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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
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​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Savage #4

2/20/2017

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Savage #4
Valiant Entertainment 2016
Written by B. Clay Moore
Illustrated by Clayton Henry & Lewis Larosa
Coloured by Brian reber & Andrew Dalhouse
Lettered by Dave Lanphear

    Out of the jungle, into the fight? When all hope seems lost, the final threads tethering the Sauvage family to their humanity will finally be severed. Just as the beasts within begin to take hold, the final revelation about the prehistoric island that has claimed them will finally stand revealed. But will this twist of fate offer a last chance at rescue?or forever seal their doom?

    Well butter my butt and call me a biscuit!  Wow alright so ends volume one right and volume two is scheduled please that’s so because the way this one ends you KNOW it’s not the end it’s just a beginning!  Gosh now i’m full of all kinds of questions that I need answers to and the only way that’s going to happen is if there’s another volume.  So thanks in advance.

    Aside from the ending the whole business of getting there is pretty astonishingly well told. B. Clay is always a solid writer but this time around it’s like we got a little something extra in the recipe that wasn’t there before.  The moment that we see the boy surrender to the ways of the Island is probably one of the single most powerful and poignant moments i’ve seen in comics.  It literally changes everything and you know just at that moment how big that is.  So kudos on bringing that us in such a great way.

    Clayton is amazing and to see him and Brian work on these dinosaurs the way they do has me almost salivating for more.  The use of page layouts with their angles, perspective and those backgrounds that we see are simply amazing to behold.  Also difference in the past v the present is well done and that sense of innocence he had in the usual comic book style had more hope to it than I  had realised.  

    For a boy who never really knew his father and was raised on this nightmare of an Island by his mother who was murdered for no reason other than sport he’s really become quite the man.  I like he tells his father’s grave he’s going home it’s the grit and determination to do so and finally free himself of this prison that shows a maturity I wasn’t sure he possessed.  Then of course to do so he has to go through the village full of those he’s been fighting against all this time.  So can he do it, can he get around their leader who killed his mother or will he end up like the rest of the Sauvage’s?

    There’s a fire and intensity to this issue that I wasn’t really expecting to see but left me with my pulse racing.  We root for him to succeed against all odds and while he seems more than capable of taking them out one at a time this is much different.  The stakes are so much higher and when it’s all said and done will this have been the right move for him to make?  I don’t know but i’m eager to find out.  

    This has been one of the most extraordinary limited series to come out.  

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Peepland #4

2/20/2017

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Peepland #4
Hard Case Crime/Titan Comics 2016
Written by Christa Faust & Gary Phillips
Illustrated by Andrea Camerini
Coloured by Marco Lesko
Lettered by Comicraft’s Jimmy Betancourt

    Following Snyder’s suspicious demise, Roxy and Nick hit the streets in search of a copy of the incriminating videotape, in the hopes of nullifying the bounty on their heads. Meanwhile, Lorenzo faces backlash on the streets as a result of the false murder charge and Detective Alvarez begins to show his true colors,  despite objections from his partner.


    Sometimes we forget what the past was like and at this point in time in the city it wasn’t so great.  With peep shows and porn shops all over Times Square it wasn’t really a place respectable people went, not like it is today.  Also it wasn’t really that long ago.  Still that the corruption that we see and the fact that if you have money you have power and control to buy people like you would cattle makes you someone to be feared.  More so if you’ve no qualms in making those who cause problems disappear for good.

    I have to say that as Roxy and Nick are talking to everyone she can think of that might have known Synder things are kind of weird and more so than you’d think.  Thanks to the work that Andrea does here we see the faces and facial expressions and at first I really didn’t think anything of them just hey this crowd and kinds of folks just don’t like questions.  It isn’t until you get later on into the story that all this makes much more sense.  So kudos for the work here and pointing out how things go and that we get it as readers.

    Poor Lorenzo the kid is as sweet as can be and to have this happen to him well it’s not fair and inside i’m screaming about the injustice.  The more we see of him, like we do this issue on the rooftop, the more I like this kid and think he’s special, gifted and hella smarter than given credit for.  Plus he's still a minor so shouldn't having his face plastered in the paper been something that shouldn't have been done?  Someone is going to a lot of trouble here.

