READING WITH A FLIGHT RING
  • About
  • reviews
  • Contact
  • Cosplay of the Day 2
  • Company News
  • Entertainment Section
  • Convention News/Updates
  • original artwork
  • My Best Books of the Week
  • Cosplay of the day!
  • FCBD
  • Interviews
  • Webcomics

Today's reviews!

Reviews for 21-01-21 Reviews for 20-01-21
​Reviews for 19-01-21 Reviews for 18-01-21 Reviews for 17-01-21
​Reviews for 16-01-21 Reviews for 15-01-21 Reviews for 14-01-21
​Reviews for 12-01-21 Reviews for 11-01-21 Reviews for 10-01-21
​Reviews for 09-01-21 Reviews for 08-01-21 Reviews for 07-01-21
​Reviews for 06-01-21 Reviews for 05-01-21 Reviews for 04-01-21
​Reviews for 03-01-21 Reviews for 02-01-21 Reviews for 01-01-21

Facebook Link

Cicada #01

6/28/2019

0 Comments

 
Picture
The Cicada #01
Evoluzione Publishing 2019
Written & Lettered by Jason McNamara
Illustrated by Alberto Massagia
Coloured by Paul Little


     Every thirteen years, a child killer returns to Braddock, Texas. As the small town prepares itself for a new cycle of terror, teenage prodigy Emma Dale has plans of her own. She’s going to get the hell out of this town, even if it kills her.

     The opening here is fantastic and if provides us with the catalyst that is going to set the tone for the rest of the story. It is an eye opener, grabs the attention and piques the curiosity in all the right ways. I knew it was going to be a bad day when I saw the date, my “brother” was born that day, so I had good chuckle at that one. Still to see what transpired without actually seeing it happen was one of those great off-screen moments that has the readers’ mind working in overdrive to comprehend and then try to make sense of that moment. Beautifully done by Jason and I really did want more after that and it appears that we’re going to get it.

     I really like the way that this is structured. The way that Jason manages to weave in this murder mystery feel into the story of a small town whose residents include teenagers with physical disabilities, not handicapped but handicapable, who are the targets here. It is a very interesting plot twist and then with the story and plot development that we see coursing through these pages thanks to some incredibly good pacing we get to meet the inhabitants that will all play a role in this book. I have to say that the way we are introduced to these character is phenomenally well done.

     As we meet the players in this drama I am also impressed with the characterisation that we see here. Each person has a complete personality already and some we want to see explored more than others and that’s precisely how it should be. We have those we like, those we hate and those we want to root for and all of them will be seen throughout the story in ways that will help them grow and evolve or be the cause of death and destruction. With this there really are some that I like and others that I don’t and a few that well like officer Ruiz I wanna see bitch slapped into next week.

     The interiors hare are very nice to see. The linework is good, strong, clean and crisp and when utilised through their varying weights we see some very nice attention to detail. Also I am pretty impressed with how we see the composition inside the panels with their angles and perspective. The way we see this visually also has a very good effect on how we see the story as well. There are cues and clues in the way we see the work that help expand the characters and bring them to life in a way that words can’t. The way the page layouts are utilised is extremely nice to see and it shows a strong eye for storytelling. The colour work here is well done and the way that colour blocking is utilised is also a great way to showcase light sources. I’d like to see some colour gradation but this works for now.

     The way this story is set-up and how we see a series of unfortunate events all random and all coordinated to be revealed at once make this an extremely impressive in terms of how it’s written and how Jason manages to draw the reader in and engage their minds. By the last page you become a part of the story and whether you are on the side of Sheriff or well on the other side, which we don’t really know yet, this is something that needs to be seen. It needs to be in your hands and the hands of your friends. This story is pretty freakin amazing and I fell for it and I just get it out of my head and how much I enjoyed this.

