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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Supergirl: The Woman of Tomorrow #4

9/26/2021

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Supergirl: Woman of Tomorrow #4
DC Comics 2021
Written by Tom King
Illustrated by Bilquis Evely
Coloured by Matheus Lopes
Lettered by Clayton Cowles

    Supergirl sets her sights on the Brigands, a group of dastardly nomads hell-bent on slaughtering all they come across. Now she must follow their path of destruction to find the fugitive they've been hiding who set her on this intergalactic journey in the first place!

    Tom is one of the undisputed masters of storytelling right now.  Everything he is writing turns to gold and in the way that Midus only wishes his touch worked.  The depth of the characterisation here is unbelievable and how he manages to get the reader to see, feel and experience those emotions through the characters is second to none.  I know this is supposed to be a maxi-series with a definite ending but I want this to be her new ongoing title.  Dream big they say heh.  I honestly can’t help it though because we’re finally seeing something that isn’t surface storytelling. There is something incredibly deep, rich and personal about this book, the story and the way this is being told.  The further we get into the story the darker things become and it seems that there is no such thing as the light at the end of the tunnel here.

    I am in love with the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development that we see through the narration, the dialogue, the character interaction as well as how we see them act and react to the situations and circumstances which they encounter is magnificently rendered.  Seriously how we see personalities rise to the forefront and change and grow is masterfully rendered.  The pacing here is excellent and as it takes us through the pages revealing more and more of the story the deeper we are plunged into the darkness alongside them.

    I am immensely enjoying the way that this is being structured and how we see the layers within the story continue to emerge, grow, evolve and strengthen.  That the layers keep opening up avenues to explore and the depth, dimension and complexity that they add is immeasurable.  How we see everything working together to create the story’s ebb & flow as well as how we see the way it moves the story forward is impeccably achieved.

    The interiors here are mindbogglingly brilliant.  To see the beauty and the horror all together mixed into this is so expertly done.  The linework is exquisite and how we see the varying weights and techniques being utilised to create this level & quality of the detail in the work that we see leaves me gobsmacked.  How we see backgrounds being utilised throughout to expand and enhance the moments as well as work within the composition of the panels to bring out the depth perception, sense of scale and the overall sense of size and scope to the story.  How we see the angles and perspective in the panels show a masterful eye for storytelling.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work shows a master colourist at work.   The beauty and the grace that we see within the work here is beyond what I could have hoped for.
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    I’m not used to seeing something this heady from DC but I will say that this is precisely some of the best storytelling to come out of the company and it’s beyond what I could have hoped for.  We need more stories like this that take a character far outside what we think of as their norm and create something that changes how we see them, respect them in a whole new way. It can be a powerful thing to see.  The writing here is sublime and the characterisation is extraordinary and all of this is brought to life by these mindbogglingly brilliant interiors.

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TMNT: The Last Ronin #4

9/26/2021

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TMNT: The Last Ronin #4
IDW Publishing 2021
Story by Kevin Eastman, Peter Laird & Tom Waltz
Written by Tom Waltz & Kevin Eastman
Layouts by Kevin Eastman
Illustrated by Esau, Isaac Escorrza, Ben Bishop & Kevin Eastman
Coloured by Luis Antonio Delgado
Colour Assists by Samuel Plata
Lettered by Shawn Lee

    With a few key allies, the Ronin takes on the greatest risk yet to infiltrate Baxter Stockman's tech island! What happened many years ago to set the Ronin on this quest for vengeance? Find out in this action-packed penultimate issue!

    I am really enjoying this story.  Knowing that his father and his brothers have been killed by the Foot Clan and having trained and become so serious Michelangelo has become someone it is almost hard to recognise.  This is just the tip of the iceberg too because what we see and how this is being told is simply one of the most powerful and impactful stories that we are having the pleasure to read.  The sheer power of the conversation between Michelangelo and April was something that was close to bringing tears and a boiling anger to the surface because it was just so well constructed.  I may be an occasional fan of the franchise and I know enough to know these characters and to be the Last Ronin is a blessing and a curse.

    I am a huge fan of the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development that we see through the narration, the dialogue, the character interaction as well as how we see them act and react to the situations and circumstances which they encounter really brings their personalities to the forefront exceptionally well.  The pacing is excellent and as it takes us through the pages revealing the story we're just gobsmacked by what we see.

