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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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The Prisoner #1

4/27/2018

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The Prisoner #1
Titan Comics 2018
Written by Peter Milligan
Illustrated by Colin Lorimer
Coloured by Joana Lafleuente
Lettered by Simon Bowland


     In the 21st Century, the global currency is no longer oil or gold but information. And he who possesses it possesses the world. There is one place on the planet where the most valuable information is mined, a place that prides itself on ‘mental fracking’, promising to extract any secret from any individual using any means possible. It is perhaps the intelligence community’s darkest secret, aligned to no one political system or state, an autonomous institute, free of state manipulation. The identity of its controller, the mysterious Number One, is unknown. It is a place so secret, some believe it to be a myth. It is The Village.

     Well I will be honest I hadn’t thought that a comic book based on a television program that ran for only one season would be a goldmine. I do not know how closely this resembles the original but this right here is fascinating to me. The whole concept was way ahead of it’s time that’s one thing I now know for sure along with the fact that I was wrong about how I viewed this. Now lets dive into the story and see what I am now so happy about.

     We open the book with some incredible stuff that has the action up and running. But who is Breen and why is he running? He’s got a narrative running and you know when you are reading it that it’s what is going through his mind right at that moment giving us a lot of information and characterisation. It is very effective in getting the reader to want to know how things got to this situation and that curiosity is quickly rewarded.

     I like the way the book is structured and how we see Breen go through the paces of what his life and what it has become. The way the flashback is set up was extremely well done and it was somewhat unexpected in nature. I guess it was too much to hope for that in this day and age Breen was sleeping with his partner who was a man and not a woman. So in the flashback he and his partner Carey, a woman, get separated and he returns without her. This causes a chain reaction of events that lead to him being informed about The Village.

     I really like Colin and Joana’s work on the interiors here. The linework that we see is pretty solid and amazingly well done. The suit the Chessman was wearing yeah that stood out beautifully and how we see the faces and particularly the eyes and wrinkles show of what varying weight in linework is capable of. The utilisation of the page layouts and how we see the angles and perspective show off a solid and seasoned eye for storytelling. The interiors really help mould how we feel the pacing of the book goes there’s something very kinetic and interesting about how it reacts with the reader.

     Suspicions abound here, is The Village real, is Carey there and has Breen really gone rogue and become a traitor to his country? Some answers come to us in ways you won’t really notice right away others are made clear this very issue. This book sets up the premise behind the series and in a weird way I feel like it’s a one man The Wild Wild West, combining Jim West and Artemus Gordon. The whole feel and vibe of the book feels interesting and compelling.
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     Very well written and effectively makes the reader the feel what is happening as it draw them into the story and this world in ways you don’t anticipate. With stellar characterisation and amazingly good interior artwork don’t let The Prisoner escape.

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Black [AF]: Widows and Orphans #1

4/26/2018

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BLACK [AF]: WIDOWS AND ORPHANS #1
​Black Mask Studios 2018
written by Kwanza Osajyefo
illustrated by Tim Smith 3

Coloured by Derwin Roberson
Lettered by David Sharpe


     In a world where only black people have superpowers, what price do they fetch on the black market? From the pages of BLACK, this new story features Anansi and Hoodrat investigating a human trafficking ring that will take them across the globe and bring them face-to-face with dark pasts of abuse, child soldiers, and families torn apart.

     I am a fan of this series mainly because there really is nothing else out there that comes even remotely close to it. In our society we see that we have this issue with people who appear different than we do and so the “role reversal” here is so nice to see. I do think that people need to open up, explore and have a conversation, without anger or prejudice, about what their fears actually are. That kind of dialogue would be instrumental in educating everyone to changing their views. Unfortunately there are too many that won’t do that but we have this as well and the way these guys are doing this, particularly this issue, is a different equivalent.

     I like the way that this is structured it has a dynamic opening which captures the attention of the reader nicely. Also if you haven’t read the first arc that’s okay this is a great jumping on point for new readers. Oh and I do have to admit that this opening was superb and if this were any book on the market it would have the same impact only be more wildly seen and loved. It is pure excitement and kicks off the story in a way that is incredibly strong.

