic.

     I like the way that this is being told. The opening is bold and dynamic which captures the eye and attention immediately making you want to see more. Also that it's War Machine who has always gotten that second fiddle Iron Man stigma is finally getting to shine here is a lot more interesting than I had anticipated it being. The story & plot development that we see through how the sequence of events unfold and how the reader learns information is presented really well. The character development is sensational! Bobbie and U.S. Agent in particular because that really is who I wanted to see and the dialogue from them is perfectly done. The respect and care that we see in how these characters are treated has already made me a fan. The pacing is superb and how it takes us through pages revealing the twists and turns along the way it helps to create this really nice ebb & flow.

     The interiors here show some absolutely stellar work. The linework is strong, clean and how we see the way the varying weights are utilised to highlight the attention to detail really is beautifully done. The first page we look at determines if we are going to like this style of work or not and whether people admit that or not it's true. The detail and the imagery and care taken made me instantly want more. The way backgrounds are utilised, there are still opportunities for more, and how the work within the composition in the panels bring depth perception, scale and a nice sense of size and scope to the book. The utilisation of the page layouts and how we see the angles and perspective in the panels show a really nice, solid eye for storytelling. Also the sense of movement we see within these pages, specially with the Agents shield is just another added bonus. The colour work is laid down beautifully as well. The way that we see the various hues and tones within the colours utilised to create the shading, highlights and shadow work shows some very nice understanding of how colour works.
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     Forget Tony and whatever the heck is going on over there. Maria leading this team from afar and letting Rhodey take the lead on site is a bloody great tactical route to go. With a core of four team members they have the opportunity to do things others cannot and for that alone they need an ongoing book but this creative team makes the other massive argument for it. This is the kind of book I want to read pure and simple.   ​

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Conspiracy Area 51 #1

2/26/2020

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Conspiracy Area #1
Zenescope Entertainment 2020
Written by Hans Rodionoff & Adam F. Goldberg
Illustrated by Allan Otero
Coloured by Leonardo Paciarotti
Lettered by Carlos M. Mangual


     Area 51
     Do you believe we are alone in the universe or are there other lifeforms out there waiting for contact? Is the government keeping them a secret from the public? Is it for our own good, or for something far more sinister? Find out the truth here, as we storm this conspiracy head on!
     WARNING This series may very well change how you look at life as we know it.

     Now the inaugural arc of this captured the attention beautifully but were pretty much solo issues and now we've got one arc for one story and if they remaining issues are as strong as this one is then we're in for a hell of a good time! The idea of Area 51 has captured the mind and imagination of people worldwide through films, novels and even comic books so what is it about this series that's going to set it apart from the crowd? Right off the bat things start off in such a way as to do just that and you'll have to read the rest of the story to find out just how interesting and unique the take on this is but suffice it to say this isn't what you are expecting to see and by George it is a whole hell of a lot better than you could have possibly hoped for.

     The way that this is being told is fantastic! The story & plot development that we see through how the sequence of events unfold and how the reader learns information is presented beautifully. There is a great sense of how this should and is unfolding the more we get into it. What I see here makes me ask questions and the more I see the more my mind inquires and this is how you engage the reader in the story, keep their attention and make them want to see and know more. The character development is interesting and we get a decent sense of who the three characters we meet are. This allows for a whole slew of folks whom we haven't met yet who fill the area. There is some great generation of who and what we see and how this is going to affect the story as it moves forward. The pacing is excellent and as it takes us through the pages revealing the twists and turns along the way keep us in this superb ebb & flow.

     The interiors here are extremely well rendered and I am completely and utterly impressed by some of the components that we see. The linework we see is sensational and I like that not only do we see the varying weights being utilised but a myriad of different techniques are being utilised as well. This helps create some phenomenal attention to detail throughout the book. The backgrounds we see really work to expand and enhance the moments as well as worth within the panels to bring us some wonderful depth perception, scale and the overall sense of size and scope to the book. The utilisation of the page layouts and how we see the angles and perspective in the panels show an extremely talented eye for storytelling. The colour work is sensational and there are moments where the colour creates attention to detail of it's own and makes the silver type shirt sparkle and it's bloody effin brilliant is what it is. The way we see the various hues and tones within the colours to create the shading, highlights and shadow work is seriously, beautifully rendered.
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     This is a stupendous start to a story as the writing and characterisation that we see is strong and the interiors are out of this world. The level and quality of the storytelling we see here is why I think Zenescope is one to watch out for!

