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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Cloak and Dagger in Negative Exposure #2

1/27/2019

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Cloak and Dagger in Negative Exposure #2
Marvel Comics 2018
Written by Dennis “Hopeless” Hallum
Illustrated by Ruairi Coleman
Coloured by Giada Marchisio
Lettered by VC’s Travis Lanham


       Tyrone’s attention has been diverted from his role as a super-powered police consultant alongside Tandy ever since he embarked on a whirlwind romance with a Cloak super-fan, Vi. However when the new couple pushed their luck by diving into the Darkforce Dimension to explore, they quickly found themselves out of their depth! Meanwhile, Tandy and Ikeda have been investigating a series of grisly murders that has led them into LA’s underground aqueduct system….and straight into the hands of Mr. Negative!

      I cannot wait for this to be in physical form because hot diggity is this awesome! Being a fan from their first appearance onward this is like the Cubs winning the World Series, it’s about damn time they had a book that was award winning worthy. The depth of the writing here is phenomenal to see and Dennis really layers the story in ways that not only bring the characters to life but make the complexity of their lives seem both stable and disastrous all in the same moment. Well since Dennis is Hopeless no more as we have the proof in the pudding here.

      I love the way that this is structured. It really does maximise the effect that the characters have and how moments that may seem trivial in fact play a much larger more important role than we expect. Also the fact that Dennis acknowledges the past and their complicated history and uses that to it’s fullest in continuing to flesh out their personalities. I am in love with this book because of the attention and understanding of the characters that Dennis seems to possess. Plus he’s taken them in a direction I don’t think we’ve seen at Marvel before and that’s official police attaché status. That Tandy is involved with the man supervising them well that’s just that so-called icing on the cake.

      The Negative Man is another villain that we don’t see enough of. He’s kind of like the Purple Man that in the right hands he’s one heck of a powerful villain, case in point this story. A lot of that comes from the use of cunning and planning which can make even a D-Lister capable of beating anyone. He really has been the perfect foil for these guys here and that is a massive shout out for how he’s being utilised. Which brings me to the level of characterisation we are seeing here. That we get such a solid feel for these folks is sensational in my humble opinion. The change, growth and evolution of the characters is half of what makes this book so damn good.

      The work on the interiors here is bloody marvellous. The linework is supple and how the varying weights have been utilised to bring this amazing attention to detail to life is extraordinary to see. The faces and facial expressions are something I take notice of to see how strong an artist is and Ruairi is proving he’s a force to be reckoned with. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off a great eye for storytelling. I love the way backgrounds are being utilised here as well since they do wonders in fleshing out the moments and bringing a sense of size and scope to the story. The colour work here is a wow factor in and of itself. The Negative Man and how we see him, his light construct beings and the overall effect that they have on people, places and things, see light sources, is so well thought out and executed.
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      Digital exclusive I guess is kind of akin to the whole streaming channels in that they have the content no one else has access to. It is a shame though because not everyone can read on a digital platform, nor do many like doing so-me included. That being said this is the absolute best incarnation of Cloak and Dagger that I have ever seen and that makes my heart sing with joy.

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Hardcore #2

1/26/2019

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Hardcore #2
Skybound/Image Comics 2018
Written by Andy Diggle
Illustrated by Alessandro Vitti
Coloured by Adriano Lucas
Lettered by Thomas Mauer


     The Hardcore program has been compromised, leaving its top operative stranded in another country, his mind trapped in the body of one of America's most wanted. Now he has 72 hours to escape hostile territory, with no allies--only a Lamborghini and a license to kill! Kill! Kill!

       I like the idea of this whole concept of the story and the way that it’s being executed. We have seen mind-swapping before or someone taking over another’s body but I don’t think we’ve seen it done quite like this. That originality to the story is what draws the reader in. Almost as if the promise of what we see although tinged with the familiar is foreign enough so that a spark of imagination has been lit in the reader. This is what the power of storytelling is all about and why it has power in and of itself.

        There is something about the way that this issue opens that pretty much sets the mood and tone for the entire issue. And by the by can I live in that room please though the empty bookshelves are scary but those windows with the trees sigh. On a personal note Alessandro, Esteban needs to be shirtless a whole lot more! Seriously though the conversation that we see and how the events are unfolding is what really grabs your attention and not in the ways you think. It has this really edgy smartness to it that Andy just seems to be able to nail with perfection.

