READING WITH A FLIGHT RING
  • About
  • reviews
  • Contact
  • Cosplay of the Day 2
  • Company News
  • Entertainment Section
  • Convention News/Updates
  • original artwork
  • My Best Books of the Week
  • Cosplay of the day!
  • FCBD
  • Interviews
  • Webcomics

Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

Facebook Link

Calamity Kate #2

4/21/2019

0 Comments

 
Picture
Calamity Kate #2
Dark Horse Comics 2019
Written by Magdalene Visaggio
Illustrated by Corin Howell
Coloured by Valentina Pinto
Lettered by Zakk Saam


     After the mysterious Javelin starts sniping Kate's monster kills, Kate can't seem to get her out of her head. As the one-sided rivalry continues, Kate can't help but feel that there's some connection between Javelin and her ex- wife Sandra, which is throwing her whole process into chaos.

     Well this is certainly not going anything like I had expected it to and that’s a fantastic thing to say! Mags continues to defy expectations with how she goes about bringing her characters to life and I love the fact that she isn’t afraid to show how fundamentally flawed, damaged and interesting that can make a person be. While I thought perhaps that monster hunting might be more prevalent but that is kind of secondary to what we see instead the story of Kate takes centre stage and it’s kind of glorious.

     The way that this is structured is very well done and how the books overall ebb & flow between action and how we learn about things is extremely well balanced. Add into the mix the characterisation she’s bringing to the table and I am beyond thrilled with each turn of the page. While this may be Kate’s story she does have those around who are affected by what she says and does and I like how we see the after-effect of that. A lot of folks try to get a well rounded cast of characters around the protagonist but few go this kind of extra mile to show us how some of them are coping with the latest addition to their life like we see here.

     The introduction of Javelin would’ve been enough on it’s own but by throwing in these pressers after the kill only continues to complicate matters. We have seen enough to know by now that Kate craves the spotlight and attention as much as being the best thing around. Her public image while the complete opposite of her private life show us the level at which she operates. The true measure of a person isn’t what they it’s how they react, after all anyone could do good deeds and be praised for them but when said person feels slighted and fights back well it shows us a lot more than the good deeds did.

     The more I see Corin’s work the more enamoured with it I become. While there is some very nice variation in the weights of the linework what really strikes me about it is the composition of each panel. Backgrounds play such an important role here in expanding the moments and showing us more about the characterisation than words ever simply could. The utilisation of the page layouts and how we see the angles and perspective in the panels show this amazing eye for storytelling. The imagination and creativity is so much fun to behold. How they make the monsters scary and yet almost all-ages appropriate is utterly delightful. Valentina’s colour work is simply wonderful to see. The way light sources are utilised through shading, colour gradation and shadows really makes an impact on how we see things.

     There is something about the way that this is being told that makes it stand apart in the crowd. Sometimes we adapt to our jobs or they pre-destined in a sense. Kate took up hers and made it who she was and in the process she seems to have lost herself in it, using it as a crutch to hide from real commitment and her emotions. She is being irresponsible living with her friend and using her the way she does but ya know what it’s a part of what makes her her right now and the changes I hope to see before the arc ends, well I hope they come one way or another.
​

     This is a sensational story about finding who you are and coming back from being lost, when you didn’t even know that you needed to.

0 Comments

Rise #2

4/20/2019

0 Comments

 
Picture
Rise #2
Scout Comics 2019
By Don Aguillo


     Young Queen Zakaiah and her reluctant entourage are in the midst of ambush by a cadre of vicious soul-thieves on the dark road to the first in the trials of the House of Jasser, a series of tests designed to train her to rule the Kingdom she’s inherited. Uncertain about the individuals assembled to guide and guard her and lost in a foreign landscape, she learns her first lesson in survival and sacrifice.

     I have said time and time again that anyone who can write and illustrate their own work is some I instantly admire and Don just keeps showing us that he’s more than worthy of that admiration. I know that so many leaps and bounds have been made in digital artwork, which I will get into later, but it still takes talent. Also that this has such a wide range of possible genre’s attached to it makes me very happy as well because no one wants to be pigeon-holed into just one.