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Catalsyt Prime Seven Days #5

2/25/2020

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Catalyst Prime Seven Days #5
Lion Forge 2019
Written by Gail Simone
Pencilled by José Luis
Inked by Jonas Trindade
Coloured by Michelle Madsen
Lettered by Saida Temofonte


     DAY FIVE:
     With the world going to hell in a hand basket a new hero emerges to help with the growing chaos. But heroes can't stop people from leaving their jobs, posts at the border and choosing to spend time with their families instead. The world is ending after all, and how are you going to spend it?

     I remember just turning 15 when the first issue of Crisis on Infinite Earths came out. That entire year I was enthralled and captivated by such a grandiose idea and how Marv and George were executing it. Unfortunately ever since both DC and Marvel have been trying to capture lightning in a bottle trying to replicate that with bigger and bigger events every year. Part of what made that special was its uniqueness. For the first time since I was 15 years old I feel that way when I see an issue of this hitting stands. I get that wide-eyed sense of wonder and thrill by what is within these pages. Gail has turned a massive event into something done in a way that is both modern and harkens back to the days when comics made you genuinely feel excited for their release.

     I love the way that this is being told. The opening sums up why in a nutshell though it is unfortunate that an event such as this should occur for what we see happening happen. It is bad enough that Rebecca is having this happen to her but the scarier thing about it is how this nutter obtained her address. The second opening as it were is one that picks up where the events left off with the Incidentals. Who now have to deal with the intrusion of Lorena as well as Camila. Now let's talk about Lorena for a minute, I understand a universe like this needs a bad guy à la manière de Lex Luthor but seriously this woman needs to be toned down immensely. To talk to her lover the way she does here and how she takes it upon herself to be judge, jury and executioner of the world at large puts her in a category that frankly makes me not want to see her at all, in any book.

     The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented extremely well. The character development is strong stuff and while I hate focusing on her the others aren't as fleshed out as she is and I would really like to see more of the kids. The introduction of a new character though has me excited. The pacing is superb and as it takes us through the pages revealing the twists and turns along the way it helps to create the ebb & flow for the book.

     The interiors showcase some absolutely amazing work. The pencils and the inks are so seamless they feel like one person did it all and that's some hella good talent on display right there. The way we see the varying weights being utilised to showcase the attention to detail at such a high level and quality mind blowing. The composition inside the panels while lacking in backgrounds do have enough to bring depth perception, scale and that overall sense of size and scope. When we do see backgrounds they are utilised so perfectly that it makes their absence that much more noticeable. The utilisation of the page layouts and how we see the angles and perspective in the panels show a marvellous eye for storytelling. The colour work is brilliantly rendered. The choice of colours and how we see the gradation in them to create some unusual combinations is delightful. How we see the various hues and tones within the colours to create the shading, highlights and shadow work is done with aplomb. I love that we see a colourist who understands how colour works, how it can be utilised to it's fullest and isn't afraid of the different techniques to bring it all to life.
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     This is why the future of comics is bright. When creators are able to utilise their talents and bring us this level and quality of work, we fans will flock to it in droves. I hold Gail in high regard and she's in the midst of a decorated career but this, this outdoes and outshines everything she's done to date and the artistic team yeah they are just as inspired.

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Machine Girl #4

2/25/2020

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Machine Girl #4
Stonebot/Red 5 Comics 2019
Written by Matts
Illustrated by Sergio Monjes
Coloured by Ramón Bunge
Lettered by Altercomics Studio


     Machine Girl has retaken control of her body and discovered the secrets of her past... just in time to fight for her future in the stunning conclusion!

     I am such a fan of this and the whole Stonebot line that I have read thus far. As a fan of old school science fiction, for me what I grew up on had aliens, robots and was very much story driven and that's classic for me, this comes really close to that as I could possibly hope for. The whole idea here that Megan's father wanted to live out his days in relative isolation with his daughter getting rather violently disrupted and the ensuing journey to find him opening up who and what she is has been beautifully depicted. Matts has a voice that needs to be heard and if this story is any indication he is going to be telling some of today's best science fiction.

     The way that this is being told is amazing. The way we see the story & plot development through how the sequence of events unfold and how the reader learns information is laid down exceptionally well. I am a fan of learning alongside the main character and as Megan learned about who and what she was so did we. This made the connection that reader has with her that much stronger. The character development we see is great and as we see the characters encounter different situations and circumstances we watch them grow and evolve like any sentient being hopefully would. The pacing is superb and as it takes us through the pages revealing the twists and turns and final bits and bobs of information help to create the books ebb & flow.

