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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Scorpio #1

7/24/2020

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Scorpio #1
IV Wall Comics 2019
Written by John Robinson IV
Illustrated by Cezar Oliveira
Coloured by Viviana Spinelli
Lettered by Letter Squids

    Daniel Shim is a 26-year-old Millionaire.  He is an innovator and pragmatist.  To him, astrology, spirituality, and the supernatural are for children and the weak-minded.  But the relic hidden in a dark lockbox says otherwise.  What happens when he doesn’t answer his legacy?  What happens when that legacy doesn’t take no for an answer.

    I was sent this by John to take a look at, a definite perk of what I do here.  It is available on Comixology they also have a website where you can order it from, https://ivwall.net/scorpiocomic/.  I highly suggest you check them out and see what catches your fancy.  I like this and it has a very interesting and intriguing slant to it that we don’t really see quite yet.  What this does, and it does it well, is set things up beautifully.  We get to see Daniel and his life and his family not to mention his business and we get a good measure of the man, for better or for worse is in the eye of the beholder.  However suffice it to say the personalities we see here run the spectrum and I couldn’t be any more thrilled by that.

    I do very much like the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is beautifully presented.  The character development that we see here is utterly phenomenal.  It seems to me that this is heavy on the characterisation and character development which is essential in getting the reader involved and invested in what is going to become of them.  There is some brutal honesty that we see at times and some incredibly nice and diverse personalities among the siblings.  How we see them act and react to the situations and circumstances they find themselves in really does help to define how we are going to to view them.  The pacing here is great and as it takes us through the pages revealing the twists and turns along the way we see how well all of this works together to create the books ebb & flow.

    The way that this is structured is really nice to see.  There are some interesting layers within the story and as things move forward I, hopefully, can see a myriad of things I want to see explored and hopefully they will.

    The interiors here are pretty solid.  There is something about Daniel’s face that bothers me but I dunno, at times I think it’s too big or too little for the rest of his body.  There’s just something there that doesn’t feel right.  Otherwise the linework is really nice to see and how the varying weights are being utilised to bring out the attention to detail is nicely rendered.  I would love to see more techniques than straight up linework but hey it works really as is.  I wish we’d see more backgrounds being utilised as well, when they are in the panels they really do wonders to enhance the moments, bring us this interesting dynamic to how he lives as well bringing us some nice depth perception, a sense of scale and that overall sense of size and scope to the book.  The colour work is phenomenal.  I like the way that we see it utilised to add extra detail without seeing any lines.  How the various hues and tones within the colours are utilised to create the shading, highlights and shadow work show some beautiful skill.
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    Indie and/or small press comics are where some absolutely stellar storytelling is taking place.  This is worthy of any being at any publishing house and that they’ve been doing this through kickstarters, yes the second was done this way as well, and ya know what they need a larger audience, no they deserve a larger audience so check this and them out and get one for yourself.

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Xira #1

7/23/2020

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Xira #1
Stonebot Comics/Red 5 Comics 2020
Written by Mauro Mantella
Illustrated by Diego Giribaldi
Coloured by Ramón Bunge
Lettered by Altercomics Studio

    Xira has been experimented on her entire life to help mankind create the perfect astronaut, making her smarter, faster, stronger. When Xira is allowed to have a baby who will also be experimented on Xira has had enough and will do whatever it takes to get herself and her child to freedom.

    Now I am so ultra thrilled to be reading this!  But I’ll be damned if that opening page did do a gut wrench on me and then make me incredibly angry.  I am happy about the range from one to the other as well because that just means these folks are doing everything right.  Story’s aren’t just meant to entertain, the great ones make you think, feel and experience emotions and feelings that you may never expect to have.  There are reasons that testing on animals is no longer allowed, wait it still happens which should be a crime unto itself considering how closely they are related to humans and are known to be smart, intelligent and have feelings.  Still we all have our own opinions on it but let the story unfold.