     Atilio’s introduction to the group and the conversation they are having among themselves only serves to strengthen what we see of the story. I love that he’s got a Star of David around his neck and that they consider this the old ways, like saying this is Earth but in the future that’s wrapped around from the past and into a world where magic and beasts roam. Kind of like Thundarr the Barbarian in concept because we don’t really see landmarks to prove otherwise. This is the blend of everything yet nothing solid to confuse it with anything else that I mentioned. It is one more thing about all this that keeps me riveted to the page.

     That Atilio may seem like a clumsy naive young man with glimpses of lycanthropy about him what he brings to the table however is invaluable. His home or workshop or the combination thereof shows us just how underestimated he is by others as much as by himself. The characterisation here is so flawless and how we see their personalities grow and develop with each turn of the page. I feel like we are still in the exploratory stages of the book as we are getting to know the characters, the roles they play and who has those ulterior motives behind everything they do. I look forward to see more and more of this as the story progresses.

     The interiors here are really quite beautiful to see. The brush strokes and the linework that we see blends the effect of a painting with an ink wash style to create this stunning look. The way colour is utilised to create highlights in hair, fabric as well as showing where the light source comes from is so captivating. Then there’s the black and white work with just those touches of colour that change the entire tone, mood and feel of the story as they find themselves in a place seemingly devoid of colour. Plus the utilisation of the backgrounds here from the laboratory to the mountains to the trees of black they really expand each and every moment we see as well as provide this sense of size and scope to this world. The utilisation of the page layouts and how we see the angles and perspective in the panels showcase a stupendous eye for storytelling.

     Zakaiah is indeed a young girl with a heavy burden placed upon her shoulders. One that her parents no doubt thought she wouldn’t have till she were much older. There are those who see an Aristocracy or having a Queen, regardless of her being so young, as obsolete while others covet her position and will do whatever it takes to wrest control. So all the more impressive is the way that Don is able to show us this remarkable young girl, her control and mastery of herself while making us care about her and those around her, those who would protect her with their life. Coming of age in this atmosphere isn’t easy and it has to be exponentially harder on someone so young.
​

     This journey that we have embarked upon here is so amazingly well written and so stunningly beautiful to lay eyes on.

0 Comments

Morning in America #02

4/20/2019

0 Comments

 
Picture
Morning in America #02
Oni Press 2019
Written by Magdalene Visaggio
Illustrated by Claudia Aguirre
Lettered by Zakk Saam


     The Sick Sisters know there's something wrong in their small town of Tucker, Ohio -- and they also know that the authorities aren't doing anything about it. When the girls take the investigation into their own hands, they run into wild conspiracy theories, abandoned homes... and something that screeches in the night.

     I like how this issue starts off. Nancy and Veronica are watching the police and there isn’t anything suspicious at all about it. It is cute actually because these may be two of the Sick Sisters and they may have had trouble with the law in the past but they are not exactly up on their skills when it comes to tailing or investigating. Mags manages to bring a sense of realism to the story with this aspect and it’s one that I find refreshing and endearing. It feels like whatever the girls uncover it is going to be purely by chance or luck though by the end of this arc I suspect they’ll have learned a lot of new tricks of the trade.

     I am enjoying the way that this is being structured. Could there be a more boring place in the 80’s than Ohio (I say this as I lived in Ohio throughout the 80’s) and yet we play the cards we’re dealt in life. That bowl is a reminder of my teenage years and the whole nostalgia throwback feel that this gives to the reader is pretty amazing. Another bonus to having this set in small town America is that the girls get climb up to second story bedrooms which kind of goes hand in hand with being able to move around town without really being seen as there are plenty of blind spots throughout.

     This issue we get a much better look at their individual personalities. We met them as a group and yes Nancy kind of became the ipso facto lead with the focus on her but here with Ashley getting turn to shine was rather interesting to see. Her theory as to what is happening in town with that secretive new plant and how they single-handedly save the town is something you definitely need to see for yourself, it’s out there in ways that would make any conspiracy theorist jump up and down with glee.
​

     I love Claudia’s interior artwork on this book. The linework is really quite spectacular to see and page seven is one of the best examples I can think of to demonstrate this. Yes that does mean you’d have to find the book and see for yourself. Plus I absolutely adore the fact that she pays so much quality attention to the backgrounds here. Everything she does she puts the effort into so that we get what we’re seeing and whether it is in focus or not you can see the talent and skill involved in bringing it all to life. Plus everyone we meet has this unique individual look to them that they become so easily identifiable. The utilisation of the page layouts and how we see the angles and perspective in the panels show off a great eye for storytelling. The colour work too is great to see and how light sources, shading, gradation and shadows are utilised is perfectly done.
​

