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MASK #2

12/30/2016

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MASK #2
IDW Publishing 2016
Written by Brandon Easton
Illustrated by Tony Vargas
Coloured by Jordi Escuin
Lettered by Gilberto Lazcano

    M.A.S.K. vs. V.E.N.O.M. for the very first time! After being lured into a trap, Matt Trakker and the M.A.S.K. team must survive in order to stop Miles Mayhem from leaking their secret technology to terrorist cells around the world. Matt and Gloria Baker go undercover to infiltrate a black market weapons ring but what they discover will change Matt's life forever!

    Well I’ll hand it to Brandon here he really started this series off with a bang.  Taking everything we’ve seen in the Revolution story arc he didn’t waste any time in throwing the members of the Mask team up against Venom letting them know that their former boss and partners are now their mortal enemies.  What is equally as impressive is that all these reveals to the team come chock full of excellent characterisation.

    That the beginning of this series is very much an exploration of their current situation and how they deal with the ramifications of what’s already come has all the drama we could possibly want wrapped up in some great action sequences.  I’m very appreciative that Brandon takes the characterisation and personalities that made a natural division in the entire team and keeps that going here.  When Miles assembled the team we saw the potential for this division so seeing it come to fruition so fully and quickly is a great way to start.

    Tony and Jordi do some amazing work on the interiors here.  I love seeing this amount of attention to detail in the work.  The use of page layouts through angles, perspective and backgrounds do an excellent job drawing the reader into the story.  The work has this level of excitement and thrill to it that keeps you on the edge waiting to see what’s going to happen next.  

    Now that the lines have been drawn and everyone pretty much knows the score of who’s who and with whom it’s time for the next phase to begin.  The pacing here is incredible to see as it feels like so much more is happening that we anticipated.  It almost feels like we’re getting an oversized issue here instead of a “regular” one.  

    Also I like that Venom have their reasons, manipulated or natural, for hating the Mask team and that Matt and company have a misguided feeling they can “rescue” their former teammates from Miles control.  Until that can be fully realised however they are going to need to really procure a base of operations.  That won’t be easy because of all the revelations that we see here, some of which have profound implications.

    This creative team has taken a toy/cartoon franchise and transformed it into pretty much a near perfect comic book series.  For people like myself that only new of them by name this is a fresh, new and exciting series and for those that already liked the franchise it’s a chance to reconnect and discover it all over again.  

    With excellent writing, characterisation and strong interiors this is the definition of action/adventure series!

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Athena Voltaire and the Volcano Goddess #2

12/29/2016

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Athena Voltaire and the Volcano Goddess #2
Action Lab Entertainment 2016
By Steve Bryant
Coloured by Jim Nelson

    At the premiere of the film based on her adventures, Athena Voltaire met matinee idol Carter Charles.  Rather than attend the post-premiere party, Carter joined Athena for a meeting at the home of her father, Louis, who recently acquired a mysterious necklace purported to have legendary powers.  While they discussed what to do with the artifact, mysterious attackers burst through the window!

    Athena is one of my newer favourite characters and it’s largely due to the fact that Steve envisions her as this no-nonsense, tough as nails and incredibly smart woman who is in complete control of her life.  A life that just happens to have some complete and utter craziness happen constantly!  I mean it’s World War II era stuff and she’s an Aviatrix so of course that immediately lends itself to some great stuff!

    We open up with Athena facing off against the intruders which is where we left off.  Now she’s with her father and well her date not to mention Drake and all of them are fending off these what appear to be Yakuza types.  Ninja’s cover up more and they are heavily tattooed and use weapons and they have that thug feel to em not so much a refined thing.  As we read the story two things about this are very well handled, they help Athena make up her mind about returning the necklace to the volcano and it leads to what happens next.

    I am impressed with how Steve weaves this story.  The flow has a wonderful feel to it as the ebb and flow of what we see.  There really is a great natural progression to how it’s being told that I appreciate.  That Carter has taken it upon himself to join Athena out of some idea of romance and thrill seeking add another element to this that I find captivating as well.  With a limited run and a full story to tell Steve uses pacing extremely well.

