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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Gung-Ho #2

1/25/2020

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Gung-Ho #2
Ablaze Publishing 2019
Written by Benjamin Von Eckartsberg
Illustrated by Thomas Von Kummant
Translated by Ivanka Hahnenberger


     Orphaned brothers Zach and Archer are now a part of Fort Apache, and are expected to pull their weight around the community. But Archer in particular has some other ideas... So do the other established residents of the colony, making life hard on the newcomers. The boys will have to prove themselves, and show some of the skills they've picked up along the way in this harsh, unforgiving new world.
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     I am really enjoying this and it is so different than what I was imagining it would be that makes me appreciate all the more. Benjamin does something really smart with the storytelling here and he doesn't show us what the effects of the “White Plague” has on people and animals. This builds it's own unique kind of tension where we have this overwhelming desire to see that in action while simultaneously feeling fear upon discovery. This is some extraordinary writing here and I have tot say that I am incredibly impressed and totally under it's spell.

     The way that this is being told is just bloody brilliant. The story & plot development that we see here through the sequence of events unfolding as well as how the reader learns information is extremely well done. I like how we see the hazing ritual of sorts as a welcome to the neighbourhood from the delinquents for a myriad of reasons. Just the way we see not only how the brothers are coming into the community but we are getting a darn good look at those already there. Creating the layers of storytelling that make it feel complicated and interesting. The character development that we see is phenomenal and I really feel like I am getting a clearer understanding of them with each appearance. The pacing is superb and as it takes us through the pages we see the twists and turns being revealed. All of this creates the books ebb & flow and it almost feels like watching a soufflé rise with bated breath that it doesn't fall.

     This is a really fresh take on a post apocalyptic world and that alone should be worth more than it's getting credit for. After all just when you think you've seen it all along comes something like this to prove you wrong. Plus you'll never be so happy to find out how wrong you could be.

     I am completely enamoured with the interiors here. I am a huge fan of the way that Thomas has mastered the art of digital artwork. There is just something about the way that we colours with both natural and artificial lights and how they create the mood and atmosphere is remarkable. I am so impressed with how the various hues and shades within the colours can help create musculature or how they enhance the shading, highlights and shadow work. The utilisation of the page layouts and how we see the angles and perspective in the panels show a superb eye for storytelling. How backgrounds are utilised and within the composition inside the panels as well as they provide us with some excellent depth perception, scale and that overall sense of size and scope. I think the way that we see is just beautifully rendered all around and kudos for that.
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     We are still in the introductory getting to know you stage and we're getting into the heart and meat of the story. The pacing and the way we see things developing has a great feel to it so that you have things you want to see more of and then there things we haven't seen yet that we are dying to. Just the way that this is crafted is really sensational to see as it comes to life in your hands. This could be any portion of the world that we see and that has a very universal appeal to it as well. I cannot recommend this highly enough. ​

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The Old Guard: Force Multiplied #2

1/25/2020

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The Old Guard: Force Multiplied #2
Image Comics 2019
Written by Greg Rucka
Illustrated by Leandro Fernández
Coloured by Daniela Miwa
Lettered by Jodi Wynne


     Andy wrestles with her past, and Nile continues to come to grips with her future. As their war against human trafficking escalates, their adversary is ultimately revealed, and the looming confrontation will unearth things long buried…

     This is among the reasons why Greg is such a celebrated writer, with Stumptown, Checkmate and Gotham Central among his credits the man knows how to write some of the best procedural crime books around today. This is as intense and complex as they come too what with all their vaulted knowledge of war, warfare and for as long lived as they've become they have also become incredibly jaded and way too set in their ways. Then along comes Nile and suddenly the status quo is shaken up and the routine has become anything but and for Andy that kind of change makes her much too uncomfortable and increasingly volatile. If we have learned anything from the first gods is that living too long and having too much power has a habit of making you too unstable mentally. Just a little food for thought.

     I like how this issue opens. Nile makes her usual drop with secret agent man, beware of pretty faces that you find, a pretty face can hide an evil mind, Ah, be careful what you say, or you'll give yourself away, and the arrangement suddenly gets complicated. Men such as he want to know more, give him a millimetre and he'll keep pushing until he gets more than a centimetre. It is a dangerous game dealing with men who think they have power and want more of it and in today's world that describes all too many. Still I do like seeing how this complicates matters all around, though for the boys not so much, but for Andy especially.

