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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Ignited #8

3/17/2020

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Ignited #8
Humanoids 2019
Written by Mark Waid & Kwanza Osajvefo
Illustrated by Phil Briones
Coloured by Zac Atkinson
Lettered by A Larger World Studios


     Breaking out is easy. Keeping everyone alive could be impossible.
     First they were locked up. Then their identities were revealed. Now surrounded by federal agents, the Phoenix Six must figure out how to avoid spending their lives as lab rats and keep their families safe. For the ignited, everything is about to change!

     I love this book so much. The storytelling we see from these folks is beyond anything I could have hoped for. It is equal parts Teen Titans and New Mutants but in a modern world where hate is stronger than love, at least for now. So what the guys are able to accomplish here is bring today's world and yesterday's comics youth together in a realistic and catchpenny way. These kids have been manipulated since day one when that shooter went on a rampage at school. While I am not sure if Dr. Zhao knew who would gain abilities but it has definitely been taken advantage of.

     The writing for this is astronomically heads above the competition. The way it is able to bring the story & plot development to us through how the sequence of events unfold as well as how the reader learns information is superbly rendered. The character development is amazing and we see these kids from the first issue through now having gone through so much and we see how these situations and circumstances have helped them continue to grow and evolve as people, as kids becoming adults. The pacing here is superb and as it takes us through the pages revealing the twists and turns along the way it helps to create this really strong, dramatic ebb & flow for the book.

     I do wholeheartedly believe that this is how teenagers should be written. Marginalised by adults and thought of as too young to know better and yet having learned more than others realise and have the wherewithal to really understand what they are doing. It is a refreshing change to adults writing what they think kids sound like. It may sound like something simple but it's rather revolutionary in its approach and delightful to see it work so bloody well. Also there is this whole deal with their parents and the reality for all of them about what has and is happening all around them which just adds another layer to the way this is being told.

     I love the interiors here. The linework is great and how we see the varying weights being utilised to showcase the attention to detail is beautiful work indeed. One small note is that Luther's face needs more consistency, When he says Dr. Zhao's name ad we see him then the side view and back on full view it's as if he's morphed from guy to girl and it's extremely noticeable and doesn't look like the same person, later when he's using his ability was his hair supposed to go ginger? It is the little things that which fans notice and raise the eyebrow about. Funny it's just the one character however. The utilisation of the page layouts and how we see the angles and perspective in the panels show a marvellous eye for storytelling. For the most part the way we see backgrounds helps us see the depth perception, scale and that overall sense of size and scope for the book. The colour work is gorgeous. I love seeing Shai and how he's pure colour or pure white depending, also just the way the colour is utilised in him to create that effect where we almost want those red/blue 3-D glasses is so fresh and innovative. The way we see the various hues and tones within the colours utilised to create the shading, highlights and shadow work is really nice to see.
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     This book is rocking it out in so many ways. These fine folks are reminding everyone that comics are and can be fun without going too far into the dark places. The industry has officially been put on notice that this series is here and here to stay and it's the light in the lighthouse guiding readers' into a safe haven.

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The Dollhouse Family #5

3/17/2020

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The Dollhouse Family #5
DC Black Label 2019
Written by M.R. Carey
Pencilled by Peter Gross
Inked by Vince Locke
Coloured by Cris Peter
Lettered by Rodd Klein


     The Dollhouse has taken away another piece of Alice’s soul…but this time she’s not running away. This time she’s going to uncover the secret of the House’s terrible birth…and use that knowledge to destroy it once and for all!

     This is a crazy book and far and away has the absolute best page in comics, and yes I am talking about the last page. You will have to get the book to see and experience it and believe me you'll know why I have said what I have. This whole series has been one extremely weird, thought provoking and oddly horrific story that keeps the reader riveted to the page. While I still wait for Fix to make his way to comics Carey's storytelling here is completely and utterly enthralling in the way it creeps you out while leaving you with that desire to see more of this that should create nightmares.