    I have to say that I love the attention to detail that we get in the artwork here.  The use of backgrounds and the fearless use of nudity as it fits into the story and the way the characters come to life really make this story what it is.  The use of page layouts through angles and perspective do great things for the flow of the story too.

    This issue is chock full of surprises for me.  I love the way we see the real nature of some of the characters in play.  How much Went has a hand in controlling what goes on in the city and the real trouble that Roxy and Nick are in here.  Believe me you the pair is in way over their heads here and if they get out of this one alive i’m gonna be applauding, surprised and incredibly impressed.  Though honestly i’ve been impressed since the first issue with how well the storytelling has been here.  It wouldn’t be too surprising if both of em made out of this alive but considering who they are up against and the nature of Hard Case Crime i’ll be pessimistically optimistic.  

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Batman Teenage Mutant Ninja Turtles Adventures

2/20/2017

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Batman Teenage Mutant Ninja Turtle Adventures #4
DC Comics/IDW Publishing 2016
Written by Matthew K. Manning
Illustrated by Jon Sommariva
Inked by Sean Parsons
Coloured by Leonardo Ito
Lettered by Shawn Lee

    Last issue saw the Scarecrow coming to play and this issue we see that full on.  Meanwhile the Joker and Harley are still doing their thing and Shredder is under the control of the Joker’s laughing gas so what dastardly deed does he have up his sleeve?  

    Well now as we open up this issue I have to say I’m guessing that making his fear gas on this Earth has made it a tad more potent, either that or Bat’s gasmask is defective.  I was a little surprised by how easily he fell into the Scarecrow’s clutches and then of course with him down the Turtles running with him don’t stand a chance, or do they?

    Actually I am really enjoying the dialogue and the storytelling here.  Matthew does an incredible job in bringing the fun and zest of the classic animated Batman Adventures to the page here.  The cutesy and funny banter with Harley or Mister J. really bring things back to a time when they were more fun, deadly and psycho but fun nonetheless.  

    I do also very much like that April and Batgirl have each other to talk to.  So having April as a more active fighter and member of this team is new to me, also she’s much younger than I was expecting so it’s a nice inclusion in these male dominated franchises.  Again the whole rooftop scene played out perfectly and with the major differences in characters and how they act and behave on display really makes this as enjoyable for kids as it does for the adults in the room.

    The interiors here are just brilliant.  I do think the Turtles look weird but hey it’s an animated style.  When we get to see the Scarecrow's gas in full effect it’s great it’s creepy without going too far and demonstrates its effectiveness beautifully.   Great use of page layouts through angles, perspective and backgrounds as well.  

    What Matthew does with the story here is pretty unexpected for me.  I thought that the Joker and Shredder would take up the bulk of this run and with the rest of the Arkham inmates still running loose on this Earth that might not be the case.  Joker’s always been thought of as the worst of the worse but what if some of the others feel like challenging him for that title.  There’s a few out there that could do some interesting things in that regard.  

    Also the big fight scene this issue was utterly fantastic.  I like how the loyalties played out here as well especially with Bebop and Rocksteady.   There’s something about this team-up in this style that makes it so gosh darned good.  The way things unfold and the triggers for certain characters that we see really do make some strong stand out moments and make this both sheer fun and a little inspirational.  

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Voracious Feeding Time #3

2/19/2017

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Voracious Feeding Time #3
Action Lab Danger Zone @016
Created & Written by Markisan Naso
Created, Illustrated, Lettered & Designed by Jason Muhr
Coloured by Andrei Tabacaru

    After a fight with his girlfriend Nate and Captain Jay went hunting for more dinosaurs.  Only when they got there the Saurians were there as well looking for the reason why their people keep disappearing, where they left Jim for dead took Nate back to their future.  

    I am a huge fan of this series.  I mean it’s got cuisine made from dinosaurs that were caught by going through a time warp.  Turns out that time warp was also a dimensional portal as well.  There’s drama, action, adventure and enough science fiction to shake a dozen sticks at.  It’s not easy to blend this all together without causing the reader a massive brain freeze, after all we’re dealing with humans and evolved dinosaurs here folks.