    I’m very much enjoying how we see this being structured and how the layers within the story continue to emerge, grow, evolve and strengthen.  I love how we see the layers open up new avenues to be explored and how these avenues add this great depth, dimension and complexity to the story.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is immaculately achieved.  

    The interiors here are interesting.  The past, the story for April, is a much simpler version to start off with then becomes this amazing imagery for the fight and of course then there’s the present and all these artistic teams put so much heat and soul into the work.  The linework we see throughout is sensational and how the varying weights and techniques are utilised to create this level & quality of detail work we see throughout the issue is astonishing.  How we see backgrounds utilised to enhance and expand the moments is exquisitely rendered.  They also work within the composition of the panels to bring out the depth perception, sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show some remarkably talented eyes for storytelling.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work show some sensational eyes for how colour works.
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    Longtime Turtle fans or casual fans heck even those who really aren’t fans of them will absolutely love this story.  This is what a sweeping epic is and should be plain and simple.  There is nothing about this series that doesn’t grab the reader by the cajones and does not let go.  It’s beautifully written with striking characterisation and bloody stunning interiors and it is without a doubt one of the most poignant and profound reads on stands right now.

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Bunny Mask #4

9/26/2021

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Bunny Mask #4
Written by Paul Tobin
Illustrated by Andrea Mutti
Lettered by Taylor Esposito

    When the Snitch speaks, the truth isn't just out there, it's inside your head, gnawing at your sanity and seeping through the walls of your world. On the verge of absolute madness, Tyler and Sheriff Tate return to the cave where it all began, where the Snitch was given voice, and where Bunny Mask was set free. Will Bunny Mask help Tyler save himself, and, if so, what unthinkable price will she ask?

    I don’t know whether it’s the story, the artwork, more likely a combination of those and more, the intangibles are the more.  It has all these elements that work on so many levels that it's not even remotely funny and yet anyone who reads this will undoubtedly fall under the spell the book has.  It is a work that’s nearly pure genius and that doesn’t come along all too often.  This is the end of the first arc and we’re no closer to knowing what Bunny Mask is let alone who Bee really is and I’m not entirely sure it matters if we do.  That is a testament to how well this series is being told, that it doesn’t matter and we’ll continue to read the arcs and wait for the reveal at some point in time.

    I love the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development that we see through the dialogue, the character interaction as well as how we see them act and react to the situations and circumstances which they encounter does a magnificent job of fleshing the characters out further.  The pacing is excellent and as it takes us through the pages revealing more of the story the more mysterious the whole thing becomes.

    I like how we see this being structured and how the layers within the story continue to emerge, grow, evolve and strengthen.  I love seeing how the layers open up new avenues to be explored and how whether or not they are going to be explored they all add this great depth, dimension and complexity to the story.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is impeccably achieved.  

    God I’m in love with Andrea’s work.  Not only do we get this phenomenal linework that with its varying weights and techniques that create such beautiful detail within the work that we see but it just creates the right mood, tone and feel for every single moment.  The backgrounds that we see whether they are fully rendered or just swirls of colour manage to enhance and expand the moments.  They also work within the composition of the panels to bring out the depth perception, sense of scale and that overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a masterul eye for storytelling.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work show such an amazingly talented eye for how colour works and how to maximise its effects. 
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    There is just something amazingly creepy and excellent about how we, the reader, see this story.  The drama, intrigue and mystery of what we see and what we don’t see lends itself to creating such an atmosphere that is pretty irresistible.  I mean it’s that whole too creepy & crazy to turn away from even with moments that widen the eyes and make you uncomfortable, I mean that sex scene oy vey.  With some spectacular writing and intense characterisation alongside these utterly brilliant interiors create one of the most amazing reads around. 

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Vinyl #04

9/25/2021

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Vinyl #04
Image Comics/12-Gauge Production 2021
Witten by Doug Wagner
Illustrated by Daniel Hilyard
Coloured by Dave Stewart
Lettered by Ed Dukeshire

    Walter can’t remember who he is, and without him, this serial killer rescue mission is doomed. In other “sunflower death cult news,” the Beast and Mother are loose, Guy and Vic brawl against a frenzy of Sunflower Girls, and Rennie has run off to make clothing from human flesh.