     This really delves into Kurokumo’s background as a boy taken, yes kidnapped, and trained to be an elite assassin for Amime. I like the fact that the story is so involved and on a personal level like it is. All too frequently when a story delves into such a personal story regarding a character it tends to get overly complicated and has to run way too many issues in length. So what we see here already has me excited as Kurokumo returns to the ones he left and betrayed in search of answers and it expands him as a character and does some great characterisation at the same time. It really works in ways that blend everything into a coherent seemingly one strong story thread.

     The interiors here are strong, clean and tightly done. The lienwork is nice, smooth and has some varying of weight behind them. Could use a little more variations but it doesn’t detract from the overall look and design of the book. While I am looking through a few things stand out beautifully and that’s Anansi’s student and her lineage which is seemingly rat like in appearance and the colour gradation that we see are superbly handled. The creativity and imagination are wonderfully on display in these pages. The utilisation of page layouts and how we see the angles and perspective in the panels shows a nice eye for storytelling. The lack of real backgrounds however makes me sad because it seems to me to have been a lost opportunity to show off the skill and work as well as expand the world they live in.
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     if you are looking for a new type of superhero book then you really owe it to yourself to be looking hard at this book. It is a solidly written book that has a strong set of characters and it’s an interesting universe with complex storylines and being something new and fresh.

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Swing vol.1 Advance Review

4/26/2018

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Swing Volume 1 Advance Review
Top Cow Productions/Image Comics 2018
On Sale 05/30/2018

Created & Written by Matt Hawkins & Jenni Cheung
Created, Lettered & Illustrated by Linda Sejic


     Spinning off from the universe of SUNSTONE comes a slice-of-life romantic story about a couple trying to regain the sexual energy from the beginning of their relationship by swinging with other couples. An emotional journey of two people fighting to stay in love.

     This story marks a departure from what Matt usually likes to write and that he’s doing this with his wife and the research they’ve done to make this as realistic and knowledgeable as possible is part of it’s charm and believability. One of the things that doesn’t change here is Matt’s ability to tell a story as with Postal and other work it’s the characters and the characterisation that make it a book that people enjoy reading and can relate to. So while this may not be what fans expect from maybe it should be. After all to be able to write books in different genre’s not only shows the capability but adaptability of the writer.

     I like the opening which is basically a testament from a couple that swings as they talk about their first encounters, the rules of swinging and the do’s and dont’s of getting involved in the first place. I have to say that this is much more impactful to me as a reader at the beginning instead of at the end of the book because let’s face it when most get to the last page of the story they stop reading so this being where it’s at not only sets the tone for what is going to be experienced but it also relays important messages when it comes to sex in general.

     Well I will say that the couple in question meet in the regular way at college, she away from her folks who have this idea of a traditional (here I'm going with Chinese) cultural upbringing which living in America is somewhat unachievable if you ask the current generations. Still when a parent relents the final words are just don’t get pregnant which of course is an omen for just that to happen. So parents at a young age that happens and while it may change plans it doesn’t derail things. So that we get to see young lovers who can’t keep their hands off each other well it reminds me of being young and in love myself, or just being young and horny take your pick.

     The way that this slice of life unfolds isn’t untypical at all. I mean at some point in time relationships hit a wall and it’s all about how you deal with it that defines who you are. Some go about cheating, which of course leads to divorce more often than not, others talk about and find solutions that work for them. That is what Cathy does here, the latter, talk to her husband Dan about their life together right now and how she feels. One of the things I will say and I'm sure this is a misconception from an outside source but that she’s the open one and he’s the insecure one regarding all this is a nice twist on the roles.