     I am enclosing the kickstarter link so go to it, check it out further and if you can please support this, I need to own a physical copy myself!
https://www.kickstarter.com/projects/1435587923/the-cicadfbclid=IwAR3xvNn6CEpJm6vK6DEOd5hG0rYD3uEWGW9GOuO0jLM2mhBS0jl-TqbuANk
​

0 Comments

White Widow #2

6/28/2019

0 Comments

 
Picture
White Widow #2
Red Giant Entertainment/Absolute Comics Group 2019
Creator & Art Page 12 Jamie Tyndall
Created, Written & Lettered by Benny R. Powell
Illustrated by Iwan Nazif
Coloured by Fahriza Kamputr & Bryan Argel Magnaye


     White Widow narrowly escaped her first encounter with "The Group" and has now opened the mysterious file her father left her before he died. The secrets it unlocks will forever change her life. What will she do with the legacy she uncovers?

     Well I will say this, I hadn’t expected so much of her origin to be provided this quickly! Not that I mind, mind you but I was expecting it to be drawn out longer so it’s nice to see what we do and get to know enough that we have some answers while still leaving the field wide open. I do like that the writing here is this strong so that the more we learn the more we need to learn. So the way that this is structured is extremely well done. There is a natural progression to what we see and how we see it so that it feels as if it happens organically and not forced or crammed into the book. This is a huge thing for me as it shows off Benny’s ability and skill when it comes to writing.

     The story & plot development that we see happening is so superb in how it is able to really get the reader to become involved in the book. There is science here at least in theory if not technical expertise and for now I am okay with that considering most scientific minds and/or origins actually lack any kind of true mention of anything science related. Once upon a time that worked but not in this day and age when doing some searches on the interwebs will get you the answers you need to make the story incredibly plausible and realistic in how it’s utilised.

     The character development here is really nice to see as well. Not just Gabby either but her friend and her enemies are all given personalities that make them recognisable and as the kind of people we either like, hate or secretly root for. I am pretty impressed with the overall way that Benny is able to take this story and run with it while creating a supporting cast and this enemy organisation all in just two issues so far.

     The interior artwork is pretty damn nice too if I may say. The utilisation of the varying weights of the linework to create this attention to detail is phenomenal and the way that foreground and backgrounds done to create that natural perspective is amazing to see! If you are wondering that’s a blurred out background where you can still discern what it is while the focus is going to be closer to the reader. I think that’s a tool that is effective to have in the arsenal and it’s something that will set them apart in the industry and THAT is huge. The utilisation of the page layouts and how we see the angles and perspective in the panels show a superb eye for storytelling. The colour work is fantastic! How we see light sources create the shading, colour gradation or colour blocking depending, and the shadow really brings this all to life. The mood, tone and feel that we get from this is sensational.

     This is badass, Gabby is worried she’s a murderer, though I guess justifiable homicide because they were trying to kill her and they had killed her dad. The inner struggle and wondering if it’s a result of the DNA slicing is an aspect I look forward to seeing explored. So this has been funded on Kickstarter and I am sure issue three or somewhere along the line it will show up again and I urge you all to get the first two issues and make sure that you are here for the long haul.
​

     Smart, edgy, interesting and humorous this combines the best elements of the past and present to bring us the future today.

0 Comments

Canto #1

6/27/2019

0 Comments

 
Picture
Canto #1
IDW Publishing 2019
Written by David M. Booher
Illustrated by Drew Zucker
Coloured by Vittorio Astone
Lettered by Deron Bennett


     Canto’s adventure begins! Enslaved for generations, Canto’s people once had hearts. Now they have clocks. When slavers damage a little tin girl’s clock beyond repair, Canto must brave his strange and fantastic world to bring back her heart. Can he overcome the dangers that await to save the one he loves?

     So I cannot quite put my finger on why but I swear I have seen Canto somewhere before. That aside I have to say that this is quite possibly one of the most absolutely charming stories I have read in quite some time. The opening is such that that at first I thought perhaps it was part of a different story or that we were going to see something a lot different than we have though I will say that beyond a shadow of a doubt it took no time at all to fall in love with this.

