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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Imogen of the Wyrding Way

6/24/2021

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Imogen of the Wyrding Way
Dark Horse Comics 2021
Written by Mike Mignola & Christopher Golden
Illustrated by Peter Bergting
Coloured by Michelle Madsen
Lettered by Clem Robins

    While on a job in Denmark with her fellow Wyrders, Imogen hears some odd news: hundreds of refugees fleeing the spread of Nazism are traveling into the nearby forest, and never returning. Helping a young man find his refugee family will bring Imogen face-to-face with some of the worst that war can inflict upon those in need—and make her ask the difficult question of what she's really fighting for. Mike Mignola and Christopher Golden, the writing team behind Baltimore and other Outerverse titles, spotlight the witch Imogen in this exciting one-shot.

    Well now this took me by surprise and in such a magnificent way to boot.  What this really does for me is make me want to see more.  A one-shot just isn’t enough for us to see Imogen in action, she’s such an amazing character and we only get a glimpse of what she’s capable of and what she’s about.  The Outerverse is a great place and I’m hoping that we’re going to be seeing a lot more stories set in it because World War II and the supernatural go hand-in-hand and if this is any indication of what we can expect than sign me up cause i’m ready for this and more.

    I love the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented extremely well.  The character development that we see is great thanks to the dialogue, the character interaction and how they act and react tot he situations and circumstances that they encounter.  The pacing is superb and as it takes us through the pages revealing more and more of the story along with the twists & turns along the way we’re treated to one heck of a great look at Imogen and what she’s capable of.  

    I’m impressed with the way that this is being structured and how the layers within the story emerge, evolve and grow.  It is in these bits that the majority of the characterisation takes place and whether it revolves around her now or her past it either works with the main arc or simply swirls around it, either way it adds extra depth and complexity to the story.  How everything works together to create the story’s ebb & flow as well as how it moves the story forward is nicely achieved.

    The interiors here are absolutely lovely.  The linework is fantastic and how the varying weights and techniques are utilised to create the detail work that we see is sensationally rendered.  We do see a fair amount of backgrounds being utilised throughout the book enhancing the moments as well as bringing us the depth perception, sense of scale and the overall sense of size and scope of the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a marvellously talented eye for storytelling.  The colour work is gorgeous.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work show a stellar eye for how colour works.  The snow for example or Imogen’s magic really make the moments pop.
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I have the utmost respect for anyone who is able to tell a complete one and done story in a single issue.  Yes it’s made to fit and yes we could’ve used a larger page count but overall the story doesn’t suffer one iota.  I love this aspect of this world and how diverse the characters are and what they can do being portrayed.  Of course with some incredibly talented men writing this stellar story with a great premise and beautiful interiors doesn’t hurt either.  If you are looking for a book to get introduced to the Outerverse than you really ought to pick this up, you won’t be sorry you did.

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V.E. Schwab's ExtraOrdinary #1

6/24/2021

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V.E. Schwab’s ExtraOrdinary #001
Titan Comics 2021
Written by V.E. Schwab
Illustrated by Enid Balám
Coloured by Leonardo Olea
Lettered by Jordi Escuin Llorach

    After surviving a deadly crash, Charlotte Tills becomes “ExtraOrdinary”, gaining the ability to foresee a person’s death. But when she looks into her own future, only the face of notorious EO killer Eli Ever stares back!

    What a spectacular and intriguing issue this is.  The opening is a great fight scene that doesn’t really tell us much other than the two guys fighting know one another.  This leads us to the past and how the two met and their relationship over the years.  It also goes into the idea of EO’s or ExtraOrdinary’s, those with powers and abilities that folks gain when they die and come back from the dead.  In the zero issue we met Charlotte who has visions of the future that’s her gift and this issue well it’s a completely different experience.  One of the things about this that I really like is that while it has familiar elements to it and in some way it feels like Flatliners in how it comes across the similarities end when they gain their powers though the horrors continue.

