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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Radiant Black #4

5/25/2021

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Radiant Black #4
Image Comics 2021
Written by Kyle Higgins
Illustrated by Marcelo Costa
Coloured by Rod Fernandes
Lettered by Becca Carey

    It was always going to come to this: Radiant Black vs Radiant Red in a knock-down drag-out fight across the city of Lockport! And believe us when we say that after this fight, nothing will ever be the same again. For Lockport or for Radiant Black. We actually mean it.

    Not going to lie I’m a little disappointed that the opening page had to conspicuously cover up his junk.  I mean haven’t we reached a point where that isn’t necessary anymore?  Besides it is such an obvious cover up it looks weird as if it were added to ensure it was covered up.  Alright mini rant over.  One of the things that I really like about this is the fact that Kyle approaches this so that Nathan has no idea how to fully work his suit.  He needs to go out and practise if he’s going to get any good with it aside from pure instinct and what Marshall has told him.  So that this issue the pair are out there working together is a great thing to see.  Also the Grey Raven is a great nod as well.

    I am very much enjoying the way that this is being told. The story & plot development we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development is phenomenal and as we see the dialogue, the character interaction and how they act and react to the situations and circumstances that they encounter  continue to flesh them out beautifully.  The pacing is superb and as it takes us through the pages revealing the twists & turns along with more and more of the story it’s easy to be drawn deeper and deeper in to what is occurring.  

    I am very much enjoying the way that we see this being structured and how the layers within the story continue to grow, evolve and strengthen while new ones emerge.  It is these layers that makes the story more complex and interesting.  They weave around the main arc and generate the excitement and intrigue factors beautifully.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is achieved exceedingly well.

    I really love the linework that we see here.  It’s got such a great feel to it and how the varying weights and techniques are being utilised to create this gorgeous attention to detail.  I just wish we’d see backgrounds utilised a lot more, they really do enhance the moments and if they were paid as much attention to as the people this would be visually astonishing.  The depth perception, sense of scale and the overall sense of size and scope of the book is showcased.  The utilisation of the page layouts and how we see the angles and perspective in the panels shows a strong, talented eye for storytelling.  The colour work is sensational.  How the various hues and tones within the colours being utilised to create the shading, highlights and shadow work shows a very talented eye for how colour works.
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    I love what we see and learn this issue and how that changes things as they will move forward.  Nathan’s life is taking a much different turn than he’d bargained for that’s for sure but at the same time he thinks he knows what he needs to do but can even that prepare him for the reality of the situation.  Meanwhile the dude in the red suit is full of bravado but when the chips are down can he be relied upon to pull himself together and help Nathan or will Nathan have to do the unthinkable?  The writing here is completely and utterly engaging, witty, sarcastic and full of moments that just sneak up on you letting you know that you that you cannot let your guard down because you don’t know what’s around any given corner.

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Maniac of New York #4

5/24/2021

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Maniac of New York #4
Aftershock Comics 2021
Written by Elliott Kalan
Illustrated by Andrea Mutti
Lettered by Taylor Esposito

    Detective Zelda Pettibone and mayoral advisor/angel of vengeance Gina Greene are onboard the death train and determined to end Maniac Harry’s rampage of terror once and for all! But what chance do two people have against an unkillable, mindless engine of death? And with Harry hot on the heels of the train’s only survivors, will there be anyone left to save? Plus: a glimpse of Gina’s earliest summer camp encounter with the Maniac!

    The opening here is kind of great because we actually get to see a very teenage Harry going on a rampage as we discover that this was the first time that Gina Greene came face to face with the Maniac of New York.   So we finally know what the connection between Gina and Harry is and why she was so hell-bound and determined to be leading up the task force to go after him, even if she was the only task force member until Zelda got placed on it as a disciplinary action.  I like it and even more because it doesn’t go into Harry’s origins just the first time the two characters met and now here they are once more on the automated Subway line face to face once more.