     David really does such a magnificent job with how he structures the book and creates this ebb & flow throughout weaving action with the story & plot development. We learn a lot as the story goes on and it feels like we learn a lot of it beside Canto. There really is something magical about the experience of being on this journey with Canto and to see how even innocently he finds himself different than the others. While being different is never a bad thing and here it is kind of celebrated by the others as I think they kind of see hope in him and his existence.

     David also does so mad crazy good things with the characterisation that we see here as well. With Canto, his girlfriend, the elder and the other nameless ones, plus at least one other character who too is different from the rest of his people that we only get the briefest of glances at really round out the way we see these characters and this world. I am super impressed with how the various elements of this are presented to us and how we can kind of see how they fit together or at the very least some variations of possibilities of what could happen. This leads me to the fact that my mind went beyond what was on the page and thus engaging my mind and making me feel more invested in the story.

     The interiors here are bloody brilliant! The linework that we see through the utilisation of the varying weights to create this stunning attention to detail simply thrills readers’. The creativity and imagination that we see on display here is truly magnificent as it comes to life before our eyes. I am in love with the way that we see the composition in the panels and how the backgrounds are being utilised as effectively as they are. They expand the moments and bring this size and scope to the world perfectly. The utilisation of the page layouts and how we see the angles and perspective show a stupendous eye for storytelling. The colour work here is beyond amazing. The way light sources are utilised to create shading and shadows is a joy to see. Be still my heart the colour gradation that we see adds just another element to how we see these characters coming to life and honestly its superbly done.
​

     This debut issue is incredibly well balanced. The story & plot development along with the pacing and the character development show such a talented and skilled ability to write and utilised words and feelings. The interior artwork compliments the writing extremely well as it keeps the mood, tone and feel of the story alive and well. At first glance this could almost be an all-ages title but it’s not so don’t be deceived by looks alone. A modern day fairy tale meant to take you on a journey fraught with danger to save the woman he loves it doesn’t get much better than that.

0 Comments

Princess of Venus #1

6/27/2019

0 Comments

 
Picture
Princess of Venus #1
American Mythology Productions 2019
Written by Pat Shand
Illustrated by Alfret Le
Coloured by Emmanuel Ordaz
Lettered by Natalie Jane

     At last, Duare, the Princess of Venus gets her own comic book origin story! The mysterious princess has prover herself a capable fighter alongside Carson Napier in the Edgar Rice Burroughs Universe, but how she obtained her fighting prowess has been a mystery... Until now! Before a strange Earthman named Carson crashed upon Amtor, a swashbuckling princess was forged, evolving from coddled royalty into a fiery fighter.

     Well for reasons that you’ll realise when you read this book I started off singing Anything you can do I can do better, I can do anything better than you. What this did was condense something into a one-shot issue that expands the character and lets us see the events that lead us to how we see her today. I love that Pat does this, I mean he’s so good at knowing which moments to highlight so that what we see is going to have the most impact. Plus the man just knows how to write a darn good story and to see him play in Burroughs sandbox is something I would definitely like to see more of.

     Oh yes the opening here is utterly marvellous to see. This is what the splash page was invented for to see the magnificent image and have the narration to go along with it as it all ushers us into this story. There is something old school and welcoming about the way that this has been done and it strikes this amazing chord within me as a reader that I hadn’t realised was missing from so many titles I am reading. Though if I am to be honest I really it as a full on splash page but it’s close enough since it does more than we could have hoped for.

     The way that Pat has structured this story is incredibly strong and that he can show the difference between the playing at and having to be aspects a person sometimes has to face is even more impressive. The ebb & flow of the story & plot development through the pacing here is such that it reads so easily and you are pulled into this world and begin to learn their language. Of course when we hit the last page of the story we are left wanting.

