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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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White Ash Presents Glarien #1

2/14/2021

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White Ash Presents Glarien #1
Scout Comics 2021
Written by Charlie Stickney
Illustrated by Romina Moranelli, Yishan Li & Conor Hughes
With Colours by Fin Cramb
Lettered by Conor Hughes

    Just in time for Valentine's Day, White Ash returns with three all-new tales exploring the romantic and bloody history of Glarien, the most dangerous elf to be found in the nine realms. This White Ash one shot is a perfect collection of stories for fans of Deja Thoris, Red Sonja, or people who like seeing an elf who knows how to handle a sword.

    I had such a good time with this.  Sometimes you see fantasy stories where the beings aren’t so nice and bring this kind of brutal honesty to their portrayal that makes them infinitely more intriguing.  Glarien is one such example of this, she’s an elf, eternally roaming the world trying to find her way home and in the meantime she has her mate and we know there are Dwarves as well.  So with a myriad of beings thought to be made up in stories of flight and fancy on Earth alongside humans well it brings this whole new dynamic to the forefront.  Plus this world that Charlie has created is just exquisitely rendered all around by this team.

    The way that this is being told is phenomenal.  Three brief vignettes telling snapshots of Glarien’s life is extremely well put together.  I’m always impressed with the way someone can fit three full stories in one issue without having it be oversized.  The talent on display here is stunning and how the story & plot development is seen through how the sequence of events unfold as well as how the reader learns information is perfectly presented.  The character development that we see is flawlessly rendered and how we see them act and react to the situations and circumstances they encounter really let get to know them so much better.  The pacing is superb and as it takes us through the pages revealing the story in each segment it takes us on this amazing journey through different stages of her life.

    The way that this is structured is beautifully done and as the layers within the story seem to flow through each one is just an added bonus.  The way that we see everything working together to create the story’s ebb & flow is masterfully done.  Overall this is the kind of story we all want to see and it engages the reader and makes them want to see more of the characters.

    The interiors here are absolutely gorgeous.  Each segment is done by different artists and I have to say there is nothing and I mean nothing like seeing the interpretation like we do here.  This is some of the most exquisite illustrations you are going to see and each one has its own unique fit into their individual story that captures the creativity and imagination in the reader superbly.  The utilisation of the page layouts and how we see the angles and perspective in the panels show us three remarkable sets of eyes for storytelling.  The colour work we see is divine!  How the various hues and tones within the colours are being utilised to create the shading, highlights and shadow work is utterly sensational.  From the alluring to the forests to the town of White Ash in 1872 what and how we see it is what helps the reader fall deeper and deeper in these characters world and lives.
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    I love this and it makes me want to see more of these characters.  We’ve seen them in the now and that whole star crossed lovers so now let’s see more of how they got trapped here and how they’ve managed to be so important to this town and yet no one has realised they’ve been here since the town was named.  This is the perfect issue to introduce new readers to the franchise and for long-time fans it makes them want to see so much more.  Enchanting, hypnotic and full of surprising emotional moments you are going to fall in love with Glarien.

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The Mapmaker #1

2/13/2021

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The Mapmaker #1
Scoot! Imprint of Scout Comics 2021
Written by Ben Slabak
Illustrated by Francesca Carita

    Imagine a parallel Earth during The Age of Discovery. Imagine The Pirates of the Caribbean where the prize is a fantastical power wielded by a mysterious individual known simply as ‘The Mapmaker.’ Any map he creates comes to life, a power highly desired by King Gus, who will stop at nothing to obtain it.  The crew of the privateer ship The Rogue Wave, captained by the courageous Lei Li, are the only ones standing in their way with a mission to deliver The Mapmaker’s successor before his power wanes and is lost forever. A fun tale for all ages! Enjoy the first issue of this NON-STOP! followed by the entire story collected soon after in one volume.