       So last issue Drake ran inside the machine and escaped Markus’ reach temporarily. With his people all dead and the machine untouchable Drake’s time to inhabit this body is counting down. It has all the excitement of a Tom Cruise Mission Impossible but better, because there’s no Cruise. The fact that we are left with more questions than answers at the moment is another level of excitement that I wasn’t quite expecting and I have to say that it makes the readers mind work overtime to come up with their own scenarios as to how something is achievable here. This is why I love Andy and the work he is capable of doing, there’s this simplistic complexity to the work whose layers are layered and it looks straightforward but in reality nothing is straightforward or simple.

     Oh my sweet Georgia peaches the interiors here are bloody gorgeous and the way that we see the linework manipulated though their varying weights is magnificent. The subtlety and boldness that mix and match all around are so well done and the fact that we don’t just see backgrounds here but some absolutely amazing foreground work too help to take this from standard 2-Dimension illustration and bring it closer to a 3-D effect. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off a brilliant eye for storytelling. Adriano’s colour work is equally as strong and the control over what we see through shading, gradation or as reflections and whatnot really completes this book and makes things pop at the right time and in the right way.
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      This is precisely what we need to see right now, this science fiction, action/thriller who’s technology isn’t far off from being a reality and yet far enough away to make it seem just fictional enough. This is a fine line to straddle folks and like Strawberry Wine straight from the vine it could be bitter or sweet. The writing here is divine and the characterisation, story & plot development are so strong which goes with this pacing and stellar interior artwork to create one of the most interesting stories without anything else like it on stands today.

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The Witcher in of Flesh and Flame #2

1/26/2019

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The Witcher in of Flesh and Flame #2
Dark Horse Comics 2018
Written by Aleksandra Motyka
Adaptation by Travis Currit
Illustrated by Marianna Strychowska
Coloured by Lauren Affe
Lettered by Steve Dutro


      After arriving in an enigmatic location by mistake, and being forced to hide their identities, Geralt and Dandelion find themselves faced with an impossible task. Concurrently, Geralt's attention is drawn to a series of strange episodes surrounding the King's concubines. Will the duo be able to solve the palace's dilemma, as well as their own, and secure their safety and freedom?

      When I read the first issue that would lead this to be a franchise I fell in love with Geralt immediately and the fact that this is taken from a video game just goes to show that you can flesh out pre-made worlds in the perfect of ways. This is one of those rare franchises that feels unique and set apart from a large crowd. It has elements of many different genres and like a master baker all these different ingredients are put together to make the most flavourful and unique experience. While Dark Horse may not love me I certainly love that they put out stories like this that are able to transport us to a new world both familiar and strange.

      I really like the way that this book is structured. There is a fair amount of information and material that we see which completely unexpected and those elements make for some incredible reading. Then of course there is the characterisation here which is beyond expectations and I have to say that Prince Dandelion in his purple attire, which I'd so rock today, tomorrow whenever and I’m serious about that, is one of those characters we love to hate and hate to love. His presence and his attempts are things to worry about and I am sorry but I'd love him to be gay, regardless his speech patterns and how he presents himself is utterly marvellous to see.

      Now that the pair find themselves in this kingdom who’s language is in a much different pattern is really nice communicated to the reader. It has a certain appeal and is something we can universally understand so to have been able to do this so well impresses me with the skill level. This helps the reader feel more like you are a part of the story, involved in some way almost akin to watching that show on television that you binge in one night which you cannot get out of your head.

      The interiors here are rather fetching if I may say so. I love the linework and how it’s utilised through the varying weights to bring us that size and scope to the story while fleshing out the look and feel of the characters. The faces and facial expressions are so integral to helping the story here as well. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off a stellar eye for storytelling. How backgrounds are utilised is subtle and unassuming as well as bold and blending. The colour work here gorgeous Dandelion’s purple with that pattern sigh, the way the colours are used to bring texture to the book is superb.