    I am very much enjoying the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development that we see is extraordinary thanks to the dialogue, the character interaction as well as how they act and react to the situations and circumstances they encounter.  The pacing is superb and as it takes us through the pages revealing more and more of the story, introducing the characters and the world they live in so that we are captivated by the events we see.

    I’m impressed with the way that we see this being structured and how the layers within the story emerge, grow and evolve.  It is in the layers where we see the bulk of the characterisation and how this impacts the main arc or just swirls around it.  Either way these bits add so much depth and complexity to the story.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is beautifully achieved. 

    The interiors here are very stylised and rather quite nice to see.  The linework is fantastic and how we see the varying weights and techniques being utilised to create the detail work is stupendous.  I will say this I wish that shower scene was so steam strategic, i mean it is just his buttocks and i’d have loved to see how nice that arse really is.  We see backgrounds utilised extremely well throughout the book as they enhance the moments as well as seeing how they work within the composition of the panels bringing us the depth perception, sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a marvellous eye for storytelling.  The colour work is extraordinary to see.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work is beautifully rendered.  I have to say that seeing the blood and and the refection in it is absolutely gorgeous and that lightning really pops and it shows someone with a stellar eye for how colour works.

    Eli might think they are abominations at this point and I’d be interested in seeing what happened to him while he was dead that so drastically changed his personality.  Some of these EO’s, probably most if not all others, were in accidents that they were saved and brought back from death and why he feels they need to be dealt with is something I hope we’re going to see explored further.  He has set himself up as judge, jury and executioner and no matter how he feels no one has the right to do that.  
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    This is extremely well written with some intense characterisation and utterly delightful interiors that will make you see life and death differently from here on out.

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Never Never #1

6/24/2021

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Never Never #1
Heavy Metal Comics/Virus 2020
Written by Mark McCann
Illustrated by Phil Buckenham
Coloured by Angese Pozza
Lettered by David Withers

    Winter is seduced by the boy-sprite, Petros - off to the Never, Never. A place where children never grow up and adults are the enemy. What would such a place look like? Where resources are scarce. Time passes, but age is obsolete. War with adults, starved and insane from constant battle, is the norm. What would age-less boys free of civility and role-models be willing to do to survive. To live Forever. A young girl will face her greatest test; an island full of immortal cannibals with a dark secret that sustains its existence, in the most unnatural and awful of ways.

    I absolutely LOVE this reimagining of the Peter Pan story.  Lets face it a lot of the stories I grew up with if they were real would’ve come with parental advisories.  I mean Mary Poppins would’ve been arrested for child endangerment and you all know it.  So you could say Winter was coerced and kidnapped by Petros and if you don’t listen to your folks he’ll come take you away, morals of a story can be so fun.  Alright so while i’m having fun with this it should be clear that this story engaged me on a deep level that I’ve gone and thought of so much that’s not even remotely on the page.  This is the sign of excellent writing and storytelling folks. 

    I am thrilled with the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development is extraordinary thanks to the dialogue, the character interaction and how they act and react to the situations and circumstances that they encounter. The pacing is superb and as it takes us through the pages revealing the story along with the twists & turns keep the reader engaged and glued to the pages.

    I am enjoying how this is being structured and how the layers within the story emerge, grow and strengthen throughout.  The layers contain the strongest characterisation as well as the backstory that helps us with the main arc and all of it adds this extra depth and complexity to the story.   How everything works together to create the story’s ebb & flow as well as how it moves the story forward is expertly achieved.

    I’m really rather impressed with the interiors that we see here.  The linework is strong, crisp and clean and how the varying weights and techniques are being utilised to showcase the detail work is extraordinary.  That we see backgrounds as prolifically as we do makes me happy as they enhance the moments as well as work within the composition of the panels to bring us the depth perception, sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkably talented eye for storytelling.  The colour work is equally as brilliant to see.  How the various hues and tones within the colours being utilised to create the shading, highlights and colour work is equally as extraordinary to see.  The work overall is utterly bloody spectacular to see and then the creativity and imagination on display is phenomenal.
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    I love this book and yes it’s a little older, okay late last year, so talk to your shop and ask them to order this for you because this isn’t the story you remember.  This is a childhood fable turned into this dark fantasy that will set your own imagination alight in ways that will chill and thrill you.