    I’ve been talking about how good the current all-ages series have been and now that Scout has their own imprint for just that line we can already add them as best new all-ages imprint.  Premature, maybe but look at the evidence it’s Scout Comics who’ve yet to prove themselves as anything other than a publishing house that’s super reliable when it comes to putting out some stellar offerings.  Plus for those of a certain age will find this much like some of their more beloved films kind of like Muppets Treasure Island and The Goonies with a dash of Pirates of the Caribbean just for good measure.

    I love the way that this is being told.  The story & plot development we see through the way the sequence of events unfold as well as how the reader learns information is exquisitely rendered.  I mean it too because it’s not easy to take readers of so many different levels and make sure that everyone can follow along at the same rate and pace.  The character development is fantastic!  I like how the surface shows us one aspect which is all some need to see but for those of us who a tad older can marvel at how well the layering in the characterisation really is.  The pacing is superb and as it takes us through the pages revealing the story, the characters and this world to us we’re treated to a few interesting surprises.

    I am enjoying the way that this is being structured and how the layers within the story are emerging for us.  The twists and turns that are already in motion actually give me pause as I try to work out in my own mind who gains what from this.  So yeah I’m already engaged in this story where how we see everything working together creates a fabulous ebb & flow to the story.

    One of the things about all-ages titles that has grown on me are the interiors.  Now the linework rarely varies in weight but that’s okay because it has this appeal to me of animated shows on Nickelodeon, nothing recent but back when Rugrats was a hit.  Also seeing that pigeon who looks like a worm with a beak, yeah that brought back memories as well.  I adore that we see backgrounds being utilised as we do.  The way they flesh out the scenes and bring us this depth perception, sense of scale and the overall sense of size and scope to the book is phenomenal.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a really good, strong and solid eye for storytelling.  The colour work is stupendous as well.  To see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work dome mainly through colour blocking is amazing.
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    This is charming, delightful and filled with wonder and mystery and it’s everything anyone and everyone could possibly want.  The subject matter is pretty universal and the inclusion that we see through all the varied characters in various positions well it helps to show that it doesn’t who you but it matters what you can do.  I like that message a whole lot.

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Casual Fling #1

2/13/2021

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Casual Fling #1
AWA Upshot Studios 2021
Written by Jason Starr
Illustrated by Dalibor Talajić

    Jennifer Ryan has the perfect life. A loving family. A high paying job in corporate law. A luxurious apartment in upper Manhattan. Then one day she steps out of her marriage...and finds that her new lover isn't the one night stand she expected. Stalked and threatened with exposure, Jennifer attempts to unravel the true identity of her tormentor, discovering valuable clues in the trail of destruction left in this mysterious man's wake.

    One of the things that I think is incredibly interesting about this story is that it’s not the husband who does the stepping out.  We know women do this as well but we always or I should say generally see men in this role so it’s kind of refreshing.  It is easy to find yourself thinking beyond what is on the page here and find ways to empathise with the various characters.  Judgment aside you cannot really say what you would or wouldn’t do in the exact same circumstances, it’s impossible unless you are in them so this isn’t about judging or morality it’s about human nature and the need to escape.  

    I am an absolutely huge fan of the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is exceptionally well presented.  I am so utterly impressed with how we follow Jen’s life as she leaves the house and goes to work as well as everything that comes afterward.  It is that whole honest to goodness slice of life that you want to see happen and Jason does it beautifully.  The character development that we see is marvellous.  Whether it’s Jen or her husband of the folks at her work we really feel as if we know the types of people we see.  The pacing is superb and as it takes us through the pages revealing the story, this world and the twists and turns along the way is sensational.

    The way that we see this being structured and how we see the layers within the story begin to emerge we are drawn into this in such a magnificent way.  Then how we see everything working together to create the story’s ebb & flow is beyond amazing.  You don’t even notice that you are going the pages you are simply swept up in what you see and there’s nothing else.

