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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Tartarus #1

2/12/2020

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Tartarus #1
Image Comics 2020
Written by Johnnie Christmas
Illustrated by Jack T. Cole
Lettered by Jim Campbell


     Promising young cadet Tilde is framed for crimes against the empire after discovering her mother was the ruthless warlord of the deadly colony Tartarus, a vital player in the galactic war. Now, Tilde’s only way home may be to reclaim her mother’s dark crown.

     This really surprised me and I like that. While when I think of Tartarus I think of the Greek Gods and the Titans trapped there and it's become symbolic of a prison. That iteration here is well conceived and I think how the book is structured with the first half and then the second act is brilliantly done. That this didn't meet my expectations based upon the title it did exceed them with the actual story itself and I think that's the brilliance of this here. You really think one thing and get another but the idea in what you thought is actually what we get. Somehow Johnnie manages to bring us to his place and deliver a story that makes the reader feel as if they had actually thought up the idea all along. That is an impressive thing to have accomplished. On a personal note I hope the rest of this series is like this one, two tales from two perspectives leading to the same end.

     I really love the way that this is being told thus far. There are a couple of times in the story when what occurs really stands out for me. What those are you'll have to ask otherwise this wouldn't be spoiler free. Suffice it to say that the impact they make on the characters and myself is big and that gives me the desire to see more. The story & plot development that we see through the sequence of events unfolding as well as how the reader learns information is impeccably, impeccably presented to us. The character development is astonishing to see play out. We know these characters, or we think we do, and to see their progression throughout their parts in this drama one cannot help but question some of the moments we see. The situations and circumstances they find themselves in is what helps us see what they are made of and what we see in their potential. The pacing is superb and as it takes us through the pages revealing the twists and turns along the way it works with everything else to create this strong and captivating ebb & flow.

     Oh the interiors here are utterly marvellous. There is a lot going on and the linework is exquisite as the varying weights are being utilised to showcase this level of attention to detail. It isn't just the linework though how the tattoos are seen is as important since they are pure colour with no black outline so the be able to keep that consistent is beyond impressive. I like that there aren't many blank backgrounds here, they do tend to stick out, because this is what makes me feel that they are in an enclosed space. Within the composition of the panels it highlights the depth perception, scale and that overall sense of size and scope to the story. The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkable eye for storytelling. The colour work is brilliantly done here ass well. The gradation of colour or the ombre we see is really damn good and then pops of the tattoo's and such well it's just over the top in terms of quality.
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     This is everything you could possibly hope for and so much more. The writing is brilliant and the interiors are mindbogglingly good so there's no reason for passing this one up.

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Tart #1

2/12/2020

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Tart #1
Scout Comics/Nonstop! 2020
Written by Kevin Joseph
Illustrated by Ludovic Sallé
Lettered by DC Hopkins


     The newest entry in the new NONSTOP! Imprint where Scout releases a World Premiere issue followed by the entire story a few months later in one volume. History is a fragile thing. One small change can alter everything that comes after. A little boy has vanished in 1950's New York. Everyone is baffled except a young woman, Tart Acid, who arrives out of thin air. Tart realizes that this is no ordinary kidnapping. All she knows is that if she's been sent, a demon is loose and threatening the history of the world. Will she be able to find the boy before he becomes another casualty in Tart's war against the forces of Hell?

     I think that this format is actually really impressive. Put out the first issue, get folks interested and pique the curiosity and then put out a trade for them. I know it is working for me because this is utterly delightful, wonderfully written and beautifully illustrated and I want more. The opening is great it gives us a misdirection right off the bat and then as we go forward things start to fall into place and the way that this has been done really does entice the reader to want to see more.

     I like the way this is being told a whole heck of a lot. The story & plot development that we see here through how the sequence of events unfold and how the reader learns information is extremely well done. That we see Tart take us through the story and through her process is so well done it's the type of storytelling that feels natural as if she's talking to herself as well as the reader. Kevin does this magnificent job telling this tale and not making anything feel forced or trite. The character development that we see is phenomenal as not just Tart gets full attention but everyone who plays a role in this well defined. The pacing is superb and the way it takes us through the pages revealing the events creates a beautiful ebb & flow to the story.