    I love the way that this is being told.  How we see the story & plot development constantly moving forward through how the sequence of events unfold and how the reader learns information are presented exceedingly well.  For instance now we know why Gina froze for a moment when coming face to face with him and while we rocket towards the stories conclusion all the little pieces are finally starting to fit into place.  The character development that we see is phenomenal thanks to the dialogue, the character interaction and how they act and react to the situations and circumstances that they encounter.  The pacing is perfect and as it takes us through the pages revealing the twists & turns along the way it’s great to feel like all built up tension and angst seems to finally be coming to a head.

    How we see this being structured and how the layers within the story continue to grow, evolve and strengthen really help us to navigate how deliciously the depth and complexity of the story.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is achieved exceptionally well.  

    Andrea’s interiors are works of art and from the linework through how he paints the imagery what we see is so expressive and full of life, and death.  That he utilises backgrounds and makes the subway cars feel cramped is perfectly rendered.  To see how he manages to create the depth perception, sense of scale and the overall sense of size and scope to the story is utterly marvellous.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a masters eye for storytelling.  The colour work is extraordinary!  How we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work show a natural eye for how colour works.  Also the colour choices that we see really are rather inspired.
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    That these two women manage to chase Harry off and save the two kids, the first to be save from him mind you, may have just landed them in hot water.  Though thanks to press they’ll be lauded as heroes just not according to their boss who doesn’t seem to understand what its going to take to stop Harry.  He’s like Jason or Michael and nothing seems to stop him, at least not yet and it’ll be interesting to see just what it will take to stop the Maniac of New York!  With a sharp wit and savvy dialogue alongside some beautiful interiors this book is sure to thrill horror fans the world over.

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Devil's Dominion #4

5/24/2021

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Devil’s Dominion #4
Blackbox Comics 2021
Written by Brian Hawkins
Illustrated by Raffaele Forte
Coloured by Carolina Pontes
Lettered by Justin Birch

    Devlynn questions her sanity. A return trip home causes Devlynn to confront the tragedy of her past and the people she left behind. But the Devil is close and desperately wants what he's owed, her soul, and is willing to destroy all that Devlynn loves to get it.

    I’m really digging the way that this is being told.  Devlynn is an interesting young woman and that she’s using the demon inside her to wreck havoc on every other demon she can find has put her on her bosses hit list as priority number one.  So how do you stop someone who has this nasty habit of being able to hide all the evidence and make Devlynn look like some kind of homicidal maniac?  It is going to take everything she has learned and oh so much more more to figure all this out but I got news for you I cannot wait to find out it if and when it all goes down.  What Brian is doing here is pretty frakkin extraordinary from a very simple presence and it just keeps building up more and more like water in the kettle forming steam.
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    I am loving the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development is pretty amazing and how we see the dialogue, the character interaction and how they act and react to the situations and circumstances they encounter continually change how we see them being fleshed out as people.  Much like in real life mind you and that’s exciting to me.  The pacing is superb and as it takes us through the pages revealing the twists & turns along the way right up until that bombshell cliffhanger ending we’re kept on the edge of our seats waiting for what’s next.

    I really like the way that we see this being structured and how the layers within the story continue to grow, strengthen and evolve creating this delicious amount of tension and awkward pauses that thoroughly engage the reader.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is achieved exceedingly well.  

    The interiors here beautifully rendered.  The linework is phenomenal and how we see the varying weights and techniques being utilised to create this level of quality detail work is extraordinarily brilliant.  I do wish we’d see backgrounds really in play throughout to enhance the moments more.  It’s the only thing I can find fault with is that there simply aren’t enough of them in use.  The way we do see the depth perception, that sense of scale and the overall sense of size and scope to the story is marvellous to see.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkably talented eye for storytelling.  The colour work is masterfully rendered.  How we light sources change the hues and tones or cast shadows is so well seen by the reader.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work show a brilliant eye for colour and how to get the most out of it and how some colours when the light hits just right have a totally new hue in them is brilliantly done.
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    Sometimes the most fun, interesting, engaging and complex stories come from the small press publishing house that may not even be on your radar, case in point is this book from Blackbox Comics.  

