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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Red X-Mas #1

12/22/2020

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Red X-Mas #1
Scout Comics/Nonstop 2020
Written by Clay Adams & Alexandre O. Philippe
Illustrated by Fabio Ramacci
Coloured by Ilaria Chiocca

    When Mrs. Claus dies in a tragic toy accident, Santa vows to make all those little brats pay! But when his rampage kicks off at the home of FBI agent Ellie Tewksberry, he messes with the wrong lady. Mama Bear will travel to the ends of the earth to save her son-and Christmas! This December, Santa must die! The newest entry in the Scout NONSTOP! Imprint. Enjoy the World Premiere issue followed by the entire story collected soon after in one volume.

    Well this certainly lives up the reputation that Scout has put forward regarding this title.  I have to admit I love a good adult Santa Claus story and while a part of me loves what Albert sees and another part of me wishes that it had been an elf lol.  Now the opening here is incredibly interesting to me because for whatever reason the fabrication of Santa Claus to replace a pagan holiday by Catholic Church is something that I feel is represented here.  Now of course the exact day this happened is up for debate and the Church naturally will deny it since it makes them look bad.  Regardless I absolutely adore what it is we are seeing here.

    I love the way that this is being told!  The story & plot development we see through how the sequence of events unfold as well as how the reader learns information is exceptionally well rendered.  The way we are introduced to the story, the characters and this world keeps the readers’ imagination and guessing the entire time.  The character development is amazing and as we go through the pages and see how they act and react to the situations and circumstances continue to help flesh them out beautifully.  Also I love meeting Byron and Ellie and while they all seem disconnected at this point I cannot wait to see them meet up.  The pacing here is amazing and as it takes us through the pages revealing the twists & turns along the way really just make this so much more interesting than I was expecting.

    Seeing how this is structured and how the layers within the story are emerging and how all this engages the readers’ mind is stunning.  The way that we see everything working together to create the story’s ebb & flow is gorgeously rendered.  I have to say that regardless of what time of year you discover this book, now through single issues or summertime and the trade, it’s going to make you see the holiday differently.

    The interiors here are mindbogglingly gorgeous!  Not only is the linework exquisitely laid down but how we see the attention to detail through the varying weights and yes techniques as well shows so much skill, talent and verve.  The creativity and imagination on display here is outrageous in its scope and I have to say even the mundane seems extraordinary within these pages.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkably talented eye for storytelling.  The colour work is beautifully rendered and to see how the various hues and tones within the colours are being utilised to create the shading, highlights and shadow work is sensational.  I really like seeing how regardless of where we see this, the time of day or night and the talent involved is jaw dropping.  
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    This book is utterly and completely mindbogglingly well rendered.  This is bloody brilliant storytelling in every single sense of the word.  This transcends the season and opens up avenues of storytelling in ways that would make Robert Langdon itch to become involved.

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Sam and his Talking Gun #01

12/21/2020

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Sam and his Talking Gun #01
Scout Comics 2020
Written by Drew Ferguson
Illustrated by Lee Ferguson
Lettered by DC Hopkins

    Sam stands in a room full of bodies, blood, and broken things. The only thing on his mind? Colt. His brother, blood or not. Colt, who killed the only other person Sam had left. Colt, who broke Sam's mind, and left the shattered pieces in an asylum. But Sam is back. He has his talking Gun. And no matter the cost, no matter the consequence: Colt has to pay.

    Well this isn’t the first time that we’ve seen a gun that talks, sentient weaponry has been around in comics for quite some time.  So while this is fun and dare I say cute, I cannot wait to learn more about the why and how of it.  By not giving us the backstory of the gun and why it talks does absolute wonders in guaranteeing that the reader is coming back.  Piquing the curiosity as it does and engaging the readers’ mind doesn’t hurt either.  Sometimes in comics we either see too much or too little in the first issue but what we encounter here is just right.  