     I really am enchanted by this. There is a softness about the way that this is being told and it affects how the reader sees the story. It is easy to slip into this world and what she does and it's deceptive in a way and before you even realise it you feel as if you are a part of it.

     The interior artwork w see her is really stellar work. The linework that we see is impeccably laid down and the varying weights being utilised to show the attention to detail is really well done. How we see the era that she's in, her dress, the signs and the buildings & cars it all has this authenticity to it that is delightful. The utilisation of the page layouts and how we see the angles and perspective in he panels show this marvellous eye for storytelling. The way backgrounds are utilised and how they work within the composition in the panels to bring us depth perception, scale and that sense of size and scope to the story is very well done. The colour work is beautifully rendered. This is where a lot of the softness of the book comes from. It has this dreamy beautiful quality to it that flirts between coloured pencils and watercolour pencils. The overall effect his hypnotic and to see how the hues and tones within any given colour create the shading, highlights and shadows is mindbogglingly good.
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     So for all of you who constantly say I will wait for the trade you're in luck because the trade will be out soon enough so you don't have to worry that the book will fail since no one bought the single issues. This is worth getting folks and if the rest of the trade has all the qualities that we see in this issue it is going to be one of your absolute favourites this year.

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Money Shot #4

2/11/2020

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Money Shot #4
Vault Comics 2019
Written by Tim Seeley & Sarah Beattie
Illustrated by Rebekah Isaacs
Coloured by Kurt Russell
Lettered by Crank!


     Synopsis:
     In the afterglow of an orgasm that devastated an army, the XXX-Plorers must pick up the pieces, pull up their britches, and figure out how to save a dying world. But first: The horror known only as BWEEDT! Ball-swinging science and romance in the Mighty Money Shot tradition!

     Well the team certainly is creating quite a stir among the locals. It is also nice to see the folks at home enjoying this weird interspecies sex on their computers. I am also thrilled beyond belief that we are starting to see some actual science coming into play more often as well. That moment was nicely done though I question that earworm he chose a number heh.

     I like the way that this is being told. There is a great flow to the book that allows us to see what we need to when we need to but doesn't beat us over the head with them. Over explaining for example or an obligatory or arbitrary influx of what we don't need to know. The story & plot development we see through how the sequence of events unfold as well as how the reader learns information is presented in a really nice manner. The character development is nice we start to see different sides of folks but at the same time it wets the whistle as it were for more. Keep them just interesting enough to insert the desire to know more about them. The pacing here is excellent and as it takes us through the pages and reveals the twists and turns along the way I feel like should be a giant robot proclaiming, Danger Will Robinson, Danger! The way all this works together to create the books ebb & flow is spectacular to see and it highlights how well the book is structured as well.

     So we don't see enough man on man but that's okay I am hoping for at least one planet where that will be the requirement, their norm. Yet I can still find ways that this is a sex positive series, not porn though it's what they make, so that nothing is taboo and the act of sex itself should be one of pleasure for the consenting parties. I know that's how I feel about, so long as we're both having fun the gender of the other person is inconsequential.

     I do love Rebekah's interiors here, I really do, somehow I am channelling my inner Sally Field here. The linework is impressive as hell and the way that we see the varying weights utilised to bring about this level of attention to detail is marvellously done. The creativity and imagination on display here is mindbogglingly brilliant, the Orca Tiger guy is my new favourite species just so everyone knows. I do wish we'd get more attention to the backgrounds this is space, new planets and a plethora to explore. The utilisation of the page layouts and how we see the angles and perspective in the panels show such a magnificent eye for storytelling. I am equally impressed with how we see the colour work here as well. Kudos on the dry planet with the sun beating down on everyone making the shading, highlights and shadows that much more difficult to pull of but it's done with expertise.
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     Such a fun book, it really truly is. It is outside the box thinking and a stellar way to get into the stars and do science, between sexual encounters with alien beings which is funding this expedition. This is a daring and adventurous undertaking and I applaud the chutzpah.