     I love the way that this is being told. The story & plot development we see through how the sequence of events unfold as well as how the reader learns information is presented beautifully. I love watching how things keep coming to light and where this is ultimately taking Alice. The character development we see is amazing and the fact that Alice has someone in her life like Jake in whom she can talk about everything that has and is currently happening. It presents the opportunity for the kind of characterisation that can't come from words alone. The pacing is perfect and as it takes us through the pages revealing the twists and turns along the way it works with everything else to create the books overall ebb & flow.

     This may be modern in it's setting but this really does have this old school feel to it with the subject matter and the history behind the Dollhouse. Mike really manages to work with the artists and creates this old House of Mystery or the Witching Hour kind of tone to the book. These are what is missing from the world of comics and it is high time that horror titles made their way back to stands as a featured offering.

     The interiors here are gorgeous. The linework we see is phenomenal and how the varying weights are being utilised to showcase the attention to detail is beautifully done. I mean the clean look of her at home to the mood setting linework and visuals that we see once we get to “the” house is beyond night and day. The way we see the backgrounds being utilised to work within the composition in the panels create the depth perception, sense of scale and that overall size and scope to the book. The utilisation of the page layouts and how we see the angles and perspective in the panels show this stupendous eye for storytelling. The colour work is exquisitely rendered. The way it helps finish that mood, tone and feel as we see the various hues and tones within the colours create the shading, highlights and shadow work is truly impressive.
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     The way this story flows through the pages as we've followed Alice on her journey has been a thing of pure joy to experience. With everything that the Dollhouse has done for and TO her we've been able to watch her grow into a fine young woman. This is the kind of storytelling I have been waiting over a decade to come back and now that it's here I don't it want to leave again.

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Dejah Thoris #04

3/17/2020

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Dejah Thoris #04
Dynamite Entertainment 2019
Written by Dan Abnett
Illustrated by Vasco Georgiev
Coloured by Dearbhla Kelly
Lettered by Simon Bowland


     “Secrets Of The End Winter”
     A new jumping on point for the new hit series! Dejah senses a great loss in her family, but there is no time to mourn. For a storm is coming…an awful, horrible storm…

     I fell in love with this series from the get-go and this creative is the reason why. We get to see a world without John Carter but with Dejah and her lineage of women. There are so many different little things that happen or have happened that create the overall mood, tone and feel of what we see here. It isn't easy being a Royal on Barsoom and when you are on the wrong end of a coup and then exiled well we all knew it wasn't going to end there. I love seeing this world and how those who are the rightful line of rulers have begun to ensure their survival. The revenge part, even if we don't necessarily call it that, that can wait for a bit because right now we're getting to see this utterly fantastic storytelling at the moment.

     Just the fact that Kurz Kurtos is afraid of the family even after the voluntarily let him step up into rule and didn't complain about being exiled says a lot about him. That we now see just how much this realisation comes to a certain character is powerful. I mean powerful, this is why we love Dan's writing and how well he understands the characters and how they would and should react to the situations and circumstances they are finding themselves in. The story & plot development we see through how the sequence of events unfold as well as how the reader learns information is presented beautifully. The character development is just mindbogglingly good. Between these two Dan is weaving one of the strongest and best stories involving this family and of Barsoom. The pacing is superb and as it takes us through the pages revealing the twists and turns along the way helps to create this strong, gripping ebb & flow for the book.

     The older I get the more characters I am enjoying. Once upon a time I would have stayed away from scantily clad women and thought of them as boys in the basement material. Now I am in love with Dejah for her smarts, willpower, determination and sheer audacity this is a role model for the ages, male or female, in regards on how to behave and conduct yourself.

     The interiors here are so gorgeous. The linework is a combination of strong and soft lines show how the varying weights are able to spotlight the level and quality of attention to detail that we see. I am impressed with how we see the backgrounds being utilised within the composition in the panels. This gives us a nice view of the depth perception, a sense of scale and the overall sense of size and scope to the book. The utilisation of the page layouts and how we see the angles and perspective in the panels show a marvellous, marvellous eye for storytelling. The colour work is impressive in it's own right here as well. To see how the various hues and tones within the colours are utilised to create the shading, highlights and shadow work is lovely. How the flesh tones are utilised to highlight the musculature is beautifully rendered.