     I love this story it is nothing like I was anticipating it to be. Mags has the story & plot development down to a science and the pacing with it’s characterisation driving the book forward helps find connections with the girls and what they are doing. This is a burgeoning detective story by a group of so-called bad girls and these bad girls and working together to make it unforgettable. ​

0 Comments

Gretel #2

4/20/2019

0 Comments

 
Picture
Gretel #2
Zenescope Entertainment 2019
Written by Ben Meares
Illustrated by Allan Otero
Coloured by Ceci De La Cruz
Lettered by Maurizio Clausi (Arancia Studio)


     Gretel’s story has been more of a nightmare than a fairy tale ever since the tragic events of her childhood. These events have left her life cursed for many centuries. After her heart-wrenching debut in Grimm Universe Presents, Gretel has been gifted the power of premonition. But when she has a psychic vision foretelling the end of the world, Gretel must open old wounds if she wants to try and
prevent it from coming true.

     So this is a wonderfully told story in equal parts flashback and present arcs running through the issue. The way the are woven together through memory of situations that find themselves similar is such a nice touch and it’s something about Ben and writing that impresses me. This is the real introduction to Gretel to the world and creating her own legion of fans. So for me to see how Ben can flesh out her past while looking the future is a true gift. Plus the way that this is structured and the fact you never know when you will find yourself in the past adds a different kind of intrigue to the storytelling.

     Ben also brings this sophistication to the book with his stylised writing, the story & plot development and definitely the characterisation that we see. Plus we’ve got our mysterious woman who is gunning for Gretel, thinking she’s a bad witch. There are quite a number of layers to the story that you may or may not be expecting, yet for me it just enriches the quality of the storytelling. Also there are some major revelations that hit us this issue whose impact will change Gretel for the foreseeable future.

     This is exciting, to see a new character emerge who has this devastating past and learning to overcome it. It is like watching someone with PTSD fighting to cope and that is extremely relatable. Plus that she isn’t a Highborne and yes she was a character in a fable but that’s really the extent of how connected she is to this universe. I feel as if this is her Bal des Debutantes and she has the potential to be one of the most fascinating women in the world. There is a freshness surrounding this series already that makes me want to see more.

     I am such a huge fan of the work Allan does. He has his eye focused on the page doing everything within his power to bring his best work to the table. The linework is so crisp, clean and strong yet through utilised the varying weights he’s also able to showcase the delicate linework when creating this gorgeous attention to detail. The utilisation of the page layouts and how we see the angles and perspective in the panels show us this superb eye for storytelling. I am such a huge proponent of utilising backgrounds because they expand the moment and bring this sense of size and scope to the world and here we see that done nicely. Ceci is a dream colourist. From that black and white with splashes of colour to the full technicolour present she utilised the spectrum beautifully. The way light sources are captured through shading and shadows through some really nice gradation effects it completes the work phenomenally well.
​

     Over the last few years, see like 5 or so, the shift at Zenescope to this level and quality of storytelling has been sensational to see. This is far from their beginnings featuring T&A and bringing back the Grimm to Fairy Tales this goes into that realm of real true storytelling where everything old is new again, revitalised and given a new spin to thrill readers. I feel like the Age of Zenescope is now upon us.

0 Comments

Assassin Nation #2

4/19/2019

0 Comments

 
Picture
Assassin Nation #2
Skybound/Image Comics 2019
Created & Written by Kyle Starks
Created & Illustrated by Erica Henderson
Lettered by Deron Bennett


     Someone’s trying to kill Boss Rankin! After the shoot-out in his loft, the remaining assassins have accepted his offer to be his private security force. There’s no way anyone tries to knock him off now, is there? There is?! Are more people going to die? Probably!

     After the premiere issue there was a lot to live up to in this second issue. Thankfully with Kyle at the helm of this ship we have nothing to worry about. The literal explosive events that we saw time around have settled and it’s time to start getting to know those who are left. I do have to say that Bishop while not my favourite character does make a wonderful number one to Rankin’s El Capitan. Plus now that his husband’s dead he’s got a vested interest in how all this plays out, which of course plays right into Rankin’s favour. Very interesting, as Arte Johnson would say.