    Not going to lie, I'm kind of pissed now.  While I’m sure we knew at some point there might be collateral damage but really now this is going a bit overboard and my favourite little characters to boot.  At this rate there had best not be one survivor of this book well except for Agent Ruiz she can survive this.  Dennis is proving to be a big ole pain in the arse and not worthy of all this mess if you ask me.  Still that I’m in such a right state about all this means that Doug’s writing of this tale is massively on point and has done a lovely job of getting me involved and engaged in this book in ways I wasn’t expecting to be.  Now that we’re in the Halloween season this could’ve been a little more gory but i’ll accept it as is heh.

    I am such a huge fan of the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented perfectly.  The character development which is phenomenal thanks to the dialogue, the character interaction as well as how we see them act and react to the situations and circumstances which they encounter fleshes them out beautifully.  I’m loving every single moment of seeing these personalities be brought to the forefront.  The pacing is excellent and as it takes us through the pages revealing more of the story we’re not only caught off guard but it’s full of shock and awe.

    How we see this being structured and how the layers within the story continue to emerge, grow, evolve and strengthen is magnificently rendered.  I love how the layers open up these different avenues to be explored and those that are and those that won’t be all add this great depth, dimension and complexity to the story.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is magnificently achieved.  

    I really do like the interiors though I wouldn’t mind seeing more gore and viscera but hey it’s all good for those who may be squeamish to enjoy this as well.  The linework is clean, crisp and strong and how we see the varying weights and techniques being utilised to create the detail within the work that we see throughout the book is superbly rendered.  We see a fair amount of backgrounds being utilised much to my delight and they certainly enhance and expand the moments as well as bring this great sense of space to us.  They also work well within the composition of the panels to bring out the depth perception, sense of size and scope as well as how we see the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkably talented eye for storytelling.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work show an exceptional eye for how colour works and how to maximise its effects.
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    I am absolutely crazy about this book.  I mean from the looks of things this is going to be a one and done limited series and while I understand why that is it still makes me sad because these characters have found a place within me I didn’t know I had room for.  There’s still two more issues to go so I'm looking forward to seeing how this ultimately plays out.  But with such good, solid, strong writing and phenomenal characterisation and these classic comic style interiors really make this something extraordinary.  

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Suicide Squad: King Shark #1

9/25/2021

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Suicide Squad: King Shark #1
DC Comics 2021
Written by Tim Seeley
Illustrated by Scott Kolins
Coloured by John Kalisz
Lettered by Wes Abbott

    King Shark and unfortunate tagalong, The Defacer, are swept into a mystical tournament for totemic animal spirits, at the behest of King Shark's father, the God of Sharks!

    I have been waiting for this since it was announced.  There is something about King Shark that’s evolved over the years into something larger than life and he’s become so much more interesting to me.  I hate to thank Harley Quinn for something but she does deserve some of the credit for this.  Now this issue also introduces me to The Defacer who in and of herself is a bit ridiculous but hey let’s roll with it because she actually becomes an interesting individual by the end of the issue.  Also by the end we see a plethora of guest stars including but not limited to Orca and B'wana Beast, whom I adore seeing and now want Tom King to do one of his Twelve Issue runs on.  Now is the blue bird chick a Feitheran because that would be totally awesome if she were and ties into Northwind (Infinity, Inc, JSA) and the JSA beautifully.  

    I’m loving the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development we see through the dialogue, the character interaction as well as how we see them act and react to the situations and circumstances which they encounter is magnificently rendered.  How we see the personalities come to the forefront is the real treat here and it makes this as much fun as it is really.  The pacing is excellent and as it takes us through the pages revealing the story we are so thoroughly entertained every step of the way.

    How we see this being structured and how the layers within the story emerge and grow are exceptionally well rendered.  I am very much enjoying the way that these layers are opening up avenues to explore.  What this really does is expand the story with moments for Waller and Belle Reve as well as with King Sharks family not to mention the main arc and all this adds such great depth, dimension and complexity to the story.  How everything works together to create the story’s ebb & flow as well as how it moves the story forward is impeccably achieved. 