     Linda’s work on the interiors here is really nice to see. She and her husband have such amazing skill with computer artwork and the eye for storytelling is pretty amazing. The utilisation of page layouts and how we see the angles and perspective, plus the focus on the foreground and blurred background, really show off that eye and talent she has. I don’t know what Stjepan or Matt look like down there but if this what she’s familiar with then can I share him too?!?! I like the fact that this is sensual and erotic but not tacky or full on porn it makes sense within the story, duh, and compliments it but doesn’t overpower the scene.
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     This is definitely for mature audiences considering it’s dealing with sex. However two things you need to know and remember this isn’t porn or an instruction manual and this isn’t a trivial lifetime cinema moment. This is a story about a couple, their marriage and their lives as seen through Matt, Jenni and Linda’s lenses. It is a spectacularly told story that is meant to expand your world view and introduce you to something you might not have known about.  

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Deep Roots #1

4/25/2018

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Deep Roots #1
Vault Comics 2018
Written by Dan Watters
Illustrated by Val Rodrigues
Coloured by Triona Farrell
Lettered by Aditya Bidikar


     Roots, once suffocating under cement, tear through the streets of London to throttle buildings. Vegetable homunculi hold up banks with automatic weapons. There is a green and blooming world beyond our own, fighting back against the human pollutant. We will launch a rescue mission to this Otherworld. But it is cruel and unknowable, and should we become tangled in its vines, more than cities will fall.

     This mixes a lot things for me, there’s this whole Arthurian legend stuff, some super secret paranormal governmental department and a bunch of beings that just shouldn’t exist all wrapped up here. There is something powerful about the opening where we see the sleeper awaken and it holds a lot promise for the series. The opening itself is exactly what Dan needs to make the reader question what the book is about and want to see more.

     The way this book is structured is interesting to me because it seems like we get a lot of information but now way of understanding how they all fit. Do not underestimate the effect that has however because it totally made more interested in seeing where Dan was going to be taking all this. Sal Davids, I had high hopes for him and more so when Abigail approached him and we learned where exactly it was she worked. I get it he’s a means to an end but there was/is so much potential in him as a character after what we’ve seen so not about the bus scene.

     I feel like there are three or four, well one kind of ties into another so 3 ½, arc s running simultaneously. If you pay attention each one will eventually merge into something else although what that is is anyone’s guess. Though I am thinking that our awakened warrior for whatever reason will have something to do with Sal in some way so I will keep my eyes peeled, just call it a gut instinct because something in my spidey sense just says it is. Meanwhile the Walker and whom he meets well that’s kind of weaves two together but who he is and why he’s important remains to be seen. I will say this I love that Dan has us so engaged in what’s happening here already.  Plus when you start mucking about with the Isles mythology and those who dwelled there long before Arthur whom the Druids worshiped well it's kind of new territory for those in the States.

     The interiors here are dynamic to say the least. The linework is so involved and intricate that it just makes what we see that much more mysterious and fascinating. The utilisation of page layouts and how we see the angles and perspective in the panels shows off a stellar eye for storytelling. Not so big on the backgrounds and for once I am okay with that as the swirling patterns that we see add some kind of psychedelic effect which is both interesting discerning at the same time. It really just adds that certain something that makes the story click that much more.
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     Vault has emerged and now if they can stay on a solid publishing schedule they will come into their own this year. The work is strong, the stories all science fiction at their core make for the kind of reading that could change the parameters of the genre for everyone else. This is fresh, fun, funky and fabulous storytelling and it makes me want more. When you find a book and after reading the first issue you want, and there’s a different between would like and want believe you me, more then you know you’ve found something worth holding onto.

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Dungeons and Dragons: The Evil at Baldur's Gate #1

4/25/2018

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Dungeons & Dragons: Evil at Baldur’s Gate #1
IDW Publishing 2018
Written by Jim Zub
Illustrated by Dean Kotz
Coloured by Stefani Rennee
Lettered by Neil Uyetake


     Minsc the Mighty—Evil Beware! The Baldur's Gate heroes return to the city at last, but their time adventuring in Ravenloft and the frozen northern reaches of the Realms has changed them. Each of them must face great trials ahead before they'll be ready to embrace their destiny.  A new hero of the people roams the streets of Baldur's Gate, and Minsc feels left behind despite his own legend. Can he reclaim his place as the city's Beloved Ranger? Whatever happens, evil is going to get its butt kicked most thoroughly!