    Well we know that their trip is going to be long lasting if the opening is any clue.  I mean time is a constant and that’s nice to see.  Though how the girls are going figure out where the boys are is something i’ll be interested in seeing.   Even if their involvement in this is just to showcase that time moves forward when they are transdimensional hopping i’m okay with that too.

    Now that Nate is with the Saurians things are getting more interesting.  I like the technology that we see and the fact that they come to the right conclusion but have a hard time dealing with it.  It turns out that the Saurians are just like humans in that they have a hard time believing in a world where they didn’t ascend to the dominant life form.  It’s also nice to see that add emotions to the mix and it doesn’t matter who or what you evolved from it’s pretty much the same.  The storytelling here is fantastic the parallels and differences are wonderfully shown and the whole book is just fun.

    I am big fan of the interiors here.  The creativity and imagination when making the Saurians into humanoid people but still maintaining their distinct dinosaur features shows some great imagination and creativity.  The use of page layouts are utilised well with their angles, perspective and selected use of backgrounds, of which I’d love to see more.  

    With what we see with Nate and with Jim things are definitely more than either bargained for.  Just what else is happening to the Saurians past remains to be seen but when at least one of the detectives reverts to his more primal nature it looks like the affect they have in this dimension is much larger than we could’ve realised.  Or i’m reading too much into it so take a look and let me know what you think.

    The sheer feat of creating these dimensions and their accessibility to one another is nicely done.  The right mix of action/adventure and drama is depicted extremely well.  The characterisation and story development have made this so much fun to read.  

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U.S.Avengers #3

2/18/2017

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U.S.Avengers #3
Marvel Comics 2016
Written by Al Ewing
Penciled by Paco Medina & Carlo Barberi
Inked by Juan Vlasco & Carlo Barberi
Coloured by Jesus Aburtov & Andres Mossa
Lettered by VC’s Joe Caramagna

    There’s a reason I give a new series six issues before making my final decision.  While i’m not a fan of Marvel’s constant use of time/Earth displaced heroes constantly popping up in their mainstream universe the fact that it was only for a few issues and nothing long-term makes me feel a little better about it’s use.  I’ll stick to my guns with the fact that I feel Al could’ve used someone else to showcase how the team operates for us as we get to see here.

    Last issue the team entered the party to discover that all the guests had been replaced by killer robots.  Outgunned and outmanned the team has to work together and show some real teamwork in order to get out of it.  This is the kind of stuff places like the Danger Room are made for to practice, get used to one another and get a feel of how they can help each other out in battle and seeing them kind of inherently do those things in the midst of a fight is  really nice to see play out.

    Also I kind of like the way that this felt like a super powered James Bond style story.  Not just because of everyone in a tuxedo but that did certainly help.  The subterfuge and the villain hiding behind things he’s stolen and not being terribly bright it all had a nice tone and feel to the story that makes me want to see what else Al has in store for this team.  Though Unite really that’s the rallying cry hmm I dunno do they really need one?

    I’ve noticed that Marvel hasn’t made the best choices, for me and in my opinion, in hiring artists for their books.  So it’s a huge bonus to see the work that these folks do here.  The attention to detail, the use of page layouts through angles, perspective and backgrounds (which we still should see more of) are engaging and make this exciting.   These guys really do some extremely nice work and and while it maintains that classic comic feel there’s also an elevation to it that’s super well done.

    Well here’s hoping that this title sticks around for a while because I have this tendency to pick, read and follow the series that seem to end all too soon.  Granted why this is an Avengers book instead of simply A.I.M. is beyond me but with a very eclectic cast that still rocks the lgbt characters and has some extremely good characterisation and plot/story advancement going on makes it worthwhile.  

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Dead Inside #3

2/18/2017

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Dead Inside #3
Dark Horse Comics 2016
Written by John Arcudi
Illustrated by Toni Fejzula
Coloured by Andrew May
Lettered by Joe Sabino

    Detective Linda Caruso has been focusing on the crime scene itself: a brutal murder inside the Mariposa County Jail. But as she keeps asking questions that no one wants to answer, she learns that what’s been happening outside those heavily guarded walls is a crucial piece of the puzzle.