      This series is bloody brilliant as it has all that action/adventure, intrigue & mystery that you can handle and then some. There are undertones of romance or at least what should be romance but then again that’s also part of the problem here. Sigh never trust a woman seeking wealth and power or you can end up on Mata Hari’s list or a victim of a Black Widow. With everything that we see and everything we don’t is what makes this such a great series, franchise, to read. This has become a must have/read franchise, a staple of you reading lists and if it’s not you’d better check it out because it should be.

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Bronze Age Boogie #1 Advance Review

1/26/2019

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Bronze Age Boogie #1 Advance Review
On Sale April ‘19
Ahoy Comics 2019
Written by Stuart Moore
Illustrated by Alberto Ponticelli
Coloured by Giulia Brusco
Lettered by Rob Steen


      What do you get when you combine all the best-loved comics genres of the 1970s: apes, monsters, Kung Fu, sword-and-sorcery, and cosmic adventure? You get BRONZE AGE BOOGIE, an intense, character-based action-fest with plenty of style! In this collector’s item first issue, young barbarian princess Brita Constantina finds herself battling a Martian invasion—in 1975 AD and BC! Back-feature: Meet MAJOR URSA, the first bear in space. But will he be a hero or a villain? Plus the usual assortment of AHOY text stories!

      This is one of the new wave of books coming out of Ahoy Comics this year and considering how good, strong and well done the first wave has been this one has me even more excited for what’s to come. Stuart is an amazing writer and the concepts and ideas that come out of his head kind of amaze me and fill me with a sense of awe and wonder. This one here is one that I hadn’t expected and heaven knows it’s not something anyone in their right mind should expect and that’s more than half the fun.

       I remember when Vertigo had the Doom Patrol and Animal Man and they were wacky and cerebral in ways that really engaged the reader like they had never experienced before. To bring that feeling back to readers is not only unexpected but it’s something that we need to see again in comics. You can’t take life too seriously and you’ve got to let loose but that doesn’t mean it has to be mindless entertainment either Stuart proves you can do all of that and so much more. The way this flows through the pages and seems just odd until almost the end when everything comes together beauteously.

       The characterisation is sensational and just the fact that there are quite a number of interesting and unique folks to flesh out almost seems to be the challenge Stuart wanted to meet head on. Everything is cyclical in nature and we see ideas and such coming back time and again, aside from fashion a great example is monster like vampires, werewolves, zombies etcetera, so yes it is time that we saw the thinking man’s humour make it’s way back into comics. I say this because the humour isn’t the usual frat boy fart jokes (thank god) it’s one that you need to read, pay attention to and think about so that it makes sense to the mind.

      Oh Alberto il mio amore the work here is exceptional! The way the linework is used is strong yet delicate and creates such gorgeous attention to detail through it’s varying weights. The composition of what we see in the panels shows off this meticulous, creative and visually stunning eye for storytelling. The utilisation of the page layouts is superb which along with that creativity and imagination Alberto possesses almost makes me weep. Okay so yeah I want more backgrounds (every panel heh I know shut up Steven) because when we see them the way the flesh out the moments and bring that size and scope to the story it’s utterly amazing. Then there is the colour work from Giulia is stunning as well. The way she creates with colour makes me so joyous from the design in the dress to the aliens to the city of New York all of the work she does completes this book.
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      Ahoy mates I cannot tell you how happy I am to see their emergence as such a powerhouse publisher already. Some of the strongest and most interesting work today is not coming from Marvel or DC it’s coming from places like Ahoy Comics. With the strength of the writing and the talent the interiors showcase you need to make sure you order this from wherever you get your comics from.  

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Betty and Veronica Friends Forever Go-to Work #1

1/25/2019

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Betty and Veronica Friends Forever Go-to Work #1
Archie Comics 2019
Written by Bill Golliher
Pencilled by Dan Parent
Inked by Rich Koslowski
Coloured by Glenn Whitmore
Lettered by Jack Morelli


       I think one of the things about Archie Comics that I like and greatly appreciate is the fact that they may have their new vision and successful line of new takes on their characters, see Archie Horror, but they still put out books that go back to the way they’ve always been. You can never underestimate the power of the original all-ages Archie gang in comics and for me it’s like visiting my childhood all over again and I will welcome that feeling anytime day or night.