     I am so thoroughly impressed with the level of quality and talent that I see in the interior artwork here. From that opening to the last there is this stellar utilisation of the varying weights of the linework that is utilised to create some magnificent attention to detail. I love that we see these men in their next to nothing outfits and being treated the same way women would be makes see this as so much more progressive. I do very much like and appreciate the way that we see the composition inside the panels and that backgrounds are utilised as much as they are makes me happy. Yes I wish that they would be in every panel but it’s alright they do wonders in expanding the moments and the size and scope of the story and this world. The utilisation of the page layouts and how we see the angles and perspective in the panels show a stupendous eye for storytelling. I also love the colour work here. I could do with less colour blocking and more instances of gradation but that’s a minor quibble. Light sources, shading and shadows are all used so appropriately.

     From the writing to the interiors the creativity and imagination that is on display in these pages captures the heart, soul and essence of what Burroughs always represented. I want more pure and simple this team working on a few limited series arcs featuring the Princess would be a welcome addition to my life.

0 Comments

The Weatherman vol.2 #1

6/27/2019

0 Comments

 
Picture
​The Weatherman vol.2 #1
Image Comics 2019
Created & Written by Jody LeHeup
Created & Illustrated by Nathan Fox
Coloured by Moreno Disinio
Lettered by Steve Wands


     PREVIOUSLY:
     Local weatherman Nathan Bright was living the good life on terraformed Mars when he’s suddenly accused of carrying out the worst terrorist attack in human history—an attack that killed billions of people on Earth. Confused, terrified, and hunted by the entire galaxy, Nathan’s only hope lies with government agent Amanda Cross, who informs Nathan that he isn’t Nathan Bright at all. His real name is Ian Black and he’s a member of the Sword of God, the notorious terrorist group responsible for the attack. Nathan doesn’t remember any of this because Ian Black wiped his mind and gave himself a new identity as Nathan Bright. Why he did so remains a mystery…

     So the planet Earth is now quarantined thanks to the virus that is still a threat on the planets surface. No one in their right mind wants to go to the planets surface and those on the surface are desperate to get off world. The few hubs of humanity left are trying their damnedest to survive and they face horrible odds and do whatever it takes to survive. This issue demonstrates that and so much more in this new volume. I think that Jody and Nathan have created one of those unique and crazy different story ideas that on paper you’d be wary of but in reality it’s one of those can’t miss series.

     I am enjoying the way that this is structured. Jody really does a very good job with how we get to see the story & plot development through the pacing create this really interesting ebb & flow. While this issue is not very action heavy I am more than okay with that because seriously that we are seeing how Nathan is being treated by all these guys is worth it’s weight in gold. The more we get to see and learn about Nathan and those who are with him the more we get to see motivations, hopes and fears for all these folks. Then to make matters even more intense we get the ending here that brings about something else entirely to the table and I was left pretty much jaw agape in stunned silence.

     I love the interiors here. There is a lot of great linework happening here and through it’s varying weights thus creating the attention to detail that we’re seeing is just magnificent. Right away you know that Nathan’s bringing it all to the table in some no-nonsense style. Seeing the computers with maps and scribbles or whatnot make a difference whether your eye stops on it or not. The sheer amount of backgrounds being utilised makes me thrilled beyond belief as they really do expand the moments and bring this amazing sense of size and scope to the story. The utilisation of the page layouts and how we see the angles and perspective in the panels show such a stupendous eye for storytelling. The colour work here too is extremely nice to see. From the bright vibrant and bold colours to those that are more subtle in nature are extremely successful. Plus they really do manage to create the right mood, tone and feel to what we’re seeing. Oh and thank you for that last page I do so hope we see more men, and women, like that.
​

     As we enter the next phase of Nathan’s life as he faces the very real prospect of having the only existence he knows erased and replaced by one of the Galaxy’s most wanted these fine folks have upped the ante. I have no idea what is coming next but hey that’s half the fun and after the shocking cliffhanger ending here I've got those delightful shivers running down my spine.