     I do like the way that this is structured. I love that Kyle is as creative as he is talented because that just enhances the enjoyment reading this. He understands how the flow should be so that information that we get doesn’t feel forced, rushed or just thrown out there because we should know it, it all happens organically within the story. The opening this issue is fantastic as we get to see Rankin and Bishop having that moment to catch up before heading into a meeting. This is the kind of conversation and dialogue that can only come from two men who have known each a long time and spent a great deal of time together. Oh and said dialogue is incredibly descriptive and makes ME want to hang out with Kyle.

     One of the more genius notions was to have those who survived getting together and talk while having to wait for those two to arrive. There is something about Dave that makes you raise an eyebrow Spock style questioning. There is something about his fresh baby faced outlook that belies the army training and his shooting skills. He’s like the opposite of my man Fuck Tarkington and I think that the array of personalities that we see is more exciting than finding a c-note in your winter coat. I think it’s genius how we get to see them through that one event in their lives.

     Erica might be one of the few artists whose work I adore that doesn’t have that George Perez attention to detail that I love. Her characters are full of emotions and their facial expressions are flawless in their descriptive of the personality of it’s bearer. There is something endearing about the way the noses and the eyes are done for each character that helps the reader connect to these people all in such varied ways. The utilisation of the page layouts and how we see the angles and perspective in the panels show off this stellar eye for storytelling. I will say more backgrounds please, pretty please with a cherry on top! Yet while I want more the way Erica sets up the page is bloody brilliant. The colour work here too is so nice to see. We get this really nice utilisation of light sources that show us shading and colour blocking are a real treat.
​

     So this issue I miss Fuck being in his overalls without a shirt with that delicious hairy chest, just thought I would share that. As we get to see the sequence of events unfold before us I don’t know whether to laugh or cry or simply snort and giggle. While I don’t know where or when or how it happened but somewhere along the way it started having that Monty Python black comedy sensibility to it where you think the room is full of nothing but Idjits. Also one scene had me humming a Benny Hill tune as I watched them try to run. I am here to testify that this book is going to become, if it hasn’t already, your new Magnificent Obsession!

0 Comments

She Said Destroy #1 Advance Review

4/19/2019

0 Comments

 
Picture
She Said Destroy #1 Advance Review
Vault Comics 2019
​On Sale 05/29/2019

Written by Joe Corallo
Illustrated by Liana Kangas
Coloured by Rebecca Nalty
Lettered by Melanie Ujimoi


     Over millenniums, Brigid, Goddess of the Sun, has conquered and converted the entire solar system into worshipping her and her alone, save one space colony. The witches of Fey are the last believers of The Morrigan, Goddess of Death, Brigid’s sister and the only other God left. As Brigid’s forces prepare for one final battle, The Morrigan prepares to do what she does best: Destroy!

     This is one of those concepts that strikes you at the end of the book as being one that you hadn’t thought of and wonder why? The fact that Joe has decided to use the Fey and their pantheon of gods and goddesses is a bold choice considering majority don’t know them as they do others. Then add into the mix that we aren’t talking only of Earth but of inhabited planets in the solar system and things a much different feel. I love it, I think it’s incredibly original and has this factor about it that I see could happen among the Faerie worshipping populations. Sibling rivalry taken to the extreme, we’ve seen it tried but never like this!

     I’ll admit I am not overly familiar with Joe and his style of writing so this is a chance for me to really get a good at how he goes about constructing a story. I love the opening page here as the narration sums up what we need to know about the past and present. It isn’t overly detailed but then it shouldn’t be you have to leave some things to be explored later as well as get the readers’ mind engaged in creating it for themselves based on the information given. I have to say for a debut, to me, Joe really impresses me with what I am seeing here.

     When we are led to meeting our main character here it feels natural. There is something about this that sets up what is to come in a way that is delightfully unexpected. Winona is this sweet unassuming and quite naive young woman and with everything else going on it is almost ironic in how she’s going to change everything or be a saviour of sorts either way I love that this innocent child is going to be forced to grow up before our eyes and that transformation is something to look forward to.