     Then there is lettering. If Simon is responsible for the Tik Tak that we see along with how we see the words in the balloons then he's doing far more impressive work than folks realise. I mean the emphasis on words, the tones and inflections that come with that are superb. This is above and beyond work we are seeing here.
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     Dejah Thoris is the most underrated female heroine in comics. She is the type of person everyone should strive to be like. Strong, powerful with poise and grace make her someone you don't not want as an enemy. Don't Poke the Bear!

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Adler #2

3/16/2020

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Adler #2
Titan Comics 2020
Written by Lavie Tidhar
Illustrated by Paul McCaffrey
Lettered by Simon Bowland


     Before we were even properly introduced, a ruffian assailant attempted to assassinate Adler.  She disarmed him – quite easily – and revealed to me that she was being pursued by a dangerous, and determined criminal named Moriarty who wanted to get his hands on some mysterious papers from Paris that he believed she possessed... Life with my new friend promised to be rather interesting. I thought it might be just the tonic I needed. But unbeknown to me, Moriarty was not the only one seeking the papers – and our new enemy was far more ruthless than I could ever imagine. And she demanded to be obeyed...

     I admit I was harsh on the first issue but I call it like I see it and it was exactly as I described it. Thankfully this issue veers away from feeling like it's a carbon copy of Sherlock. We get into their own unique adventure and this is where things begin to shine. The opening here really does a nice job in helping her see who Adler is which of course allows us to see what they've said about her public persona thus far. It is nice to see and it helps greatly in getting to understand Adler and by extension Jane.

     The way this issue is being told is really rather quite well done. The story & plot development we see through the sequence of events that unfold as well as how the reader learns information is presented in an easy to follow manner. I would like to see the reader being left more in the dark so to see just how much prowess Adler has but I am good with what we see. The character development is fun and it is nice to see how the characters act and react to the circumstances and situations that do arise. Oh I do like seeing Lestrade here as well though I will say the reason he is there to me feels more like a red herring. The pacing is nice and as it takes us through the pages revealing the twists and turns along the way there are some rather intriguing moments to find within it's ebb & flow.

     We do get to meet some very interesting characters here and well at least one familiar face, or rather name. Carmilla however intrigues me the most because I wasn't aware that those like her existed in this universe, though looks are oft to deceive I suppose. Now the new She in her life is someone I would like to be kept around a while as she in the process of becoming a nice adversary.

     The interiors here are really well executed. I like the linework we see how the varying weights are utilised to bring out the attention to detail. When they appear to create the backgrounds is when I really appreciate them, some buttons and placements raise an eyebrow. Still I do like how we see the composition within the panels create this depth perception, scale and the overall sense of size and scope to the book. I am enjoying the colour work we're seeing here as well. How the various hues and tones are utilised to create the shading, highlights and shadow work are handled extremely well.
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     The story is marked improvement over last issue when it comes to originality and where the story seems to be taking us. With a few minor and major twists and some that should show at some point to create even more chaos is something I look forward to hopefully happening. While Adler is the only woman who Sherlock ever thought of as an equal and her intellect tells us this, she is also brazen, daring and full of spirits when it comes to what she likes to do. She should never come across as a female version of a man and be embraced for the unique woman that she truly is and it would seem we're entering that territory and I look forward to seeing what's in store.

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ROM: Dire Wraiths #2

3/16/2020

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Rom: Dire Wraiths #2
IDW Publishing 2020
Written by Chris Ryall
Illustrated by Luca & Andrea Pizzari
Coloured by Jim Boswell
Illustrated by Guy Dorian Sr. & Scott Hanna
Coloured by Ross Campbell
Lettered by Shawn Lee


     1969: The first lunar mission has landed and they aren't alone. Trapped, hunted by Dire Wraiths, the astronauts find themselves wishing that help weren't over two-hundred thousand miles away. A Wraith invasion of Earth is looming and only the most isolated men in human history stand in their way. Plus! The connected ROM back-up with art by Guy Dorian Sr. and ROM legend Sal Buscema continues here!