     The way that this is being told is brilliantly done. From how we see the sequence of events unfold and how the reader learns information that highlights the books story & plot development to how we see this introduce new characters is expertly laid down. The character development as well is rather something else entirely as it would appear that the longer the women the more, I'm going to say unhinged, they become. It isn't so much as something subtle that makes me believe this either but then opinions are my own. The pacing is phenomenal and as it takes us through the pages revealing the twists and turns along the way we see this ebb & flow snake through the book like a coiled cobra waiting to strike.

     I really like the interior artwork we see here. There are old school elements, page seven is a great example of what I mean, and there is a modern take and sensibility so that we see Leandro's own unique style shining through. The linework and how we see and how it's varying weights are being utilised and creating this attention to detail s fantastic. Don't get me wrong I really wish we hadn't seen such a stiff kung-fu Barbie moment in this book and I really, really wish backgrounds were more prolific throughout as sometimes it just doesn't feel finished. Overall, however, the way we see the utilisation of the page layouts and how we see the angles and perspective in the panels show a really nice eye for storytelling. The colour work that we see really sets things off beautifully as we see through moments with the sun or that nice choice in that semi-negative space image. The hues and tones that we see throughout really create a misleading mood and tone and that's wonderful!
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     Greg never lets me down and as I find myself wrapped up in what could happen and what is going to wrong, let's face it things always go awry, that swirls through my mind. That what he and this team does and that's engage the reader and get them invested in the story like the true storytellers they are.

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Wellington #2

1/24/2020

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Wellington #2
IDW Publishing 2019
Story by Aaron Mahnke & Delilah S. Dawson
Written by Delilah S. Dawson
Illustrated by Piotr Kowalski
Coloured by Brad Simpson
Lettered by & Designed by Christa Miesner


     As if a supernatural murder mystery wasn’t enough trouble, Arthur Wellesley must also deal with a talking crow, a magical crone, and an otherworldly monster roaming the countryside. All in a day’s work for the Duke of Wellington.

     Sometimes when you have an artist on a book of Piotr's quality you can take a story that is this odd, queer and eclectic and see the kind of life the art makes possible elevates it to this insane level. From the look on the addlepated old woman's face you know in that instant what you are in for is one of those mindbogglingly excellent reads you wouldn't pass up for the world. The power of words here that Delilah brings us is another aspect of this book that excites the mind and imagination as you try to work out meanings of words long since departed from our vocabulary. What she does with all this is that we are reminded of a bygone era where function and descriptiveness were utilised to their fullest and it made one sound so cultured and intelligent.

     I don't know what it is about the English countryside that keeps us fascinated with tales of legendary creatures from other realms but I have a feeling we'll never tire of them. From druids to the Fae to the Loch Ness the number of sightings and belief in the magic that exists there is the stuff that dreams and more importantly nightmares are made of. So what Delilah is able to do with this here is so magical and so inviting that there's no place I would rather be. Also that she is able to engage the reader so they, like I have just done, wander off-script and into the legends that abound is just another in the long list of reasons to her storytelling ability, talent and skill.

     The story & plot development that we see through how the sequence of events unfold and how the reader learns information is doled out exceptionally well. The character development here is stunning as we see through the dialogue and how the characters act and react to the circumstances and situations they find themselves in are revealed. The pacing is superb and as it takes us through the pages revealing the twists and turns along the way it creates such a marvellous ebb & flow to the book.
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     Piotr's linework is absolutely stunning! What this man is capable of and how he utilises various techniques that tend to be lost amongst the younger generation make this even more impressive. How the varying weights in the linework are utilised to bring about this level and quality of attention to detail makes my heart sing, it makes everything groovy. I am a huge fan of how we see the way that backgrounds are being utilised here and how they work within the composition inside the panels bringing us depth perception, scale, that sense of size and scope and just overall enhancing each panel they are in. How we see the utilisation of the page layouts and how we see the angles and perspective in the panels show a masters eye for storytelling. The colour work here too is simply gorgeous. Candle light, day light, spooky supernatural light all of these cast their own unique shades and hues over everything and I gotta say it all looks so beautifully creepy and haunting.
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     I would love to see more tales like this grace the shelves. Murder, mystery and creatures who mount your head on the wall oh my.