0 Comments

The Crow Hack/Slash #1

6/27/2019

0 Comments

 
Picture
The Crow Hack/Slash #1
IDW Publishing 2019
Written & Layouts by Tim Seeley
Illustrated by Jim Terry
Lettered by Neil Uyetake


     Angeles Cero won't stop killing on her quest for revenge, and the bodies are piling up. Now, slasher hunter Cassie Hack and her monstrous partner Vlad are on the trail of the Crow Killer, assuming her to be one of the masked murderers they've hunted for years. But they aren't the only force trying to make the universe right again.

     I hate to admit this but I am not all that familiar with The Crow. In certain circles I could be disowned for this but hey it’s the truth. I am however familiar with Hack/Slash, Cassie and Vlad happen to be some of those characters who still bring me a lot joy. The opening here is interesting and kind of ambiguous in that we see what we see but there are no answers and there are no real clues as to what this is all about. So what Tim does here is capture the readers’ interest and imprints the desire to figure out just what the opening means and where it fits into all this. It is a great example why I love reading Tim’s stories because he’s able to capture my attention so very quickly.

     As we start to get into the story alongside Cassie and Vlad, who have their own guide who is among the areas homeless, and this is where we find things that make this stand out from the crowd. Also that Jim can work so seamlessly in this world and bring us something like this to really be in sync with Tim well dayum people. The story & plot development here is crazy good and with the way the pacing has been done make this not just exciting and interesting but one of those that sweeps you up into it before you know it’s happened.

     The characterisation is flawless and I can’t help but notice that they, Cassie & Vlad, are immediately recognisable. Meeting the new characters is perfectly done and we get a really sensational idea of who they are and how they fit into the scenes that they are in. then the female villain we meet who almost looks like she could be from Cheron, or at least inspired by Frank Gorshin’s character, is a hoot and I can’t wait to see more of her!

     Speaking of visages I love the interior artwork here as well. There is so much emotion and feelings that come through the faces and facial expressions that we see here and it is one of those things I look at to gauge someone’s talent. I am very appreciative in how we see the composition in the panels. Backgrounds get utilised extremely well so I want them to see them utilised more often. They expand the moments and bring a nice size and scope to the book. We see some very nice attention to detail here as well and I absolutely adore how Vlad is brought to life with or without his mask. The utilisation of the page layouts and how we see the angles and perspective show a great eye for storytelling. The colour work is nice to see as well. There is some nice use of colour blocking for shading though the bricks or buildings could’ve used more attention. Overall it really does set the mood, tone and feel of the story in a great way.
​

     I like the story so far and the last page is one hell of a teaser I must say. I am drawn to the way we see things unfold and learning more about this woman who claims equilibrium with the void. Tim is so good when it comes to utilising his talents and skills when it comes to writing as he unleashes his creativity and imagination in some of the most splendid of ways. There’s a reason Cassie and Vlad have become so beloved and this issue demonstrates why beautifully.  ​

0 Comments

Steel Cage #01

6/26/2019

0 Comments

 
Picture
Steel Cage #01
Ahoy Comics 2019


Bright Boy      Noah Zark      True Identity
Stuart Moore & Peter Gross, Mark Waid, Tom Peyer & Alan Robinson
Giulia Brusco, Lanna Souvanny Lee Loughridge


     Three dazzling short "pilot" stories from AHOY's finest - and you get to vote on which series continues! In "Noah Zark" by Mark Waid and Lanna Souvanny, an alien boy is kidnapped into an interplanetary zoo-and becomes the protector of the animals. In "True Identity" by Tom Peyer and Alan Robinson, we learn what secret anguish drives the most beloved superhero on Earth! And Stuart Moore and Peter Gross's "Bright Boy" tells the grim tale of the world's smartest human and the havoc he leaves in his wake.