    I am a fan of the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented extremely well.  With how we see this being structured and how the layers within emerging creating a sensational and dynamic mood, tone and feel to the book.  The way we are introduced to the characters, the story as well as this huge twist in the story is done in such a way that has a very seamless transition from moment to moment.  The character development that we see is very nicely rendered.  We learn more from how they act and react to the situations and circumstances they encounter than through the dialogue and I have to say I am more than okay with that.  The pacing is fabulous and as it takes us through the pages revealing the twists & turns along the way we’re in for a stellar treat. 

    I like how we see everything working together to create the story’s ebb & flow.  This has a very unique and distinct way of being told and Drew really makes it work beautifully.  It also doesn’t hurt that his father is illustrating the book so that the wordless moments are as immaculate as the written ones.

    The interiors here are beautifully rendered.  The linework is gorgeous and the strength that we see is fabulous as the varying weights are being utilised to create this phenomenal detail work.  The one thing I want to see more of are backgrounds.  We just don’t see enough backgrounds, I can overlook the lack of varying techniques in the art but without backgrounds I am a little disappointed.  Now the utilisation of the page layouts and how we see the angles and perspective in the panels show a strong and talented eye for storytelling.  The colour work we see is fantastic.  The choices are interesting, in the best of ways mind you.  The various hues and tones within the colours that are being utilised to create the shading, highlights and shadow work is exceptionally rendered.  Now here is where we see different techniques being utilised in how the colour is layed down as we see blocking, gradation, blurring and dots or pointillism, which was made popular in Pop Art.  This makes how we see the interiors infinitely more interesting.
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    Once again Scout comics continues to demonstrate a high level of diversity in the books they bring to shelves and you never really know what genre you are going to get until it is read.  Sometimes the genre’s mash-up and other times it feels like there isn’t one to properly describe the story.  So jump on in here and take a walk on the wild side but don’t be the old lady and eat someone else’s porridge, break their chair and sleep in their bed because three bachelor bears aren’t to be trifled with.

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Tales From the Dark Multiverse #1: Crisis On Infinite Earths

12/20/2020

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Tales From the Dark Multiverse #1: Crisis on Infinite Earths
DC Comics 2020
Written by Steve Orlando
Illustrated by Mike Perkins
Coloured by Andy Troy
Lettered by ALW’s Troy Peteri

    When the Anti-Monitor’s deadly grudge match with the Multiverse was finally foiled, there was only one Earth left! But which Earth? That was crucial to what would happen next. In one timeline, Earth-1’s Superman stopped the Superman of Earth-2 from going into final battle, but in the Dark Multiverse, it’s Jor-L of Earth-2 who survives, changing the landscape for all that follows. When Surtur comes looking to crush all life, the beleaguered heroes jump into their next big battle, jumping from one Crisis to the next...but will the last days of the Justice Society of America play out differently if Green Lantern Alan Scott can step into the darkness?

    So I was flipping through this and I came across one image that said okay it’s time to sit down and really read this.  I hate to say it but I am not a fan of all this various mishegas that is going on within DC, it’s one never ending event after another and they overlap and things just get messy and it’s hard to follow anything.  Now if this were an Elseworld’s story that’d be absolutely amazing, but nowadays very little is NOT cannon and that’s wrong, to me.  Still we open with this crazy looking dude who I want to be a new type of Monitor as he narrates pretty much everything.  Also once the JLA is outta the way my real interest begins.

    I rather enjoy Steve’s writing style and this is exactly why.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is exceptionally well rendered.  The narration leads us to seeing my absolute favourite group that we never saw enough of, The All-Star Squadron, yes spoilery but that’s okay it’s what made me want this story.  Sigh I want to see more of this Earth as their stories eventually lead up to this one because I see the Red Bee and he’s my ultimate hero.  The character development couldn’t have been any more on point with how these characters would act and speak.  The pacing is phenomenal and as it takes us through the pages revealing the story and these events it really makes for sensational reading.