     There are times when a story is finite and that's okay not everything needs to be drawn out. So to see that this isn't one of those makes me happy. I like how the book ends as it presents a few options should they wish to continue with this story. While it is pretty complete that there is a chance this isn't the last we see of them is fabulous! So if this were to continue I fervently wish that the two little ones and her uncle will be a part of her quest. The other thing we see oh that's superbly delicious and so out of left field that I might as well have been standing there picking daisies. This story really does have a bit of everything and how Matts makes it all work together makes me jealous of his talent.

     The interiors here are mindbogglingly in their scope and execution. The linework is exquisite and how we see the varying weights being utilised to showcase the attention to detail is phenomenal. The best example of this is the splash page with Galaxy M4 and if that doesn't make you feel something then I don't know what will. The utilisation of the page layouts and how we see the angles and perspective in the panels show a magnificent eye for storytelling. The composition within the panels and how backgrounds are utilised bring us this nice depth perception, scale and an overall sense of size and scope to the book. The colour work we see is glorious! How the various hues and tones within the colours are utilised to show shading, highlights and shadow work s done by someone who understands how colour can and should work, even in alien environments.
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     This is one of the better science fiction comics you will read. It is far and away leagues above and beyond most of what's out there now. Any fan of science should have this in in their lives already and if you don't well then you'll thank me later after reading it and realising I am right.  ​

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The Visitor #3

2/25/2020

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The Visitor #3
Valiant Entertainment 2019
Written by Paul Levitz
Illustrated by MJ Kim
Coloured by Ulises Arreola
Lettered by Simon Bowland


     The Visitor’s origin revealed!? As the unkillable assassin continues hunting his targets, the fate of the future begins to come into focus.

     Oh I am loving this book! There are moments throughout that make you shake your head and double and triple check what you saw and read to make sure it wasn't a mistake. Paul shows us why he's still one of today's most accomplished writers and I couldn't be any more thrilled by this. Also I really am enjoying seeing how someone can be prejudiced based on culture because it really isn't something we see that often, at least not in this manner. Of course there's more at play here and by turning to the Americans they've opened a can of worms that they will have to explain at some point.

     I think the way that this is being told is extremely well handled. The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented sensationally. There is some nice layering happening here and we can multiple characters each with their own agenda and one who just wants to do her job. The way we see things happening we may not notice how intricate the layering really is. The character development is phenomenal and the more the we see them the more we get to know them and our opinions keep changing just like they would in real with the more we learn. The pacing is superb and as it takes us through the pages revealing the twists and turns along the way it helps to create this dynamic ebb & flow.

     This is full of those awkward moments and delicious tension that gives you pause. You pause because you don't know what is going to pop out at you but you need to turn the page to find out what's going to pop out at you. This level of engagement as well as how Paul takes us off-script is phenomenally well achieved. Also as I think about it all these moving parts are like the inner working of a clock, each separate piece and yet continually working together in sync to create something greater as a whole. Coincidentally this is also the way that the entire creative team works together.

     The interiors here are utterly marvellous to behold. The linework is mindbogglingly good and it shows such a strong and steady hand as the varying weights create this quality and level of detail. I am super impressed with how we see backgrounds utilised here and how they are utilised within the composition in the panels to bring us depth perception, scale and that overall sense of size and scope. As I sit here looking at this I really am awed by the linework and just how well we see this attention to detail it's really beautiful. The utilisation of the page layouts and how we see the angles and perspective in the panels show a masters eye for storytelling. The colour work is done with aplomb. The work really is divine and how we see the various hues and tones within the colours to create the shading, highlights and shadows is amazing.
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     I expect a lot from Valiant and this exceeds the standards I have placed on them. The way that the story keeps unfolding and introducing new elements as one are revealed keeps this so mesmerising. Then there are moments like when Talia was examining the blood that are well you can see for yourself but damn. Also I am dying to know more about this Visitor and how human it is because that love affair he had I want to see more of. This is the hot now series and if you aren't reading it then you're missing out on one of the truly great reads.