      Well if this is an audition for the readers to choose which one deserves it’s own ongoing then I have my own opinion on that. I have to say I love Ahoy Comics and this continues to show why as it’s really done in a manner that showcase the talent here. Three stories, three creative teams and three very different takes and from what I can see all of them deserving of their own books. So let’s break things down a bit shall we?

     First up is actually True Identity. My favourite of these stories as I see more potential here than I could have thought possible. The way that this is being told so that we are seeing just enough of the life being led here to make us want to see more. The way this is structured is phenomenal and then of course there’s the characterisation as well. There are a number of people here that have the kind of spotlight on them that make us want to see more. Dallas Emily Doyle for instance and she’s not exactly a good person, possibly good at her job but not a good person and I'd like to see her either change, grow and evolve while learning about her own faults. Oh and everything we learn about Penultiman does indeed come across as more original then I was expecting. This is fantastic and while we get this superhero that on the surface may seem familiar it’s anything but and that’s best of it all.

     Do like the interior artwork here as well. It is everything we could want and more in a classic superhero book. The linework that’ utilised to create the attention to detail as well as the way we see backgrounds in play make this something that I cannot help but want to see more of. The colour work is utterly marvellous as well, combined with the multiple styles of the linework, see cross-hatching and the like, really bring out a modern throwback sensibility.

     So Bright Boy is an interesting one as well. There are a lot of weird twists and turns in this one and for whatever reason once you start to get into this it just seems to get more and more bizarre. So much so that it kind of has this crazy infectious feeling that gets inside your head and can’t help but want more and more. I still want to see more about who does what and ends up where. All I know is the idea that the smartest of men having nuclear meltdowns really does have this appeal to a whole twisted warped sense of right and wrong. I dunno it’s hard to explain but it is the kind of story that would make something along the line of Vertigo jealous. The characterisation here is so freaking good and the dynamic between the characters is something I think the world needs more of.

     The interior artwork here also has something of a more traditional look to it. The attention to detail however is utterly marvellous and the fact that so many of the computer screens show that they are being used blew my mind. There really is a lot going on here and the fact that the little details that we see which are often overlooked which is so terribly fantastic. The utilisation of the page layouts and how we see the angles and perspective show one solid eye for storytelling.

     The last story is more inclined to be something of an all-ages style story. There is this whole lost boys vibe going on here that I just love. Plus there are a few things in this that kind of combine the fantasy of Pokemon and a Free Willy sensibility that just captures the imagination of the reader in ways that you can’t technically put your finger on exactly but you understand it on a cosmically inner-self kind of way. It is the feel good kind of story that you love to keep as that guilty pleasure. It really is utterly charming and the artwork here is beyond gorgeous.
​

     Ahoy has this special kind of magic in the books that they are putting out right now. That this is like an audition for them is also something different that we don’t see all the time. I appreciate that they are taking their own sweet time and not trying to flood the market beyond the means of market sustainability is a nice way of doing the right thing.  ​

0 Comments

Honor and Curse #5

6/25/2019

0 Comments

 
Picture
​Honor and Curse #5
Mad Cave Studios 2019
Written by Mark London
Illustrated by Nicolas Salamanca
Coloured by Tekino
Logo & Lettered by Miguel Angel Zapata


     PREVIOUSLY...
     Yua’s dark, scorpion-filled ascension to Koga’s kunoichi was finally revealed. After making quick work of the bandits, Genshi and Nishiro discovered arrived at the Elder One’s village, only to discover it was being ransacked by bandits. After saving the village, they discovered that the Elder One had already left the village the previous winter…

     At the IGA village Haruki is going off the deep end. Setting up Genshi was easy enough and with Haruki’s mind deteriorating like it is the village isn’t going to last much longer. I like how Mark is telling this story we see this descent into madness on several fronts as both we and Genshi learn the truth about him and life in general in the village. Mark has never rushed this story in any way shape or form and he’s managed to let things unfold naturally so that we feel as if we are just as much a part of the story as any of the characters. This is something that makes him one of the best and brightest new voices in the industry.