    Mike’s interiors here are mindbogglingly magnificent to behold.  Seeing them battle Surtur is highly reminiscent of that eternal battle that they fought in Valhalla, Ragnarok.  The linework is phenomenal and how we see the varying weights and techniques being utilised bringing out the detail work is beyond measure.  With the backgrounds we see and how the composition within the panels are utilised bring us this incredible depth perception, a sense of scale and the overall sense of size and scope to the book.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a masterful eye for storytelling.  The colour work is amazing to see.  How the various hues and tones within the colours are utilised to create the shading, highlights and shadow work looks amazing.  
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    So with these characters and who they are as we see them at the end there is so much potential for this divergent timeline business.  This is a book, series, world, timeline that needs to stay divergent and it needs to be explored and these creators need to do just that.  No merging with the “main” universe just a title that remains separate from all the others like the Vertigo and Elseworlds used to be.  There is so much happening in this giant issue that can’t just be the end of it.  Oh and away with this Dark Multiverse stuff that is a red flag for most just let this be put out without tie-ins or gimmicks and it’ll end up being the best thing DC puts out.

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Blade Runner 2029 #1

12/20/2020

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Blade Runner 2029 #1
Titan Comics 2020
Written by Mike Johnson
Illustrated by Andres Guinaldo
Coloured by Marco Lesko
Lettered by Jim Campbell

    The first comic to tell original, in-canon stories set in the Blade Runner universe returns!
     It is 2029 and ex-Blade Runner Ash continues to hunt the streets of the rain-soaked dystopian world of Los Angeles for renegade Replicants, but this time she’s trying to protect as many as she can find.

    This is one of those franchises that surpasses the original in so many ways.  This makes the idea of Blade Runner a lot more accessible to people as well as introducing it to new generations in ways that the film or novels ever could, of course the film is loosely based on Philip K. Dick’s Do Androids Dream of Sheep.  After the first run we are now rejoining Aahna “Ash” Ashina in her job as a Blade Runner but now things have drastically changed for a myriad of reasons.  The opening for this one is utterly sensational and it is a great example of how effectively Ash is at her job or was as it open twelve years before the current one starts.  It is an effective opening that garners interest an the reader leaving them wanting to know more.

    I love the way that this is being told!  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented so amazingly well.  With the way that this is structured and how the layers within the story emerge as well as continue we see how well everything works together to create the story’s ebb & flow.  This flow is amazing to see on the pages and it really does give that elevated storytelling feel, like it’s a mini-series or film.  The character development is phenomenal and I love how not only does the dialogue help to flesh them out more but how they act and react to the situations and circumstances they find in their way.  The pacing is fabulous and as it takes us through the pages revealing the story as well as the twists and turns along the way it draws the reader in and keeps them engaged in what is happening.

    I have to say at first I was a little leary of the interiors but all in all after they really didn’t strike me as my style.  Of course I am wrong on occasion and when I got to the haberdashery everything I thought went out the window because the linework is exquisite and the way that we see the detail work here through the varying weights and techniques is beyond what I could’ve hoped for.  With backgrounds being utilised throughout so effectively in both expanding the moments as well as how we see depth perception, a sense of scale and the overall sense of size and scope to the book is beautifully rendered.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkably talented eye for storytelling.  The colour work is fantastic to see.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work is extraordinary to see.  
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    I love this issue and how we see the events already playing out and unfolding before us.  There is a lot of stuff going on here and with so many moving parts within a story it could quickly feel muddled and overcrowded but I am super impressed with the talent, skill, charm and charisma that Mike possesses.  The man has some seriously mad skill when it comes to writing and to see him bring this world alive the way that he does is something you will never forget.  