    Scott’s an amazing artist and I love his vision for this book.  He brings his unique style to the book and I absolutely adore how he brings King Shark to life.  The linework is fantastic and how we see the varying weights and techniques being utilised to create all this wonderful detail we see within the work is mind blowing.  How we see backgrounds being utilised to expand and enhance the moments as well as work within the composition of the panels to bring out the depth perception, sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkably talented eye for storytelling.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work really shows a great understanding for how colour works.  
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    Perfect first issue, it has everything you could possibly want to see and so much more.  There’s an incredibly solid story happening here that encompasses so much more than I had expected and that we’re talking about the Red, the Green and more it ties into the whole Elementals of Earth and that really makes me excited for what we’re going to see.  With some sharp writing and witty characterisation alongside these stylish interiors we’re getting the King Shark story we’ve always needed. 

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Moon Knight #3

9/25/2021

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Moon Knight #3
Marvel Comics 2021
Written by Jed MacKay
Illustrated by Alessandro Cappuccio
Coloured by Rachelle Rosenberg
Lettered by VC’s Corty Petit

    An apostate priest, Moon Knight has taken on Khonshu’s duty as his own. To the people he protects, this is a blessing. To Hunter’s Moon, this is sacrilege. It is no small thing, to betray a god and take on his role. And when the Fist of Khonshu offers shelter to vampires, the ancient enemies of the Moon God? The Moon Knight requires correction, and Hunter’s Moon will bring him back to the right path — whatever it might take.

   What Jed is doing here is mighty impressive to me.  He has taken everything Marc has been through and continued his journey in the most logical manner possible and is creating a new extension and natural progression of his life.  It is also turning into one of the more fascinating and interesting chapters in his life and I wasn’t quite sure that was going to be possible but here we are.  Jed’s amazing and he’s doing a lot of work right now and it’s clear to see why.  I also really like the idea of expanding the world of Khonshu and his various disciples aside from Marc and we’ve seen hints of his agents in the past, Kang The Conqueror's new book, and I really appreciate this expansion.

    I am loving the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development that we see through the dialogue, the character interaction as well as how we see them act and react to the situations and circumstances which they encounter does an amazing job with the characterisation.  I love seeing personalities being brought to the forefront and not just Marc but Reese’s as well.  The pacing is excellent and as it takes through pages revealing more of the story just manages to pull us even further into this.

    I like how we see this being structured and how the layers within the story continue to emerge, grow, evolve and strengthen.  The layers open up new avenues to explore while also adding this great depth, dimension and complexity to the story.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is impeccably achieved.

    The more I see of the interiors the more I’m becoming accustomed to them, possibly liking them more.  I am a detail guy. I like the work to be clean, crisp and strong especially with someone like Moon Knight and we see this in the backgrounds which are utterly fantastic.  They manage to enhance and expand the moments while also working within the composition of the panels to bring out the depth perception, sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkably talented eye for storytelling.  I’m in awe of the colour work because the whites that we see and the near iridescence of them really shine through here.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work shows a stellar eye for how colour works and how to maximise its effects.  
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    This issue really is exciting because it shows that Jed isn’t going to go slowly on this; he's going to start off with a bang and keep up the kind of pacing that feels like there’s no rest for the wicked.  There is something to be said about that too because it creates an atmosphere surrounding the book that you may or may not notice but recognise.  This really is exceptionally well written with some killer characterisation and a very stylised interior that makes this chapter of his life something extraordinary.  

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Broken Souls Ballad #3

9/24/2021

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Broken Souls Ballad #3
Black Caravan/Scout Comics 2021
Written by Massimo Rosi
Illustrated by Ludovica Ceregatti

     BLACK CARAVAN IMPRINT: 
     The Hunt Has Begun! At St. Abigail's, The "Brothers And Sisters" Have Managed To Gather All The Pieces Of The Puzzle And The Awakening Of The "Special" Children Has Attracted The Attention Of Their Most Monstrous Servants. Will They Be Able To Summon The Necessary Strength And Courage To Find Each Other And Escape From This Common And Dangerous Enemy Or Will They Become Weapons In The Hands Of Evil Men?