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Dejah Thoris #02

1/24/2020

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Dejah Thoris #02
Dynamite Entertainment 2019
Written by Dan Abnett
Illustrated by Vasco Georgiev
Coloured by Dearbhla Kelly
Lettered by Simon Bowland


     The once-powerful Dejah Thoris is an outcast, her dynasty has been practically wiped out. Yet her family survives and are determined to uncover the mysterious reasons for Barsoom’s worldwide dangers. But the powerful Jeddak would rather Dejah’s entire family be…removed…

     I have to say that I am really loving this, not that there was any doubt. This is one of those examples of Dan being one of the most versatile of writers showcasing that there isn't a character or genre that he cannot write, and write well. One of the benefits can be that if you follow a writer like Dan then you are going to find yourself reading books that you might not have otherwise. The reverse is true as well, you love the character and find a new writer to follow.

     John Carter is long since out of the picture but with Dejah their children and grandchildren taking centre focus as we see their lineage hasn't produced a boy is an interesting take. Also the fact that someone was able to successfully stage a coup and take power fascinates me. So there are actually quite a few moving parts here and they have the same ending point, where they are supposed to meet. Now the real question becomes will these moving parts survive long enough to get to each other or will not only Dejah and her lineage fall but Barsoom along with it?

     The way that the story & plot development is being done as see through the sequence of events unfolding and how the reader learns information is extremely well done. We saw last issue that Kurz Kurtos had thought of a more devious way of dealing with the exiled dynasty and this issue we see that someone didn't waste any time in getting that underway. There are few beings more terrifying than a white ape and so let the games and mystery begin! The character development that we see here is phenomenal and I love that each of these women has such a different personality and they all share the same blood. The pacing is great and as it takes us through the pages and we see the twists and turns emerge it helps to create a really strong ebb & flow to the book.

     I am really rather enjoying the interiors here. That first splash page we come across really sets the tone for what we're going to be seeing this issue and it's rather striking. I think the linework we see is laid down nicely and how the varying techniques and varying weights that are utilised to show the attention to detail is well rendered. Now this is a gorgeous futuristic city on another planet so I would really think this would be a great opportunity to stretch oneself with how backgrounds are utilised. Or in this case not very much at all. I don't understand why backgrounds aren't considered important when they bring depth perception, scale and a sense of size and scope to the book. The utilisation of the page layouts and how we see the angles and perspective in the panels shows a good eye for storytelling. The colouring here is marvellous to see. I like how the various hues and tones within the colours are utilised to create the shading, highlights and shadow work that we see. Honestly they make the interiors look better than I believe they are, and the work on that last page, holy mackerel!
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     One of the things that I really am enjoying is that Kurz isn't resting on his laurels. While those who are exiled sit around and act like it's business as usual, because who would dare be foolish enough to go against lifetimes of the way things are done? I cannot wait to see what Dan and co. have in store for us next or how Dejah is once again going to have rise up and remind the people of Barsoom of the power that she wields!

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Hardcore Reloaded #2

1/24/2020

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Hardcore Reloaded #2
Skybound/Image Comics 2019
Written by Brandon Thomas
Illustrated by Francis Portela
Coloured by Leonardo Paciarotti
Lettered by Thomas Mauer


     With Hardcore tech in the hands of terrorists, Agent Drake must make a deal with America’s Most Wanted before more innocents die. Clock’s ticking…

Considering we are only two issues in so far here's what I have noticed, that while the first arc beautifully introduced us the concept this second arc is far an away better than the first. There is an excitement and a pulse pounding that comes with this one that has upped the ante as it were and it creates this tension that reader feels in their shoulders. I love that feeling because to me it says that I am engaged and invested in the franchise.

     The way that this is being told is thrilling. The story & plot development that we see through how the sequence of events unfold and how the reader learns information is really extremely well done. From the get-go here the way we see things happen there is a bit of mystery and intrigue happening that makes you think. What are we seeing? Who's responsible for what's happening? Is this all a part of the folks who hi-jacked the program? All the questions means that I am engaged as all get out in this and that I have to utilise my mind just showcases how effectively Brandon's talent and ability is on display.