     This is one of those books that I look forward to constantly because of it’s consistency of good writing and solid interior artwork. Since the first issue Jim has been able to get these characters to grow and evolve in ways that we’ve never seen before in any D&D style book. That this has been so character centric has been a joy to read and is why I cannot wait to take it home. Jim’s got a busy schedule and honestly I wish this were a monthly but that we get semi-regular arcs well I can make do with that.

     So that this is a five issue run and each issue focuses on the members of the group it’s a great time to jump on board and see why I love these characters. Minsc is up first and I gotta say he really is the most enigmatic of the group and how he came to be a part of it in that first arc well one of these days we need a full five issue run on how that all came to be and how he was able to be brought back. The way that the book is structured is great as we open with a fight scene in progress and then work our way back to that point. It is certainly a strong opening and grabs the readers attention perfectly.

     I love the interiors here! What Dean can do using the varying weights of linework is stunning to see. The attention to detail he gets into the work amazes me and I gotta say there’s no better way to really see these races this way is a sheer delight. The way he utilises the page layouts as well as how we see the angles and perspective in the panels showcases his extremely strong eye for storytelling. Plus as if that weren’t enough I mean the utilisation of backgrounds is beyond what we normally see, which I am thankful for, and really expand the moment, the scope of the town and the confined space of the fight so kudos to he and Stefani for providing us with this gorgeous work.

     On some level the group thinks that Minsc is slow, as in mentally stunted, and his obsession to act like a hero and be considered one is an unspoken hassle. So it’s no surprise that when he gets the chance to go off on his own he finds a pub, the Gibbpring Gizzard, to drink at and find a way to be heroic. The fact that Minsc is so childlike and enthusiastic is why I am drawn to him and Boo. After all they just to use their abilities and help people and he’s willing to do whatever it takes to do just that. Meeting Krigar the Courageous will put those ideals to the test.
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     Remember this is Dungeons & Dragons and nothing and no one is what they appear to be. God this so makes me want to have a game to join. Also for those of you who think D&D is silly or whatnot this is how teams are made so any superhero team you fancy so much is pretty much any adventuring group that is created. Different folks, species instead of aliens, different power sets and diverse personalities it’s the same thing. I say give a good look and you’ll see that this is exactly what you love to read.

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Jeepers Creepers #01

4/25/2018

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Jeepers Creepers #01
Dynamite Entertainment 2018
Written by Marc Andreyko
Illustrated by Kewber Baal
Coloured by Jorge Sutil
Lettered by Taylor Esposito


       Grad student Devon James is writing his dream thesis on Myths in American History, but when his research takes him on a journey reaching back centuries, Devon finds something horrifying. Something that crosses cultures, locations, and eras. Something that returns for a bloody feeding every 23 years. Will this young man's investigation uncover simply an urban legend or will he come face to face with an immortal monster that has terrorized humanity from the shadows since man first walked the country?

     Well I was rather curious as to what this one was going to be like and after seeing how much I am enjoying Pumpkinhead I was excited than ever when this hit stands. Then add Marc and Kewber and how yeah I knew this was going to be interesting and brilliantly illustrated. Turns out I was right on all counts if this first issue is any indication. Also while it shouldn’t come as a surprise but to have a male lead character and how he is introduced was extremely nice to see.

      We all know that it’s the opening of a book that needs to be one of the best parts since it’s what we see first and that determines is we’d like to continue with the story. What we get is so extraordinary to see as it’s really just all visual and Kewber shines brighter than any diamond I have seen and the look of the creature is kind of horrifying and goes beyond what is needed to capture the attention of the reader. Seriously this borders on reading with all the lights on in broad daylight already.

     I really like the story is structured from the opening to in to the last page there is some great pacing happening and the way wee see the events unfold seem to be what a lot of the fans of the franchise have been wanting. Well we know that the creature comes every 23 years but where does it come from, where did it originate? Could Devon be the key to finding out the truth? Time and Marc will tell if that’s in the cards. The fact that this really is a setup for what’s to come hasn’t gone unnoticed and I like the bits of information that we get here and there are like treats for cats, gobbled up and begging for more.