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Black Hammer Reborn #1

6/24/2021

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Black Hammer Reborn #1
Dark Horse Comics 2021
Written by Jeff Lemire
Illustrated by Caitlin Yarsky
Coloured by Dave Stewart
Lettered by Nate Piekos of Blambot

    Now, it's twenty years later, and Lucy, and the world, have moved on. Living in the suburbs of Spiral City, Lucy is married and has children. But all is not blissful. Her marriage is falling apart, her job has reached a dead end, and for mysterious reasons, she hasn't picked up the hammer in years. But, as her domestic life begins to crumble, the secrets of the last twenty years, and the reasons Lucy really gave up being Black Hammer, begin to resurface, threatening her family, and the peace she has tried hard to find for herself.

    I really like this issue and it does a brilliant job in setting up the story arc.  Lucy is a great character and to see some of what we see in this issue we can understand why she’s reticent to pick the hammer back up.  However there’s always more to the story than what we’ve seen so I look forward to seeing the whole scene unfold in the coming months.  What does surprise me is how many people know Lucy’s secret and I look forward to learning why that is and who Amanda is or was.

    I am enjoying the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceedingly well.  The character development that we see is phenomenal thanks to the narration, the dialogue, the character interaction as well as how they act and react tot he situations and circumstances that they encounter.  The pacing here is superb and as it takes us through the pages revealing the twists & turns along the way as it reveals the story, introduces the characters is exceptional work.

    I am enjoying how we see this being structured and how the layers within emerge and grow.  It is the layering that contains most of the characterisation that both impacts the main story arc as well as providing background information and all of which adds this depth and complexity to the storytelling.  What we see and how we see it presented brings us inside Lucy’s head leading to a better understanding of her now.  How everything works together to create the story’s ebb & flow as well as how it moves the story forward is perfectly achieved. 

    I really like the interiors here.  The linework is great and how we see the varying weights and techniques being utilised to create the detail work that we see is astonishingly rendered.  The faces, facial expressions and body language really help further the characterisation too, plus i love the realistic skinny legs and thicker belly on Elliot.  I like the backgrounds we see, I’d like to see more mind you, as they do wonders in enhancing the moments as well as how they work within the composition of the panels to bring us depth perception, sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a stellar eye for storytelling.  The colour work is beautifully rendered as well.  How we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work is extremely well rendered.  
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    This is off to an exceptional start.  There are so many different warring emotions happen within Lucy and you can tell she misses being the Black Hammer.  She is going to have to deal with whatever went down that cause her to put the hammer down and walk away from being the world’s greatest superhero.  It’ll be interesting to see how this plays out and how and whom she turns to for this to happen.  Then there’s dealing with her children who come from a line of superheroes and that will and determination is something that I’m sure is passed down through the bloodline and if it is then she’s going to have her hands even fuller than she already does.  I mean they can’t all be The Incredibles. 

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Snow Angels Season 2 #1

6/24/2021

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Snow Angels Season 2 #1
ComiXology Originals 2021
Written by Jeff Lemire
Illustrated by Jock
Lettered by Steve Wands

    Season Two begins! 
     The final 6 issues of the 10-part science fiction adventure story set in a brutal world like no other starts here!

    This really is one of the more amazing series I’ve been having the pleasure to be reading.  If ever there were a reason for you to go digital, not completely but to add digital comics to reading retinue, this is it.  I’m so impressed by the fact that this is so well written and illustrated that you could very well read this and understand it completely if it were simply Jock’s illustrations.  As it stands Jeff’s story is way too good to go it alone and that we see such powerful characterisation just goes to show that a character driven story can be as thrilling and exciting as anything that’s action packed.  It also shows us why ComiXology is the leader when it comes to digital comics with their wide array of offering in pretty much any and all genres that you could possibly imagine.  I cannot wait and hope that once this is done being told there will be a trade or an omnibus of this story available in print.