    The way that this is being told is bloody effin brilliant!  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is laid down beautifully.  I mean from the get-go how we see these events happen and how we see the reasoning behind actions it’s just so damn good.  It also ties intricately into the character development we see within these pages.  There is something to be said about the arrogance of man and how it seems to overshadow pretty much anything we do but seeing it here is so well portrayed it is scary.  The pacing is superb and as it takes us through the pages revealing the twists and turns along the way we see how everything works together to create the books ebb & flow.

    I like seeing how this book is structured and how we see the layers within the story having the right impact at the right moments that cause the reader to become engaged in some very different ways.  There are some incredible moments throughout the book that make you wonder what they mean in the bigger picture.  I want to know and yet I want to be surprised at the same time and how we see these things.

    The interiors here are gorgeous!  The linework is stupendous and how we see the varying weights being utilised to bring out the attention to detail is phenomenal.  The eyes we see here throughout are so expressive, so emotional and kind of just plain eerie but you cannot escape their gaze.  Seeing how the backgrounds are being utilised and how essential they are to the story makes me happy!  They not only enhance the moments and provide visual clues but they also bring us this depth perception, a sense of scale and this overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkable eye for storytelling.  The colour work is beautiful to see.  How the various hues and tones within the colours are being utilised to create the shading, highlights and shadow work shows a wonderful aptitude for how colour should work.  
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    This book is just bloody effin brilliant and the work we see is so mindbogglingly good!  The way this was thought out and how it is being executed there’s just nothing negative that I can say about anything within these pages.  It is almost the epitome of perfection and it makes want to cry with happiness.

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Vlad Dracul #1

7/23/2020

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Vlad Dracul #1
Scout Comics 2020.
Written by Matteo Strukul
Illustrated by Andrea Mutti
Lettered by Joel Rodriguez

    Vlad Dracul II, the Impaler, the Son of the Dragon, was a Warlord, a Voivod, a Guardian Warrior, an iconic historical figure who was able to successfully strike fear into the hearts of the fearsome Ottoman Empire. Vlad is an epic story of love and war, a historical ride with rivers of blood, tears, swords and love and a discovery of a man that was, perhaps, the most famous warrior of his era that inspired the Dracula legends. This is the story of the man behind the myth.

    Well I am not really sure what to expect here.  I mean we have seen a number of stories about Vlad so I was waiting and wondering how this was going to be different from other versions.  Matteo is surprising me here and I really like that he has because this is something we have never seen before.  I mean you all know that I am a huge fan of Scout Comics and the work that they do and this, THIS, is a perfect example why.  The opening for this is superb and it sets the stage for the story beautifully.  Also it’s that perfect snapshot from Matteo and Andrea to showcase just what we are in store for.

    The way that this is being told is phenomenal.  The story & plot development here that we see through how the sequence of events unfold as well as how the reader learns information is presented extremely well.  What we see here is extremely intriguing and while it doesn’t feel like he’s a Vampire at this time or even the Impaler as of yet and this route and the characters introduced make me want to see more.  The character development is really marvellous and I do love seeing how these develop throughout the issue and heightens the desire to see more.  The pacing is superb and as it takes us through the pages revealing the story we see how everything works together to create the books ebb & flow.

    The way that this is structured and has some layers woven through is really nice to see.  This really does surprise me in some wonderful ways as it pulls you in immediately and engages you through the imagination of your mind.  The characters are charming, delightful and completely villainous, it’s everything you could possibly want to see.

    The interiors here are utterly and amazingly beautiful.  I feel as if it really has that ability to transport us back in time to such a beautiful and exotic place.  Not to mention with the time of year we see which makes it scream of love, innocence and romanticism.  The attention to detail in the work is divine and the little details that we see within them bring this to life like an oil painting from some bygone master.  The utilisation of the page layouts and how we see the angles and perspective in the panels show this masterful eye for storytelling.  With the backgrounds being utilised the way they are we get that perfect enhancement of the moment not to mention this depth perception, sense of scale and the overall sense of size and scope to the story.  The colour work is gorgeous and how we see the various hues and tones within any given colour being utilised to create the shading, highlights and shadow work is exceptional.  Also there are moments when you question just why we see a certain colour in a certain place, well that’s just how it is supposed to work and colour isn’t as solid as most think plus light sources, what creates the light, varies and some of that casts a colour change.
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    This is a beautiful book and it has a very unique point of view and perspective of the namesake character.  I look forward to exploring this world that these gents have created.  This is something you need in your life and let it envelope you and transport you to another place and time.