    I am loving the interior artwork here as well.  The linework is gorgeous and how we see the varying weights are being utilised to create this level and quality of detail in the work is divine.  From the inside of the office building to the innovation in the skyscrapers design to seeing the tasteful sex scene everything is put together thoughtfully and with purpose.  The way that we see backgrounds being utilised throughout is phenomenal!  They enhance the story, bring ius some great depth perception, sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a masterful eye for storytelling.  The colour work is amazing to see.  The brickwork with the different shades giving us that realist style to them and how we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work blow me away.  
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    This story and how its not only put together but how it’s been told from concept to reality is as splendid as can be.  This is so solid and with the synchronicity of the words and the visuals is on a level all its own right now.  This is a perfect example of how strong AWA Studios is and how are definitely here to stay.

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Black Hammer: Visions #1

2/12/2021

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Black Hammer: Visions #1
Dark Horse Comics 2021
Written by Patton Oswalt
Illustrated by Dean Kotz
Coloured by Jason Wordie
Lettered by Nate Piekos of Blambot

    Explore the life of youthful super heroine Golden Gail on the Black Hammer Farm before the beginning of Black Hammer #1, and her struggle to maintain sanity as a middle-aged woman trapped in the unchanging body of a superpowered grade- schooler. 

    Originally I wasn’t sure I was going to be getting this one but with Patton writing it my curiosity got the better of me.  The man is a kind of mad genius and has a way with words whether they are written or spoken so it is no surprise that when he wants to unleash this imagination and creativity it comes out this effin darn good.  I have to say that I’m impressed with this is an understatement and the route that we see taken here is pure genius because it is never expected.  To see and learn about Gail in this manner is something that is rather quite refreshing.  

    I am rather enjoying the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  I have to admit that learning about Gail through two girls who knew her when and who knew only a brief moment in the grand scheme of things.  The character development is sensational!  I am really enjoying seeing the conversation, dialogue, between these two girls as much as I am between Gail and the others we see.  The pacing that we see here is superb and as it takes us through the pages revealing the story we really are treated to a great read.

    I am enjoying the way that we see this being structured.  How the layers within the story pick up threads and create new ones is really rather inspired work.  Then there’s how we see everything working together to create the story’s ebb & flow which is just utterly marvellous in its own right.  I will wholeheartedly admit that this single issue has changed the way that I see Gail and how we can better understand her outside of the whole bitterness that came with this time in exile.  Kudos to Patton for this because I wasn’t sure that anyone could actually change my opinion of her and yet here we are.

    Dean does some really great work here on the interiors as well.  There is definitely a style happening here and it works beautifully with this world, these characters and this story.  The linework is fantastic and how we see the varying weights being utilised to create the detail work is really well rendered.  The faces and the facial expressions are sensational and help to further the characterisation as well.  That we see backgrounds being utilised as they are to expand the moments and bring us some lovely depth perception, a sense of scale and that overall sense of size and scope to the story cannot be beat.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a strong and talented eye for storytelling.  Jason’s work on the colours here is rather divine.  This watercolour effect and how we see some pieces that appear faded, as memories tend to do over time to details, is brilliantly showcased.  The way we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work shows a clever understanding of how colour can and does work.  
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    This is the beauty of a franchise such as Black Hammer.  It is a great world with some truly interesting characters that have captured our mind, imagination and creativity and as such fans of this world like Patton, Dean and Jason want to play in this particular sandbox.  This leads to some great storytelling that comes along and has the power to change how we see and feel about it’s characters.

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Radiant Black #1

2/11/2021

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Radiant Black #1Image Comics 2021
Written by Kyle Higgins
Illustrated by Marcelo Costa
Lettered by Becca Carey

    Nathan Burnett has just turned thirty, and things aren’t great: He’s working (and failing) at two jobs, his credit card debt is piling up, and his only move…is moving back home with his parents.  But when Nathan discovers and unlocks the ethereal, cosmic RADIANT, he's given the power to radically change his fortunes!  There’s just one problem: The powers don’t belong to him. And the COSMIC BEINGS who created them want them back...by any means necessary.