     I love this concept and how we see that executed here. The idea that Chris presented last issue and continues to explore here makes my heart go pitter patter in all the best ways. I love that the Moon Landing was and wasn't faked all because of what we see happening within these pages. There is a sheer genius at work here and I kid you not this is the stuff conspiracy theorists live for. Also this really isn't about the earthlings who are on the Moon and trying to inspire mankind to be their best, nope this is about the Wraiths. I absolutely thrilled by that as well since we have only seen them as an adversary of ROM the Spaceknight. We have seen glimpses of their cunning, planning and tenacity but this is Chris giving them a real spotlight and one that's incredible to finally see.

     While yes they are technically bad guys, though if this the nature of this race then honestly they are behaving in a manner that is consistently true to themselves so bad guy would be in the eye of the beholder. I admire their sense of deviousness and willingness to achieve their goals at all costs you cannot say that about mankind for the most part the former yes but not the latter. So the fact that Chris brings us this unique look at their ideals and behaviour is fantastic!

     I like the way that this is being told. How the story & plot development is seen through how the sequence of events unfolds as well as how the reader learns information is presented perfectly. I like how we see the way things go and unfold and how it all works together even in separate parts or layers and leading us to the same place is really well done. The character development is amazing to see and I really am enjoying how the situations and circumstances we see help to define these characters. The pacing is marvellous and how it takes us through the pages revealing the twists and turns along the way helps to create this superb ebb & flow to the book.

     I love the interiors here. The linework we see is stellar and how the varying weights are utilised to bring out this quality of attention to detail is amazing. Seeing the inside the ship and how all that linework is seen through the various techniques it really is quite breathtaking. Then the way the creativity and imagination shines is beautifully rendered. With the backgrounds being utilised as such we see this nice depth perception, sense of scale and that overall sense of size and scope of the book. The utilisation of the page layouts and how we see the angles and perspective in the panels show us this really good solid eye for storytelling. The colour work we see is impressive and I do really like how we see the various hues and tones within the colours to create the shading, highlights and shadow work. There are times when the colouring is simply beautiful and there are real stand out moments throughout.
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     This is some extremely intelligent and engaging writing that's wrapped up in some beautiful interior artwork. We don't see such a frank and honest look at the behaviour of a species like we are here and I think this is what really makes this stand out from the crowd. Delightful storytelling all around here if you haven't seen this yet you need to get on that as soon as you can.

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Captain Ginger Season 2 #02

3/16/2020

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Captain Ginger Season 2 #02
Ahoy Comics 2020
Written by Stuart Moore
Pencilled by June Brigman
Inked by Roy Richardson
Coloured by Veronica Gandini
Lettered by Richard Starkings & Comicraft's Jimmy Betancourt


     When a deadly trap closes around the cats, they'll have to use all their feline instincts to survive. This is the big one-the issue that will change Captain Ginger and his starship crew forever! Plus the usual AHOY extra features, including prose stories and illustrations.

     As if I hadn't thought this could get any better these folks said “hold my beer!” With the addition of the canines then the Lumen showing up last issue we knew that things were going to get a bit hairy but I had no idea it would go like this! As this series has progressed it has gone from a cute anthropomorphic story to a legit stellar science fiction tale. Part of the appeal here is that we know the cats were elevated by the creator though it would appear not all of the felines share this evolutionary advancement what with all the kittens running around. Let's face it cats are not known for their pack behaviour and yet in this environment they are not only forced to work with one another but go against their instincts. This makes for some absolutely mindbogglingly wonderful writing from Stuart.

     I love the way that this is being told. The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is beautifully presented to the reader. When we see actions taken and the scope of what we think is going to happen there is this really weird, strong and admirable happenings going on. With June and the rest of the art team utilising faces and facial expressions, not to mention body language, simply reinforces the story immensely. The character development that we see is sensational. We've been getting to know these characters and to see how situations and circumstances change opinions of how we see them, simply stupendous writing. The pacing is superb and as it takes us through the pages revealing the twists and turns along the way helps to create this really solid ebb & flow to the book.