     The character development is phenomenal to see. Drake and Markus yeah love em and/or hate em it doesn't really matter because they are the story. Courtney and that twat knot yeah he annoys me but that's okay we're not supposed to like everyone. The pacing is fantastic and as it takes through the pages and reveals the twists and turns keep the reader riveted to the page throughout. The way this is structured and how we see the ebb & flow through all the elements is utterly fantastic.

     So the idea of jumping people sounds a lot what happens when you hear about ghosts jumping the living. The premise to me sounds like its about the same thing. So yeah that's something that drew me in and then how the first arc ended I was like oh my goodness hurry up because I need to know what's going on. Nowadays it is harder than you expect to create something completely original that you cannot compare to anything else and these guys have done just that. It is fresh, now and just on the edge of technologically believable that it takes on this horror element, it's scary to think this could happen.

     Franics is one of the unsung heroes within the industry when it comes to his work. The man has this amazing eye for storytelling and how he can utilise backgrounds and make them integral to the story and how the work within the composition inside the panels is stupendous. This brings the depth perception, scale and overall sense of size and scope to the readers' eye without them even realising it. The linework is exquisitely laid down and how the varying weights are utilised to bring the focus to this level and quality of attention to detail is superb. The utilisation of the page layouts and how we see the angles and perspective in the panels is so well done. The colour work is gorgeous! I am loving how we see the colours and the various hues and tones within them utilised to create the shading, highlights and shadow work. It really impressive to the point where this is the kind of work you appreciate without really thinking about it. It is just assumed that the colours are the way they are but the detail and understanding that we see of how colour works is truly impressive.
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     The originality, the creativity and imagination that we see in every aspect of this book is what makes it stand out in the crowd. The level of work and talent that we is why these creators are those we seek out time and time again.

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Up From the Skies #1

1/23/2020

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Up From the Skies #1
Unlikely Heroes Studios 2020
Written by John Pence
Illustrated by Erwin J. Arroza


     "Up from the Skies" is a surreal, magical story of a space prince who crash-lands on earth during the last ice ages and is rescued by a human hunter. Together, they survive hungry mega-fauna and develop a strange friendship despite the vastly different worlds they came from.

     Unlikely Heroes Studios is a company I really love and everything that I have read from there so far has been of the high calibre in terms the quality level of their work. I still want to see more of Super and The Surgeon as they are two books that showcase how the creators can share their passion that the reader picks up on. This book is currently running on kickstarter and I urge you to support this. I would really like to see Unlikely Heroes Studios become a large part of the discussion in the comics world.

     By all the gods above and below, I was not prepared for a story like this. I kid you not I almost felt like crying when it got to the last page. That moment you realise your choked up emotionally and the surprise that overtakes you when it dawns on you yeah I think this alone is the highest praise I could give this story. Still the way that this is being told is downright beautiful. The story & plot development we see through the sequence of events as well as how the reader learns information feels so fresh and innovative and at the same time it feels familiar, known and even updated from that. The character development is phenomenal and it really is more in how we see the characters act and react to the circumstances and situations they find themselves in. The pacing we see is spot on and as it takes us through the pages revealing the twists and turns it has this mesmerising and enchantment about it that creates the ebb & flow for the book.

     While I have no idea if John was writing this as a story of pure friendship or if what I see as a romance budding here was intended it really works on both levels. The fact that there are no names given throughout this story is something that I almost marvel at but on an instinctual level it makes perfect sense to me. Also how the tribe's song plays into what we see here has this whole mysticism kind of feel that finds a light in your soul.

     Erwin's work on the interiors here blew me away. I sincerely hope that this is hand painted as it feels like it could be or It could be computer assisted but I want to think that brush strokes from the mind, through the eyes and out by the hand work happened here. I think it would heighten the magical quality in my own minds eye. Regardless everything that we see here is so well thought out and executed that it brings into this land with these people and this wildlife. There is this sense that everything is truly alive and by all that heaven allows the eyes, the eyes are windows and the life that shines within them is magnificent. The utilisation of the page layouts and how we see the angles and perspective in the panels show such an accomplished eye for storytelling. The colours oh wow the colours, my words would pale in trying to describe them.