     I miss interiors that are so nicely detailed with this crisp, clean linework. This new stylised stuff that is all the rage has it’s moments and its place but to me it feels unfinished. There isn’t a whole lot of variation in the linework that we see, it’s pretty much the same weight all the time. Backgrounds need something more to them as well. The faces are what gets me the most, the eyes keep changing in how we see them, sometimes with a bottom line sometimes not which to me is distracting. All that being said and all things being equal the work does create a very bright and airy look and feel that goes along with the theme rather nicely. The colour work is exciting and how the varying shades of colour are used makes a huge impact. The utilisation of the page layouts and how we see the angles and perspective in the panels does show a good solid eye for storytelling.
​

     The story & plot development, the pacing and the characterisation that we see here is extremely well done. It leaves the reader feeling intrigued and wanting to know more. I want to explore this universe of Fey goddesses just on the ideas alone and then I want to experience how they spread across the planets while the other pantheons fell. Joe’s story is utterly amazing to me, it has my mind going in a million directions with so many options, opinions and desires. This is precisely what storytelling should do to a person.
0 Comments

Caged Birds #1

4/19/2019

0 Comments

 
Picture
​​Caged Birds #1
​
Bella Fe Media, LLC 2019
Story Concept by Alexander Haythen & Ken Mora
Written, Lettered & VFX by Ken Mora
Illustrated by Gianlucka Testaverde
Coloured by Lance Catan
Colour Assists by Iwan Joko Triyono & Ken Mora


Rating: Mature 17+ (Nudity, Sexual Situations, Violence)
Genres: Drama, Psycho-sexual melodrama, LGBTQ issues, Romance, period fiction

     Young Anna is wed in order to follow her dream of a music career but is crippled by guilt when she falls in love with her husband’s mistress, Marie.  Marie struggles to be free of a prostitute’s life on the rough streets of Paris. Driven apart, they reunite on paths that will challenge the freedom of one, and the sanity of the other.

     I liked this book and it should come as no surprise because the last book Ken sent me was another period piece and it was impeccably done. This one is different however as it’s fiction, as far as I can tell, and the subject matter is rather fascinating. The opening here is marvellous as we see Anna and Sofia on the rocky cliff overlooking the rough waters below. Here is where we get our first look at the girl who will become a woman and the focal point of this story. Young and not so innocent and yet brave enough and bold enough to let her hearts desires take shape.

     There are a number of things that run through your brain as the story meanders through to the last page. Among them is impropriety of the relationship that we see and how one manipulated events and the naivete of a girl too young to know better. Just the fact that we see something that is nowadays seemingly barbaric and inconceivable was so common up until a time not long ago. Different cultures had different standards and we see that in full display here. There was a time when poor families sold their boys who were then castrated to become the best opera singers the world had seen. So before people get up in arms with what they see, remember this is how things were and you cannot change that just enjoy knowing that this honest and brutal look at what was isn’t what is now. The writing here really is magnificent and how the ebb & flow of what we see and what we learn is absorbed by the reader the greater the appreciation for the work we have.

     The work on the interiors here is utterly gorgeous. The buildings and architecture that we see is so well done and the detail in makes it come alive. The way the linework is utilised through it’s varying weights and how they manipulate and coax the lines to create the characters and everything around them is so beautifully done. The utilisation of the page layouts and how we see the angles and perspective in the panels show this stellar eye for storytelling. I have to give major props too for how we see backgrounds being utilised here. They expand the moments, bring us this sense of size and scope to the story and make everything we see that much more real.
​

     The way that we are drawn into this story is sensationally well done. We feel like these are real people that we know and get to know intimately through their words and actions. The story & plot development, the pacing and just the way we are made to FEEL here is so damn good. I have seen many stories in my day and very few can match the way this one instantly grabs you. It made me smile, giggle, enraged and angry and yet through the full spectrum of emotions I felt I never wanted the story to stop, and what does that tell you?

     You can head to 
https://www.bellafemedia.com/ for this and more.

0 Comments

Spectress & Sabanion #1

4/18/2019

0 Comments

 
Picture
Spectress & Sabanion #1
Cagey Comics 2019
Created & Written by Kurt Zauer
Illustrated by Topper Helmers
Coloured by Wesley Wong
Lettered by Wes Locher


     On the outskirts of Chicago, Containment Facility-4 (CONFAC-4) masquerades as Grenning Industrial Park and confines evils long forgotten. The scarred and grizzled members of the Moon Crew keep watch in the deepest vaults on the nights of the full moon. Tonight, the full moon shines but something in the air doesn’t feel right. A ghost from the ancient past has come to free one of the most destructive denizens of CONFAC-4: the demon, Sabanion. Aneksi, an ancient Egyptian ghost and once chief vizier to Cleopatra, is determined to find purpose in the world of the living. Bound by fate, Aneksi is forced to free Sabanion from the sub-vaults of CONFAC-4. Can Aneksi’s push back into the realm of the living survive such a ruinous presence? Or can she manipulate the dark secret that binds them to her advantage?