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Hardcore Reloaded #3

2/24/2020

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Hardcore Reloaded #3
Skybound/Image Comics 2019
Written by Brandon Thomas
Illustrated by Francis Portela
Coloured by Leonardo Paciarotti
Lettered by Thomas Mauer


     Agent Drake is hot on the trail of the men responsible for assassinating the President. Too bad the body he just hijacked has been poisoned and he’s surrounded by a team of rogue Hardcore operators…

     I am such a fan of this series. Science Fiction Action Thrillers don't get the credit they deserve. Sure most folks like the space opera or the horror or those combined but this is done in such a way that it makes the impossible seem possible and that in and of itself is scary as hell to me. Black Ops groups that are so far off the books that the President doesn't know they exist are the stuff of legend. Rival groups trying to put the other down and be the only ones doing it, or sabotage and stealing secrets those are things we readily accept. Transferring in and out of people by taking over their minds that's a bigger stretch of the imagination but ya know what these folks right here make it look feasible. That is the kind of power storytelling has.

     Now this call me Layla person is scarier than the Joker, okay at least looking and if I spoke what was on my mind I would offend way too many people. Which is a shame cause I really wanna be shady right about now and I am all kinds of upset that whom we met wasn't even really her. I will say this much when folks such as Layla and her people have the kind of power at their disposal that we see it makes them arrogant, cocky and sloppy. Hopefully sloppy will come sooner rather than later but you understand what I am talking about. It is why those with few to no moral centre usually end up defeated, dead or their brains fried to a crisp making them a vegetable and I have lined whom I wish to receive what lol.

     I think the way that this is being told is exceptionally brilliant. The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is being laid out beautifully. Finally getting to see this organisation instead of their actions makes this more exciting and that Brandon doesn't feel the need to drag it out is great. The character development we see is phenomenal and I mentioned earlier how we view these new characters and that's really due to how well they are being fleshed out. The pacing we see is superb and and as it takes through the pages revealing the twists and turns along the way it helps create this electrifying ebb & flow to the book.

     Francis is one of the most amazing storytellers around. His ability, talent and skill in being able to bring this to life is mindbogglingly good. Sometimes we forget what truly makes an artist stand out and here we see that early and often, those monitors with the visuals from the drones is crazy in it's detail and reader recognition. How we see backgrounds being utilised and how they work within the composition in the panels to bring us depth perception, scale and that overall sense of size and scope to the book is fabulous. Again seeing the escalator brings about an optical illusion to the eye and this kind of control over the linework is scary in how masterful it is. The utilisation of the page layouts and how we see the angles and perspective in the panels show his masters eye for storytelling. Paired with Leonardo was a stroke of luck and genius because the man understands how colour works and how to utilised the various hues and tones within them to create the shading, highlights and shadows perfectly. Two master of their craft in visual storytelling, if you question that in any way look at the camouflage.
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     Forget Cruise and his Mission Impossible films we need to see these on the big screen, I've already cast it in my head too. This is a beautifully written and gorgeously illustrated book that not only engages the reader by what we see and what we don't see but it captures the imagination and enthrals the reader.  ​

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Heartthrob Season Three #02

2/24/2020

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Heartthrob Season Three #02
Oni Press 2020
Written by Christopher Sebela
Illustrated by Robert Wilson IV
Coloured by Nick Filardi
Lettered by Crank!


     Reeling from her encounter with Mercer and coming to terms with her impending expiration date, Callie has skipped out on her mental hospital stay to hit the road with Scout and Naomi on a carefree trip back to Callie’s home town. But what starts as a fun trip down memory lane becomes a disco ball of bad feelings, regrets and close encounters with the FBI.

     This is some crazy ass shit going on here and I love it! Whether or not Callie really wants to make things right or just live out the time frame she thinks she has left is something else altogether. It would be something else if she ends up living a long, long life and all her planning is for naught. Still the way that Christopher is able to weave the different elements into this is amazing and whether or not it's her friendships the realisation that her lover was what he was, which seems to be as malleable as can be. The journey upon which we are along for is one that never ever seems to go as planned and that's a lot of the fun because as a fan and a reader I love not being able to predict where things are going to go next.

     The way that this is being told is exceptionally well done. The story & plot development we see through how the sequence of events unfold and how the reader learns information is laid out beautifully. We also follow along as watch as Callie tries to understand what she has been through and what she still has yet to encounter. The character development ties into the story so deeply here as well. The way she's continually on the move by choice or not she hasn't really had time to process everything and it is eating away at her emotionally. The pacing is great and how it takes us through the pages revealing the twists and turns along the way helps create the books ebb & flow.