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The Marked #4

2/11/2020

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The Marked #4
Shadowline/Image Comics 2019
Written by David Hine & Brian Haberlin
Illustrated by Brian Haberlin
Coloured by Geirrod Van Dyke
Lettered by Francis Takenaga


     As a malevolent darkness spreads out from Shadowgate, The Marked join with The Shangen and The Mages in a final, all-out assault. This time, they have to win, because there is no Plan B.

     For me personally I would like to see this on the SyFy Chanel or Netflix as it really has all of this action, adventure, science and magic up against this deranged black ops government organization and the spirit of a long dead Nazi. The story is so incredibly strong, interesting and it is so well constructed and executed to boot.

     I really, really like the way that this is being told. The gradual change that is occurring within Ms. Mabel that mainly occur off-screen and show themselves on the pages make for some really intriguing and might I add creepy as all hell reading. Just the overall way that this is being told is why I love reading these guys' work. Somehow they manage to take what from others would be great and turn up the volume to utterly extraordinary! It doesn't get into a personal level the way some books of the past did but it comes damn close. I have to admit the modern form in storytelling doesn't get much better.

     The story & plot development we see through the sequence of events unfolding and how the reader learns information is laid down extremely well. The way we see things play out makes the reader desire to see more of how things have occurred. The character development is interesting because it does the same thing, we see these aspects of characters and then want to see more of them and we don't know if we can. The pacing is superb and as it takes through the pages revealing the twists and turns along the way keep us on the edge of our seats impatiently awaiting what is next. The way all this works together and how it creates the books ebb & flow to the story is crazy good.

     The idea of The Marked is a solid one and then to see how these glyph's can be twisted and transferred like they are and making a mockery of what they stand for has a familiar tone to it. It really does tickle the back of your brain that it's familiar and yet unknown, another added bonus feature to ensure the readers' return.

     The interiors here are stunning. The way that we see the full utilisation of the panels is extremely well utilised and that makes a huge impact. The composition inside the panels with how we see the depth perception, scale and sense of size an scope to the story is impeccable. How we see the colours in the effects of the magic is being anything we couldn't hoped for. The utilisation of the page layouts and how we see the angles and perspective in the panels show such a magnificent eye for storytelling. Seriously the hue and tones that we see within the colours creating the shading, highlights and shadows is extremely impressive. The intricacies that we see, be it the Machtshpare or Simons shirt and everything in between this is the kind of attention to detail that usually is completely appreciated but largely ignored or assumed it would be there.
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     There is a complexity and cunning to what we see that is welcome and yet surprising in how it grips you. Books like this are among the reasons that we love the medium.   ​

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Going to the Chapel #4

2/10/2020

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Going to the Chapel #4
Action Lab Danger Zone 2019
Written by David Pepose
Illustrated by Gavin Guidry
Coloured by Liz Kramer
Lettered by Ariana Maher


     Locked in a stalemate with the police, an unexpected loss sends Emily and the Bad Elvis Gang spiralling into chaos — but unfortunately, Emily’s dysfunctional wedding party isn’t going to take this lying down. Can this bride pull off one last escape, or will her worst secrets be unveiled?

     This book really is hysterical fun! Between all the flashbacks and seeing the gang muck this up and the wedding guests finding themselves weapons while the cops are out front yeah I think this outdoes The Hangover in terms of appeal and how well it's written. If you don't know what to expect with this issue you aren't alone because no one does, not the bride, the groom, Tom or anyone else at this completely effed up shindig of a wedding. So sit back and enjoy a ride down memory lane and see who she runs off with, the bad boy ex or the safe bet!