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Sh*tshow #1

12/19/2020

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Sh*tshow #1
Scout Comics 2020
Written by Adam Barnhardt
Illustrated by Samir Simão
Coloured by Warnia K. Sahadewa
Lettered by Lettersquids

    The World Once Had An Age Of Heroes, Where Legend, The Principled Protector Of Peace, And His Legion Defended The Earth From Threats Far And Wide. Then, In The Blink Of An Eye, Unimaginably Horrific Forces Catapulted The Age Of Heroes Into Extinction! Now, As People Wander Aimlessly Through A Hero-less World, The Magnificent Mccoys Travel Far And Wide To Showcase Their Powers For The Almighty Penny. Led By The Drunkard Richard Mccoy - The Hero Once Known As Legend - The Mccoys Try To Find Normalcy In A World That Is Just Slivers Of What It Once Was. As The Dust Finally Begins To Settle, The Dark Force That Looked To Conquer The World Returns To Finish The Job It Started. Can Legend Remain Sober Enough To Put This Mysterious Force Down Once And For All?

    This is something that I hadn’t expected and yet completely love and wonder why we’ve never seen this before?  I mean we’ve all seen the moments that break heroes and that one villain who just decimates the world’s premiere superhero team knocking confidence all the way down.  Yet heroes are known, or rather expected to raise themselves back up and keep on fighting so what happens when enough is too much and your hero acts just like any regular man who’s simply given up?  This is that story and it leaves us at a place where you have to wonder can he pick himself up to save those he loves and become the hero he once was or is it simply too late?  Yeah intense and told with equal parts humour and drama.

    I am thoroughly enjoying the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The opening is fantastic and it is what it needs to be to pull the reader in by capturing the attention and making them want, nay need to know more.  The character development is great and I do like how we see Rich, his kids and the rest of his family being introduced.  The pacing here is sensational and as it takes us through the pages revealing the story, the world and the characters we are treated to some incredibly interested reading.

    The interiors here are interesting.  The linework is great and how we see the varying weights and techniques being utilised to create the detail work we see is fabulous!  Granted it is a very unique style and while in this way I’d like see more of Rich in some drunken, piss soaked nakedness I’d also like to see more backgrounds being utilised.  Where they are demands them to really flesh out what we see so it just doesn’t feel as fantastical as it could.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a talented eye for storytelling.  The colour work is fantastic!  I love how we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work.  It really helps to bring out the characters and make them come alive as well as show off their abilities perfectly.
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    I think that this exceeds expectations because it’s unlike anything else you’ve been reading.  There is a decidedly unique take in the utilisation of an idea here and with how the book is structured and how the layers within the story take shape it is positively a joy to read.  How we see everything working together to create the story’s ebb & flow is magnificent.  Scout Comics continues to showcase originality, thoughtfulness and engaging books from storytellers you won’t find elsewhere.  It is why they remain on the cutting edge of the industry.

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Deep Blue #1

12/18/2020

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Deep Blue #1
Mythos Comics 2014
Created by Brageshut & Lewis Fenton
Written by Bragi shut
Illustrated by John “Roc” Upchurch

    A Room For One
     The last man on earth, Dobbs, endures another day in Mech City. But why are the machines keeping him alive? What do they want from him? What can he possibly tell them? But there's a twist in store today. Dobbs will learn something that may change everything…

    I think this actually might have been my first introduction to Mythos Comics and I never even realised it until I sat down to do a review of this.  I rather enjoyed reading this and it has this great mixture of the whole robot rising and enslaving what remains of humankind and the indomitable will to survive at any and all costs.  There is just something near primal about the way we see Dobbs in this book and I have to admit it is one of the things that keeps drawing me back in.  

    I really like the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The way that we see this being structured and how the layers within the story start to emerge as well as well is beautifully done.  The way that we are introduced to Dobbs and through him the way that this world works has this really phenomenal way about it that keeps you engaged in the story from start to finish.  The character development is sensational and as we see the situations and circumstances that are encountered it continues to flesh things out nicely. The pacing is fabulous and as it takes us through the pages revealing this world and the twists & turns along the way we are treated to a stellar debut.

    Seeing how well everything works together to create the story’s ebb & flow is really nice to see.  That we get this good of a feel so early on for the story and what is happening is not something that I was expecting to see.  So colour me impressed with the way that this is being told.  There is this dynamite version of then and now storytelling we are seeing as well and the techniques, the skill and raw talent that Bragi Schut possess is fantastic.  