    Holy mother of pearl bailey!  I have no idea what John is going to do next with this story but the pieces here are playing themselves out of the game long before Linda is able to put them together.  The way that John has structured this story and his subsequent execution of it is utterly flawless.  

    I will say that Linda’s constant self-doubt and second guessing would normally be a downer to read about.  However with the way that John is presenting it there’s merit behind it and seems to somehow strengthen her resolve to continue moving forward.  It’s almost as if they are contradictory to one another and yet somehow some way he’s making them work in concert instead.  Still from what I can see she’s pretty competent at her job and no one ever said being a cop would be easy and there’s a lot of baggage that comes from doing it but she’s doing alright by my book.

    I’ve been enjoying Toni and Andrew’s work thus far but for some reason this issue seems off to me.  Jools has this really odd look to her and if she’s got them hips she shouldn’t have that gap and her head I dunno there’s something there just doesn’t feel right.  Plus there are moments where the perspective seems to really elongate the limbs.   Minor quibbles considering how good the book is.  

    There are a lot things that happen this issue that should be raising red flags but aren’t and that fact alone is making me sit up and take notice.  Normally I think we’ve become more suspicious and cynical so that John’s made me drop my guard some and misdirected some of what’s happening here is utterly delightful.  Also I think some leads are red herrings and others are those that will help tie it all together but then Linda needs a cyber crimes person to follow a few things up and where’s she gonna find of those?

    There’s so much going on here and yet it all feels like it all works perfectly together.  I mean the personal drama that surrounds her, the professional pressure, the distraction of Aaron and the whole case itself has seeped into every aspect of her life and it’s becoming one of those instances where I have no idea who’s responsible and wondering if Linda will be able to find out.

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Artful #3

2/18/2017

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Artful #3
Action Lab Entertainment 2016
Novel by Peter David
Adapted by Nicole D’Andria
Illustrated by Laura Neubert
Coloured by Laur Rea
Lettered by Justin Birch

    I am enjoying this series immensely!  I love the way it’s been thought out making the Artful Dodger the center of attention and with his past history and still somewhat shady ways he’s the perfect foible for Fagin and his fellow vampires.  Also I have to admit there’s a certain kind of cleverness in that Fagin a Jewish man in life is now a vampire who is unafraid of the Cross.  It’s one of those things that few think of and it’s actually a very well thought out and used plot device.

    Ilike the way that Dodger and Bram survive this full on encounter as the vampires storm the church in search of Drina.  I also like the way the boys figure out who she is this issue and somewhat why she’s important to the vampires.  However if the boys are going to rescue her then they are going to need to help and luckily Oliver lives near the church so they pay him a visit.  

    I do like that this is Bram’s story as he tells it from a cell.  I also like his depiction of Oliver Twist and his own opinions of the lad.  At least we know this is set a few years after that original story so we’ve got another timeline in place.  While i’m not sure if a reunion would’ve been something i’d liked to have seen or not the matter really is taken out of our hands.  The way that this story is structured is extremely well done there’s a great flow to the series of events and that we don’t have a lot of time between scenes (filler) actually works to the story’s advantage.  Instead we get this really good, strong and interesting tale where the world of the Artful Dodger is turned completely upside down and for once in his life he gets to play the part of the hero.

    While we do get to see some familiar faces that for the most part Dodgers world is pretty much completely new means that the characterisation is fresh.  While Dodger is still kind of up to his old tricks and likes to talk as if he’s further up in station than he is those around him know what’s what and it all comes out in the way theys peak.  Speaking of the dialogue here I like the way that it’s used as if they are thinking aloud, making sure what they think sounds right and we get those explanations in the conversations that work in plot and story advancement.

    I do like the interiors here while still very much all-ages there are moments where the architecture is wonderfully visible and well detailed.  The characters all fit how they live their lives and the use of page layouts through angles and perspective are very well done.  It’s a nice homage to the original material with a little more updated feel.  I’m also a big fan that the vampires can be scary and convey their nature and yet still not be too much for the younger audience.