     I have been thoroughly enjoying the way that this is being told. The story & plot development that we see through how the sequence of events unfold and how the reader learns information is laid down extremely well. The flashbacks to when they were together are great and showcase how a sweet girl does indeed like a bad boy. The character development that we see here is utterly phenomenal. Each person is fleshed out in their own way and we see them shine and well as be a dud at times and there are moments when the characters will shock the hell out of you. The pacing is superb and how it takes us through the pages revealing the twists and turns along the way is fantastic. How all this works together to create the books ebb & flow and showcase how the book is structured is utterly marvellous.

     I have been enjoying this since the first page of the first issue. It is a roller-coaster ride of emotion and filled with unexpected moments and self realisations that almost seem out of place. One thing that David has done continuously is keep the reader on their toes and guessing what is going to happen next, who will she choose and will anyone get out of this alive? This is pure magic people!

     The interiors have been nice and consistent the entire series. I do wish that Gavin would learn how to utilise backgrounds more but it is what it is at this point. The linework is laid down extremely well and the attention to detail that we see brings the moments to life beautifully. I wish Grandma Harriet would've gotten more detail in her and looked less like she was wearing some pink wig, or an actual woman for that matter, but she a freaking hoot and half so to see here have the role here she does marvellous job. The utilisation of the page layouts and how we see the angles and perspective in the panels shows a decent eye for storytelling. The colour work we see is very nice and how the tones and hues are utilised to show shading, highlights and shadows is well rendered.
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     David is one of the up and comers that you need to keep your eye on. He has a good, solid skill set to go along with the imagination and creativity that we've seen throughout the series. How this ends is not something you should learn outside of reading this for yourself. Me I was flabbergasted, chuffed and impressed every last panel in this issue! Guess what you'll be too.

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Touching Evil #3

2/10/2020

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Touching Evil #3
Source Point Press 2019
By Dan Dougherty
Coloured by Wesley Wong


     Previously in Touching Evil:
     George Junior is caught after attempting to murder Ada's son Oliver, in a failed act of revenge. Despite George's insistence that he killed Ada, Vincent Doyle correctly deduces that she is alive and has been given the curse that only and a select few know about. How long does Ada have before other interested parties make the same deduction and come looking for her?

     I know this is a few years old already which makes me excited to see what Dan is doing now. This is really a rather interesting and intriguing premise for a story and it has all the feel and impact of say a good John Grisham novel, it is this thriller that has a lawyer in a new situation she's unfamiliar with and at every turn someone else wants to take what she has and they'll do it at any cost. So yeah this is the definition of a what a thriller is and should be. Dan takes the time to really make sure that this is being told in a way that the reader can understand and relate to even if most of it is something we'll never encounter.

     I like the way that this is being told a whole heck of a lot. The story & plot development we see here through how the sequence of events unfold as well as how the reader learns information is laid down phenomenally well. Ada's faced with so much all happening at once and for most folks this would be sensory overload and then to see what is transpiring at the prison well yeah that's what I am talking about. The character development we see is mindbogglingly exceptional! The strength we see in Ada, the desire in Vincent and the best of all is Brody who literally just stepped forward and showed us all what kind of man he is. Also it doesn't matter who the character is as ever single last one of them is fleshed out perfectly. The pacing is superb and as it takes us through the pages revealing the twists and turns along the way it generates this gleeful excitement. With all these factors working together it creates the books ebb & flow as well as showcases how well the book is structured.

     I like the interiors here a lot. The linework is great an dhow we see the varying weights being utilised to bring out the attention to detail is beautifully rendered. The cell doors, floors, ceiling it has all these elements that make it look so real. The fact that we see backgrounds as we do is marvellous and the detail in those is stellar. It also works within the composition in the panels to bring us this great depth perception, scale and overall sense of size and scope of the story. The utilisation of the page layouts and how we see the angles and perspective in the panels shows a remarkably talented eye for storytelling. Plus damn the faces and facial expressions are so meticulously rendered helping make them simply divine work. The colour work that we see is nicely handled as well. I like how we see the various hues and tones within the colours utilised to create the shading, highlights and shadows.
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     So many characters with so many agenda's and poor Ada is caught up in the middle of it all. Can she learn to utilise this gift, or curse if you prefer, keep herself and her son alive and maybe just maybe get back to having a normal life? I guess we'll have to stick around and find out now won't we...