    Now for a change of pace the interiors here rely heavily upon backgrounds being utilised.  This is how we see the inside of where Dobbs currently is.  I like the linework that we see as well and how the varying weights are being utilised to create the detail work that we see.  There really is some beautiful work happening here and when he’s a child versus when he’s an adult and the two styles that play against one another is extremely well done.  The way that we see the utilisation of the page layouts and how we see the angles and perspective in the panels show a solid eye for storytelling.  The colour work is magnificent.  That we see this great noir style through the colours and how the sepia hues and tones that we see are utilised to create the shading, highlights and shadow work is extraordinary.  Also the pops of bright white colour to show lightning or the green in the lights it really adds a lot of dimension to what we see.
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    I keep saying time and time again that Artist Alley and the Small Press sections at conventions are where you are going to find some of today’s most extraordinary storytelling.  Without access to cons right now you really need to look at Previews and see what is coming out and find something that intrigues you to seek it out from you local brick and mortar or subscription service.  

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Black Cat #1

12/18/2020

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Black Cat #1
Marvel Comics 2020
Written by Jed MacKay
Illustrated by C.F. Villa
Coloured by Brian Reber
Lettered by Ferran Delgado

    Feeling lucky? Knull’s attack on Earth interrupts the Black Cat’s latest heist, and if you know Felicia, you know that’s a problem. So the Cat and her crew aim to steal something of greatest value to both Knull and Earth’s hope of survival. You’ll have to pick up this issue to find out what! This issue guest-stars the X-Men! Captain America! And Doctor Strange! DO NOT MISS IT!!!

    I am so tired of Marvel stopping and starting their series, so much so I almost didn’t pick this one up at all.  What is the point of printing a Legacy # under the “current” issue anyway why not just keep letting the books continue?  It’s not like you need a first issue as a reason for at least 5 variant covers anymore.  This is why folks leave Marvel and DC ya know, the constant stopping and starting.  Like I said I almost didn’t pick this one up but curiosity got the better of me and since the opening is exactly the kind of thing we should be seeing from Felicia.  The rest of the issue is not billed as a tie-in and I doubt next issue is either but the gimmicks are never ending.  

    Jed does an amazing job writing this issue.  I do like the way that it is being told the story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented extremely well.  After the mishegas with Knull please tell me we’ll see stories that are like the opening!  The character development that we see is really rather fun and interesting.  Her own inner reflection upon seeing Captain America says a lot about Felicia Hardy at this point in time.  Then of course there’s her trademark audacity and tenaciousness at the end all of which really makes me want to see more of her.  The pacing here is superb and as it takes us through the pages revealing the story alongside the twists & turns along the way creates the kind of thrillride that should come with Felicia’s adventures. 

With the way that we see this being structured and the layers within the story begin to emerge it’s great that there is this whole world that she’s a part of that she doesn’t even realise is there.  No she isn’t a cosmic kind of girl but that doesn’t mean she can’t hang with them.  Plus with how we see everything working together to create the story’s ebb & flow is amazing.

    I love the interiors here and how the varying weights of the linework are utilised to create the detail work that we see is phenomenal.  Now if we could just get to see more backgrounds actually being utilised throughout the book.  Really I hate that nowadays backgrounds are not thought of or attempted and instead it’s all colour to express movement or action.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a strong eye for storytelling.  The colour work is actually beautifully rendered here.  How we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work is exceptionally done.  
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    There are few books being done by Marvel that are being done smartly that don’t fit into this crazy new norm.  The crazy new norm being any character not in the Avengers or X-Men or associated with some huge company crossover crap.  Yes I said crap.  I want excitement and thrills and Felicia is just the woman to bring this to us and I hope we’ll see these adventures going forward with this series.