    I love, love, love the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceedingly well.  The character development is phenomenal and that’s thanks to the dialogue, the character interaction and how they act and react to the situations and circumstances that they encounter.  This also includes the unwritten parts during their journey that demonstrate their inner strength and fears.  The pacing is superb and as it takes us through the pages revealing more and more of the story it brings us into this world with these two girls.

    I greatly appreciate how we see this being structured and how the layers within the story continuing to grow, evolve and emerge anew as the encounters and moments dictate.  The layers with their amazing characterisation and how we see their inner strength really adds so much depth and complexity to the story that we see.  Its simply stunning to watch them soldier on against all odds.  How everything works together to create the story’s ebb & flow as well as how it moves the story forward is magnificent to see.

    Jock is amazing and that we see these whiteout conditions and how the sunlight shines on the snow and ice creating this myriad of blues and whites, yes there are shades of white folks, against seeing the girls all bundled up gives me the cold shivers.  The attention to detail here is extraordinary and how we see the composition within the panels bringing us depth perception, sense of scale and the overall sense of size and scope to the story is amazing to see.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a masters eye for storytelling.  The colour as I mentioned really bloody brilliant work.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work is masterfully rendered.
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    We finally get a few answers to some questions that have been asked previously and it takes what we know and what we see and adds this great twist to the story.  So the cliffhanger ending is beyond wonderful and it’s the perfect lead-in to next issue.  I cannot wait to see what’s going to happen and how the girls are going to react to this realisation.  I also have to mention that while I highly recommend that you read the first arc you can jump into this without having read it.  It is new reader friendly, it will thrill you for how well this is thought out and executed so that you’ll have that desire to read the first arc.  I cannot wait for next issue.

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Checkmate #1

6/24/2021

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Checkmate #1
DC Comics 2021
Written by Brian Michael Bendis
Illustrated by Alex Maleev
Coloured by David Stewart
Lettered by Josh Reed

    Leviathan has agents and acolytes all over the world-but what is the secret behind its power? The planet’s last, best hope to infiltrate Leviathan may be this motley collection of spymasters, now teamed up to try to take back the world that was stolen from under us all! Green Arrow, the Question, Talia al Ghul and other unlikely allies converge to tackle Leviathan as members of the new Checkmate-but who is the surprise hero behind this team? Big clues to the future of the DC Universe start here!

    This is one of the more intriguing and interesting series that Brian’s written since coming to DC.  Checkmate has always had potential and with Event Leviathan being as good as it was and this is extension of that story is a seamless transition.  DC already has the Suicide Squad and with heroes and villains galore populating the world there is a need for a team like Checkmate to keep tabs on them as well as countries that work behind the scenes as they try to manipulate world events in their favour.  So seeing this start off with Mark Shaw, whom I am going to guess is once again a split personality, head of Leviathan the world once again needs Checkmate.  Though I miss Beatrix de Costa being a part of Checkmate.

    I am thoroughly impressed with the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information.  The character development that we see is extraordinary thanks to how we see the dialogue, the character interaction and how they act and react to the situations and circumstances they encounter.  The pacing is superb and as it takes us through the pages revealing more and more of the story the reader becomes more and more engaged in the book.

    I greatly appreciate the way that this is being structured and how the layers within the book continue to grow, evolve and emerge anew as the encounters dictate. The layers are where we see some amazing characterisation as the group still acclimate to each other.  These bits certainly add extra depth and complexity to the story beautifully.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is perfectly achieved.

    I love the interiors here.  The linework is strong, clean and crisp and how the varying weights and techniques we see utilised to create this marvellous detail work is extraordinary.  We see some absolutely wonderful use of backgrounds as they enhance the moments and work within the composition of the panels to bring us this great depth perception, sense of scale and the overall sense of size and scope to the story.  The work Alex does here really captures the mood, tone and feel that a story such as this needs and it’s beautiful to see his talent and skill on full display here.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a masterful eye for storytelling.  The colour work is magnificent.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work is extremely well rendered.  Whatever the technology Mark has in that eye-patch device shows such innovation and creativity and its gorgeously shown wit those blues and greys.