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Shades of Magic The Steel Prince: Rebel Army #3

2/9/2020

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Shades of Magic The Steel Prince: The Rebel Army #3
Titan Comics 2019
Written by V.E. Schwab
Illustrated by Andrea Olimpieri & Enrica Eren Angiolini


     New York Times bestseller V.E. Schwab unveils the penultimate chapter of The Steel Prince trilogy – a canonical entry in her award-winning fantasy novel series, Shades of Magic! Prince Maxim and his allies are cornered in the city of Verose, under siege with nowhere to run. But does the Steel Prince have a plan of his own?

     Usually I praise Titan Comics for their work with video game franchises and introducing me to things I wouldn't known about before. While the latter is still true, I have never read any of these novels and hadn't heard of them until starting this series way back when, this time it is based off a book series. I wouldn't mind reading them, I'm sure I can share with my dad, if anyone is so inclined. I am loving this personally and watching the Prince grow from that spoiled brat into a man has been absolutely amazing and his personal saga of growth and maturity is far from over.

     I am enjoying the heck out of the way that this is being told. The story & plot development we see through how the sequence of events unfold as well as how the reader learns information are laid down extremely well. The opening here is great and I like how we see this unfold with the King's advisor recommending the Prince come home and yet the King respecting his sons wishes to stay. I may not like the King but I do like his advisor and of course this leads me to how we see the character development. I like how we see the characters being continually fleshed out and how aside from their dialogue how they act and react to the situations and circumstances they find themselves in. The pacing here is fantastic and as it takes us through the pages revealing the twists and turns along the way we get a much clearer sense of the world around them. All of this works together to create the books ebb & flow as it also spotlights how well the book is structured.

     I really like the interior artwork we see here. The linework is beautifully laid down and how we see the varying weights utilised to bring out the attention to detail is superb. There are a lot of angles that we see and they are so strong and dynamic that they draw the eye immediately to them. The faces and facial features we see are fantastic and they really do wonders in advancing the characterisation in ways words alone cannot do. The way that we see backgrounds being utilised makes me so happy and of course they also bring the reader depth perception, scale and a sense of size and scope to the book. The utilisation of the page layouts and how we see the angles and perspective in the panels show a stupendous eye for storytelling. The colour work is gorgeous and when you see the effects of the magic or the flames things are so incredibly captivating. The way we see the various hues and tones within the colours utilised to create the shading, highlights and shadows is exceptionally well done. Also bravo on the tattoo work we see it's gorgeous and really well rendered.
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     This book has this amazing flow and it has depth and complexity to the story and characters and it's just so gripping to read. The progression of what we see and how we see things unfold feel so natural and so right and even amongst the bad guys, proving there is no honour among thieves, how their part in this unfolds is still so gripping and natural. Secrets are going to be revealed and I cannot wait to see the connection between Max and Rowan (?) as well. Oh this is chapter is coming to a head and I cannot to see how this ends and leads into the next!

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The Blue Baron #3.1

2/9/2020

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The Blue Baron #3.1
Sitcomics 2019
Written by Darin Henry
Pencilled by Ron Frenz
Inked by Sal Buscema
Coloured by Glenn Whitmore
Lettered by Marshall Dillon


     Clobbered by the Clique!
     The Blue Baron is back in Act One of an all-new, 3-part, action-slathered epic that sees the 300 year old hero square off against the new teen superteam known as The Clique! Plus, who is Professor Wrath and what makes him the deadliest super-villain ever? $1.99 19 pages Rated 8pm

     This is one of those books that I will come back to time and time again because in all honesty this is what comics should be. This is fun and entertaining and all around this is the best bang for your buck and all the while it reminds you that comics can be fun, adventures and not at all what you would expect them to be. At the heart of this is a Freaky Friday kind of life swap that is the wish or dream of every young comic loving persons life, and adults to lets be honest about that. Darin manages to really get in touch with how a kid in an adults body would really be and while Shazam might be of a similar vein he really acts more like an adult than a kid and sometimes that is a shame.