    I like the way we seem to be focusing on Tom here.  For whatever reason he seems to have the most stable life of the kids that were hooded and adopted and that have powers or a curse.  I’m not sure if that really means anything but it is what I see so something about that has to be somewhat important to the story as it moves forward.  Also let’s talk about the horror aspect of this series shall we?  I dunno what is going on with these kids but there is some absolutely horrific and creepy shit happening with them and it messes with them, and by proxy the reader, psychologically and that’s phenomenal!  That Massimo is able to transfer emotions or feelings from the page to the reader reinforces my belief in his writing ability, talent and skill.

    I am enjoying the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development that we see through the dialogue, the character interaction as well as how we see them act and react to the situations and circumstances which they encounter is marvellously done.  Seriously, the way that their personalities come to the forefront is exceptionally well rendered. The pacing is excellent and as it takes us through the pages revealing more of the story things get even weirder.  

    How we see this being structured and how the layers within the story continue to emerge, grow, evolve and strengthen is magnificently rendered.  These layers open up avenues to be explored and they all add this great depth, dimension and complexity to the story and boy howdy does this ever have an impact.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is impeccably achieved.  

    I am totally a fan of the interiors here.  The linework is so gorgeous it’s light yet strong and how we see the varying weights and techniques being utilised to create this level & quality of detail that we see within the work is amazingly well done.  The backgrounds being utilised so prevalently is fabulous as they expand and enhance the moments as well as work within the composition of the panels to bring out the depth perception, sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a masterful eye for storytelling.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work show a brilliant eye for how colour works.  I love seeing things like shadows on the ground, the way we see the colour create depth and dimension are so well rendered.
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    I’m still not sure what the heck is really going on and why that one boy with the holes in body has that creature following him around but that’s for a later reveal I suppose.  We’re seeing the symptoms but not the cause and Massimo really crafted this in such a way that he’s amped up the intrigue factor on the dial way past ten by creating a story that is being told like we’ve never seen before.  The writing is brilliant, the characterisation is sensational and the interiors are bloody gorgeous.  If you aren’t reading this then you need to change that because you’ll not only thank me but you’ll discover a whole new world of reading through Scout Comics.  

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Dark Blood #3

9/24/2021

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Dark Blood #3
BOOM! Studios 2021
Written by Latoya Morgan
Illustrated by Moisés Hidalgo
Coloured by A.H.G.
Lettered by Andworld Design

    When is the cure worse than the disease?
     At first Dr. Carlisle's generous offer to treat Avery's chronic pain and injuries seems like a godsend, but the "magic bullet" cure he offers comes with an excruciating administration via spinal tap... and unexpected side effects.
     When those manifest in seemingly impossible ways that terrify his family, Avery rushes back to the doctor for additional help, but will the second treatment truly work or only bring back memories of the war best kept in Avery's past?

    Sometimes when times are right for it we get these powerful stories, stories that would be just as powerful if it were a biography style story or one like this where something extraordinary happens to the main character.  Latoya has managed to master this now and then storytelling as we see the duality of Avery’s life unfold in some eerily similar ways and what we see and experience leaves a very visible mark upon the soul of the person reading it and if it does then well I’d almost say they are soulless.  Because this is something absolutely amazing.

    I am loving the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development that we see through the narration, the dialogue, the character interaction as well as how we see them act and react to the situations and circumstances which they encounter does a marvellous job fleshing out the characters.  How we see the personalities come to the forefront is extremely well rendered.  The pacing is excellent and as it takes us through the pages revealing more and more of the story the more we become embroiled into these characters' lives. 

    How we see this being structured and how the layers within the story continue to emerge, grow, evolve and strengthen is magnificently rendered.  I mean the layers open up avenues to be explored or are exploring what we need to know and this is so well orchestrated that it’s almost scary good.  The depth, dimension and complexity we see add through these layers is exquisitely done.  How everything works together to create the story’s ebb & flow as well as how it moves the story forward is impeccably rendered.  