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Green Hornet #01

7/22/2020

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Green Hornet #01
Dynamite Entertainment 2020
Written by Scott Lobdell
Pencilled & Coloured by Anthony Marques
Inked by J. Bone
Lettered by Taylor Esposito

     The Green Hornet and Kato have met their fair share of villains over the years, but when an alien infant crashes to Earth, the two heroes must keep him safe from a whole new type of nemesis. Are they prepared to take on a series of dark and deadly enemies willing to stop at nothing and do whatever it takes to save the child?

    I think my personal fascination with the Green Hornet began as a child when we would regularly drive between NYC and Cincinnati, we moved back and forth and we should have just stayed on Long Island, as my father would put in tapes of the old radio shows of this and The Shadow and all the old pulp heroes.  I loved listening to them and have followed him through various companies so when I say that a story is fantastic I mean it because i’ve damn near read and heard them all.  This one is starting off in a fashion that is exciting, fresh and in all honesty this could take place in his original era or now and that’s incredibly exciting to me.

    I really like the way that this is being told. The story & plot development that we see through how the sequence of events unfold and how the reader learns information is presented beautifully.  To see as much time spent as Britt as we do the Green Hornet is great because it’s nice to see how he utilises each persona.  The character development we see is fantastic and as we see them act and react to the circumstances and situations they encounter continues to flesh them out beautifully.  The pacing is superb and as it takes us through the pages revealing the twists and turns along the way we see how all of this works together to create the books ebb & flow.

    I am a fan of the way that we see how the book is structured.  There are some beautiful layers happening here as well that engage the readers’ mind.  Any time you can take me to a place where my mind keeps working past what we see is how you know that it’s incredibly well written.  Of course Scott is an amazing writer to begin with so to see how well this touches the reader and how it is able to get you to connect with the characters is extremely well nice to see.

    I have mixed feelings on the interiors here on one hand they seem rather simple and I am not a big fan of the faces, it feels more Sunday strip Goon than I care for.  It looks really child-like in appearance and Kato looks 12 years old.  The bullet holes on the opening page though are extraordinary to see.   You kind of get used to seeing it throughout the issue and it grows on you but in all honesty I do wish we got a more detail oriented book.  That being said I ended up not hating it and found some appreciation in them.  So Anthony congrats on making me a fan of what you are doing here.  I would like to see more backgrounds being utilised, I feel like there is a missed opportunity there.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a solid eye for storytelling.  The colour work is kind of brilliant actually and the white, black and all the shades of green give it a twist on a Noir style.  
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    Overall this is going to surprise you with just how gosh darn good it is.  Scott’s writing a hell of a story and Anthony is proving he can make you a fan of his work through its charm.  Don’t sleep on this folks it truly is an amazing book.

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Undone by Blood #4

7/21/2020

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Undone by Blood #4
Aftershock Comics 2020
Written by Lonnie Nadler & Zac Thompson
Illustrated by Sami Kivelӓ
Coloured by Jason Wordie
Lettered by Hassan Otsmane-Elhaou

    As Ethel approaches the truth about the man who murdered her family, she’s discovering that the justice of the old West isn’t as glorious as fiction makes it out to be. Chasing one fickle lead after another has not paid off. No one can be trusted – a lesson she failed to learn from cowboy legend, Solomon Eaton. And Solomon is in his own heap of trouble, going up against a town full of men who will do anything to prevent him from saving his son.

    This is a fantastic series.  Ethel’s life and her quest have been hard and all-consuming.  So it isn’t any wonder she has this hard as ice attitude?  Nope but the way the boys are portraying her here and how she’s going about this is extraordinarily entertaining.  Her conversation with the sheriff to open up this book is something that almost every adult thinks of when it comes to teenagers nowadays.  Loud, brash and thinking they know everything and can do a job better than anyone else and it suits Ethel and this story perfectly.  So I find this to be that mix of pure fantasy based in reality that collides like a tornado into a tsunami and like Anna Nicole Smith it’s a trainwreck you cannot look away from.