     I am continually impressed with the level of characterisation that we are seeing here. With Genshi and his Master talking about things that finally matter such as his pendant and family to broaching the subject of Haruki’s hatred of him it is almost like when things start to fall into place you can expect tragedy to follow hot on it’s heels. I like it though because it’s almost as if the Tengu inside Genshi doesn’t want him to learn the truth about himself or be freed enough to control that part of him. I am making assumptions based on knowledge and what I know personally. Again this is me going off script and the fact that Mark is able to engage my mind in such a way that I am doing this this way shows me just how strong and capable he is at what he does.

     The interior artwork here is great. I do like the way that we see the composition inside the panels and how we get to see the use of foreground and backgrounds and how the attention to detail is seen. The strength of the linework and how we see the varying weights create that attention to detail is is so well done and I like that at times it borders on traditional anime and regular comic book style interiors. The utilisation of the page layouts and how we see the angles and perspective in the panels show a very attentive eye for storytelling. I love the colour work here as well. There are quite a few instances where we get to see varying tones of same colour and then how light sources create the highlights and the shading. There is a lot of really nice use of colour to also highlight the tone, mood and feel.
​

     There are so many moments in this story that you see unfold before your eyes and think holy shit. The story & plot development that we see is bloody brilliant that along with the way that the pacing is done and the character development are high among the reasons why Mad Cave is quickly emerging and distancing themselves for other new small press company’s. The quality and level of storytelling that we see here shows a well researched, thought out and carefully book that ensure the reader not only has a good time reading it but also has their mind engaged in ways that they begin to learn about different parts of the world other than the one we live in.

0 Comments

Neon Future #4

6/25/2019

0 Comments

 
Picture
Neon Future #4
Impact Theory 2019
Written by Jim Krueger & Samantha Levenshus
Illustrated by Neil Edwards & Jheremy Raapack
Coloured by David Kim & Nuo Xu
Additional Colours by Gabe Eltaeb & Anthony Washington
Lettered by Samantha Levenshus, Farhad Haydarian & AlargerWorldStudios


     As Clay begins to harness his new powers, a new romance ignites between he and Dee. Meanwhile, Mars prepares to make an unexpected deal with his nemesis; tech hunter EZ: a deal that will mean disaster for Clay and Neon Future as we know them.

     Creative people attract creative people. In this instance Steve Aoki, DJ extraordinaire, takes his passion for storytelling and brings us Impact Theory and Neon Future. In this current day and age comics are a place where people turn to that you just don’t expect. From frontmen of bands and DJ’s, Novelists and more are turning to the medium for it’s ability to express themselves. Personally I am all for it and that this is a new venture a new company it just goes to show that comics are much more than mainstream these days.

     I think this book is pretty amazing. The concept is incredibly interesting and it’s execution is flawlessly done. Even better is the fact that while the story itself is fiction it will resonate with readers’ for a myriad of different reasons. Clay has been ambushed, transformed against his will and is thrust into a war that he knows so very little about and the fact that he isn’t this perfectly well adjusted guy who’s rip roaring and ready to go is a huge draw for me. That Dee is pushing him hard to get him into the kind of shape where physically he’s able to handle the pressures that are coming is among the best characterisation we see. Between the dialogue and the actions & reactions that are happening flesh them out beautifully.

     The way that this book is structured so that the information, story & plot development are woven throughout with this stellar pacing means that we get swept up in this immediately and we don’t want it to end. It is almost as if we’re intruding in their lives and I think that being able to write that way is a feat few possess. I can see this as one of the SyFy television shows or on Netflix, or Hulu if the production is done right.