       There are so many reasons to love these books and this one in particular. I mean this is the girls as knew and loved them the most. Betty is ever the smart, go getter while Veronica has no ambition in life but to spend her father’s money. So while the class difference is on point there are some wonderful moments thrown into this book that no matter who you are or the kind of family you grew up on you find things to absolutely relate to. Bill does this amazingly well and the way the stories are structured and that there are four of them in this book shows how much skill and talent he has to write these vignettes and make them feel complete.

      I am incredibly impressed with each one for different reasons. That Betty got herself a job at Lodge Industries and delivered papers that Hiram needed got her noticed. Not that it wouldn’t I mean he’s knows Betty after all. Still her proficiency at her job doesn’t go unnoticed and of course because she’s gained the attention of Hiram this makes Ronnie jealous. I don’t think it matters who it is or what it’s about if your parent pays attention to one of your friends in this, admittedly innocent way, well that is going to do the jealous and I'll show you thing.

      I love that their friendship is so strong though and throughout this book we see that through tough times and easy ones that the girls have that bond which is stronger than steel, fighting and all. On that note I really like that they fight, and it’s good fighting too, but it never seems to truly affect their friendship. This could be and should be a prime example on how to behave and how to trust that your best friend is someone you will argue and such with but in the end they love you and you them so it’s a natural part of any relationship, romantic or platonic.

       I love the interior artwork here. Dan is simply one of the most talented artists I have ever met. He can do this and make you think it has always looked this way and always should. He has such a skilled and steady hand and his linework manipulated through it’s varying weights really stand out in all the right ways. No matter what they wear the girls are always rocking their looks and he proves that you can be cute and sexy while covered up. The utilisation of page layouts and how we see the angles and perspective in the panels shows off a truly magnificent eye for storytelling. Also I love that he utilises backgrounds as often as he does proving that even all-ages titles can and should have them. The colour work is sensation and it reminds me of that four colour from days past and it works so well here. Also we need to give Rich a quick shout-out because his inking on t op of the pencils is as valuable as anything else we see.
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     This never ceases to amaze me with it’s positivity and ability to teach invaluable life lessons. That it can be done through humour, love and the gift of friendship is just icing on the cake for me. As a society we get so caught up in technology and such that we forget how valuable true friendships are and that we need to be working on those in person friendships more.

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StarCraft: Soldiers #1

1/25/2019

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StarCraft Soldiers #1
Dark Horse Comics 2019
Written by Jody Houser & Andrew R. Robinson
Illustrated by Miguel Sepulveda
Coloured by Maria Santaolalla
Lettered by Steve Dutro


      Newly graduated Lieutenant Shivani Singh wants to defend the Dominion on the front lines, but it will take more than good grades and confidence to survive on the edge of Zerg space.

      Admittedly I am not a gamer in the sense of playing video games so the game part of this is totally unfamiliar to me. Personally reading this is like reading a much higher class story of Starship Troopers mixed with Tremors and I think that’s utterly fantastic! The idea here is really rather simple and the Dominion has succeeded in creating an empire that raises troops with idealism and a gung-ho attitude who have no idea what the edges of Dominion space look like. Sheltered, even living in what we would consider the slums, it creates a sense false within people who think they want to be where the “action” is.

      I love the way this is structured. This has a great opening that brings us our main character. Singh, and shows us her ambitions, desires and just how damn green she is. This is a woman who was raised in the slums and worked her ass off to be the top of her graduating class. The impressions she’s made have been the kind most of us would kill for as the offers she’s being given well they are the easy route. She doesn’t want to be a desk jockey she wants to get her boots on the ground and make a difference. Heh yes Be Careful What You Wish For.…..………

      There is a really amazing ebb & flow to the way the story reveals the highs, lows and everything in between. Not to mention a little foreshadowing of her past coming back to haunt her. All of this is presented and it all feels natural, like the choices she makes are the ones she wants to make because that is her personality. I am telling you the characterisation here is bloody phenomenal and even if we meet someone briefly we still get a great sense of who they are personality wise. Very rarely do we see this level of writing and even better is that we are seeing this in the first issue of this arc, which leaves Jody and Andrew a lot to live up.