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Canuck Beyond #1

12/17/2020

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Canuck Beyond Season 1 #1
Chapterhouse Publishing 2020
Written by Adrien Benson
Illustrated by Esteban Calvi
Lettered by Andrew Thomas

    CHAPTER ONE: OLD PROBLEMS, NEW BEGINNINGS
     The world neared annihilation when the Borealis invaded. While Earth’s heroes saved the world, the greatest of them fell in battle. Or so they thought, Tom Evans, Known tot the world as Captain Canuck has been flung through an interdimensional portal, known as the Shimmer, Captain Canuck finds himself stranded upon an alien world. It will take all of Canuck’s skills to survive and return to Earth. But not before he helps the locals living under a despotic ruler.

    This is an exciting debut issue and I love the fact that we are seeing more of the Canuck universe being explored.  There are aliens on Earth and they are a part of teams but we’ve really not had the pleasure to see them on their own worlds.  So to have this opportunity is sensational that and It really gives Esteban an opportunity to unleash his creativity and imagination.  So yeah basically this is the kind of book that opens up a whole new galaxy of opportunities for stories and new series which makes me feel more energised as I read this.

    I am rather enjoying the way that this is being told.  The story & plot development we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  I like how we see this structured with the introduction of the characters and their world it has this very natural and yet guarded flow to how it’s done that makes sense given the circumstances.  I am rather fond of the character development that we see here as well.  With just a this as an introduction to the characters we’re already getting a really nice sense of who they are and where they fit into this group dynamic.  The pacing is superb and as it takes us through the pages revealing the story, the world and its twists & turns we get this really wonderful sense of give and take.  

    How we see the layers within the story already start to emerge as well as how everything works together to create the story’s ebb & flow really is beautifully rendered.  Also there is this absolutely delicious tension being built around the story’s main villain and we haven’t even gotten to meet him as of yet.  Okay I am assuming it’s a he although it’s most often referred to as an it.

    The interiors here are really quite interesting.  The style reminds me of something we’d see in Heavy Metal or the old school underground comix and mixed with an old favourite of mine James Sherman, whose comic art I really really miss seeing.  I love the detail work that we see throughout the book thanks to how the varying weights and techniques in the linework are being utilised.  I like how we see the backgrounds here as well as they bring this world to life and provide us with some nice depth perception, a sense of scale and that overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkably talented eye for storytelling.  The colour work is utterly gorgeous.  The choice of colours and the various hues and tones within them that we see see being utilised to create the shading, highlights and shadow work is really divinely inspired.   Wow doesn’t even begin to cover it.
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    This is one of the more unique and interesting offerings that you are going to find on stands today, period.  There is something about this that not only captures the imagination over the reader but it lights something up inside your mind as well.  Fraught with danger and feeling at times ethereal as well as actioned packed this is going be the one book you cannot live without in the next year.

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Post Americana #1

12/17/2020

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Post Americana #1
Image Comics 2020
Written & Illustrated by Steve Skroce
Coloured by Dave Stewart
Lettered & Designed by Fonografiks

    The Cheyanne mountain installation, aka The BUBBLE, is the most sophisticated super bunker in the world. It was built to ensure the survival of America's executive branch of government and its most important citizens, should the unthinkable happen. When the world ended, the executive branch failed to reach the sanctuary, but the elite citizenry did. Eighty years later, one of their own has named himself the new President of the United States. His plan? Subjugate the survivors of the American Wasteland using the same bunker resources meant to rebuild it. The only thing standing in their way is a deadly Wasteland girl, hellbent on revenge!

    Well with the title being what it is I was wondering what it was we were to going to be seeing.  Post anything usually means a disaster of some sort to has occurred and the fact that this takes place after such an event and one that isn’t explained is perfectly done.  I really don’t want to know the details that will just take up too much time and energy when all everything really needs to do is move forward.  The way we start everything here is brilliantly done with a man who appears to be the President of the United States.  This is the way it should be done and there are plenty of clues as to where they are and what is about to happen.  