     The interiors here are beyond what one could or should expect to see. The linework is stupendous and the way we see it utilised through it’s varying weights in or order to create this level of attention to detail is mind blowing. I am completely and utterly impressed with the way we see the composition in the panels. The utilisation of the backgrounds so they expand the moments and bring us a sense of size and scope to the story is magnificent. Also how we see the feeling of movement within these page is incredible. The utilisation of the page layouts and how we see the angles and perspective in the panels show us this marvellous eye for storytelling. The colour work we see is simply beautiful. There are these bright pops of colour, light sources are utilised to create the shading, colour blocking and gradation effects all of which work together exceptionally well.

     The book has this great layering to the story that keeps us thinking, guessing and engaging the readers’ mind in ways that are exciting. Clay is very much adrift at sea and these folks who are harbouring him have their own agenda that includes him whether he likes it or not. Then of course there are those who want to see him removed on principle alone regardless of the fact that he didn’t ask for this to happen to him. He is a high profile face, name and person and the intricacies that surround that aren’t lost on the reader.
​

     One of the most exciting debuts of the year Neon Future will reaffirm your faith in loving comics for what they represent.

0 Comments

Faithless #3

6/25/2019

0 Comments

 
Picture
Faithless #3
Boom! Studios 2019
Written by Brian Azzarello
Illustrated by Maria Llovet
Lettered by AndWorldDesign


     For Mature Readers’ Only
     All those little shadows and shapes that Faith catches at the peripheral of her vision start to take shape. There are omens. These events and details have Faith unsettled, but she moves past them with her attention drawn to something new: the Devil.

     I am in love with this damn crazy story. I have no idea what’s really going on and why all this madness is happening to Faith but I have to say she is letting go of the control of her life and she’s going to suffer the consequences. Also the sheer fact that Faith can do what she can is kind of awesome and weird and makes the reader wonder who is really responsible for what is happening around her. It’s a little bit funny, this feeling inside, I'm not one of those who can easily hide and yet Faith lost control last night and in front of her new girlfriend.

     In the first issue we saw that perhaps this girl was not human that cliffhanger ending said it all. So now I have so much running through my mind about the story, it’s characters, what’s real and what isn’t. In fact that there’s so much happening at once inside there it feels like the laptop when it slows and crashes because you’ve too many tabs open. The strength of the writing here is far and away the best thing I think I have ever seen from Brian and considering his resume to date that’s saying something. I mean the way that this is being told engages the readers’ in ways that just grab you and take so far beyond what’s on the page that their imagination comes into play. That the story can envelope the reader as it does shows skill, talent and that innate knowledge of how to connect with the audience on levels that they, the audience, isn’t even aware is possible.

     I am in love with the interiors here. Though I mean while we see basically a porn scene and with amount of her hair down there that we see, we could’ve seen how impressive he was at some point. The linework is gorgeous and I love that it’s not rigid but more like the natural flow of the hand on the page. It adds a certain something that isn’t easy to describe but you feel it. There is also some very nice attention to detail going on here that merges itself with this imagination and creativity to create some incredibly wow moments. The utilisation of the page layouts and how we see the angles and perspective in the panels show off a great eye for storytelling. The backgrounds we see are marvellous as they expand the moments and bring a sense of size and scope. The colour work too is great the way it’s utilised to create this mood, tone and feel is sensational.

     Brian manages to capture the life of Faith and how all these seemingly random occurrences are actually related. From the homeless woman, which by the way is one of the most amazingly bizarre scenes I have been honoured to see, to that sixth sense to that unexpected sex scene every last thing here feels like it’s the interconnectedness of it all. It is almost as if her the environment is a result of her own indecisive nature and all her doubts and fears combine with hopes and wants to twist it all into something unrecognisable.
​

     That Brian makes us think, that he engages the readers’ mind and imagination in trying to figure out what the hell is going on is one of the best things about reading his work. This whole thing is bloody brilliant in ways that are both obvious and subtle. These folks are putting out one the absolute best books out there right now.

0 Comments
<<Previous
Forward>>

    Archives

    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    April 2015

    RSS Feed

    Categories

    All

    RSS Feed

Powered by Create your own unique website with customizable templates.