I also highly admire folks who can not only write but illustrate their own stories as well.  The use of page layouts through angles and perspective are utilised exceedingly well.   Backgrounds are used lightly to maximum effect.  The characters have great distinct looks and are coherent throughout so there’s no mistaking who’s who.  Plus facial expressions and body language help with characterisation.  

There’s not only the story being told here but we get a really great look at Athena’s background and upbringing as well.  It’s all the added elements that really help us get to know a character so much more fully.  

Alright the plot’s been set the players introduced and a life threatening scenario enacted.  All in all it’s an action packed issue full of drama and intrigue oh and some very unexpected moments.  Athena is a great female lead character and positive role model she’s a rarity in the world of comics and should celebrated for her skill and gumption.

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Eternal Descent Loki

12/29/2016

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Eternal Descent Loki
Incendium/Space Goat Productions 2016
Written by Ian Edginton
Layouts by Gabriel Rearte
Penciled by Fabio Nahon
Inked by Carlos Eduardo & Alexandre Palomaro
Coloured by Iwan Joko & Felipe Felix
Lettered by Taylor Esposito

    The fourth in a series of one shots that show off the characters and players in the Eternal Descent Universe is now available.  I will say I find it interesting that in this depiction Loki is seen as one of the Seraphim considering all I know of Loki is solely from Norse lore.   The trickster god angle certainly fits with this characterisation though Gabriel might have been better suited but that’s just me and my love of the old gods.

    Ian does a great job in setting up the fact that Sirian and Loki are the opposite sides of the same coin.  Equals and opposites it certainly makes for entertaining reading that’s for sure.  From their initial encounter on the streets of San Francisco we see what Ian has intended to do with the pair.  One content to be there and nudge humans when it may be necessary and one consumed with jealousy over these “creatures” and their supposed role with them wanting to rule and subjugate them.   Immediately you know that this is the kind of rivalry that doesn’t go away.

    With the characterisation of Loki in his cell what it is we see that this issue is going to set up a major conflict with Loki as a formidable foe in the future.  Perhaps the first big arc of a new story line that’s upcoming and it really establishes their feelings.  He’s scary and rightfully so and his while his motivation and the consequences of his actions are solely on him he sees it as Sirian’s intervention as the reason why he was banished like he was.  That kind of characterisation is important, strong and something we see all too often.  

    I do like the interiors here and the opening really caught my attention.  The Panopticon is amazingly rendered and seeing Loki in his cage is striking.  The use of page layouts through angles, perspective and backgrounds are extremely well utilised.  There’s a nice blend of some traditional comic style mixed with some moments that have this extreme attention to detail.  

    While not quite like the other three one-shots this does a really nice job in setting up the feud between Loki and Sirian.  There could have been more time spent focusing on what makes Loki tick and his experiences in how he came to think so little of humanity.  It would’ve been nice to get that sole in-depth look at him but I will say this does a rather impressive job in setting up some major new conflict that will consume the characters.

    With each of these one-shots that keep coming out it really does make me want to see another Eternal Descent series, limited or otherwise, hit the stands.  Llexi has really created this wonderful world that combines heaven and hell within the world of music that begs for more attention!

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Divinity III Komandar Bloodshot #1

12/29/2016

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Divinity III Komandar Bloodshot #1
Valiant Entertainment 2016
Written by Jeff Lemire
Illustrated by Clayton Crain
Lettered by Dave Sharpe

    Straight out of Divinity III comes Komandar Bloodshot and I have to say I was kind of excited about it.  His appearance sparked some great interest and that we’re getting to see more of him and what kind of role he could possibly play in the full story is great stuff.  Plus it’s a chance for Jeff to rewrite everything we’ve known about Bloodshot from a completely new angle.  How many chances do you get to keep writing one character and change him into a basically new character?  

    I am a great admirer of Clayton’s work and what he delivers here is phenomenal!  From his two page spread to the use of backgrounds to that first shot of Komandar Bloodshot the work really takes you to such a powerful place.  The use of page layouts through angles and perspective really bring this to life beautifully.  There’s a grace and power here that is undeniable and strong.  