    The way this is being told is phenomenal!  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented beautifully. From the introduction of the characters to how we are seeing the story unfold allows us to jump right into the deep end without a flotation device and not feel like we are the lease bit lost.  It’s quite a fine display of talent that we are seeing here when it comes to how this is structured and how the layers of the story continue to emerge is really rather exquisite.  The pacing is superb and as it takes us through the pages revealing the story, the world and the characters we are taken on this amazing journey.  The way we see everything working together to create the story’s ebb & flow is utterly delightful in this dark and twisted manner.

    The interiors here are fantastic!  The linework is strong, confident and through the use of its varying weights we see such great detail work.  There is some absolutely delightful utilisation of creativity and imagination on display here.  Those dinosaur chickens yeah that’s how you regress a bird back to have prehistoric tendencies.  The utilisation of backgrounds throughout do more than simply enhance the moments the4y work to bring depth perception, a sense of scale and that overall sense of size and scope to the story as well.  The utilisation of the page layouts and how we see the angles and perspective in the angles show a remarkable eye for storytelling.  The colour work is extraordinary.  The way we see the hues and tones within the colour being utilised to create the shading, highlights and shadow work is beautifully rendered.  I really do like seeing just how well the techniques to lay the colour down are utilised throughout and whether it’s the subtle skin variations or the clothing that looks so incredibly good it is a true joy.
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    What an utterly delightful debut that brings us a look at a post apocalyptic style world where life has taken a decidedly drastic road.  This is the joy of seeing a creator unleashing their talent, skill, charm and uniqueness onto the page for the world to enjoy.

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Night Hunters #1

12/16/2020

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Night Hunters #1
Floating World Comics 2020
Written by Dave Baker
Illustrated by Alexis Ziritt
Lettered by Robert Negrete

    Freedom awaits, enlist today! If you want to live in Gran Caracas you have two options: become a cop or die.  Night Hunters tells the tale of two brothers who have to navigate the futuristic cyberpunk world of Venezuela 100 years in the future.

    I saw that a new first issue was coming out when I made my review list so I went and checked it out.  Floating World Comics has some incredibly interesting titles that they release and this is no exception. Sometimes I thank my lucky stars that I can work with these companies because it's these unexpected books that make the industry more interesting. I feel like these are the new Underground Comix of my teenage years and that alone has a nice appeal in my eyes.  A large part of that is from Alexis and the interiors that we see because it has this kind of style that merges street art and comic books to create this amazing sense of storytelling.  

    I like the way that this is being told.  Diving right in with no fanfare about how things got to this point is the right way to have this series start.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is extremely well presented.  The way we see this being structured and how we see it moving forward and even jumping ahead after one catalyst occurs gives this the right kind of feel to it.  Everything makes sense and that is so key to what we’re seeing throughout the book.  The character development that we see here is really rather quite interesting.  From Gramps taking the boys in after their parents die and listening to him talk to them we learn a lot not just about them but about the world they live in.  It’s amazing what can be construed this way.  The pacing here is fantastic and as it takes us through the pages revealing the twists & turns along the way we see such an interesting take on the world.

    The way that we see this being structured and how the layers within the story begin to emerge is extremely nice to see.  Plus how everything works together to create the story’s ebb & flow is utterly delightful.  There is a lot of warmth and compassion mixed into this whole fate business where the brothers find themselves.

    The interiors here are actually great.  The linework is exceptional and to see how it’s varying weights are being utilised to create the detail work that we see is really something.  I wasn’t sure I was going to find it as interesting as I do and to see the towers and areas surrounding them it all comes to life exceptionally well.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a superb eye for storytelling.  The colour work is pretty damn nice as well.  I mean it’s really solid kind of packed in like a tattoo would be and ya know what it really works.  
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    A future where the cops are in control and they are deviants to put it mildly.  That’s the system through if you aren’t one of them you are fair game in their sadistic games.  Also all those who are the law seem to have some sort of cybernetic enhancements that makes them even more  dangerous than their sick minds were before.  Can two brothers who survive a horrific series of events find each other again learn to tely and trust each other in this futuristic world gone mad?  There really is a great interesting b ase story here and it is being told in a way that is intelligent and engaging.

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