     In a time when language was the bare minimum and all life was able to communicate with each other you believe in the harmony of life. When hunting is done to feed and clothe and nothing more is taken and somehow there is respect and honour between hunters and prey it makes you long for a time like that. Of course they've got dinosaurs and sabre tooth tigers as well so killing machines don't play by rules and yet even that wouldn't deter you.

     A story of destiny, friendship and love as well as that fear of losing the bonds that have been made. This is truly one of the most beautiful and powerful stories you are going to come across.


     There are still about 12 days left of the campaign so head over to https://www.kickstarter.com/projects/uhstudios/up-from-the-skies and help bring this to the world it deserves to be seen by all.

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Betty & Veronica Friends Forever in What If....?  #1

1/23/2020

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Betty & Veronica Friends Forever in What If....? #1
Archie Comics 2020
Written by Bill Golliher
Pencilled by Dan Parent
Inked by Rich Koslowski
Coloured by Glenn Whitmore
Lettered by Jack Morelli


     What if Betty was the rich debutante and Veronica was the regular girl-next-door? What if Archie had an identical twin? Consider these and more zany options as Betty and Veronica ponder wild and out-of-this-world scenarios!

     I absolutely adore this! I keep saying time and time again there's nothing quite like seeing the original Archie gang having wacky adventures. There is no way that even on chilly winters day that you can succumb to the blues if you have this with you. This is a feel good, put a smile on your face all-ages book that the whole family can enjoy. Leave it on the sink in the bathroom so everyone in the house can read it, then over dinner talk about it. This is what device free meals can start off with and from their it's everyone's day and what's been going on. Reading really is fundamental and it is a gateway to discussion and learning and that's what I see and feel when I read these books.

     I think that the fact that there are four complete stories here and each one is unique different and almost precisely what we all ask ourselves at one point or another. Also I have mad respect for Bill and his talent and ability to create such full and complete short stories like these. I mean it takes something special about being able to tell a story that both is complete and makes you want to see more. Even if these vignettes are one and done they still serve to capture the readers' imagination and in their own minds create more tales in this setting. Imagine that creating stories that the reader takes and runs this creating in their minds more and more, I would say that's some master class storytelling.

     The one that I think is the most humorous and it's one where the girls don't know the other is a witch. As if having Sabrina being one isn't enough now Betty & Veronica too it really was a hoot and holler to read that one. My favourite was Archie and his twin but its too bad that after what happened that Bart wasn't really into Kevin instead because that's the only it could've been better.  I have to say this too and that's watching Archie's face throughout the book was interesting as his facial expressions and the lettering let you know a few things about him you don't normally associate with him but makes complete sense.

     I love Dan Parent and his artwork. His pencils with Rich's inks and Glenn's colours is what makes this so classic and yet modern at the same time. The linework is strong and stead and delicate when it needs to be showing how by utilising the varying weights you can create such attention to detail. The utilisation of the page layouts and how we see the angles and perspective in the panels show this masters eye for storytelling. We see some great depth perception, scale and even that overall sense of size and scope to the stories thanks to how we see the composition inside the panels. I love seeing backgrounds and Dan really understands how to utilise them here to their fullest and it just makes me happy like a kid. Glen is one of those rare colourists whose work can never be called into question. He has this innate understanding of how make colour work and while there's really no shading, highlights or shadow work in the characters yet when we see the glass top table and it's gradation his work just becomes that much more impressive.

     Everyone involved with this and the entire Friends Forever line of books needs some kind of award for their contribution to not only comics, but to teaching, learning and creating an environment where this is why we have device free meals. This is brilliant work from top to bottom and that includes Jack's lettering.

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This Old House #1

1/23/2020

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This Old House #1
Evoluzione Publishing 2019
Created & Written by Dani Colman
Illustrated by Davide Tinto
Coloured by Francesca Carotenuto
Lettered by Justin Birch


     Ruth and Richard Armentrout are the best paranormal investigators in the business, with decades of experience and dozens of bestselling books about their ghost-busting successes. There’s just one little detail: neither of them has ever actually seen a ghost - in fact, neither one even believes that ghosts exist.

     I have to say that if you haven't seen anything from Evoluzione Publishing do yourself a favour and look em up! They have a slew of solid well told and illustrated books for a wide range of readers including YA stories as well. I always enjoy when I read their titles, while I need to review more of them in a timely manner that's on my list to improve, on your list should be looking at the books they offer.