     I really do enjoy finding new books to read and review. The way that I look for them is probably different than most folks as I do love perusing the artist alley and main floor looking for those small/self-published folks who have a passion for what they do, also there’s a nice community network out there for books like these as well. So I contacted Kurt and requested to review this as I found the premise and concept intriguing to me. Let’s face it when you deal with ghosts and demons we’re all a bit intrigued but add into the mix Egyptians and Soldiers and the intrigue factor raises exponentially.

     The opening here does exactly what it needs to do. We see the origin of Aneksi or at least the origin of her ghost. While we may not technically see how she dies we are left with clues throughout the story and I have to say this is something that engages the reader nicely and has them thinking and exploring the story from an outside the box angle. Any time you can get your readers to think about what transpires beyond the page then I feel as if their skill, talent and ability as a writer is beautifully showcased. So here we get that this is a peak at the series and what’s to come. The way that this is structured is great to see and it uses that ebb & flow to engage the reader as we learn about the story in some very non-traditional ways.

     The interiors here fascinate me. I have to tell you that the attention to detail that we are seeing is very well utilised. The linework has a lot of varying weights being showcased and how they come together to coax this nice imagery is impressive. The present feels a little more indie and that’s okay because let’s face it that’s what this is. Some facial work needs tightening up so we’re more easily able to differentiate certain characters. That being said I am still impressed by being able to read the emotions and feelings of these characters. The utilisation of the page layouts and how we see the angles and perspective in the panels show a nice eye for storytelling. That we see backgrounds utilised as they are excites me as they open up the story and bring a size and scope of their world. The colour work too is nice as we see some excellent use of shadows and shading. I’d like to see some more gradation but it’s solid work.

     There is some very nice characterisation going on in these pages as well. What I am really enjoying is seeing how all these characters fit into the story, what’s eluded to which may or may not happen and the promise what’s to come. This is why I love finding unknown books, by unknown creators because you can feel the passion for what they are doing.
​

     This is one I recommend you finding and you can head to https://cageycomics.bigcartel.com/ get yourself a copy and check it out. This fun, exciting and different than anything you are currently reading.

0 Comments

Oz Heart of Magic #1

4/18/2019

0 Comments

 
Picture
Oz Heart of Magic #1
Zenescope Entertainment 2019
Written by Terry Kavanagh
Illustrated by Marcelo Mueller
Coloured by Leonardo Paciarotti
Lettered by Maurizio Clausi (Arancia Studio)


     Cut off from most of her loyal followers and exiled from the Emerald City, Dorothy is still trapped in a body that is not her own. Now on the run through increasingly forbidding lands, and with the very heart of the realm itself on the line, she must protect herself and the people who rely on her.

     It has been quite some time since I have visited the land of Oz. I think that picking up where the past has left off and creating this kind of rag-tag band of rebels out to free the Emerald City and Oz from the Mad Wizards machinations has a very good, strong appeal to me. Suddenly this feels a lot less like something we normally and more along the lines of taking these characters and making them so much more. I love, applaud and appreciate the direction I am seeing before me right here and if I am wrong so be it but I can only go by what I see.

     The opening is extremely well done and it’s a perfect way to either introduce yourself to what has been going on, catch up on what happened and be able to just jump right on in. So if you have never visited this version of Oz before this is jumping on point that you dream of getting. I love the look we’re getting at those who are travelling with Dorothy, who believe in her and what this is all about. I have been wanting and liking the direction many of the titles have taken and this is no exception. The way that this is structured is extremely nice to see. The way the story’s ebb & flow and here & there storytelling that keeps revealing twists, turns and manipulations is fun to see.

     The characterisation here is also very well done. I like that we get to see personalities here not just forming but already formed in full. We get to see them interact with one another and it feels like we’re indeed seeing people who are familiar with each other. I wouldn’t go as far as calling them friends but more along the line of allies and that distinction is interesting to me and there is definitely room for that to change in time.