    I love the use of the characters that we know but are seeing in new ways.  With Festival, Kozol and Magic all playing roles in this issue and Bloodshot going through the paces of once again being a puppet of a regime not only reminds me of how he was when this all started back up but makes me appreciate what Jeff’s managed to do with the character in his own series.  

    This version of Bloodshot control by a communist regime is fascinating to me.  How they are using him as nothing more than a blunt weapon against their enemies is extremely well done.  While I hope before it’s all said and done he regains his memories a life before this new reality took hold it’s still one that would fabulous to see further explored.  

    Unlike the two previous Divinity stories that this one is going to encompass so much more opening up another avenue for the creators to stretch their wings and show off more of what they can do is great.  I love the impact that a being, of as of yet unknown origin, can rewrite Earth’s history and that of it’s greatest heroes in such a way.  Not only that but with the introduction of new characters that could potentially bleed over into the “regular” universe when this is over has another kind of excitement attached to it.  

    Sometimes we forget just how powerful Bloodshot is or can be and it’s nice to have that reminder once again.  Though the act without thinking Bloodshot isn’t the man we want it’s one that exists and seeing him again in this manner really is a nice treat.  It just makes the evolution of the character that much more impressive.  Plus with all the nuggets Jeff has thrown into this issue just makes me giddy with excitement.

    With strong writing, characterisation and subject matter all but in these beautifully illustrated pages Valiant once again takes an idea and makes blossom into something extraordinary.  

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Alien vs. Predator Life and Death #1

12/28/2016

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Alien vs. Predator Life and Death #1 (of 4)
Dark Horse Comics 2016
Written by Dan Abnett
Illustrated by Brian Albert Thies
Coloured by Rain Beredo
Lettered by Michael Heisler

    When we left off there was an unknown hand on the control board the Hasdrubal as those on the ground hailed the ship to no avail.  This was after they rescued Chris as the Engineer and the Queen xenomorph were battling it out.  

    Well this issue opens aboard the Hasdrubal as we see Company man Lorimer running through the ship to Goode locked in his cell.  He’s frantic and not making much sense when suddenly we see what all the commotion is about.  We learn about whose hand it was at the end of last issue only this won’t come into full play till the end of the issue.  Though I have to say it really is well done and brings that added element needed into the story.

    With those on the ground scrambling to figure out what they are going to do since they can’t raise the Hasdrubal things begin to pick up.  I actually really like the pacing Dan brings to this as there obviously isn’t time to sit and have a proper debate about what to do.  Things need to be done on the fly if they are going to survive.  With the Queen and the Engineer battling it out it won’t take the xenomorph’s long to come after Chris who is carrying the new Queen within her.

    I think Brian is an amazing artist and while I loved Moritat’s stylized work the attention to detail that Brian brings is stunning.  From the madness that happens aboard the Hasdrubal which is amazing well portrayed to that first look at the xenomporh’s on the move the sense of action and danger makes the heart race.  Let’s not forget the landscape that we see as well everything that Brian and Rain bring to this issue is meant to be as cinematic and emotionally thrilling as it can possibly be.  The use of page layouts with their angles and perspective seal the deal.

    Just when you think those on the ground are done for and we’re going to lose more of the cast to the xenomorph army two characters return.  Galgo and Ahab make their stunning return and just in time too because those that were on the Hasdrubal are planetside now and from the looks of things they aren’t happy.

    This is the series that really keeps all the different franchises firmly tied together.  From that first film where Aliens and Predators met a new shared universe was created and that Dan can keep them so alive and thrilling, much more so than the movies, is no small feat.  Dan keeps us guessing with who will survive and where they will ultimately ends up, not to mention will they ever get off the island (oh a Gilligan’s Island).  

The human drama angle that he infuses keeps us coming back for more while the classic horror aspect well that’s just the icing on the cake.  Incredibly well written and illustrated this series of mini-series continues to bring guaranteed thrills!