     I really like this concept here and while it isn't new by any stretch it is always fun to see these professionals who think they know it all find out they know nothing. The opening here is great and grabs the readers' attention straight away bringing with it the desire to see and know more. Also huge kudos to Dani for showing us the status of their relationship right off the bat in terms of both the dialogue and Davide's visual interpretation. It is easy to like Ruth and just as easy to see that Richard is a complete wanker so with their being at odds with each other and this case coming to them well it feels like serendipity.

     The story & plot development that we see through the sequence of events unfolding as well as how the reader learns information is laid extremely well. The opening is all important and sets the stage and tone for the rest of the issue. Now there are plenty of clues placed throughout the book what each of them is up to and the one reveal was in humble opinion way too predictable and it would've much more interesting if there was a gender swap. The character development we see is amazing and I like how the tone is set in the first half of the book so that we can see how their personalities will change with these new circumstances and situations. The pacing is superb and as it takes us through the pages revealing the twists and turns and a few revelations it helps to create and maintain this really intriguing ebb & flow to the book.

     I am an instant fan of Davide and Franesca after seeing their work here. I mean the linework is exquisite and how the varying weights are utilised to bring out this high level of quality in the attention to detail is stupendous. Plus the work on the faces, facial expressions and body language really help further the characterisation in ways that words alone cannot do. The way we see backgrounds utilised throughout the book and how they are seen within the composition inside the panels is mindbogglingly good. The depth perception, scale and the overall sense of size and scope to the story that we get is super impressive. The inside of the house that Kylie and Hal have is truly beautifully rendered. The colour work is gorgeous and I love how we see the various hues and tones within the colours utilised to create the shading, highlights and shadow work. The colour blocking here is so amazingly well rendered that it shows this great eye for how colour is supposed to work.
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     This book is crazy good in how the story and character development progress and the interiors are drop dead gorgeous. This is what I am talking about when I tell you to look outside your normal view of the comics world. This is a must have for everyone and from what I am seeing here there is every chance that it once finished it'll qualify for limited series of the year.

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Guardians of the Galaxy #1

1/22/2020

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Guardians of the Galaxy #1
Marvel Comics 2020
Written by Al Ewing
Illustrated by Juann Cabal
Coloured by Federico Blee
Lettered by VC's Cory Petit


     Once, they were a team of misfits. Now they’re a family, and they’ve earned their peace. But the universe is not a peaceful place -- and it’s only getting worse. The Great Empires are in turmoil. The rule of law is dead. And amidst the chaos, the Gods of Olympus have returned -- harbingers of a new age of war, reborn to burn their mark on the stars themselves. Someone has to guard the galaxy - but who will accept the mission? And will they survive it?

     This was on my radar because I saw that Moondragon was a part of the team. She's one of my all-time favourite Avengers, I know I am weird, but when I saw my shop had the blank variant then I knew I had to take one home with me. It didn't hurt that Al's writing this and that the interiors at first glance were really impressive were a bonus as well. Now way back when I loved how the original team was set in the future and I wasn't all that thrilled to see that this was a new iteration using just the teams name. Still it has been a great team and that has become of the more versatile and interesting franchises that Marvel has and with so much out there and there is still so much to explore and as we see things now I look forward to what is still to come.

     The opening here is utterly sensational, dramatic and attention grabbing. There are a few things of note in this that as a reader I want to see more of, the little sprout for one as I wanna learn his name and that his visions of destruction make him gifted in a way that could benefit the Guardians. The other points you'll see for yourself and decide what I am or am not talking about. So I like what Al is doing with the team as it was or has been but I don't like Groot speaking not one bit, I am Groot has always been that catch-all for whatever he was saying so I really don't like seeing him talk, don't care why it needs to go back to how it was.

     The story & plot development that we see through the sequence of events and how the reader learns information is expertly laid down. I mean this is how you start a new run and how you take the established team and mix things up. What I see makes sense, it feels right and natural so massive kudos for having the wherewithal, talent, skill and ambition to do it this way. The character development is phenomenal! It may have been quite some time since I have read a Guardians title but I feel like what we see from the dialogue and how the characters act and react really are incredibly accurate. The pacing is as solid as it gets and as it takes us through the pages revealing the twists and turns along the way it helps create and maintain this crazy ebb & flow to the book.