    Alright so this wasn’t anything like I was expecting it to be, and you all know that I actually love that!  I mean seeing the blurb for it, see above, doesn’t do it anywhere near justice enough.  I mean in this modern world the economy really is shite and the reality of this hasn’t been good a long while now and twenty somethings moving back in with their folks isn’t uncommon anymore.  Still seeing Nathan and his whole situation come about and lead him to this course of action well it seems like he’s close to being a loser.  I don’t mind that at all and while his situation is typical it’s still interesting to see Kyle create and take someone so incredibly ordinary and turn him to so much more.  

    I love the way that this is being told.  The story & plot development we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  Seriously Kyle is great when it comes to crafting a story and this is no exception as from start to finish this issue has the perfect sensibility to it in how it comes across from the character development to the revealing the story at hand.  I love the character development that we see here because it really does give us a chance to get into the characters heads and it shouldn’t be surprising but somehow the depth of it is.  The pacing here is superb and as it takes us through the pages revealing the twists and turns along the way we’re treated to an incredibly interesting story.

    With how we see the structured as well as how the layers within the story begin to emerge keeps the reader riveted to the page.  How we see everything working together to create the story’s ebb & flow really is utterly fabulous.

    I really am rather impressed with the quality of work on the interiors here.  The linework is really nicely and how the varying weights and techniques are being utilised to create the attention to detail we see is simply marvellous.  The facial expressions are about as good as you can get and how they manage to really expand the characterisation.  I like how we see the composition within the panels with the backgrounds that we see bringing us this nice depth perception, sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkable eye for storytelling.  The colour work is gorgeous!  How we see the colours that are chosen and how the various hues and tones within those colours are utilised to create the shading, highlights and shadow work shows a stupendous eye for how colour can, should and does work.

    There is a different kind of realism that comes with this book and while I am sure no one has seen a costumed hero on this earth so everything that we’re seeing is brand new to them and that has an excitement all of it’s own.  There is something refreshing about this and I’m looking forward to seeing where it goes from here.

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Morbius: Bond of Blood #1

2/10/2021

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Morbius: Bond of Blood #1
Marvel Comics 2021
Written by Ralph Macchio
Illustrated by Tom Reilly
Coloured by Chris O’Halloran
Lettered by VC’s Ariana Maher

    MORBIUS, THE LIVING VAMPIRE, FACES A GHOST FROM HIS PAST: HIS FIRST KILL! Emil Nikos was Morbius’ research partner…until the bloodlust made Emil the first victim to Morbius’ vampiric urges! Now, Emil’s son is dying from a new rare blood disease and only Morbius can save him! But at what cost?

    Honestly I picked this up on a whim as I was curious as to what was going on with Michael these days.  He’s been an enigmatic character since his creation and with a decidedly unique origin, for a vampire that is, and his desire to rid himself of his affliction he’s found himself on both sides of the laws coin.  So you might say I am attracted to complex characters that can be hard to pigeonhole into a specific category and Morbius is definitely in the midst of characters just that like.  I am really impressed with what we see within these pages and how Ralph manages to make him likable and relatable to despite the kind of man he is perceived to be.  So yeah if you want something out of the ordinary from Marvel, that isn’t tied into any larger ongoing event which is the whole out of the ordinary point, then you need look no further.

    I am enjoying the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented extremely well.  If you aren’t all that familiar with the character it does serve as a fantastic jumping on point and catches you pretty much up to speed so you won’t feel as if you’ve been missing out on anything.  The character development that we see is sensational!  How we see the story itself and how Michael acts and reacts to the situations and circumstances he encounters really does a marvellous job in fleshing him out as a man.  The pacing here is superb and as it takes us through the pages revealing the story and its twists & turns we’re treated to a really good story.

    I like the way that we see this being structured and how it’s a one-and-done issue at standard length.  It’s not easy to do any more and Ralph shows that it can be as delightful as any oversized or multi-issue arc.  How everything works together to create the story’s ebb & flow is really nice to see.