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Blade Runner Origins #4

5/24/2021

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Blade Runner Origins #4
Titan Comics 2021
Written by K. Perkins & Mellow Brown
Illustrated by Fernando Dagnino
Coloured by Marco Lesko
Lettered by Jim Campbell

    The climactic conclusion to the first arc of the brand-new Blade Runner series!
     LAPD detective Cal delves deeper into the dark conspiracy that lies behind Dr. Tyrell’s Replicant empire.

    If this had been my first introduction to the franchise I’d be a die-hard fan of it.  As it stands right now I’m a huge fan of this series and while this may only be the first arc’s conclusion I do know that I’m in this for as long as they will be putting it out.  The writing here is absolutely stunning and the interiors here are mindbogglingly brilliant to behold.  I love the drama and tension that is created here between Cal and the Replicant he’s been chasing and while they aren’t as widely known as they’d later come to be he naive thinks that he’s got a shot at arresting this person.  There is a stellar chase scene and it manages to make us feel more like an action movie film than most films on the big screen.  The way that this is put together is phenomenal and it just continues and continues to build momentum with each turn of the page.  

    I love the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is perfectly presented.  The character development is phenomenal and how we see the dialogue, the character interaction as well a how they characters act and react to the situations and circumstances they encounter continually flesh them out with each new experience.  The pacing here is superb and as it takes us through the pages revealing the twists & turns along the way really do this amazing job at electrifying the readers imagination.

    How we see this being structured with the layers within the story constantly growing, evolving and emerging is really where the drama, complexity and tension actually stem from.  It is almost like you can feel the blood racing through Cal’s veins as he’s chasing this perp all the while around him those layers play their parts to perfection.  How we see everything working together to create the story's ebb & flow as well as how it moves it forward is achieved exceedingly well.  

    The interiors here leave me gobsmacked no matter how many times I read or flip through the book.  The linework is phenomenal and how we see the varying weights and techniques being utilised to create this quality and level of detail work that we see is mind numbing in how gorgeous it is.  How we see backgrounds enhancing the moments and how they work within the composition of the panels to bring us depth perception,  a sense of scale and the overall sense of size and scope of the story is beautifully rendered.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a masterful eye for storytelling.  The colour work is divine.  How the various hues and tones within the colours are being utilised to create the shading, highlights and shadow work demonstrate this amazing eye for how colour should, could and does actually work.  

    I love how the story unfolds so that the last page sneaks up on the reader leaving such an incredible bombshell cliffhanger.  It also engages the readers mind because it makes you think about what we’re seeing in this issue and throughout the first four and how that plays into the ending and what’s going to come next.  Personally I have my own theory as to what we are seeing and why but i’d rather not put that out in the universe just yet.  This is the beginning and it’s just going to keep building and building from here on out until it’s time for the war of the Replicants and I cannot wait to see that happen.  
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    This is an incredibly intelligent story with stellar characterisation and mindbogglingly brilliant interior artwork that captures the readers mind, imagination and creativity making them believe that anything, anything at all is possible.  

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Redemption #4

5/24/2021

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Redemption #4
AWA Upshot 2021
Written by Christa Faust
Illustrated by Mike Deodato Jr.
Coloured by Lee Loughridge
Lettered by Steve Wands

    The dusty desert town of Redemption survived the apocalypse but is hanging on by a thread. A despot rules the town with an iron fist and controls its most precious resource: water. When that strongman marks her mother for death, young Rose Obregon ventures into the perilous wasteland to seek the help of the legendary gunslinger Cat Tanner, only to discover that the so-called "Butcher" is long retired, living in solitude, far from what's left of the world, and preferring to keep it that way. When Rose arrives on Tanner's doorstep, with gunmen hot on her trail, the Butcher has a choice to make: sit on the sidelines or pick up her guns and do what she does best?

    The opening for this issue is great and it follows the events of last issue really well and in all honesty even of Cat doesn’t follow Rose back to the settlement it should do what she intends for it to do really well.  Though lets face it, is there any real doubt that Cat isn’t going to go and help Rose’s mother and Cat’s one-time lover.  