     Kewber does some of the most amazing work here. The attention to detail here blows my mind that he can lay down the work and then have Jorge finish it in such a way that the whole mood, tone and sheer scope of this story. Horror isn’t easy to do right, a slasher style isn’t too translatable but this work here has everything you need, from that damn smile, to the blues of his eyes everything about him creeps you out. Then Devon and where he is at and what he learns they keep the mood bright and airy but still lurking underneath is that uneasy feeling. This is what the pair do here the make this as psychologically chilling as possible and actually succeed beyond expectation.
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     What these folks do will remind you why the films, except the third one, were so good and popular. This will possible change the way you see things and even if there isn’t another cinematic feature then hopefully we’ll get story arcs like this one that will continue the legend, create a new one or just simply entertain with what’s already been put out there. Regardless with some excellent writing, story/plot development and killer interiors I am happier than I thought I could be.  

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Rough Riders in Ride or Die! #3

4/24/2018

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Rough Riders in Ride or Die! #3
Aftershock Comics 2018
Created & Written by Adam Glass
Illustrated by Patrick Olliffe
Coloured by Gabe Eltaeb
Lettered by Sal Cipriano
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     In “Under the Pyramids”, Harry Houdini walks on through to the other side and discovers that the Rough Riders are up against the legendary Dutch "Bokkenrijders "who have returned to this earthly plane to settle a score with one of his teammates! But Harry's truest challenge may be a visitor from his past who can spell his end...unless he listens to his newest teammate H.P. Lovecraft!

     The moment that H.P. Lovecraft was introduced to the story that there would supernatural elements to this one. I mean we’ve see the brace that Roosevelt wears to keep himself upright, we’ve seen aliens in Cuba and stopped a worldwide conspiracy to plunge the world into chaos so naturally this was the next logical step. I never thought it would happen the way it has been and that’s thanks to Adam for his innovative ideas and progressive way of being able to use myths, legends and innue to bring out the characters motivations and personas.

     From all accounts Roosevelt really was a larger than life figure who’s ideals and expectations were hard to live up to. Those standards he set for himself he expected in those around him and his manhood was something he was extremely proud of so while he fought for issues that make the world a better place he was also something of a male chauvinist. Adam manages to bring those aspects of his personality together here and while they don’t make him old fashioned, not in this era, nor seeming like a villain it just IS a part of who he is.

     Why go into the last paragraph? Simple it’s integral to the story as is Teddy’s family history and heritage going back to the settlers of this great land or just to the Witch Trials era I am not exactly sure. As is why Lovecraft has been brought into the fold to keep he that cheats death tethered to the real world. Oh and by the way the amount of times they’ve all managed to cheat death is pretty damn impressive and Annie’s miraculous recovery from Death well I am still waiting to see how that is going to be explained.

      Oh am I a huge fan of Patrick’s or what because seriously the work that and the way he’s able to use the linework to manipulate the images in such a way the maximum impact they can possibly have. The way he utilises page layouts and how we see the angles and perspective in the panels shows off his eye for storytelling and honestly I think it’s among the elite in the business. With Gabe providing colours it all really comes across in such a stunning manner. Also the clothing that runs the gamut from one era to the next is so well done I'd love the reference material used. The use of backgrounds always makes me happy as they really expand the scope of the story.
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     The entire way that this book is being told is without a doubt some of the finest storytelling around. The use of alternate history to take these folks who would not run together in normal circles and to have them go after threats that are both real and imaginary in the manner in which they do surprising me at every turn. The more we learn the more we realise there more we still need to learn is necessary. Nothing and no one is what they seem not even President Roosevelt and that’s what makes this so gosh darn exciting.