    The thing with Morbius is that I want to see his vampiric visage in some really good, strong and tight linework to really bring out the horror aspect that is inherent with the character.  So the more cartoon style of his face isn’t something I am enjoying and those huge red eyes just seem so out of place.  In general I don’t tend to find myself a fan of this style of illustration, and that could be me and my preferences but when it comes to certain characters and certain books I think classic is better than stylised.  Kudos at least to putting in as many backgrounds as we see, though when the young woman is running away with a yellow background that seems totally out of place given it’s nighttime in New York City.  Otherwise at least the attempts are made even if they aren’t as successful as I’d like to see.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a solid eye for storytelling.  The colour work we see is fantastic and how we see the various techniques utilised to lay the colour down is nicely done.  The various hues and tones within the colours utilised to create the shading, highlights and colour work definitely bring some nice atmosphere to the book.
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    I’m not sure what’s up at Marvel and if they just hire artists based on pay rates or if they should be on a certain title or not but I think better choices need to be made.  The success of Aja on Hawkeye started a slew of artists who shouldn’t be working on titles getting them.  For me it doesn’t work here and thankfully Ralph’s story and the way that this is being written more than makes up for any detractors I may have.

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The Last Mundane #1

2/10/2021

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The Last Mundane #1
Markosia 2021
By Jorge Perez Bucheli

    Armageddon is finally upon us! And life will never be the same for Adam and his loyal friends. However, life must go on, and they must emerge from the safety of their bunker to face the challenges of a desolate world plagued by malicious scavengers, catastrophe and a multitude of strange events to discover if there is still hope remaining for humanity.

    We all know I am a firm believer in small press publishing houses and Markosia is one of those that continues to impress me with their wide range of titles.  This one caught my eye and I just knew that I had to read and review it.  I am a sucker for a post apocalyptic story and this one is unlike anything you’ve ever seen or read before.  The originality and uniqueness of the characters and the events that we see already in this first issue are sure to make this one of those absolute standout gems.  This is nothing like I was expecting and now I have to wonder why it is I’ve never seen anything close to is as of yet?

    I am a huge fan of the way that this is being told.  The story & plot development that we see through the way that the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  I really like how this starts off and how we are kind of in the middle of things and as the story moves forward it we are treated to the full story, bits and pieces at a time.  The character development that we see is fantastic!  While there are still unanswered questions and those have this habit of engaging the reader into the story in some wonderful ways.  We are constantly looking, seeing and thinking and that’s the tell-tale sign that the writer has some serious chops.  The pacing here is superb and as it takes us through the pages revealing the twists and turns along the way we are treated to quite the interesting life of young Adam.

    I like how we see this being structured as well as how we see the layers within the story beginning to emerge and take shape.  This really manages to make us feel like we are seeing the natural progression of the story.  Of course seeing how everything works together to create the story’s ebb & flow contributes to that greatly as well.

    The interiors here are really rather sharp.  The way that we see the linework and how it’s varying weights are being utilised to bring out the detail work that we’re seeing is wonderfully rendered.  From the intricacy of the picture frame to the way we see the brickwork as well as how backgrounds are seen within the composition within the panels playing such important roles in the way we see the depth perception, sense of scale and the overall sense of size and scope to the book is utterly marvellous.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a solid, interesting and very talented eye for storytelling.  The creativity and imagination we see is great as well.  The colour work is beautifully rendered as well and how we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work show some sensational understanding of how colour works.
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    I in like flynn as Jorge has caught me hook, line and sinker as I am invested in the story and the characters we are meeting.  Markosia is an amazing little publishing house and if your local shop or subscription service isn’t offering this then you need to speak up and make sure they get it in for you.  You aren’t going to be sorry once you read the book and see exactly what it is I’ve been talking about!