    I love the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development is extraordinary as we see the dialogue, the character interaction alongside the way we see them act and react to the situations and circumstances they encounter continue to flesh them out exceptionally well.  The pacing that we see is superb and as takes us through the pages revealing the twists & turns along the way we are pulled deeper and deeper in this like its an oasis in the middle of the desert.  

    I am enjoying how we see this being structured and how the layers within the story continue to grow, change and strengthen.  It is these layers that add the depth and complexity to the story and its how we see the past and the present come together to create the bigger, fuller picture of the lives lead and lost.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is so well achieved.

    The interiors here are so bloody brilliant to behold.  The linework is exquisite and how the varying weights are being utilised to create this level and quality of detail work that we see is astounding.  I love seeing all the linework in the faces, the lips and how we see expressions and body language as they all work to really take the characterisation to the next level.  The way that we see backgrounds being utilised how they work within the composition of the panels to bring us the depth perception, sense of scale and the overall sense of size and scope to the story is realised so incredibly well.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a masters eye for storytelling.  The colour work is absolutely stunning to witness.  How the various hues and tones within the colours are being utilised to create the shading, highlights and shadow work demonstrate a phenomenal eye for how to get the most out of colour.
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    This is a truly engaging story, for example I wonder where they get cigarettes from, how this man whose so deathly afraid of The Butcher is able to rule with an iron fist and there are more instances but i’ll leave those up to you to decide on whats right for you and your mind.  This is intelligently written with some outstanding interiors and it really makes all the difference int he world how this high quality work all around enables the reader to enjoy what’s being presented.  I don’t ever want to know how the world got this way but I do want to know more about the characters who inhabit it and that’s the mark of great creators.  Plus always leave them wanting more is a great motto as well.  

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The Black Knight Curse of the Ebony Blade #3

5/23/2021

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Black Knight Curse of the Ebony Blade #3
Marvel Entertainment 2021
Written by Si Spurrier 
Pencilled by Sergio  Dávila
​Inked by Sean Parsons

Coloured by Arif Prianto
Lettered by VC’s Cory Petit

    THE MIGHTY THOR VS. THE BLACK KNIGHT! 
     Dane Whitman wields the magical Ebony Blade as the BLACK KNIGHT! He needs ELSA BLOODSTONE’s help if he’s going to stop an enemy’s murderous hunt for the EBONY ARTIFACTS. But the EBONY CHALICE lies beyond this world in a wasteland of dangerous fantasies and predatory magic. Their battle in the present will reveal dangerous secrets of the past as THE MIGHTY THOR duels the first Black Knight at Camelot! The Chalice’s power, like the Ebony Blade’s, comes at a terrible cost…is Dane willing to pay it?!

    Dane is one of my favourite characters in the Marvel Universe so for me this is a great book though what Si is doing with the writing makes it an extraordinary tale.  I mean throw in Elsa, Jacks and his brother and things take a decidedly fascinating turn.  I think that we are finally tying in all the previous pieces of the puzzle and hunting down those last few missing pieces to complete the puzzle or at least be able to really see the larger picture in his official origin or close to it.

    I am a huge fan of the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceedingly well.  The character development that we see is sensational.   The dialogue, the character interaction and how they act and react to the situations and circumstances they encounter do wonders in continually fleshing out the characters.  There’s something about the mix of the three personalities (Dane, Jacks and Elsa) create this incredibly interesting dynamic that the reader cannot resist smiling.  The pacing here is superb and as it takes us through the pages revealing the story as well as the twists and turns along the way we’re just sucked into this beautifully.

    I love how this is being structured and how the layers within the story continue to grow, evolve, strengthen and newly emerge as they help create this amazing depth and complexity in the characters and the story arcs.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is achieved beautifully.