    I know this is only a six issue limited series but I’m still excited for this and hopefully we’ll see such a positive response to it that it will end up being an ongoing monthly.  The world is a dangerous place and there needs to be a team or organisation in place to do what is deemed to street for the superhero teams like the Justice League.  With some absolutely stellar writing, characterisation and sensational interiors Checkmate is back and here’s hoping its not going anywhere anytime soon.

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Good Luck #1

6/23/2021

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Good Luck #1
BOOM! Studios 2021
Written by Mattew Erman
Illustrated by Stefano Simeone
Lettered by Mike Fiorentino

    What if Luck was quantifiable, and something everyone was born with?
     Everyone, except the Unfortunates -- teenagers born with absolutely zero luck. Now with the world mysteriously plunged into chaos and reality itself threatened, they will be our only hope to save the world.
     Our last hope is those with no chance of success... the only thing anyone can wish them is Good Luck.

    This is a cute book.  The idea behind it is great and that it takes place in a town called Little Kentucky, Ohio is even more humorous to me.  There are places all Ohioans refer to as Little Kentucky and its usually mean as something of an insult of course this depends on where you live too.  So I like that this small nothing town is where the catalyst for the story takes place and that out of the clear blue sky Luck comes live.  I may use the singular but there’s good luck and bad luck so the God Beings of Luck if we’re going to be specific.  It is a stellar concept really and it’s one we’ve not seen before, sure heroes and villains who can change their and your luck with their powers but never have we seen it like this before.

    I am really enjoying the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceedingly well.  The character development is fabulous and this is thanks to the narration, the dialogue, the character interaction and how they act and react to the situations and circumstances that they encounter.  The pacing is superb and as it takes us through the pages revealing the story, introducing the characters and this world that they live in brings us into this absolutely charming story.

    I appreciate how this is being structured and how the layers within the story begin to emerge and grow.  With the opening showcasing how they arrived and then seeing Artemis and getting a feel for him, how he thinks, acts and behaves are all within the layers that we see.  This adds a nice extra push of depth and complexity to the story.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is achieved beautifully.

    I am a fan of the interiors here.  The linework is great and how we see the varying weights and techniques being utilised to create the detail work is really extremely well rendered.  The creativity and imagination that we see is utterly delightful.  That we see backgrounds as we do throughout not only enhances the moments but does wonders in bringing out the depth perception, sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkably talented eye for storytelling.  The colour work here is brilliantly rendered.  How we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work shows a superb eye for how colour works.  There are some really inspired moments and the helmets they wear with the yellow is absolutely striking in appearance.
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    Four teenagers who have no luck whatsoever are tasked with a mission all their own, as they are the only ones who can accomplish it.  Well now that they’ve managed to find the final piece of their puzzle in the newest member of their group who managed to help them complete their training mission.  So now we’ll see if these four kids have what it takes to go into Little Kentucky and get things done, what it is exactly is something you’ll have to read the book and find out because I’m not telling.  Suffice it to say that this book is going to make you laugh and thrill you and it is definitely something you really need to check out.

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Vinyl #1

6/23/2021

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Vinyl #01
Image Comics 2021
Written by Doug Wagner
Illustrated by Daniel Hillyard
Coloured by Dave Stewart
Lettered by Ed Dukeshire

    An unsettling tale of psychopaths, sweet love, and a serial killer named Walter. When Walter’s best friend, the FBI agent charged with his capture, is kidnapped by a death cult of all-female sunflower farmers, Walter finds himself deep within an underground labyrinth filled with secrets and monsters...but are their monsters more horrific than his?