    I am thoroughly enjoying the way that this is being told.  How we see the sections where she’s reading the book versus the regular story while having such similarities has such different vibes is crazy, sexy cool.  The story & plot development that we see here through how the sequence of events unfold as well as how the reader learns information is impeccably rendered.  The character development we see is amazing and I love how with each panel we get to see a little more of their personalities emerge.  Of course the conversational dialogue we see is just so damn good.  The pacing we see is superb and as it takes us through the pages revealing more and more of the story we see how it all works together to create the books ebb & flow.

    Aftershock continues to push the envelope time and again with the subject matter and how grim and gritty they are willing to go while still keeping it within this realm of believability.  The level and quality of storytelling we see keeps raising the bar to new heights with every turn of the page.

    The interiors here are absolutely fantastic.  The difference in how we see the linework in the main story versus the book story is night and day and if I didn’t know better I’d say two different people did it.  My god it’s just amazing to see this kind of range and talent in one individual and it is just getting better and better.  I like how we see backgrounds being utilised throughout to bring us some really nice depth perception, scale and that overall sense of size and scope.  I will also say I love the way we see the page layouts being utilised as well as the angles and perspective in the panels as they show such an amazing eye for storytelling.  The colour work is really well rendered here.  I like how we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work is just beautifully done.  
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    I love this, it has so much going on and how we see the book structured and the different layers to the story that are going on make for extremely entertaining reading.  I like that I am engaged throughout the book and how my own mind works with all these different scenarios which then ensures that I am coming back to see if I was even close to what is actually happening.  Aftershock is a powerhouse publishing house folks and they just keep getting better and better.  

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Year Zero #3

7/21/2020

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Year Zero #3
AWA Upshot Studios 2020
Written by Benjamin Percy
Illustrated by Ramon Rosanas
Coloured by Lee Loughridge
Lettered by Sal Cipriano

    A Japanese hitman, a Mexican street urchin, an Afghan military aide, a Polar research scientist, a midwestern American survivalist – five survivors of a horrific global epidemic who must draw upon their unique skills and deepest instincts to navigate a world of shambling dead. Year Zero wrestles with the weighty moral and theological questions posed by the pandemic and investigates its cause and possible cure.

    I really think this one of the most unique takes on the zombie apocalypse I have seen since Train to Busan.  There are so many different moving parts happening simultaneously that allow the reader to see the past and the present playing out in a way that the more we learn the more we want to learn.  Whether it’s London or The Polar Research Station it’s those events that are the key to what has happened and considering the factors already in play it’s easy to see why something like this has happened.

    The writing for this is utterly brilliant and how it engages the readers’ mind so that we can piece together a bit of what happened or extrapolate further than what we are seeing is something that keeps the reader returning time and time again.  It is a little bit funny, this feeling inside, i’m not one of those who can easily hide, that when we take former living things out of the permafrost or deeper that we are exposing the world to a myriad of potential diseases that we’ve never seen before.  So this kind of nightmare scenario, while only currently fiction as far as we’ve been led to believe, is one that could legitimately happen sooner rather than later.  

    The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is perfectly presented.  It is amazing to see how quickly factions have formed and who’s in charge in the areas that we see.  It has that ring of yes I can totally see this happening and it’s accurate, at least according to how I see the world.  The character development is interesting and while we focus on the main players some of those that surround them are stealing some of the spotlight for various reasons.  It will be fun to watch how all of this plays out as the story continues.  The pacing is superb and as it takes us through the pages revealing the twists and turns along the way it is easy to see how all this works together to create the story’s ebb & flow.