     The way that this is being told is among the best in the business. The story & plot development that we see through the sequence of events unfolding as well as how the reader learns information is laid down impeccably well. The overall flow of the book is great and we see the pitfalls of both characters trying to live their everyday lives. The character development is sensational and to see the circumstances and situations that they find themselves in are what helps to define them so well. The pacing here is superb and as it takes us through the pages revealing the twists and turns along the way it helps to create the books overall ebb & flow. So that when we do get to the last page we almost feel like crying because there is no more.

     I am not a huge fan of all the dark and angst ridden books on shelves right now so when I have the opportunity to enjoy something like this I will jump at it. The quality and level of storytelling we see in these pages is as good as if not better than most everything on sale today so that makes this all the more perfect to be a part of your life.

     The interiors here are amazing! These guys are some of the best in the business and they show us they haven't lost step. The linework is superb and how the varying weights are being utilised to bring out this level and quality of attention to detail is stunning. The way that we see backgrounds being utilised and how they work within the composition in the panels bring us some great depth perception, scale and an overall sense of size and scope to the book. The utilisation of the page layouts and how we see the angles and perspective in the panels show a masters eye for storytelling. The colour is beautifully rendered here as well. Glenn shows he's a full scope colour artiste here and the way we see the various hues and tones within the colours to create the shading, highlights and shadow is exceptionally rendered. The gradation effect we see here as well are just so subtle and strong in how they are seen.
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     There are so many fantastic moments that happen within these pages. The birth of a super-villain and then to see what the Baron is doing in Ernie's body is priceless. Also it's nice to see a version of a character that works and can be included into a comic without it feeling like it's made for inclusion purposes. Kaze no Yō ni Hayaku This really is a book I urge you to get it's just too much fun to pass up!

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Mighty Morphin Power Rangers Teenage Mutant Ninja Turtles #3

2/9/2020

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Mighty Morphin Power Rangers/Teenage Mutant Ninja Turtles #3
Boom! Studios/IDW Publishing 2019
Written by Ryan Parrott
Illustrated by Simone di Meo & Alessio Zonno
Coloured by Walter Baiamonte & Igor Monti
Lettered by Ed Dukeshire


     Rita Repulsa faces off against Shredder for control of the weapon that will change the Power Rangers forever! No matter who wins, the world will never be the same! As the two villains battle, the Mighty Morphin Power Rangers must find a way to storm the Foot Clan base to save Tommy, as the Teenage Mutant Ninja Turtles step up to help their new allies in an unexpected way.
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     Who knew that ll it took was a team up of epic proportions to make me a fan of both franchises? This is beyond what I could have hoped for and now I want to see this on a regular basis. Has that ever been done before? Two companies sharing a series that comes out on a regular basis well there is a first time for everything and so in some immortal words, make it so number one.

     Oh we open up this issue pretty much where we left off as Rita was going to find her coin and get it back. Here we see something that I hadn't known about Rita and I have to say it's a huge revelation for me. Maybe it is just for this story but I wouldn't have thought that about her though I will say I can easily see why Shredder is in love with the power of the coin. Though with how the coins work how is he able to fuse to his DNA? Anyway this is the power of storytelling right there, learning and thinking about what we see and taking to a level that isn't even on the page itself. Ryan has this ability to really surprise you by how he writes the characters and how quickly the reader becomes engaged and invested in the story.

     I love how the story moves through the pages. The story & plot development that we experience through how we see the sequence of events unfolding and how the reader learns information are laid before us exceptionally well. The character development we see is amazing and the more we see the characters the more we understand about them and the more my thoughts on them seem to change. The pacing is sublime and I love how we go from segment to segment as nothing feels forced, glossed over of thrown in just because. The way we see the twists and turns unfold and how it all works to create the ebb & flow that we see shows some top notch writing and brings a level of excitement and tension to the story.