     I will say this while we have no idea who or what the Lumen are this ship makes me think they are fish. There is just something about it that reminds me of something in an aquarium that someone would own. Oh have I mentioned that this is as thoroughly engaging as they come? That my mind uses what we've seen to extrapolate data and come up with my own theories, however wildly wrong they may be, is a sign of great writing.

     The interiors here really are marvellous to behold. The linework is so nice, clean and crisp and how the varying weights are utilised to bring out the attention to detail is just bloody marvellous. To take the time to ensure that these cats have their own unique coats, patterns and everything else must be painstaking but whether it is realised or not it's job well done indeed. The composition within the panels with how we see the backgrounds being utilised create this depth perception, sense of scale and that overall sense of size and scope to the book. The utilisation of the page layouts and how we see the angles and perspective in the panels show this amazingly talented eye for storytelling. I am a big fan of the colour work we see here as well. I love how we see screens cat their glow on the fur and how the various hues and tones within the colours create that shading, highlights and shadow work. The colour selection that we see is gorgeous and unusual which is precisely how it should be.
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     This keeps growing and evolving while it garners more and more interest from the layering, the intrigue and the lively mix of personalities involved. I'll be a dog gone sumbitch but wow everything about this showcases why we love comics.

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Death To The Army of Darkness #2

3/16/2020

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Death To The Army of Darkness #2
Dynamite Entertainment 2020
Written by Ryan Parrott
Illustrated by Jacob Edgar
Coloured by Kike J. Diaz
Lettered by Hassan Otsmane-Elhaou


     Look. Life’s hard enough when you’re Ash. You’ve gotta go to work, pay the bills, fight demons, save the world from Hell, etc etc. But when some sorta weird-ass magic splits you into a woman, a demon, a skeleton, a dog and a sentient chainsaw…it’s enough to make a grown man cry. (…Unless you’re Ash. In which case, you’re too cool to cry.)

     I love me some Bruce Campbell, I do he is dreamy as hell even now, so it's not very hard to read some of these tales. While I don't follow them with any sort of regularity I do have to say that this is so completely in line with the latest show on Starz. Granted this Team Ash is much different but hey that's okay because this is so bloody interesting. I will say though that this doesn't come as a surprise to me though as Ryan is one hell of a storyteller and I will read pretty much anything he does and have so I know.

     The way this is being told is really well done. I love the way the story & plot development we see through how the sequence of events unfold as well as how the reader learns information is presented. We get to see Ash act, behave and treat himself exactly as we expect though the character development we see in all the new versions is sensationally well done. All of it has this amazing fluidity to the storytelling as the story & character developments weave through, around in this constant stream. The pacing is superb and how it takes us through the pages revealing the twists and turns along the way really brings that sense of fun, adventure and here go again feeling that is so essential to what the Evil Dead franchise is.

     There are certain folks and certain franchises that just seem to click instantly and here we are with one perfect example. I mean Ryan is one hell of an amazing writer and the way that he is able to craft a story and weave all the layers through it to create this interesting and unique take on such an established character is phenomenal! This handsome fella is one who's work you should be following if you aren't already.

     I like the interiors here and the linework is great and of course that being said I wish there more backgrounds being utilised here. We are supposed to be in an office right but we don't get the sense of being in an enclosed space and that takes away from the overall idea. Sure this has an almost Scooby Doo sense to the work but it's far from all-ages and the interiors should reflect by being fleshed out more. The utilisation of the page layouts and how we see the angles and perspective in the panels show a nice solid eye for storytelling. I do like the colour work, it fits with the style of of the interiors really well. There some great moments here as well with the colour work like when we see the portal appear and all the blues are magnificent.
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     There is so much going on here that mixes the insane comedic qualities we've come to expect out of Ash and honestly this pure gold genius work. This is the entire package from the script to the lettering makes this book what it is. Dynamite is great at getting the creators they need to put out some absolutely fantastic work.