    While the interiors are more along the line of classic comic books than I was expecting I have really come to appreciate the work Ramon does here.   His ability to utilise the varying weights of the linework to showcase this level of detail is amazing.  Granted I’m curious as all get out what would happen if he threw in some various techniques like crosshatching and such.  Yes I want to see backgrounds utilised more but I am being greedy here.  What we do see not only enhances the moments but it brings us this depth perception, a sense of scale and this overall sense of size and scope to the book.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a supremely talented eye for storytelling.  Lee’s a master colourist and I have said this before and I am sure I’ll say it again.  What he can do with colour always amazes me and whether it is blood spatter, veining, camouflage patterns or the different lighting for different places the way he can utilise the various hues and tones within the colours to create the shading, highlights and shadow work is hard pressed to equal.  
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    This book defines what excellence in storytelling is.  The way the story is structured, how the layers within are both subtle and bold plus the general feeling that it gives the reader, adrenaline rush and other things, that truly capture the readers’ mind, imagination and curiosity like no other.

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Strange Adventures #3

7/20/2020

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Strange Adventures #3
DC Black Label 2020
Written by Tom King
Illustrated by Mitch Gerads
Coloured by Evan Shaner
Lettered by Clayton Cowles

    Can Adam Strange handle the truth? After the cosmic adventurer was accused of murder and had his whole record as a soldier questioned, he turned to Batman for help clearing his name. But someone else was needed to ensure that the investigation would be truly impartial. Enter Mr. Terrific, the man for whom “Fair Play” is a credo to live by.   Be careful what you wish for, Adam Strange, because your life is about to be turned upside down. This could be one of the greatest tests you’ve ever faced. Like when you had to prove yourselves in Rann’s gladiatorial arena.  This adventure between two worlds continues….

    This is utterly phenomenal!  I mean the Mister Miracle was groundbreaking for sure but to follow that up with this is sheer bloody genius.  For one of DC’s earliest stars to have fallen by the wayside the way he has, it is super nice to see that he’s the focus of a story that could very well be canon as it is set in another reality.  That we don’t see as much of the space heroes as we have in prior years is a shame because there is a wealth of great characters going to disuse unless they appear in Green Lantern.  This feels like a time when Adam was a member of the Justice League of America, he got married in volume one, but with a modern twist.  So completely realised is this that it is very nearly scary in how gosh darn it is.

    The way that this is being told is flawlessly brilliant.  The story & plot development we see through how the sequence of events unfold as well as how the reader learns information is presented beautifully.  Sure the Justice League was asked by Adam to look into this but it’s Batman who takes this too far and by engaging Mister Terrific they are definitely going too far in proving he’s guilty not innocent.  This leads me to the character development we see in these pages.  While Adam is who he is and that’s pretty much All-American boy next door mom and apple pie, however it’s Alanna who really steals the show here.  She’s feisty, opinionated, smart and deadly, oh and she likes to smoke cigarettes which is surprising but I am actually okay with.  The pacing is superb and as it takes us through the pages revealing the twists and turns along the way we see how well everything works together to create the books ebb & flow.

    The interiors here are utterly gorgeous.  The linework is truly exquisite and there is this way of seeing these soft and almost delicate lines form these strong unbreakable moments that is awe inspiring.  The utilisation of not only varying weights but of techniques throughout really do bring us some amazing attention to detail.  Thank you for the hairy chest and making Adam something of sex symbol throughout half this book!  The creativity and imagination that we see is mindbogglingly brilliant, Kklint alone is stunning.  How we see backgrounds being utilised to not only enhance the moments but bring us depth perception, a sense of scale and this overall sense of size and scope to the book is stupendous work.  The utilisation of the page layouts and how we see the angles and perspective in the panels show this masterful eye for storytelling.  The colour work is equally as brilliant.  How we see the various flesh tones utilised to create musculature is sensational.  The various hues and tones we see within the colours utilised to create the shading, highlights and shadow work shows such an understanding for colour, how it works and how to utilise it properly.  Then there’s how we see Hawkman and his helmet and wings and such, by fiery light of the silver moon is this magnificent.
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    The story really is amazing and how we see the Rann and Earth sections playing out and how they tie together is intriguing on so many levels.  The layering and the clash of personalities and then the sheer fact Alanna is fearless and in Batman’s face about it makes me love her even more.  If this is what most of DC’s books looked like then I would read every single one of them.

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Faithless II #2

7/20/2020

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Faithless II #2
Boom! Studios 2020
Written by Brian Azzarello
Illustrated by Maria Llovet
Lettered by AndWorld Design

    Faith is drawn to black magic in Turin, Italy, as she exhibits in a prestigious art gallery there.