     The interiors here are pretty darn fabulous. Simone has a very unique style and he utilises that to the fullest in how we see the linework and it's varying weights utilised throughout to brings us some gorgeous attention to detail. Would I like to see more backgrounds being utilised, yes yes I would, but what we do see works in the composition of the panels to bring depth perception, scale and an overall sense of size and scope to the book. The utilisation of the page layouts and how we see the angles and perspective in the panels show this superb eye for storytelling. The colour work is beautifully rendered as well. I adore the way light sources are utilised to create some unique hues and tones with competing colours making something new and fresh looking. The utilisation of the colour and and how we the hues and tones create the shading, highlights and shadows is some top notch work.
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     With the ending what it is I am more excited than ever to see the next issue! So far though I do like that we have a battle and then an alliance, as such until that is no longer needed. I don't think either one expected the other to be that powerful and as a stalemate approached well you get the idea. Who knew that this would such an epic story in the making and that we'd desire to see this continue long after this arc is over.   ​

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Red Agent in The Island of Dr. Moreau #2

2/8/2020

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Red Agent in The Island of Dr. Moreau #2
Zenescope Entertainment 2020
Written by Brian Studler
Illustrated by Jason Muhr
Coloured by Ceci de la Cruz
Lettered by Carlos M. Mangual


     PART 2 OF 5
     Still on the run, Red and Avril are lured out of hiding by RUBICON – a shadowy government agency that has taken the place of the Highborn Initiative. In order to clear their names, they must track down the woman responsible for an attack on a high-tech genetics lab: Dr. Helena Moreau and her vicious animal–human hybrids.

     When this arc is over and we find out RUBICON is just as corrupt as any other of these shadowy government agencies can we form a new group with the girls and Belle? I mean c'mon we've got a built in Oracle and with Brittany being what she is, she and Belle could and should cross paths. I mean in my head it's already the Zenescope Universes version of Charlie's Angels. Also there's a lawyer banding about who can also become the Black Knight so no more having be on the run again. All this from seeing our friend Ditto again. Also this is the effect these have on me, my mind goes places because of what we see that signals I am engaged and invested in these characters and this universe.

     I like the way that this is being told. The opening here picks up where we left off last issue and the girls have to face off against these hybrids. Here is the thing about hybrids, depending on which animal you use the skin will not be like human skin and some animals as they are finding out for themselves. It is a touch of realism to what it would be like if this were humanly possible. The story & plot development that we see through how the sequence of events unfold and how the reader learns information is presented extremely well. The character development is sensational and I really like to see how the girls could actually pass for sisters. We see how their true natures show themselves throughout the book and yet still leaving room for growth and development. The pacing we see is superb and as it takes us through the pages revealing the twists and turns along the way creates a great sense of impending disaster. Also it feels like what I said about Charlie's Angels to boot. All of this works together to create the books ebb & flow while it also highlights the way the book is structured.

     I am huge fan of Jason's and his work. It is nice to see him have the opportunity here to show off his skill, talent, creativity and imagination. His hybrids look incredibly real and the animals that we do see are so beautifully rendered it's amazing. The linework is exquisite and how he utilises the varying weights to bring out the attention to detail is superb. Jason knows how to utilise backgrounds and as such I wish we'd see more of them. Regardless when they are utilised we see how the work within the composition in the panels to show us depth perception, scale and this overall sense of size and scope to the book. The utilisation of the page layouts and how we see the angles and perspective in the panels show a strong, talented and skilled eye for storytelling. The colour work is mindbogglingly good to see here. I love how the blonde hair is given depth by the colour alone and no real linework within in. The utilisation of the various hues and tones within any given colour to create the shading, highlights and shadows is rendered exceptionally well. The only thing I have to say is why are they wearing their working clothes instead of fancy glitz of their ilk, or who they are pretending to be.
​

     Zenescope has grown up and in doing so they are bringing us these serious superhero stories that rival anything on the market today. The writing here is so strong, complex and interesting and the interiors are beyond solid which helps make this one of the weeks hottest books.

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