    The interiors here are pretty standard fare in the comic book world.  The linework is great and how we see the varying weights and techniques being utilised to create the detail work is so interesting to see.  From the landscape to the horses to Dane’s outfit everything we see has such a great vibrancy to it.  The way that backgrounds are utilised is nice I do wish we’d see more of them in play but we do get some great depth perception, sense of scale and that overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a very talented eye for storytelling.  The colour work is amazing.  Elsa’s red gemstone and the various shades we see emanating from it is spectacularly rendered.  How we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work shows a sensational eye for colour.  
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    I am so in love with this book.  I’d love for this to be an ongoing series and with Jacks along the ride the two could set out on a whole new path while Dane finds a way to redeem himself and control the influence of the Ebony Blade.  There is so much potential here and more so with this creative team that could showcase how someone who started out a two-bit player turned Avenger then Avengers Leader and had a spectacular fall from grace to find his way back again.  I want to see that and he’s basically immortal while connected to the blade so there really is a lot left to explore!

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Jim Henson's The Storyteller: Tricksters #3

5/23/2021

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Jim Henson’s The Storyteller: Tricksters #3
Archaia 2021
Written by Amal El-Mohtar
Illustrated by Isa Hanssen
Lettered by Jim Campbell

    Meet Reynard, a wily but penniless fox who boasts to his learned friend Stork that he will make himself a fortune at the market, despite having nothing to sell but an empty pouch.
     But Reynard's scheme may come with terrible consequences, both for the customers he cons and for the con-man himself…

    I love this series and seeing how each issue is done by a different creative team that focuses on legend of myth that comes from various parts of the world.  I will say that while our daring duo being out and about thrilled me to no end I was hoping that they’d come across a storyteller telling their tale and them listening to it.  While the story is wonderful I was a tad disappointed this however changed as the realisation that the story was a product of where they were and what was happening around them.  I love how we see the environment influence the story that we see and how it ends up being told.  There is some nice influence going on and it really helps make the story stand out.

    I like how this is being told.  How we see the story & plot development unfold through how the sequence of events unfold as well as how the reader learns information is presented exceedingly well.  The character development that we see through the dialogue, the character interaction and how they act and react to the situations and circumstances they encounter help to flesh them out extremely well.  The pacing here is superb and as it takes us through the pages revealing the stories and pulling the reader deeper and deeper in tot he proceedings it is easy to find yourself thoroughly enchanted by both tales.

    I am very much enjoying how we see this being structured and how the layers within the story play their parts to tell such a complete tale in such a short amount of space.  It is a short story placed within a larger one but it’s still all a one-and-done story and to have it feel so complete and so fully realised shows just how talented a writer Amal truly is.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is extremely well achieved.

    The interiors here are absolutely lovely.  I feel like we’re looking at the illustrations in a children’s book and how that effects the reader is spectacular to see.  The linework is beautifully laid down and how we see the varying weights being utilised to create the detail work we see is extraordinarily well rendered.  That we see backgrounds being utilised as we do and how they work within the composition within the panels bring out the depth perception, that sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show an extremely talented eye for storytelling.  The colour work is beautifully rendered as well.  There is a subtlety to the colour choices that worlds exceptionally well within the confines of this story.  The way we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work is delicately done that it feels like a dream coming to life.  The eye for colour is extraordinary here and it just resonates with the reader on so many emotional levels.
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    This is one of my favourite series as it has each story focusing on a different type of Trickster and if you look at the stories the fox is not evil, nor really good, but a trickster whose out for himself and is capable of outsmarting just about everyone.  That we see this third type in the third issue engages my mind in some wondrous ways and it makes feel like i’m involved and invested in these stories.  It is a powerful series and each person will find that it is so and touches them in its own unique way.

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Vampirella versus Purgatori #3

5/23/2021

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Vampirella versus Purgatori #3
Dynamite Entertainment 2021
Written by Ray Fawkes
Illustrated byÁlvaro Sarraseca
Coloured by Salvatore Aiala
Lettered by Tom Napolitano

    It’s always darkest before the dawn, right? Let’s tell ourselves that, because not only is Lilith getting very creative with her “corrupt the incorruptible, end the world” plan, but a powerful new player has decided to get involved for the giggles… but mostly for the Armageddon. Things are shaping up to get massively out of hand, which is the perfect time for Vampirella and Purgatori to start fighting each other instead of their enemies—not!