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Blackwood The Mourning After #2

3/15/2020

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Blackwood: The Mourning After #2
Dark Horse Comics 2020
Written by Evan Dorkin
Illustrated by Veronica & Andy Fish
Lettered by Greg McKenna


     As Blackwood College prepares to bury Dean Ogden, the students plot to raise Dennis from the dead, requiring them to take a trip to the morgue. This doesn't leave any of our heroes much time to deal with feuding security teams, a missing mummy chimp, and a conspiracy of traitors planning Blackwood's destruction. Wuh-oh!

     This is one of my favourite new series that have come out recently. It may not be the most intense gut punching type of story but it has this weird quirkiness about it that makes it stand out for me. It is a fantastic look at a group of kids going to school and meeting for the first time being thrust into a situation where they bond, grow and come into their own. Granted they haven't done the last yet but that's okay it's a process and one we're fully in the midst of watching. It has this almost brutal honesty to the situation and how the characters act and react to it.

     The story & plot development that we see here through the way the sequence of events unfold as well as how the reader learns information is presented beautifully. There is this way that the story is being told and how the adults are reacting to the events that leave the kids free to plan and do what they want and or need to do. It is a version of real life after all and it is rather true and accurate that adults think teenagers don't know enough about life or responsibility and ignore them. This allows us to see the kids think things through and make their next move. This leads me to the character development we see here. The work Evan is doing here is phenomenal and how with each turn the kids take we see more and more of them being fleshed out. The pacing is superb and as it takes us through the pages revealing the twists and turns along way helps to create the books overall ebb & flow with such grace and aplomb.

     For me this is a personal favourite and I really fervently hope that you all are giving this a chance to be seen and read. It has this really great way of connecting to the reader as it draw us in further and further into this world. While the subject matter involves magic the mysteries remain the same and it really grounds the story in some surprising ways. I love the way we see these kids and how they've managed to worm their way into my life as a permanent fixture.

     The Fish's really make some extremely wonderful interiors here. I love the linework we see and how the varying weights are being utilised to bring out the attention to detail. I mean when we see that library I was felt the same way Reiko did, that is absofreakinlutely one of the best images I have seen in a long time and it came at a point in the story, hell in the series, no one expects and it is stunningly beautiful. The utilisation of the page layouts and how we see the angles and perspective in the panels show a strong masterful eye for storytelling. I love how the backgrounds we see are utilised to create the composition within the panels and bring us this depth perception, scale and overall sense of size and scope to the book. The colour work is truly exquisite to see and how the various hues and tones within the colours create the shading, highlights and shadow work is brilliantly rendered.
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     This is the kind of series that hopefully one day will end up as a Netflix original. It has a sharp wit and dark sense of humour with some serious scares and moments that make you gasp, cry and shout all pretty much at the same time.  ​

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Stealth #1

3/15/2020

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Stealth #1
Skybound/Image Comics 2020
Written by Mike Costa
Illustrated by Nate Bellegarde
Coloured by Tamra Bonvillain
Lettered by Sal Cipriano


     For decades, Stealth has waged war on crime in Detroit, but now he’s taken his pursuit of justice too far. Only reporter Tony Barber knows that behind Stealth’s reckless behaviour is an older man battling Alzheimer’s—his father. A father unwilling to accept that he’s no longer the hero this city needs…with enemies all too eager to force his retirement.

     First instinct upon finishing this book was it was a gut punching experience. This packs quite the wallop and wow that wasn't what I was expecting from this. I absolutely adored this and I cannot believe that we are not hearing folks talking about this series already. This is powerful stuff and what Mike brings to the table in terms of his writing, skill, talent and ability is already setting the bar, see standard, extremely high for the rest of the run. The funny thing is having read Mike's work this is the low starting point and I have the highest of expectations for what is to come.