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John Wick #02

4/24/2018

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John Wick #02
Dynamite Entertainment 2018
Written by Greg Pak
Illustrated by Giovanni Valletta
Coloured by David Curiel & Inlight Studios
Lettered by Tom Napolitano


     John Wick's origin story continues! In the underworld of El Paso, Texas, a familiar face introduces an ex-con named John Wick to the local branch of the mysterious Continental Hotel, a neutral zone where professional killers spend their down time. But can John adhere to the rules of the Continental? Or will his search for vengeance destroy his chances for a peaceful life? Also... does John Wick actually have...a cat?

     I haven’t seen the cinematic release, I am not a big Keanu fan, so this is my introduction to the franchise and so far what I have seen has been extremely fun to see. The other side of life is always one that fascinates people I mean assassin’s, thieves and confidence men (and women) are the subject of basically guess work. Unless you’ve been a part of that world then we’ll honestly never know so we guess and eat up stories like this, instead of nameless message boards on the Dark Web there are places hiding in plain sight that act as a kind of refuge where they can all socialise freely without having to worry about being killed. This is the kind of stuff people want to see after all.

     Greg has a great ear for storytelling, he knows how to craft the book and structure it in a way that has the reader on the edge of their seat. It is done in such a way as we can actually see what’s happening, know what’s to come only we don’t know how it’s going to go down. So there’s a good deal of tension and expectation in the story and while sometimes your right sometimes your wrong and that’s the fun in keeping with a book. I like that the action is action and that the story is also and if you have a clue as what I just said kudos you understand the power of writing. Greg has a grasp of that is usually reserved for novelists but here it works doubly as well.

     I like the way characters are introduced and how the mix of folks that we see have roles in the story during and outside of his need for vengeance. By no stretch of the imagination would I call them a supporting cast of characters more like those you should pay attention to because who they are and where they work, or who they work for, are going to be needed throughout the run of the arc, and possibly beyond. I appreciate the ebb & flow that the story takes us on as it is full of why he’s he here, how the past led to this and incorporates the kind of characterisation that involves the man and the story to bring it to life.

     Giovanni and company do some dynamite work on the interiors here. The utilisation of page layouts and how we see the angles and perspective in the panels shows off a strong, talented eye for storytelling. The fact that the likeness is so close is extremely well done and yet it’s just different enough to make the comic work in ways or faces and facial expressions to work on the page. Charon for instance is someone to recognise instantly from numerous roles but as always you can’t quite put your finger on the name. The judicious use of backgrounds in varying stages of focus do have some really nice moments to them and that we see so many of them is splendid.
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     This is a spy thriller story at it’s core and regardless of what the film was about or any preconceived notions you may have. It is written from a certain type of man’s perspective and brings us closer to the action than you might thin. With a great creative team to bring this to life and some stellar subject matter this will thrill.  

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Go West #2

4/24/2018

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Go West #2
Alterna Comics 2018
Created & Written by Garrett Gunn
Illustrated by Saint Yak
Cover Colours by Sean Forney
Lettered by HdE


     Slade's journey of revenge leads him to "Lost Vegas" where he hopes to enlist the help of the deadliest woman in the Western Territories.

     In today’s world there are more comic companies than you can shake a stick at. However there are those that stand out for a myriad of reasons and we all know storytelling is the biggest one of all. While the bigger companies keep using gimmicks to fix what is broken very quietly you’ve creators at places like Alterna that are making very good, solid and affordable comics by going old school. Newsprint comics are back and honestly what I wouldn’t give to be able to hold these in my hands and see them in person instead of reading them on a computer screen. How this look visually here is amazing and that has to be ramped 1000% when seen on the paper.

     Garrett has created one hell of a story here. There aren’t a whole of Westerns any longer so that this has the kind of action even a normal Western doesn’t see is so much fun to see. Now honestly I would love to see what and Saint could do with a revival of The Wild Wild West in comics form. That he is going to be able to tell this arc in three issues is fantastic, he isn’t dragging it out for the sake of whatever he’s got his amazing pacing going on here so the feel of the flow and how the book is structured is pretty damn spectacular.