    Well now that we know who has been masterminding Lilith’s information it is time for Hel to play a little more active role in all this.  The opening is simply amazing as we learn who has been feeding Lilith the information through her oracle while Hel has bound a few to her as well and the interaction that we see is beyond fabulous.  Purgatori and Vampirella are each doing their own thing and I find it interesting and fascinating that they are working in concert and yet never see each other just makes you wonder what Purgatori has up her proverbial sleeve.  Ray is able to get the reader engaged in this story beautifully with all this.  

    I really like the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is extremely well presented.  The character development is wonderful as the dialogue, character interaction and how they act and react to the situations and circumstances they encounter really does wonders in fleshing them out.  The pacing is superb and as it takes us through the pages revealing the twists and turns along the way has this way of continuing to build this delicious tension.

    I am enjoying the way that this is being structured and how the layers within the story continue to grow, evolve and newly emerge.  These layers help with the overall picture come to life and add this depth and complexity to the story that you wouldn’t get otherwise.  How we see everything working together to create the story’s ebb & flow and how it moves the story forward is greatly achieved.  I love this as it has all these elements that suit both women and yet it’s personality that really sets them apart.

    The interiors here are fabulous!  There is this wondrous creativity and imagination that we see throughout and when Vampirella goes underground to find a woman what we see surrounding here is gorgeous!  I mean c’mon now this is how you unleash that creativity and imagination so the reader is left with mouth agape in awe and wonder.  The linework is beautifully laid down and how we see the varying weights and techniques being utilised to create the detail work is utterly sensational.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkably talented eye for storytelling.  The colour work is phenomenal!  How the various hues and tones within the colours being utilised to create the shading, highlights and shadow work is extremely nice to see.

    This is unlike anything else we’ve seen from Dynamite or even elsewhere on stands right now.  There is a wonderful sense of drama, intrigue and mystery that permeates through the story giving it this amazing textured feel within the layering that really accentuates just how strong and independent these women are.  Thus far we’ve seen these ladies doing their thing and not really having to cross paths too much and I’m waiting to see if and or when things heat up to the point where it is a free-for-all fight.  
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    These characters have so much in common and are so alike that working together was always going to be a roll of the dice and I’m waiting for the sixes to stop and for craps to come up and until then this is absolutely Dynamite!

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The BeQuest #3

5/23/2021

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The BeQuest #3
Aftershock Comics 2021
Written by Tim Seeley
Illustrated by Freddie William II
Coloured by Jeremy Colwell
Lettered by Marshall Dillon

    Our heroes must undertake an epic quest across a broken and dangerous land...AMERICA! When the mad monk, Epoch Craev unleashes monsters on small towns, Warlock and the War Party face more than just impossible creatures as they’re assaulted by suspicion, anger and the dying gasps of the American dream.

    This is an unusual, interesting, engaging and all around fun series!  I like the idea that this group of adventurers have been sent to Earth to stop Epoch Craev the culture shock is palpable and it is great to see that so clearly.  Tim is the master of stories that blend humour and horror and now we’re including the fantasy adventurer aspect to that as well.  There is so much more to this story than what we see on the surface and that, that complexity underneath is what drives this to whole new heights.  Plus we have this group dynamic that’s also been changed and Tim just keeps things in a constant state of Flux with the core firmly in place.  It is quite a bit solid writing that you don’t really “see” but it anchors the entire book and Tim’s a master at it.

    I love the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development is utterly phenomenal!  In the first issue we had a glimpse of the baseline of who they but thanks to the dialogue, the character interaction and how they act and react to the situations and circumstances they encounter continue to help them grow, change and evolve before our eyes.  The pacing is superb and as it takes us through the pages revealing more and more of the story draws you in beautifully.