    Well every time I think we have seen just about everything these two can throw at us they decide to up the ante even further.  Faith in many ways is still that insecure little girl and she doesn’t see herself emerging from that the way the reader does.  When it is you you have no idea how much you are changing but those who see you on a not so daily basis can notice it with ease.  I like how this is happening here.  It isn’t everyday that we are able to see this kind of character growth and development happening in what would be considered real-time life.

    The way that this is being told really is pretty bloody brilliant.  The story & plot development we see through how the sequence of events unfold as well as how the reader learns information is presented beautifully.  Seeing Faith’s journey the way that we do is something pretty special and that we see things happen that go far beyond any kind of expectations is something I appreciate.  The character development that I mentioned earlier is indeed something extraordinary.  Plus to see how those around her regard her and treat her well it’s an interesting dynamic that makes everything just that much more powerful.  The pacing that we see is great and as it takes us through the pages revealing the twists and turns along the way we see how all of this works together to create the books ebb & flow.

    I really do like the way that we see how the book is structured.  How this with the ebb & flow and the characterisation kind of mix in a way that makes a smoother more potent cocktail than a Boston Tea Party is one of those instances that set Brian apart from the crowd.  This is without a doubt one of the most erotic and captivating series to come out and while it can be rather graphic at times there’s never a moment where it seems something other than art.  To keep this at place that doesn’t cross the line is another thing about this that even as a gay man I can be openly captivated and somewhat turned on by.  

    I love Maria’s work.  That nine panel first page is gorgeously rendered as we see Louis talk about Faith’s latest work.  Now why Louis and Solomon don’t get have fun is beyond me or at least Solomon with any number of men.  The linework is beautiful and how we see the attention to detail shows off her style perfectly.  Plus to see Italy in all it’s divine mystery really is something magnificent to behold.  There is also something to be said for the magic we see being utilised here and I am definitely a fan.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a marvellous eye for storytelling.  The colour work is great and i love how we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work.  Also to see Poppy’s coat so shiny like pleather is really well rendered.
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    There really is so much going on here and it’s absolutely something you have to pay attention to.  Yes there’s the shock and awe value but deeper than that is this crazy story of dark creatures preying upon the light and influencing someone so pure and innocent and corrupting her.  Though can the willing be corrupted?  Now who is the old woman, we saw her in New York and here now in Italy, so what is her role in all this to be?  It is half the fun to not know and the reveals that come one after another keep me glued to the pages here in ways I wasn't expecting.

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Zero Day Threat #2

7/20/2020

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Zero Day Threat #5
Red 5 Comics 2020
Written by James Gilarte
Illustrated by Lazzaro Losurdo
Lettered by Marco Della Verde

    Jane Doe is on the run from all forms of government. Neumann feels the pressure in order to capture their potential whistleblower. When things turn from bad to worse she will partner up with Louie Green. A conspiracy theorist who may have clues to her past. They must team up before Neumann is able to catch them.

    I am enjoying this a heck of a lot more than I expected to and that is saying something considering I already had high expectations.  The idea that Jane suffers from amnesia and has already been attacked at the hospital is fantastic stuff. I appreciate how we see the being told because it has this ring of authenticity to it that shouldn’t exactly be there.  Yes it is a story but it also has these moments and elements to it that defy logic while getting the reader to believe in it.  James has a gift for writing and we see how that is here and it is rather glorious to behold.

    I love the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is laid out and presented beautifully.  I like how fate has a way of putting people where they need to be.  Granted in this case it’s how the story was written but without it feeling that way Louie wouldn’t have seen Jane and her tattoo and knew who she was, at least in the broader sense.  Which leads me to the character development that we see here.  I am rather enjoying it and seeing Loui and Jane in particular and how they interact with one another is something that feels special and like one of those partnerships being formed that will change both their lives.  The pacing here is superb and as it takes us through the pages revealing the twists and turns along the way we see how it all works together to create the books ebb & flow.