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Grimm Fairy Tales #1

12/28/2016

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Grimm Fairy Tales #1
Zenescope Entertainment 2016
Written by Joe Brusha
Illustrated by Ediano Silva
Coloured by Ivan Nunes
Lettered by Taylor Esposito of Ghost Glyph Studios

    The world of humans has forever changed and the Grimm Universe has been shaken to its core. It started with the Age of Darkness and now with the death of Sela Mathers, earth’s long time guardian, the Realms of Power have fallen into chaos. But Sela left behind one thing that may be able to save the world...her daughter, Skye.

    With Sela’s death her daughter Skye inherits her books and she has to learn how the power now works for her.  So that means that all the stories that Sela had in her book are now going to be rewritten with new twists and turn.  Everything old is new again for Skye as the newest bearer of the book now gets to record and experience the power of the book and being the new Guardian.

    First up I wouldn’t say is Little Red Riding Hood but it’s close enough.  At a small college in Western Indiana a young woman is seemingly stalked by a Werewolf.  The opening of this is remarkably well done as we see the young woman chased by the werewolf and how that comes across is a definite attention grabber.  

    As Skye finds herself embroiled in the books new story we learn that the town has had a lot of animals being slaughtered.  It’s vicious and the local police are stumped as to what could be around causing this kind of damage.  Sky meets both the Sheriff and Officer Simmons who are working the case, actually cases as the young woman has reported being attacked by a wolf and that’s where Simmons is.  Skye now has to figure out what’s happening here and see if she can help the young woman.

    The interiors are magnificent!  The use of page layouts through angles, perspective and the incredible use of backgrounds that really flesh out the story nicely.  The attention to detail here is amazing to see.  The line work is great and Ivan ever the master colourist really delivers here.  The imagination and creativity is superb to see especially in the depiction of the Werewolf that we see.  

    The way that this issue plays out from the opening to Sela talking to Chang through its conclusion i’m pretty impressed.  Skye is seen as being new and inexperienced and that it shows so nicely is a good thing.  She shouldn’t know what her mother did she really is learning this as she goes along.  The characters in this story are fleshed out nicely and we get a nice sense of who they are.  Since we don’t really get to see them a lot and they are kind of throw away characters they are treated well.  

    There’s a great premise here, the whole new owner of the book means new stories told differently, so that we can revisit myths, legends and fairy tales in new ways.  It also allows to watch Skye mature and come into her own and should that characterisation keep taking the slower more natural route then it could be a strong series.  We’ll see how it goes but this is off to a great start.  Strong, interesting and with that hint of horror needed.

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G.I. Joe #1

12/28/2016

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G.I. Joe #1
IDW Publishing 2016
Written by Aubrey Sitterson
Illustrated by Giannis Milonogiannis
Coloured by Lovern Kindzierski
Lettered by Chris Mowry

    Revolution is over and it’s time for the new world order to begin.  G.I. Joe are no longer America’s Heroes but heroes for the entire world.  With a new mandate, a new leader and new direction the Crown of the Hasbro Universe is ready to begin it’s latest chapter.

    Well Aubrey has almost this brand new slate to work with here.  A brand new universe with new rules, players and technology at his disposal.  So how will this affect the Joe’s and what they do moving forward, both plenty and little!  We open this issue with a group chasing down some of Dr. X’s Red Shadows who have been upgraded!  So while it seems that they are chasing down ninja’s they are in reality chasing down the future in terms of everything old becomes new again only now aliens and alien technology have come into play.

    Right off the bat the characterisation from the one-shot where the Joe team freed their Cybertronian ally Skywarp and encountered the Dire Wraiths.  There was a scene in that with Rock ‘N Roll that was horrific for him and the aftermath of that is approached here nicely.  I am pretty impressed with what Aubrey is bringing us from that aspect.  

    This issue also brings us a look at the Joe’s new base of operations and new look at the core team that inhabits it.  With some of my favourite Joe’s now seemingly an integral part of the team, Shipwreck and Lady Jaye, the possibilities here are fantastic.  Plus it also gives us a new look at some characters and how they live and what they believe in.  Who knew Shipwreck would be an intense vegetarian type serving seaweed as a meal or that Covergirl would be such a staunch meat eater!  It’s the little things like this that Aubrey reveals that make me delight in what he’s doing.