    I wasn’t quite sure what to expect out of this one but the boys certainly do not disappoint.  This is crazy and has one of the best lines i’ve ever heard, “he’s crazy as a soup sandwich”!  Right from the get-go we’re treated some of the most amazing dialogue that sets up the story beautifully.  I like that this doesn’t waste any time getting into the sory at hand either, there really is something to appreciate about that.  I love the fact that this is as humorous as it as it as well because while the situation is extremely serious this kind of humour is the glue that holds it all together and it turns into something much more intriguing and interesting to read.

    I am very much enjoying the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceedingly well.  The character development is mindbogglingly bloody brilliant thanks to the dialogue, the character interaction and how we see them act and react to the situations and circumstances that they encounter.  The pacing that we see is superb and as it takes us through the pages introducing us to the characters, the story and the world which they inhabit keeps the reader glued to the pages.

    I greatly appreciate the way that this is being structured as well as how the layers within the story emerge and grow.  These layers contain the characterisation that goes with slight backstory between Walter and Dennis as well as introducing us to the various other characters in the book.  It is where we see the extra bits that add more depth and complexity to the story as well and it makes this seem so much more grand.  The way that everything works together to create the story’s ebb & flow as well as how it moves the story forward is beautifully achieved.

    The interiors here are utterly marvellous.  The linework is sensational and how we see the varying weights and techniques being utilised to create the detail work that we see is bloody brilliant work.  The faces, facial expressions and body languages that we see really does further the characterisation nicely.  The backgrounds that we see not only enhance the moments but they also work within the composition of the panels to bring us this great depth perception, sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a stupendous eye for storytelling.  The colour work is equally as brilliant to see.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work show a master colourist in action.  Just the overall imagery that we see throughout this book is phenomenal and it just brings the story to life in some stunning ways.
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    Dennis’ regular meetings with Walter have forged a friendship that one may value more than the other but I can guarantee you now that the tides will change after this story is over.  Dennis will indeed find himself indebted to the serial killer in ways he never would have thought possible.  This is so smartly written with great dialogue, humour and creepy bits that are brought to life through the artwork with such aplomb.  Vinyl will be unlike anything you could possibly expect it to be and it will turn your summer into something spectacular. 

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Gamma Flight #1

6/23/2021

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Gamma Flight #1
Marvel Comics 2021
Written by Al Ewing & Crystal Frasier
Illustrated by Lan Medina
Coloured by Antonio Fabela
Lettered by VC’s Joe Sabino

    SPINNING OUT OF IMMORTAL HULK, BRUCE BANNER’S GAMMA-POWERED ALLIES GO ON THE RUN! 
Gamma Flight had one job: Find and stop the Hulk. But when push came to smash, they sided with the Green Goliath—and the human world intends to make them regret it. Puck, Absorbing Man, Titania, Doc Sasquatch, Dr. Charlene McGowan and a horribly changed Rick Jones are fugitives from every known authority—but a team that full of gamma is bound to break before long. Al Ewing, Crystal Frasier and Lan Medina mastermind a whole new world of gamma!

    I haven’t been reading Immortal Hulk but the lineup for this book, especially Puck, piqued my interest.  I’m glad it did too because this for me anyway is completely new reader friendly and I can follow very easily.  Also the mix of characters is sensational including the transgender Dr. Charlene McGowan, whom I’d never heard of before this issue.  That we can a limited series run of these characters makes me happy because anything outside the norm is going to be something I instantly gravitate towards.

    I love the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is impeccably rendered.  The character development is sensational thanks to how we see the dialogue, the character interaction as well as how they act and react tot he situations and circumstances that they encounter.  The pacing is superb and as it takes us through the pages revealing the story, introducing the characters and the world they inhabit leaves the reader jaw agape and wanting more.

    I greatly appreciate the way that this is being structured and how the layers within the story are emerging and growing.  The layers contain moments that flesh out the characters beautifully as well as give us glimpses or flashes of what this story is going to be about and whether they enhance the main story arc or just swirl around it they add this wonderful depth and complexity to the story.  I love how these layers showcase the dynamic between the characters as well.  How everything works together to create the story’s ebb & flow as well as how it moves the story forward is achieved exceedingly well.