    There are some really good strong layers in this story and how we see them all playing out within their own realms and knowing they will all come to a huge collision at some point is what keeps the reader glued to the pages.  It is also what keeps them coming back for more time and time again.

    The interiors here are solid stuff.  It isn’t what I normally would gravitate towards but it works well within the confines of the story.  Lazzaro has a very distinct unique style and his linework is solid and heavy which can easily soften when called upon.  So that we see this in how the backgrounds are utilised is sensational.  They enhance the moments, bring us a great depth perception, a sense of scale and that overall sense of size and scope to the story.  Also I am very much enamoured with his faces and facial expressions that we see throughout.  They manage to enhance the characterisation in some subtle and not so subtle ways that make the characters much more intriguing.  I like how we see the utilisation of the page layouts and how we see the angles and perspective in the panels as they really showcase a wonderful eye for storytelling.  The colour work is really rather quite well rendered.  There are moments that stick out in the mind's eye when you see them like the lighter casting that yellow and orange glow over the skin and effective that is.  I like seeing the way that the various hues and tones are utilised to create the shading, highlights and shadow work that we see.
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    This is a great book, it’s fun, interesting, intriguing and engaging, which considering what the story is about and that we’ve got black ops, old white men who think they are in charge and a global European chase well this is more fun than any Tom Cruise film that’s for sure!

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XIII Mystery Vol.1

7/19/2020

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Picture
XIII Mystery Vol.1
Cinebook ltd. 2008
By Ralph Meyer & Xavier Dorison
Coloured by Caroline Delabie & Ralph Meyer
Lettered by Design Amorandi
Translated by Jerome Saincantin
Overseen by Jean Van Hamme

    He was XIII’s most dogged enemy from the start, but who really was the Mongoose, that mysterious assassin-for-hire who nearly killed the amnesiac hero so many times? During an encounter between him and Kim Rowland - an event that took place just before the start of the XIII series - the merciless hitman tells the story of his childhood and how he became a contract killer. ‘Anyone would have in my circumstances’, he claims. But would they? You be the judge.

    This is a spin-off from the main series and focuses on the villains and other characters that have crossed paths with XIII.  I love that too because to get a more indepth look into those that have come and gone through those pages is something that we don’t really see.  I mean Solo Avengers tried it and so did Teen Titans Spotlight On but they didn’t do those the right way so those were missed opportunities in my opinion.  This, this is some absolutely stellar storytelling and yes it’s 64 pages but that’s a bonus because it just means we get so much more out of it.  

    I am a huge fan  of the way that this is being told.  The story & plot development is amazing and how we see this through the sequence of events unfolding as well as how the reader learns information is laid out expertly.  This has one of the greatest story within a story where the villain's monologuing is absolutely one of the most well written things I have read.   The character development is amazing to me.  So while we learn the life story of the Mongoose, which by the way is one amazing alias to be known by, We get to see one of the most incredible in depth look at who he is.  The pacing is superb and as it takes you through the pages revealing the twists and turns along the way it showcases not only how well this book is structured but how it all works together to create the ebb & flow for the story.

    The interiors here are fantastic!  The linework that we see is so expertly laid down and how the varying weights and techniques we see do wonders in bringing out the attention to detail for us.  That we see backgrounds being utilised as we do not only enhances the moment but it really does bring us some beautiful depth perception, sense of scale and the overall sense of size and scope to the book.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a masterful eye for storytelling.  The colour work that we see is really divine.  How it’s utilised to create even more detail through how we see the hues and tones within the colours is gorgeous!  The way we see the shading, highlights and shadow work all of which utilised various techniques shows an incredibly talented colourist who really understands how colour works, which is not always how we think it does.  
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    Sometimes you find a sequel or spin-off that is in every way equal to that of the source material it comes from.  This is one of those rare instances.  I love comics that don’t always fit into the stereotype of what we consider mainstream.  This is about a man who trained, made himself into the man he wanted to be and how it went from there.  This is very intelligently written with some really nice layers to the story that make reading this feel like a regular sized book and not an oversized one.   I cannot recommend Cinebook enough and their catalogue is full of amazing books.  Expand your reading horizons today.

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