     I am massively impressed with the interiors here. The linework shows this strong hand that can do such delicate work. The way that we see the varying weights utilised to showcase this quality of attention to detail is stunning. From the stubble on Peter's face or that chest and abs to seeing how Olympus travels among the stars the work is amazing. The utilisation of the page layouts and how we see the angles and perspective in the panels show a marvellous eye for storytelling. How we see the backgrounds being utilised could be stronger but the way we see depth perception, scale and that overall sense of size and scope is sensational. I want that maze style two-pager! The colour work oh my stars and garters, outer space and how the colours are seen is just awe inspiring, as is seeing just any page you turn to, the 2nd/3rd or the dinner scene through the last page. Federico is a true colourist who understands how colour works and how to utilise the various hues and tones within all the colours to create the shading, highlights and shadow work.
​

     Holy crud, I mean dayum people. I keep saying up the game and I'll come back to Marvel, well guess what I am coming back to Marvel. I do fear that this title will get mired in those current asinine crossovers but I will wait and see, however, in the meantime with that ridiculous last page cliffhanger, of which I jumped up and down like a child on their birthday, I cannot wait to see what's in store.  ​

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Red Sonja Age of Chaos #01

1/22/2020

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Picture
Red Sonja Age of Chaos #01
Dynamite Entertainment 2020
Written Erik Burnham
Illustrated by Jonathan Lau
Coloured by Celeste Woods
Lettered by Carlos S. Mangual


     The past meets the present with the future of literally everything at stake! The warrior Red Sonja has a plan to keep freshly killed wizard Kulan Gath from resurrecting himself again -- but when the plan backfires, it allows a whole new kind of Chaos! to infest the Hyborean Age! Will these new beings be any easier to deal with than Kulan Gath, or has Sonja called a worse evil to her world? It's the first chapter of a brand-new quest for the She-Devil - and it may be her hardest yet as for the first time ever, Red Sonja meets the badass characters of Chaos!

     I love Dynamite and I have for years and to see how they handle the whole Chaos line of books kind of makes me happy. I was more than a little curious how they were going to make the two franchises meet and that's answers right off the bat. What Erik came up with is pretty brilliant actually and by taking the Hyborean age and making it a part of the Earth's pre-history history and going from there. I really like this too because let's face it Sonja doesn't really have to read or write because I am never sure if what we think of education actually existed outside the families of Nobles. You see what I did right here, I am instantly engaged in the book and partly before even reading it as my went completely off-script and piquing the curiosity to level that is well, you'll see for yourself when you start reading this.

     I am huge fan of how this is being told. Erik found a path to take with the story & plot development as seen through the sequence of events as well as how the reader learns information that is strong, interesting and logical. So yeah I am a huge supporter of seeing how the characters are introduced, how that's done as well as why. Also just the fact that we see characters whom I have missed dearly over the years making their debuts makes me that giddy schoolgirl with his first crush. The character development is utterly beautiful and everyone manages to feel exactly like they are supposed to and then some. The pacing is great and as it takes us through the pages revealing the twists and turns along the way helps in the creation of the overall ebb & flow of the book.

     I can never say enough good things about Jonathan's artwork because honestly the man is so incredibly talented. When I saw the opening I was like hmm what is this, it is in a style that I wasn't expecting and yet catches the eye and commands your attention. I absolutely adore the way the linework and it's varying weights are utilised to bring about this level and quality of attention to detail. When we get to see the Chaos characters things take a sharper even more streamlined look. It is so beautiful and mesmerising to see there is something about a woman and her curves that when done just right is evocative and enticing and that green dress is pretty fully there. The utilisation of the page layouts and how we see the angles and perspective in the panels show this masterful eye for storytelling. How backgrounds are utilised and how we see them in the composition inside the panels bring us the depth perception, scale and the overall sense of size and scope to the book. The colour work is exquisitely rendered. Oh the way that we see the various hues and tones within the colours to create the shading, highlights and shadow work shows us a someone who really knows and understand how colour works and how it can bleed or the gradation it needs.
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     I totally super excited for what is coming next because as this just really wets the appetite for more. That this was exciting as an idea and has blossomed into a full blown geek-gasm first issue thanks to the quality and level of writing and interior artwork is mindbogglingly good.

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