     The way that this is being told is phenomenal! There is a unique styling to how the reader learns information through how the sequence of events unfold here. It is surprising, has that major plot twist and takes us on a journey in the most unexpected of ways. The story & plot development here is inspiring to see take shape. The character development here is beyond expectations as we see and get to know the story's main characters. I am impressed with how this book is written and how we are introduced to the characters and the world they inhabit. The pacing here is superb and as it takes us through the pages revealing the twists and turns which keep the reader on their toes with every turn of the page. The way all of this works together to create the books ebb & flow and highlight the structure really is rather quite impressive.
With the lack of hype surrounding this I really wasn't expecting much when I went to read this. So imagine my surprise when I finished this issue and I was dumbfounded by how mindbogglingly good it was. This that hidden gem waiting to be found and it will most assuredly have a profound impact upon you.

     I am also extremely impressed with the interior artwork here. The linework here is fantastic and we see such a unique style come to life through it's strength and how the varying weights are being utilised. I love how the city is seen here and how essential it is to the storytelling making it a character in it's own right through the artwork alone. The way the backgrounds are utilised and how they work within the composition to bring out the depth perception, scale and the overall size and scope to the story. The utilisation of the page layouts and how we see the angles and perspective in the panels show this utterly marvellous eye for storytelling. The colour work here is gorgeous as well. How we see the various hues and tones within any given colour create the shading, highlights and shadow work really showcase someone who understands how colour should work.
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     This is exquisitely layered with multiple points of interest that separately would be more than enough to carry an arc but to see them all and how they could be intertwining is going to be one of the most fascinating things around. God this is good, I know I tell you to get books because they deserve your attention but this almost takes that to a whole new level. This will hit you in the feels through the storytelling, characterisation and it's illustrations.  ​

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Betty & Veronica Friends Forever in It's All Relative #1

3/15/2020

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Betty & Veronica Friends Forever in It's All Relative #1
Archie Comics 2020
Written by Bill Golliher
Pencilled by Dan Parent
Inked by Jim Amash
Coloured by Glenn Whitmore
Lettered by Jack Morelli


     Get to know the siblings and relatives of Betty, Veronica and other notable figures in Riverdale! Meet Veronica’s mischievous cousin Leroy, Smithers’ debonair nephew Liam, Mr. Weatherbee’s charming niece Wendy and Betty’s cunning cousin Jessica! It’s a full-on family affair!

     I have to say that I get excited every time one of these comes out. There is something that these characters bring to the table that makes the toilet paper crisis and the Covid-19 fade into the distance for a little while. This really is the definition of all-ages fun and this creative team really knows, loves and understands these characters in ways not many can and the work they do is sensational. I never know if these are going to be original stories or if they are reprints from elsewhere but in the end it doesn't really matter because for someone they will be an introduction to classic teens in Riverdale.

     One of the things about these series of one-shots is that we see the girls in their element as things come up and kind of throw monkey wrenches into these times. It always has this positive message in the stories that do not beat you over the head with it. This makes this ideal for the entire household to read, I keep saying device free meals are a great time to talk about these books which could bleed into real life scenarios. This is what life is all about, what should and what could be depending on how you treat those who are younger or different than you are.

     I am in awe every single time that I read these because of how seamlessly the stories flow. Four tales one standard size book and each one feels complete. This is one of the few series where I don't mind the format since everything is pretty much the same in creator work, even though this issue the creative team doesn't falter. The introduction of family that we aren't familiar with is a sensational idea and while Leroy is great for his hair alone and Smither's nephew is drop dead handsome it's really interesting to see different members of their families. Plus this isn't all about Archie though he may appear here and there it really does let the girls shine in the best possible ways.

     The interiors here are beautifully rendered. The linework is phenomenal and how there are these subtle differences in the way characters come to life is perfectly done. Also I have noticed that Dan's ability to create facial expressions is utterly amazing and they really do further the characterisation. The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkable eye for storytelling. In one story we see Liam and the girls in silhouette and filled in with colour and it's a striking panel. The inking is just as good and with pencils like this it's no wonder they look so strong. Glenn, I have such admiration for him and what he's able to do. In this world he has mastered the affect of the old school four colour style in a truly modern way and if you've seen his work elsewhere then you'll understand just how damn talented he is.
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     So have a case of the Quarantined blues and don't know how to channel some of that energy, well this, this right here is something that will entertain everyone as well as provide some great opportunities to talk about. This is what every single one of should be reading!

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