     I keep thinking about what Callie was told, that someone in her gang was one of his informants keeps tabbing on and reporting back to him. Now that we know who Forsythe is and how far his reach seemingly extends it doesn't come as a surprise that the cops found her so quickly. Someone had to tip them off and since Callie hasn't been back to Chicago since fleeing I don't see the logic in them waiting for her to return there. Also is that the Short North? They were on Lake Shore Dr. and well the short north did become a gay mecca.

     At first I was taken aback at Robert's work but that left quickly because the man has this way of laying down the linework that shows a strong and steady hand. That he can utilise the varying weights and bring about this beautiful attention to detail is amazing. There are little things too, like the cracks I the side and asphalt that we always see but rarely take notice of. The architectural designs and the fashions of the age that we see is spectacular. That and how he is able to utilise backgrounds and how those work within the composition in the panels to show depth perception, scale and that overall sense of size and scope is perfectly rendered. The utilisation of the page layouts and how we see the angles and perspective in the panels show such an amazing eye for storytelling. The colour work is really solid as well. The way we see the various hues and tones to show shading, highlights and shadow work are so nicely rendered. I am really impressed with how the sun hits the buildings and we see the colour changes accordingly.
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     Sometimes you find a series that you like and it's cute, interesting and intriguing and right off the bat it captures something within your mind which won't let go. This is one of those for me and if it's out I have to have it because it just brings me this inexplicable joy. Also the way that it's written is crazy Christopher that it leaves me needing, not wanting but needing, to know what's going to happen next.

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Guardians of the Galaxy #2

2/24/2020

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Guardians of the Galaxy #2
Marvel Comics 2020
Written by Al Ewing
Illustrated by Juann Cabal
Coloured by Federico Blee
Lettered by VC's Cory Petit


     The gods of Olympus have returned! However, their resurrection has left them war-hungry, and their path of destruction has led Richard Rider, A.K.A. Nova, to seek help from the Guardians. Although Gamora turned him away, Star-Lord and Rocket Racoon snuck away to join Nova, Phyla-Vell, Moondragon and Marvel Boy on a stealth mission to Olympus. But when Moondragon's psychic shielding failed, the Olympians launched a counter-attack. Desperate and on the ropes, the Guardians may be able to turn the tides with help of a surprising new ally.......

     The last page of the first issue showed us who that surprising ally is and I am thrilled beyond belief to see Hercules! I'll be honest I had no real intention of reading this but when I saw the blank cover at the shop I picked it up and read and was pleasantly surprised and happy. I mean I love Moondragon, always have since her Avengers days, so that was another incentive for me. Then Hercules shows up and well I am not going anywhere. Considering he has a history with Rocket and is no stranger to space I am hoping he stays in this book for quite some time to come. Also it sure as hell doesn't hurt that Al's writing this because I am a fan of his work.

     I am enjoying the way that this is being told. The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented extremely well. I like how the bits and pieces are told but the bigger picture still isn't complete and this is how Al engages the readers' minds so that they try to find those missing pieces. It is really rather well done in my humble opinion. The character development we see is fantastic. While we know how most of them behave and have an idea of how they act the circumstances and situations the find themselves in continually make the grow and evolve. Then there's Marvel Boy he's the only enigma for me, I'd like it better if the original or whichever one Vance was be here. The pacing is superb and as it takes us through the pages revealing the twists and turns along the way it helps to create this really strong and interesting ebb & flow to the story.

     I am absolutely love the work on the interiors here! The linework is phenomenal and to see these nice strong clean lines and their varying weights being utilised to showcase this awesome attention to detail is stunning. The little things go a long way and a great example of this is on the first page when we see those lines in Marvel Boy's hair so you see the effect of the clippers or buzz cut on the side. The way we see faces and facial expressions not to mention body language really help further the characterisation and honestly they are just exquisitely rendered. The utilisation of the page layouts and how we see the angles and perspective in the panels show a stellar eye for storytelling. The colour work is magic pure and simple. The way the colours are rendered with their hues and tones creating space, power effects, you name it is completely and utterly captivating, mesmerising and enthralling.
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     I love the idea that an event like this could bring together a new team and without having it take up the entire Marvel U. while I realise it's impossible I want to keep this title as far away from crossovers as possible, they just muck things up. So far the direction of the book and how the characters are coming together is spectacularly well one. There is this fresh and exciting feel to the book and that totally bleeds into the reader.

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