    For me personally i’m not a fan of Giannis and his style of artwork.  It doesn’t do the kind of justice that I feel the Joe’s need.  The detail isn’t as nice or clear as I care for and faces are missing at times.  Using backgrounds for me is important to storytelling and we get so little of that here.  His use of page layouts through angles and perspective are good.  However it’s so incomplete to me overall that I find it distracting and unappealing.  Again however that’s subjective to the reader so not everyone will feel the same way so give it a go and see how you feel about it.

    From a story standpoint I like where this is heading and how the Joe’s are going about finding their new place in the world order.  There’s so much potential here for some strong storytelling.  From excellent story structure to great characterisation and highly intriguing premise it could be a fun time to be a Joe fan.

    For me I don’t think i’ll be following the Joe’s and that’s a first considering how much i’ve grown to love the franchise over the years.  While Aubrey’s a great storyteller for me the artwork just makes me not want to continue.

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Cyber Force: Artifacts #0

12/28/2016

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Cyber Force: Artifacts #0
Top Cow Productions/Image Comics 2016
Written by Kelly Bender, Camilla Zhang & Paul Penna
Illustrated by Francesca Aureli & Jim Towe
Coloured by K Michael Russell & Chris Northrop
Lettered by Troy Peteri

    One of the things that Matt Hawkins does at Top Cow that I wish other large companies would do is their annual Talent Hunt.  Here are three stories that introduce a larger mainstream audience to them, what they are capable of and why you should sit up and learn who they are and what they’ve worked on.

    First up are Kelly Bender & Jim Towe in an Aphrodite IX adventure.  Kelly is definitely a writer you need to know and this short story showcases why.  As Aphrodite has to travel to once possible future to stop a rogue Aphrodite from becoming a despot.  The Iconic Aphrodite demonstrates that it doesn’t matter if you have augmented parts or not it’s about who you are and what you represent and believe in that matters.  

    Kelly manages to bring us everything about the character that we know and love here.  She’s smart, resourceful and determined and it’s those qualities that make her the kind of heroine we love to read about.  With clear concise writing and narrative his take on this character is one I hope we see more of in 2017.

    Camilla and Francesca take on a grieving Velocity.  The death of someone close to us, or estranged but family, is never something easy to deal with.  Emotions cloud judgment and make us think crazy things and do even crazier actions.  That we see Velocity so consumed in her own emotions and that she understands them as well as we do is a nice bit of writing.  Everyone grieves in their own way and sometimes someone’s death can hit us in ways we never expected and that they manage to demonstrate that so fully here is great.  Plus anyone who’s lost someone can relate to this and that is an even greater feat, making death and loss that the character feels so relatable to readers who might not know the character.

    While the artwork by Francesca is a little more cartoon all-ages for my tastes she does a marvelous job with faces, facial expressions and body language to really hammer the emotions home.  

    Last up is another Aphrodite story this one focusing on Aphrodite IV by Paul Penna and Jim Towe.  I think what this one did for me was make me want to see more, more of the man known as Lord Sengh that is.  I like that Aphrodite manages to take the “direct” approach and let herself get caught so that all her targets are lined up neatly in a row.  The way this is told is surprisingly fun and gives this Aphrodite her own unique personality.  It left me wanting more of this story as well a continuation would be something I’d love to see!

    Jim’s interiors on the first and third story are very well done.  His use of page layouts through angles and perspective show off the action beautifully.  His almost classic comic style art really does the characters and situations justice and it’s plain fun to see.

    Here’s hoping that Top Cow is going to utilise these creators in the coming year so we can see how they continue to grow and impress and if this sneak peek is any indication then the future indeed looks bright.

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Love is Love

12/28/2016

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Love is Love
IDW Publishing/DC Comics 2016
Written by Too Many to Mention
Illustrated by Too Many to Mention
Spearheaded by Marc Andreyko

    The comic book industry comes together to honor those killed in Orlando this year. From IDW Publishing, with assistance from DC Entertainment, this oversize comic contains moving and heartfelt material from some of the greatest talents in comics - - mourning the victims, supporting the survivors, celebrating the LGBTQ community, and examining love in today's world.