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Shi no Kage #1

2/8/2021

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Shi no Kage #1
Blackbox Comics 2021
Written by Neil Davis
Illustrated & Lettered by Gus Mauk
Coloured by Michael Yakutis

    After the murder of one of his clan’s seven samurai, the young warrior, Hachiro is called upon to finish his training. Bound by a sense of honor to his sister and community, he battles through a gauntlet filled with demons, beasts and his past while his village braces for war.
    Here’s another stellar offering from Blackbox and this time it takes place in a feudal Japan where it’s time for a young man to be called by his master to join the ranks of his own Samurai.  That means this is as much a journey of self-discovery for young Hachiro as it is this beautiful look into a culture that was started in the 12th Century.  The Samurai are somewhat mysterious and romanticised in Western culture and to be quite honest it was a dangerous profession that took cunning, a penchant for violence and blind subservience.  Not at all as romantic or glorious as it’s been made out to be so to see this tackle the less westernised version and a more traditional take is a refreshing change of pace.  

     I love the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  Right from the opening as we meet Hachiro and his sister Hinata we are given this warm and loving look into the family dynamic as it’s about to change forever.  I don’t know what it is about this that captured my mind, imagination as it engaged me but it has that unquantifiable “IT” factor about.   One thing we should note is that there are no female Samurai, yes women were expected to defend the city and die honourably and occasionally they rode into battle with the men but there were no Samurai who were women.  Now this is something we see liberties taken with and we do see that here as well and we’ll see how this plays into the character development later on.  The pacing that we see is fantastic and as it takes us through the pages revealing the story and the journey our hero must take we are drawn into this world of horror and sheer beauty.

    I am a huge fan of the interiors here.  The artwork, and it is art, is gorgeously rendered throughout.  The linework that we see and how the varying weights are being utilised to create the attention to detail that we see is stunning.  The creativity and imagination on display is absolutely beautiful and the way that we see the costumes, the faces and the various characters brought to life just boggles the mind.  Now I will say that I want to see more backgrounds being utilised because they do enhance the moments and while the composition within the panels brings us depth perception, a sense of scale and that overall sense of size and scope we’re still missing that extra something.  The utilisation of the page layouts and how we see the angles and perspective within the panels shows a strong and talented eye for storytelling.  The colour work is divine.  The choices we see and the how the various hues and tones within the colours are being utilised to create the shading, highlights and shadow work is justs rendered incredibly well.
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    With how we see the book being structured and how the layers within the story emerge we get to see how everything works together to create the story’s ebb & flow.  This is an extraordinary tale of one young man’s journey into adulthood and being called upon to fulfill his duty to his master, his village and his family.  I cannot tell you how incredibly well this is being done and how highly I recommend that you should be reading this.

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The Encoded Vol.1

2/8/2021

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The Encoded Vol.1
Devil’s Due Comics 2021
Created by Josh Blaylock
Written by Josh Blaylock & Mark Powers
Illustrated by Jethro Morales
Coloured by Juan M. Rodriguez
Lettered by Micah Myers

    What if our fears of a tyrannical A.I. turn out to be unfounded, but nevertheless, humanity forces this machine intelligence to fight back? In 2045 we survive a brush with oblivion when the A.I. AURELIUS achieves singularity -quickly deactivated but not without a fight. A decade later governments ensure it never returns by activating the "Analog Protocol" - frequently and without warning. Citizens must expect, at any time, to lose all digital capabilities. What they don't know is that AURELIUS left a piece of its mind behind - in a simple hemp farmer known only as Epictetus.

    I have to say that I really like what Devil’s Due puts out and this is the second of their recent titles that is coming in a new format, for them, which is fantastic to see.  The larger page count and calling them volumes is a nice added touch.  It really gives us a chance to get into this story in ways that are extremely impressive to me.  Without having to make sure the story fits into a standard issues worth of pages means we get that extra bit of story and characterisation that keep us engaged and interested in the story and characters we meet along the way.  This is a sensational new format and I look forward to seeing more titles from Devil’s Due in this manner.

    I am a huge fan of the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is being presented beautifully.  The way we get to see this being structured and how the layers within the story begin to emerge showcase how the story needs to be told so that we can follow along in such a way that feels natural.  The character development is fantastic!  Once we get into the main part of the story and its major players are introduced we get to know them pretty well through how the act and react to the situations and circumstances they encounter.  It’s not just them either as the peripheral characters are given some great personalities of their own as well.  The pacing we see as it takes us through the pages revealing the story and the twists and turns along the way is fantastic!