    I am a huge fan of the way that we see this being structured and how the layers within the story continue grow, evolve and emerge.  This is what ties things together as they swirl around the main story arc and it’s where we see the drama come to life.  How everything works together to create the story’s ebb & flow as well as move the story forward is masterfully achieved.

    Freddie’s work on the interiors is just bloody gorgeous!  The linework is phenomenal and how the varying weights and techniques are being utilised to create this level and quality of detail in the work is astounding.  I would like to see more backgrounds being utilised so we feel like they in a building or surrounded by them and give us that sense of size and scope even better.  The composition within the panels are utilised to bring us depth perception and that sense of scale is achieved beautifully.  The utilisation of the page layouts and how we see the angles and perspective in the panels show why Freddie has such a masters eye for storytelling.  The colour work is absolutely divine.  How we see The Chamber with nothing but colour and how the purples change how we see everything around it is perfectly done.  The way we see various hues and tones within the colours being utilised to create the shading, highlights and shadow work is stellar work.
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    Each of these characters is coping with being here in different ways and each one gets to have a spotlight moment throughout the series and what we see here kind of endears us to the character in question.  This is superb work throughout and the writing is intelligent, savvy and it engages the reader exceptionally well while the interiors here are a perfect compliment to the writing as they really bring this to life spectacularly well.

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Nottingham #3

5/23/2021

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Picture
Nottingham #3
Mad Cave Studios 2021
Written by David Hazan
Illustrated by shane Connery Volk
Coloured by Luca Romano
Lettered by Joamette Gil

    The Sheriff of Nottingham stalks a traitor through the darkened boughs of Sherwood Forest to Kirklee's Abbey. The chase will bring Ev face to face with a troubling figure from his past. With the Nottingham Guard distracted, Hood and the Merry Men plot their next move.

    The story here is absolutely phenomenal!  The Sheriff of Nottingham has always been a shady character but with this story we’ve seen just how off the rails mentally he truly is.  He has a singular vision and god help anyone who stands in his way and this includes the men of the church, the men of god whom he’ll gladly mow down to get the man he’s after.  This is the epitome of a man of the law thinking that he’s above the laws he’s sworn to uphold and it is this abuse of power that seems to have resonated from time immoral up through current events today.  I love the way that this issue engages the readers mind and makes them think well beyond what we see on the pages and it certainly sets David up for a great new up and coming writer in my humble opinion.

    I am a fan of the way that we see this being told.  The story & plot development we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development is extraordinary as we see the dialogue, the character interaction as well as how they act and react to the situations and circumstances that they encounter which continue to the marvellous job of fleshing them out even further.  The pacing is superb and as it takes us through the pages revealing more and more of story alongside the twists & turns along the way we really are in for a chock-full of surprises.

    I’m still not the biggest fan of the interiors here.  There is just something about the way we see the faces and body proportions that bugs me.  The linework however, is well laid down and how we see the varying weights and techniques being utilised to create the detail work is achieved extremely well.  The way we see the chainmail for instance is a great example of this.  When we see backgrounds they do extraordinary things in enhancing the moments and then how we see them within the composition of the panels bring us depth perception, that sense of scale and the overall sense of size and scope to the story is beautifully done.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a solid eye for storytelling.  The colour work is fabulous!  How we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work is exceptionally well rendered.  The sky, the ocean, the green in the trees how we see these are just a godsend to amping up the work we see within these pages.

    I should have realised just what kind of man Robyn of Locksley was early on but I chose to ignore that in favour of the mainstreams ad nauseum representation of him being this altruistic fellow. Shame on me for sure, so it’s never been this nice to be proven wrong because of my own assumptions.  There is this great kinetic energy to way we see the story being told that charges the atmosphere the reader gets to enjoy this story in.  if this were a ship tossed from side to side during a tempest it would have nearly same affect as what we see now.  
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    Mad Cave Studios isn’t afraid to take chances on new talent as they recognise that everyone has to start somewhere and with a story this tight it needed to be coming from them.  It’s a strong intelligently written tale told in a way we’ve never seen it done before and by George this is the way to reinvigorate a tale we’ve all seen told so many ways before.

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