    The interiors here are utterly fabulous!  The linework is strong, crisp and clean and as the varying weights and techniques are utilised to create this level of detail work is phenomenal.  We get to see a fairy amount of backgrounds being utilised and they enhance the moments we see them in and how they work within the composition of the panels show depth perception, a sense of scale and that overall sense of size and scope to the story is so well achieved.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a marvellous eye for storytelling.  The colour work leaves me gobsmacked.  Just seeing Rick Jones and Del Frye tells you everything you need to know about how much talent and skill Antonio has.  It’s bloody brilliant looking is what it is.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work is done with such aplomb.  The creativity and imagination on display throughout this book is brilliantly shown.
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    So those who are gamma powered are working together to stay off the grid and out of Bruce’s reach, not to mention the cops reach as well.  They’ve got to find a way to work together and fix the things that are wrong, all of which is unclear but my magic 8-Ball says try again later, of which is Rick/Del and Sampson’s appearances.  The writing is bloody brilliant and the dynamic in this group is phenomenally shown and with this level of quality in the artwork this may be my new favourite Marvel title.  Should things progress like I see this issue suggesting they will than hell this could become a monthly title and i’d gobble it up time and time again. 

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Batman Reptilian #1

6/23/2021

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Picture
Batman Reptilian #1
DC Comics Black Label 2021
Written by Garth Ennis
Illustrated by Liam Sharp
Lettered by Rob Steen

    What strikes fear into the hearts of those who terrorize Gotham? It used to be Batman, but something far more frightening than a mere man stalks the shadows-and it’s after Gotham’s villains. How savage must a monster be to haunt the dreams of monsters?

    I love me a good horror story and to have one set in Gotham where crazy is just another day that ends in Y is a great setting to have one.  Even better since not even Batman is aware of what’s entered his city as this point.  Heck even we aren’t fully aware of what’s going on yet and I really hope that we don’t learn anything until the Batman does because honestly I feel this is the way that we keep tensions high and the fear real.  Plus there’s nothing quite like ones own imagination to come with the scariest thing around so until this monster is revealed well the readers left to their own devices and I can assure you that’s more than enough.  This issue really does a magnificent job in setting up the story and the events leading up to when Batman learns what’s currently happening.

    I’m loving every moment of the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development that we see is phenomenal thanks to how we see the dialogue, the character interaction and how they act and react to the situations and circumstances that they encounter.  The pacing is superb and as  it takes us through the pages revealing more and more of the story it captures the readers attention, imagination and oozes creepiness in all the best ways.

    I appreciate the way that we see this being structured and how the layers within start to emerge and grow.  These layers are where some incredible moments of characterisation happens as well as just information learned that affects how we see the main story.  All this manages to add some great depth and complexity to the story as it becomes richer and fuller.  The way that everything works together to create the story’s ebb & flow as well as how it moves the story forward is beautifully achieved.

    The interiors here are bloody gorgeous!  How we see the linework being utilised and through its varying weights and techniques to create this amazing detail work is really extraordinary to see.  There is some excellent usage of backgrounds here too and they enhance the moments while also bringing us depth perception, a sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show such a masterful eye for storytelling.  Now its the colour work that makes this book what it is.  The painting is glorious and how we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work show such a mastery of skill and talent.  The overall feel is so archetype Batman and yet its amped to a level that really makes it even more dark and creepy befitting this story.
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    I think this as a setup issue is incredibly perfect to see.  To start off with Batman where we see him and then learning what he does and recruiting a stool-pigeon in Konstantin to find out who is responsible for the recent attacks.  Its bloody perfect writing and how we see it come to life is beyond anything I could have hoped for.  I may not be the biggest fan of the Bat but this is going to rock everyone’s world fan or not.  It is so intelligently written and so mindbogglingly beautifully illustrated there’s no way that this isn’t going to take you by surprise and become a must have reading experience.

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