    The interiors here are utterly marvellous!  The linework that we see is phenomenal and how through it’s varying weights we see the detail work emerge really manages to bring us further into this world.  There is something about it that is so classically comic book style and yet it also allows for the creativity and imagination to really shine through in some not so obvious and expected ways.  Not going to lie i’m sorry that while Judd was doing his business we didn’t see “more” of him but how that all played out is exactly what I am referring to.  With the backgrounds and how we see the composition within the panels bringing us depth perception, a sense of scale and that overall sense of size and scope to the book it’s really well conceived.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a strong and talented eye for storytelling.  The colour work is really well rendered.  I like how we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work.
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    This is so much damn fun!  I really am enjoying seeing this world and getting a glimpse into science fiction that comes with a surprising social commentary that you would expect to see, let alone where it comes from.  This is some innovative stuff with the format of the book and how the story’s ebb & flow comes across the reader.  I am looking forward to see the next issue that is for darn sure!

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Specter Inspectors #1

2/7/2021

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Picture
Specter Inspectors #1
Boom! Box 2021
Created & Written by Bowen McCurdy & Kaitlyn Musto
Illustrated by Bowen McCurdy
Lettered by Jim Campbell

    Meet the Spector Inspectors, who live that Scooby Doo life chasin' ghosts! True believer Noa, her cynical little sibling Gus, credulous camera man Ko, and skeptical Astrid head to one of the most haunted towns in America to prove that ghosts exist, for all the social media likes! The investigations of hauntings uncover something more devilish than just a couple of ghosts, something that will put Noa and Astrid's relationship to the test... and reveal the centuries-old sinister secrets of the town itself.

    This is one of those all-ages titles that will have a very different viewpoint for different folks.  When I was reading this I kind of got excited because I love watching paranormal reality shows, it is a guilty pleasure.  So imagine my surprise when we get to a certain point and they decide to flip the script on us and do something completely and utterly unexpected.  I was over the moon with joy!  Well it would seem that Noa and Astrid are a couple so I am still holding out for Gus and Ko becoming a couple as well, this would make the whole foursome have a different dynamic and well it’s just I miss seeing a gay male couple in comics.

    I am a fan of the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exquisitely.  The moment that the foursome enter the Town Hall and their reactions and how we see that is incredibly infectious.  I felt their excitement and the buzz surrounding it and that really is impressive.  The character development that we see is amazing and I like how we see them interact with one another and how their dialogue continues to flesh them out as people.  The pacing that we see is superb and as it takes us through the pages introducing us to the story, the characters and what may possibly be it takes us on this unexpected journey.

    The way that this is structured and how we see the layers within the story beginning to emerge is beautifully rendered.  It’s crazy how good the dynamic we already see as being established is so accessible to the reader.  The way we see everything working together to create the story’s ebb & flow is incredibly well done.  

    The interiors here are really rather great.  Yes it has that all-ages feel to it but that doesn’t mean that what we see doesn’t have this wondrous depth and complexity to it.  The linework is amazing and how we see the varying weights being utilised to create the detail work is sublime.  That Town Hall and how we see it explored is like a dream come true in how incredibly creepy and fascinating it is.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a stellar eye for storytelling.  The colour work is beautifully rendered as well.  How we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work is sensational.  The creativity and imagination that we see is gloriously represented within these pages.
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    Now this is an extra page count series, there’s about 30 pages of story per issue, which still seems to go by in a flash as it is so easy to find yourself drawn into the story.  This is completely and utterly modern in how we see the story unfold with the subject matter at hand.  The surprises that we get through all the twists & turns make this something you are going to love reading time and time again.  This is what we need right now, it’s fun, funny and intelligently written with some gorgeous interiors that make you happy.  It has been way too long since we’ve had a book that makes us genuinely happy to read it and this is going to do just that.

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