     There is something so simplistic about the idea of revenge most everyone has thought about at one point in time in their life. If they say they haven’t I wouldn’t trust them. It is human nature to want revenge of some sort but it is how we get it that sets us apart. Some will strive to do their best to show the ones who wronged them he’s better than they are while others will go after them directly, or indirectly depending on how they want to mess someone up. Back in the old west revenge was something certain people specialised in and this is a tale of revenge pure and simple. It also happens to be about friendship and what that means to these folks.

     Saint Yak is one of the greatest unknowns you’ll ever find. I mean the attention to detail here is just mindbogglingly good I got seriously gob-smacked a few times and that look of Creed standing with his back to us the only thing I would’ve wished was seeing a fuzzy butt. The linework here is so extraordinary and the varying weights and how we see them all used adds this dimension and depth that you just don’t see. Then the peeks of colour here and there beautifully done. The scars and how we see them are superb moments in themselves. The utilisation of page layouts and how we see the angles and perspective in the panels showcases this young man’s incredible eye for storytelling. As a self proclaimed art snob this is the crème de la crème of interior artwork. Again I need to see this in newsprint!
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     I can’t stress enough how good the quality of what we see in these pages is. I mean the storytelling alone would be cause to read this. It has the perfect pacing, the dialogue and characterisation is to notch and it’s surrounded by some of the absolute best interiors available today. I cannot think of one solid reason why you aren’t reading this or shouldn’t make sure your shoppe is carrying it.

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Lucy Dreaming #2

4/24/2018

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Lucy Dreaming #2
Boom! Studios 2018
Created & Written by Max Bemis
Created & Illustrated by Michael Dialynas
Lettered by Colin Bell


     Lucy dreams herself into the world of the dystopian novel that’s currently all the rage at her school—but instead of being the hero, she's the villain of this particular story.

     So last issue Lucy experienced her first dream that wasn’t really a dream and her parents said they had something to show her. This issue opens up with that very discussion. So think about having a teenage daughter who is finally coming of age and getting female troubles and add this on top of that and well their sex talk should go swimmingly after all this! This takes the escapism of dreaming to a whole new level and I gotta say she’s handling it fairly well at least that what her parents are thinking. Of course growing up with two very mad scientist parents well that’s something she’s rather used to and while the reaction is exactly what I could have hoped for it makes the opening for this issue something that will never leave you.

     The way that this book is structured is fantastic the whole slice of life aspect of storytelling has become much more popular in comics and it makes sense from a storytelling standpoint. The only thing most folks do it as a one of in-between arcs but Max takes full advantage of that here as this issue is directly after what happened last night so there is no lag time or jumping forward. So as Lucy gets to school, is self conscious about last night and can’t a hold of her best mate well it’s all done in a way to get us from point A to point B quickly and not lose any kind of story momentum.

     I am also pretty impressed with not only the concept of the story but how it’s being implemented. The story itself is pretty much geared toward the teenage set though it could be considered all-ages and the language that we use is seen here but the post-it notes covering that up with other descriptive words to tell us what they say is a great way to denote swearing without showing it. Also using gaming as a format for where Lucy goes when she dreams is also another interesting factor and one where life and death aren’t permanent, very much like superhero comics. So the short attention span set can appreciate how the story flow and moves from segment to segment.

     Michael’s interiors here are an interesting mix and I am not afraid to say I like the rendition of the dream world better. Still it’s remarkable work from someone to be able to do both styles and make it all coherent throughout the book. There are some incredibly good standouts like when Lucy wanted to go berserk in the living room or the detail in that mechanical hippo. The way he utilises page layouts and how we see the angles and perspective in the panels shows off a wonderful eye for storytelling. Being a huge proponent of using backgrounds it’s nice to see Michael is too as regardless the moment they used so that they expand the scene, scope and overall mood.
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     I am immensely enjoying the collaboration we see between these folks. It is a delightful story that weaves in and out and all around the joys and pitfalls of puberty, adolescence and how to cope with all that when you are an outsider with mad scientist parents. It doesn’t what age you are or where in life you find yourself there are innumerable ways to connect with the story and it’s characters and most of all what happens when your dreams are no longer a refuge.

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