    Overall this is a splendid all-ages action thriller set in the world of Oliver Twist and it exceeds any and all expectation I could’ve had.  Thoroughly entertaining and enjoyable!

​

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Broken Moon Legends of the Deep #3

2/17/2017

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Broken Moon Legends of the Deep #3
American Gothic Press 2016
Written by Philip Kim & Ben Meares
Illustrated by Nat Jones
Lettered by April Brown

    Korbin and his entourage of gill men have been saved from a Kraken attack by none other than Avery, David, and Keeney the Franken-werewolf! But how do Avery and Keeney know the same melody that always calms Keeney down from a rage?

    There’s something amazing about this world of monsters.  Humans are the minority and a rare commodity as we’ve seen.  Yet somehow they continue to seemingly be the solution to the problems that arise.  Well that and some are just batshit crazy as we’re seeing here.  The fact that these fantastic creatures have come into the light and prominence opens up a realm of possibilities we’re only beginning to see.  I like that they’ve been expanding the mythology here and this issue takes that a step farther.  

While the Gill Men have been introduced they aren’t the only denizens of the deep on this world as we learn and thanks to them Avery, David and Keeney (from the first series) join the fray this issue.   Also the ongoing thing between Korbin and Lorren continues and I have to admit that I like this dynamic the two of them have.  Lorren is pretty batshit crazy and unapologetically so and it’s just fun to see.  

As all the groups are together and a conflict on the verge of becoming out of control there is a new threat that emerges.  Literally right out of the water.  An old god long thought a myth or lost to annuls of time.  It’s a nice way to bring this old god into the story really and keep expanding this universe.  This adds another horror dimension to the series and if this old god is enough to frighten the creatures that have given us nightmares for generations then you know things are about to get even worse.  

Sigh Lorren, the characterisation here is utterly spectacular.  I very much enjoyed seeing how he reacted to this and how that leads us to see exactly what can be in store for this world if those that have assembled, Korbin et al, cannot find a way to stop it.   The way this story is structured is so nice to see as the reveals and the ideas and just how things come together feel so natural.  While I don’t believe in coincidences it’s a good word to describe how Avery, David and Keeney got involved and why.  

Nat’s work on this book is so stellar.  The whole darker tones really bring the idea of this world to life for us.  That he gets to stretch that imagination and creativity to bring us some of what we see is beyond delightful.   His use of page layouts through angles and perspective are amazingly well done.  That final image he leaves us with this issue is a climax unto itself what a sight to behold.

Just when you think that people are the scariest thing out there we get to be reminded that there are ancient things that are much worse.  It’s great to have that feeling of being afraid of what lurks in the dark again.

​

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The Deep #2

2/16/2017

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The Deep #2
KaBoom! Studios 2017
Created & Written by Tom Taylor
Created & Illustrated by James Brouwer
Lettered by Wolfgang Byisma

    I don’t care who you are or hold you are this is bloody fantastic!  Read this then go watch the series on Netflix, spoiler I did and i’m glad I did too.  The creativity and imagination on display here is amazing to see.  Anything that can stimulate the mind in an all-ages setting is one that should be shared by all!   I’m a huge fan that this series so far doesn’t just spark that need in kids to explore what they wouldn’t normally but it does that for me too and after reading this I have this strange need to seek out documentaries on ocean life.

    Tom’s writing here really is something special.  The way the story is structured and the characterisation including the dialogue is spot on brilliant.  The fact that this reads as well it does for any age group to enjoy for totally different reasons is extremely impressive.   Also that this is a far cry from you typical family doesn’t hurt either there has to be something about them that seems almost too good to be true.  Also it’s got that factor where you wish you grew up like this!

    In this issue the Nekton family heads to Greenland to investigate a sea monster.   While interviewing the locals we’re introduced to a new character Trish who is this unscrupulous sensationalist reporter.  It’s clear to me she’s out for ratings, to be famous and not really a serious journalist but I could be wrong.  Still if she’s going to keep popping up like some thorn in the family’s side i’m all for it.  More so after what we see this issue.