      The interiors are stunning! I love seeing how he’s able to manipulate the varying weights of the linework to create such wonderful attention to detail. Bonus points for not leaving faces in the backgrounds blank too. Miguel and Maria work together so perfectly and to see the colours used to enhance the armour or shade a segment really brings out the impact visually. While I am guessing that designs are from the game I still think there is a nice use of creativity and imagination going on here and that Lurker yeah wow. The utilisation of the page layabouts and how we see the angles and perspective in the panels shows off a spectacular eye for storytelling. How we see backgrounds being utilised here is so gosh darn good as it expands the moments and bring a nice sense of size and scope to the story.
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      I am telling you the way this ends is horrifically perfect. This is the kind of cliffhanger ending that really makes the eyes go wide in surprise and amazement. I will say I see The Brood and Xenomorphs influence here. The pacing, plot & story development along with the characterisation with these brilliantly stunning interior artwork this can be Dark Horse’s newest outer space horror thriller gold star run!  

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Oliver #1

1/24/2019

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Oliver #1
Image Comics 2019
Created & Written by Gary Whitta
Created & Illustrated by Darick Robertson
Coloured by Diego Rodriguez
Lettered by Simon Bowland


       The opening here is absolutely stunning and the narration that goes along with it really does just bring us into this new reality beautifully. These guys really went above and beyond here with what they’ve done to bring this to life. I mean the work is so in sync and it is extremely exciting to see this happening and more so in the opening pages. Alright so this is a post apocalyptic future and the hows and whys of this are given to a degree and who these people and how they survive well the tips of the iceberg are showing but the rest is still beneath the surface. Which quite honestly I wouldn’t want to have it any other way.

       There are first issues and then there are first issues and if you understand what I am saying then you know this is the second of those. This issue is representative of what is possible when you do what you love and love what you do. It has all the information, mystery and intrigue that a reader wants so that it guarantees that they want more. It has that rare excitement that comes from reading it that captures the mind and imagination of the reader. Yes it has many of the aspects and tones of the classic tale but in all honesty this could be a whole new tale original in it’s own right and that’s pretty damn amazing if you ask me.

      The way that this book is structured is amazing. The flow is superb and as we traverse the pages and even skipping ahead in the time line doesn’t interrupt anything. The story wouldn’t be the story if it had gone all the way from the beginning, well it would be but damn that would take time and honestly that’s exactly what flashbacks are for if they are needed. Personally I cannot wait to find out why Oliver is different even from the men who are raising him. We saw his mother and we saw her give birth to him and unless I miss my guess that she ended up here was intentional. It is a shame she died in childbirth but then he wouldn’t be an orphan, since we have not one clue as to whom his father is. I think that the way all of this is fleshed out through the writing is astoundingly good.

      Darick is one of those gosh darned artists who is simply in a league of their own. The work here is stunningly gorgeous to look at it and the way he manages to get all this attention to detail on the page through the varying weights of the linework is awe inspiring to say the least. The way each panel is composed how ever inch of it is utilised to flesh out the scenes and the overall size and scope of the book as a whole is phenomenal stuff. The detail in the buildings and how they are solid yet falling apart and seeing all the intact bricks and the weathering cracks I mean damn son this freaking mesmerising as you search the entire page with your eyes because there is so much to take in. the colouring here as well is divine and how it compliments the linework and highlights things in what we see or the weathering itself in colours it all leads to this bloody breathtaking work.
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     Every week it seems that we are seeing a new release that sets the tone for the rest of the year and it’s going to be hard for everyone else to keep up with. Yet every week a new one fitting that bill seems to come out and if this is what the future holds I’m buckling up for this ride. The writing here is exceptional as is the interior artwork this is the kind of work that readers want and need to get lost in.

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Crypt of Shadows #1

1/24/2019

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Crypt of Shadows #1
Marvel Comics 2019
Written by Al Ewing
Illustrated by Garry Brown
Stephen Green & Djibril Morissette-Pham
Coloured by Chris O’Halloran
Lettered by VC’s Travis Lanham


      You shouldn’t be here. This is a place for the dead, for the damned, for the unholy. You should not be here, not yet...you cannot stay away. There is something within this land of buried dead, a power dark and sinister, a knowledge potent and corrupt, that pulls you in deeper, deeper….pas the old gate, down the winding passageways cutting through hills pockmarked with tombstones so old they are barely legible. At the end of the path stands a building, it’s stone facade cracked and broken by time. What is that name carved above this haunting mausoleum’s heavy metal door? Why….it is yours, dear reader. Thee undeniable gravitation of the inky darkness pulls you in. You should not be here, and now you cannot leave the….Crypt of Shadows.