     I love the interior artwork here. The linework is so nice to see it’s clean, crisp and is utilised to really bring out some sensational attention to detail. There is a beautiful sense of creativity and imagination in what we are seeing here and it helps the reader to really connect with this land. The utilisation of the page layouts and how we see the angles and perspective in the panels show a solid eye for storytelling. There is also some really great utilisation of backgrounds going on here and I enjoy how they expand the moments and create a size and scope to the world and the story. The colour work here is nice to see, it’s bright and vibrant and everything that technicolour aspect of the film wanted to bring.
​

     This really does have so much going on simultaneously. The multi-layered storytelling that we seeing is so well done by Terry and it’s truly delightful to see him be able to really pull all the aspects together so that not only is it easy to follow but it’s also incredibly draining on the emotional spectrum. This is a good thing too because as evil and nasty as the wizard is, with his manipulations and grand schemes and with what is happen with Dorothy and her group it’s all this wonderfully crazy. The writing through the story & plot development including the pacing alongside this stunning interior artwork make this something everyone can enjoy reading.

0 Comments

Houdini Master Detective #1

4/18/2019

0 Comments

 
Picture
Houdini Master Detective #1 
Antarctic Press/ROK Comics 2019
Created by Jonathan Kendrick
Written by Jamie Alan Nicklin & Simon Mark Wheeler
Illustrated by Rafael Broseta & David Belmonte


     A mystery criminal is committing a rash of diabolical crimes plaguing the city, so Scotland Yard reaches out to Harry Houdini and his wife, Bess Houdini, who are called upon by Scotland Yard to help figure out who the evil perpetrator is. But no sooner are they on the case then the villain kidnaps Bess!

     I am a fan of the concept, the reality and all around execution of this story. How much fun is it to think that Harry Houdini while travelling the world, based in London (?), can use his mastery of magic and escapism to capture those who would do evil deeds? Let’s face it London alone in at this time was a cesspool and full of unsolved crimes what with Jack the Ripper and Moriarty having fun amok. There is a whole new, different, world to explore and if this issue is any indication of what they want to do with him than hell to the freakin yeah from me!

     The opening here is fun as a red robed figure dressed like some sort of Colonial person is being pursued by the Constabulary. Then to see this transition into the seeing Houdini for the first time is extremely well done. These two do a magnificent job writing this and how he has structured the book so that the ebb & flow releases information and has this stellar confrontation to end the story. The pacing is excellent and the fact that we as the readers’ are along for the ride as we see what transpires and hoping beyond hope to find some clues of our own as to this devil’s identity might be. That Jamie & Simon manage to engage and involve the reader in this story is simply marvellous.

     I do think that the characterisation here is rather well done. Houdini is someone I expected to be a lot more hoity toity in his demeanour and yet he’s portrayed as more of a common man, who just happens to have extraordinary skills. That we also get a nice look at Bess and Inspector Willard show who is important in Houdini’s world and are among those most trusted. So in other terms we see what you could think of as the supporting cast of characters.

     At first glance I thought that the interiors might be a tad on the cartoon side of things. Then upon closer inspection I found myself rather enamoured with how they look. There is some nice utilisation of the linework through it’s varying weights which create some incredibly nice attention to detail. The buildings, the theatre and many locations in the city have that look and feel of the era and it’s glorious to behold. The characters do remind me of like James Bond Jr. (the cartoon and kids comics) but again it’s extremely well done. We see emotions, feelings and everything we need to understand the characters from their facial expressions.
​

     The utilisation of the page layouts and how we see the angles and perspective in the panels show a really nice solid eye for storytelling. Backgrounds are utilised very well and help provide us with those extra touches. The colour work is really well done too. The colour of dresses, suits and the shading are all done complete the work nicely.

     There is a lot of creativity and imagination going on in this one issue that we see in the writing and the interior artwork. That it’s a one and done story is even more impressive to me as it shows control and the type of skill and talent Jamie and Simon possess. Fun light-hearted tomfoolery aside it really is a smart, interesting and well executed book.

0 Comments
<<Previous
Forward>>

    Archives

    December 2021
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    April 2015

    RSS Feed

    Categories

    All

    RSS Feed

Powered by Create your own unique website with customizable templates.