    When the family is inside the sub and talking about strategy and what to do next is when we see both way Tom thinks and how educational this can be.  From dad’s use of maps, to the art of listening to thinking through your situation and coming up with solutions through talking back and forth it’s got a really good strong message.  The plan they come up with makes sense and the entire family is involved it’s not just one person saying we’re doing this, which is more like a Democracy than the current American political climate.

    James impressed me last issue and he continues to do so here.  I love the fact that while he’s mimicking the show it’s not the same work that is on television.  This is a more pure form of art than the animation that we see on the small screen.  I think this has more depth, detail and feeling than the cartoon does and the subtlety that we get with the colouring and the facial expressions are splendidly done.  The use of page layouts with the angles and perspective work well for this series.

    Also i’m fairly impressed that this being a story about a family that we still see the relationship between Fontaine and Ant be like normal siblings.  Ant being younger and had a turn out in the last issue so that means that Fontaine gets to go out this time.  It’s fair and balanced but that he’s sulking and complaining makes him seem like normal boy.  Plus a little jealousy never hurts things at times it can breed healthy competition.  

    Get this read it, share it and just have some pure unadulterated fun because that’s what this brings.

​

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God Country #2

2/16/2017

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God Country #2
Image Comics 2017
Written by Donny Cates
Illustrated by Geoff Shaw
Coloured by Jason Wordie
Lettered & Designed by John J. Hill

    Last issue we met the Quinlans.  Roy, his wife Janey and their little girl Deena had gone to Texas to see Roy’s father Emmett.  Emmett suffers from Alzheimer's and he’s one heck of an ornery cuss.  After the family gets to the Quinlan house and the sheriff leaves a tornado hits and changes their lives forever.   Seems there was a demon riding that tornado and suddenly Emmett had a huge sword and did battle with the demon.

    So after that battle is exactly where we pick up here.  I love what Donny does here the characterisation he’s bringing us is stellar in quality.  Emmett is fine the Alzheimer’s seemingly gone and Deena thinks the whole thing is incredibly awesome!  Roy and Janey not so much they are in disbelief and freaking out as well they should and the whole thing plays out exactly like it should.  It’s so very well done and the fact that the entire time Emmett never lets go of this sword goes unnoticed by Emmett but no one else is a huge deal.

    Now normally when we get a slower issue after a massive punch in the face like we got it can feel like a let down but not here.  Instead of the usual aftermath cleanup and explanation of the events Donny does things a little differently.  We get the introduction of one from the race of beings who calls himself a God who created the sword to begin with.  Aristus, God of War, Blood and honour pays a visit seeking the return of the sword Valofax.  What transpires between the two men is a tale of the sword Emmett now wields and what role Aristus plays in all this.  It’s all rather terribly civilised at this stage but the promise that it won’t be is given.  Also the dialogue is just as good, strong and interesting as the first issue's promise with that battle.

    Now i’m just going to assume that Donny created this version of the god even though a quick google search says he exists as a god of the sea.  I’m a huge fan of mixing gods and humans into stories and using long forgotten gods.  Even if Aristus and his people are made up the prospect of them is still something to revel in.

    Geoff and Jason do some marvelous work on the interiors here.  The way that page layouts are utilised through angles, perspective and the use of backgrounds really do wonders for the reader here.  I love that we feel like this is Texas and that this God has his power behind his visage.  That Emmett and his kin are just average folks and that this whole thing is so much larger than anyone imagines is all in how we see the story presented visually.

    With the history of the sword Valofax laid before us and the promise of conflict to come as well as Emmett’s own dilemma, if he gives up the sword he’ll go back to that stage of Alzheimer’s, well it’s already beyond fascinating material.  While we still have yet to learn why the demon rode in on a tornado or why Emmett was chosen by Valofax that will undoubtedly come with time.  Until those reasons are presented to us let the imagination run wild because this is the kind of story where that is an asset.  An old man suffering advanced Alzheimer’s has been chosen to wield a powerful cosmic style weapon and the only one who knows why is the sword itself.  This is pure genius and I’m anxiously awaiting to see what Donny does with this next.

​

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