      I wasn’t quite sure what to expect with this, while I was excited as all get out I am not sure if it lived up to my expectations. I think the smarter choice might have been to print this on newsprint, reducing the price and keeping that old school feel to it. Also the interiors should remind me of something out of the Twilight Zone, going back and looking over the original run and I'll be bluntly honest it worked so much better than what I am seeing here and these are some incredibly talented artists.

       The way this is structured is extremely well done and Al really uses the theme of the issue in some smart, intelligent ways. Also that the way the story is revealed is sensational and the concept of it and the reveal at the end keep this one and done style exceptional. The way that we learn of Mr. Radley’s fear throughout these three tales is executed nicely and each one has it’s own version of darkness that is unique to the character. While the pacing and breaks in segments of the story transition beautifully I keep thinking there has to be a better use for some of the aspects of the story. I think I would have preferred to see him in her office and being put through the experiences rather than reliving them making what she is doing to him more horrific.

       A lot of how I felt while reading this is that it feels like Al is attempting to recreate something rather than letting loose and really giving the reader a proper ripping scare. I will say if Garry had managed to created his artistic segments like we see the canines, which reminded me a lot of Sienkiewicz rendition of Demon Bear and that would’ve been the utmost in respect, homage and creepiness.

       The segment where he finds himself unable to bear children and what transpires after that is probably my favourite of what we see here. There is a superb description of Mr. Radley’s predicament and how his phobia managed to sour and already strained marriage. Also the twist ending and learning how everything tied together throughout all the different aspects of the stories was very nicely done. Also while I am flipping through the entire issue there really is some wonderful interior artwork here and any of it would be a great focal point in any book. There is some absolutely lovely utilisation of linework through it’s varying weights along with some marvellous use of page layouts with their angles and perspective in the panels.

      There is some great potential for a new series here most with each issue being one that one and done style by a different group of creators. I would really like to see it in newsprint paper because the way we see the artwork on that paper is really what’s going to increase the creep factor.  

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Aliens: Resistance #1

1/23/2019

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Aliens: Resistance #1
Dark Horse Comics 2019
Written by Brian Wood
Illustrated by Robert Carey
Coloured by Dan Jackson
Lettered by Nate Piekos of Blambot


      After the traumatic events of Alien: Isolation, Waylan-Yutani has blacklisted Amanda Ripley, and she has ranged far to get away from her past encounter with the xenomorphs. After Aliens: Defiance, Zula Hendricks has been living under the radar, keeping an eye on the activities of the malevolent megacorporation, waiting for her chance to expose it’s xenomorph weapons program. With Ripley’s help she will.

      Brian should be in charge of writing the next Alien film’s screenplay I mean that’s all I’m saying, have you looked I mean really looked at the stories in this franchise he’s been putting out? This shit is freakin amazeballs man. I love the fact that this story features Ripley and Hendrick’s because while they may be the originals they are the latest in a line of strong willed women that know exactly what they are up against and deadly it can be to let the company continue to try and make bio-weapons out of the xenomorph DNA.

        Also that this franchise is able to maintain fresh new stories that all tie into everything we have seen to date and then is the perfect way to keep the franchise fresh, alive and ultra-desirable at least for me. The way that this is structured is amazing to see. I think this is the first time I can recall actually seeing Earth in one of these stories and I have to say I’m kind of less than impressed and I couldn’t wait to get back out into space. Plus the population here would let one Queen rule the world, Who Runs the World-Girls, and while that might be a tad bit of to see the world take the piss it’s not really something I wanna see just yet.

       As the series continues to grow, evolve and move forward we begin to see new developments such as the bullets used by this new generation of synthetics. While I am not entirely convinced that those were synthetics I guess we’ll just have to wait and see. If they are a new breed well they certainly are much more advanced than anything we’ve seen thus far and it kind of excites me with the prospect. The characterisation here is marvellous stuff and that the two of them, well three if you count nothing more than a personality chip, have never worked together before and have to learn about each other and learn to trust each other is already off to a great start.