    It takes a tragedy to bring people together we’ve seen it thousands of times in our world’s history.  The tragedy that happened at Pulse Nightclub hit home for a lot of people from all walks of life for various reasons and it still resonates even now.  Had we been more advanced in our thinking or accepting of those different would there have been a Stonewall comic?  We don’t know but what this single issue represents is love in it’s purest form, love for our freedom, for being who we are, for the people in our lives and of expression.  

    Story after story here reminds you that we are so diverse, so different and yet so alike at the same time.  There are stories here that will hit you from an unexpected place out of the blue and can represent so much more than the from context of what we’re seeing.  Universal in it’s message of love and acceptance that needs to triumph over fear and hate this is something you can’t walk away from unchanged no matter who you are.

    For many of us we don’t know how to help those people suffering.  Buying this book is one way to help.  While I want to say buy multiple copies give them to your friends and loved ones for them to display on coffee tables in their homes it may be financially feasible but if you can than you should.  Why because no matter who you are these stories will touch you in ways that are both subtle and overt.  No matter if you are a comics lover or not these are the kinds of stories that remind everyone that we need to love care for each other regardless of gender, ethnicity or religion.

    Never preachy just an honest outpouring of love and feelings sometimes brutally honest and raw.  

Maybe someday we won’t need books like this to remind people that we’re all in this life together, and as un-pc as this it reminds of the old Virginia Slims ads “you’ve come a long way baby..” and we still have so much further to go.   In the meantime love yourself, love your friends and neighbors don’t be afraid to let your own light shine you never know who’ll need to see it.

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Black Hammer #6

12/27/2016

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Black Hammer #6
Dark Horse Comics 2016
Written by Jeff Lemire
Illustrated by Dean Ormston
Coloured by Dave Stewart
Lettered by Todd Klein

    The Golden Age heroes of Spiral City have been banished from existence. Now they pass the time in a quiet farming community, cut off from the world they once knew. ABRAHAM SLAM and BARBALIEN are making connections with the locals, but GOLDEN GAIL has been withdrawing deeper into her own misery. TALKY-WALKY has been trying to contact the outside world, with no luck so far. And who knows what the bizarre COL. WEIRD and the inscrutable MADAME DRAGONFLY think about their life on BLACK HAMMER FARM?

    Madame Dragonfly takes center stage in this issue as we learn her origin and what she may have to do with the team being where they are!  I adore the throwback to those old House of Mystery style comics in the opening here.  The fact that Jeff uses this and fully embraces it to bring us this Dragonfly story really is so incredibly fantastic!  There’s this whole creepy wonderful vibe going on here and it made my day!

    The way that the past interconnects with the present is extremely well told.  The fact that she has wooden house that seems to be the same in both universes shouldn’t go unnoticed either.  Her characterisation here is superbly done I mean she’s both cryptic and aloof while coming across slightly menacing and evil.  She’s this woman full of contradictions and they all seem to play off each other beautifully.  

    Dean’s interiors here are delightful.  There’s something about the way he’s able to depict these characters that give them that much needed characterisation that words alone don’t give us.  That we see these qualities that flicker across her face just enhances how utterly creepy she is.  The use of page layouts through angles, perspective and the backgrounds Dean brings to this really captures the right mood, tone and feel.  

    I think these spotlight on the characters that just seem to weave their way through the ongoing story of them being trapped here show off Jeff’s ability as a writer.  Also we’ve seen bits and pieces of the story between Barbie and Gail and now suddenly things are taking a turn that he didn’t see coming and one that she sees as a sort of betrayal before he can come out to her just adds more unexpectedness to the story.

    Lucy Weber knew the heroes were still alive and we see her find them this issue in a most unusual way.  What lies ahead for her now that she’s found them well I can’t wait to see because this issue reveals the most important clue!

    The fact that this entire issue feels like a throwback homage to those horror comics of old just makes me want to dig them out and re-read them.  This is hauntingly beautiful and masterfully done!

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