       I love the interiors here the linework is great and there is a whole lot of attention to detail going on here thanks to the way the varying weights are utilised. Aside from ships and what we see of the earth and it’s transportations and skyline, which is pretty damn stellar by the by, the people have such great distinct looks to them and then there’s the xenomorphs and new breed of synthetics that we see all conspire to stimulate the mind and imagination in the reader. The utilisation of the page layouts and how we see the angles and perspective in the panels shows of a magnificent eye for storytelling. The way that backgrounds are utilised here is sensational in how they expand the moments and bring a great sense of size and scope the story. The colour work too is wonderful and I love the pops of brightness here and there and how we see the overall mood, tone and feel it creates.
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      This is some stupendous writing as we see with the pacing, structure, story & plot development and characterisation alongside this damn good interior artwork. This is why we love to read all the various Alien stories that come out of Dark Horse.  

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Blossoms: 666 #1

1/23/2019

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Blossoms: 666 #1
Archie Horror 2019
Written by Cullen Bunn
Illustrated by Laura Braga
Coloured by Matt Herms
Lettered by Jack Morelli


       Cheryl and Jason Blossom are a pair of seemingly normal kids in Riverdale. They’re wealthy, popular and likeable—but they also harbour a deep, dark secret—one of the Blossom Twins is the Anti-Christ. Both want the title, and no one in Riverdale is safe.

       We all knew this one would be exceptional from the creative talent alone but ya know what the idea behind this one is too bloody perfect. I mean I won’t lie here either for whatever reason all I could keep thinking of was Rosemary’s Baby so the creepy effect here is in full force. With the whole Archie Horror line of books hitting stands like some kind of force of nature and none really sharing the same timeline we are treated to such stellar storytelling.

       The way that this book is structured is sensational! While Cullen wastes no time in bringing us some of the meat of the story there is still much more he’s left wide open. We all know that high school is likely hell on earth for many but the twins in any incarnation tend to increase that tenfold. Now that we know what we know about them well it’s even worse, I mean after all how many people can shut Reggie up and put him in his place with nearly the snap of the fingers? So it’s no stretch to put them in this has the children of the devil himself and being as competitive as they are well let the bloodshed begin.

      There are a few aspects to this that I found immensely interesting. First Archie and Jughead aren’t featured in the story, as of yet. However interestingly enough Dilton is and it really is nice to see Cullen flesh him out as the timid science geek kind of kid, who it wouldn’t surprise me to find a rock solid body under those clothes. Now I have no idea what is happening with Jason and who he’s really focusing his attention upon. Initially you’d think it was Betty or Veronica and in these pages it might look like someone else but Cullen being a master of deception and misdirection well there’s no real way of knowing. Though I will say this much would Jason sleep with a man to get what he desires as easily he would a woman?

      Oh Laura does beyond a magnificent job with her work on the interiors here. The linework is simply beautiful and stunning to see. The varying weights that we see utilised to bring the faces and facial expressions to these characters is amazing to see. The attention to detail is superb and while I always more backgrounds she does use them rather effectively in fleshing out the scenes or bringing us a size and scope to the story. Of course there is also the Blossom Mansion and all the minutiae aspects that give it personality, not life mind you but personality makes you not only appreciate what it is we see but the hand that brought this imagination and creativity to life. The utilisation of the page layouts and how we see the angles and perspective in the panels shows of a sensational eye for storytelling. Matt’s colour work here is gorgeous and really finishes everything off with such aplomb.
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      With such a magnificent first issue I am shivering in anticipation to see how this is going to move forward. Finally the Blossom’s get to be front and centre and they get to revel in their own unique sense of delicious evil. Forget Dallas or Dynasty, any telenovela too for that matter they’ve got nothing on this and could learn a thing or two about manipulation and doing things with no emotion attached. With flawless characterisation, a premise we should’ve had decades ago, strong pacing, story & plot development and some truly stunningly gorgeous interior artwork the Archie universe has another break-out hit on it’s hands. 

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