    The interiors here are absolutely lovely.  The linework is clean, crisp and strong and how we see the varying weights and techniques being utilised to create the detail within the work we see is exceptionally well rendered.  That we see backgrounds being utilised so prevalently is sensational because they do wonders in enhancing and expanding the moments.  They also work within the composition of the panels to bring out the depth perception, sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a masterful eye for storytelling.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work show a phenomenal eye for how colour works.
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    I’m in love with this story because of how intricately this is being told.  Latoya has gotten me to care about Avery, what he’s been through and what he’s going through.  This poor guy lives in a time when serving your country and coming back home doesn’t mean squat if you are a man of colour.  Avery deserves respect and admiration for what he’s done and been through but these are much different times, actually we see the resurgence of this now so it’s not so different really, so while I get it that doesn’t mean I have to like it.  You see how invested I am and that’s because of this stellar writing and truly astounding characterisation along with these interiors that leave me gobsmacked.  

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Barbarella #3

9/24/2021

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Barbarella #3
Dynamite Entertainment 2021
Written by Sarah Hoyt
Illustrated by Madibek Musabekov
Coloured by Ivan Nunes
Lettered by Carlos M. Mangual

    Fresh off the chaotic conclusion to the riddle of Camelot, Barbarella finds herself out an ally but with no time to lick her wounds. A mysterious signal from space leads Barbarella to the water world of Encantado, where the remnants of a once-thriving situation lay hidden, as do many genetic shenanigans. And lest you think that’s all the Siren of Space must deal with, the armed forces of their deadly power behind the enslavement of Camelot is still hot on her trail—good luck outrunning lasers!

    I am quite enamoured with this book.  Maybe because it has a woman’s touch I don’t know but I do know that what we see is somewhat romantic, somewhat erotic and it all falls completely in line with what we think and what we know about Barbarella.  Although I must say I can’t really remember when she’s fallen this hard for anyone because she’s a lot like Bond in the love ‘em and leave ‘em category.  I’m also very much enjoying seeing Barbarella’s intelligence being shown more because she’s more than capable and it’s just a joy to see her putting the pieces together.  

    I am very much enjoying the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development that we see through the narration, the dialogue, the character development as well as how we see them act and react to the situations and circumstances which they encounter.  The pacing is excellent and as it takes us through the pages revealing more and more of the story we’re left dumbfounded by the events we see unfold.  

    How we see this being structured and how the layers within the story continue to emerge, grow, evolve and strengthen is magnificently rendered.  I love how we see the layers open up avenues to be explored occur throughout the book and some are potential and others are already being explored but they all add this great depth, dimension and complexity to the story.  How we see everything working together to create the story’s ebb & flow as well as how it moves the story forward is impeccably rendered. 

    The interiors here are utterly fabulous.  The linework is exquisitely rendered and how we see the varying weights and techniques being utilised to create this level and quality of the detail we see within the work here is absolutely extraordinary.  While this story takes place underwater we see that in the work it’s portrayed to perfection.  The backgrounds that we see, like the first shot of the city they live in, is incroyable!  How they manage to enhance and expand the moments is beautifully rendered and the work within the composition of the panels to bring out the depth perception, sense of scale and that overall sense of size and scope to the book is fantastic.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkably talented eye for storytelling.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work show a brilliant eye for how colour works and how to maximise their effects.  I mean seriously the water casting a hue over the colours is sensationally rendered. 
​

    This is a real treat of a read.  Since her return to comics here at Dynamite Barbarella has been one of the most interesting, fun and perfect example of this kitschy science fiction books that I’ve ever read.  This embodies everything that this style and genre story could possibly want to attain thanks to its strong writing and fabulous characterisation alongside these utterly brilliant interiors.  

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Barbaric #3

9/24/2021

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Picture
Barbaric #3
Vault Comics 2021
Written by Michael Moreci
Illustrated by Nathan Gooden
Coloured by Addison Duke
Lettered by Jim Campbell

    Everything's gone to sh*t. But what else is new for a barbarian cursed to do good, who has to follow the commands of a bloodthirsty axe? It's just that today's a little worse. With Owen's back against the wall, and his enemies eager to chop him to bits, things are looking especially grim as the first arc of BARBARIC comes to a close.

    I love this book, there is something about Owen that is just so dang fun and makes you actually like and care about him.  Michael does such an amazing job writing this book and these characters.  I cannot get over just how good, smart and interesting this book is as we go through the pages and see moments that you just don’t expect to see and that are strong and powerful for the moment.  Plus the way this ends is just how we knew it would be and I like that considering what else we see at the end that sets up the next arc, which by the way I am thrilled to be seeing advertised.  These characters, especially Axe, are too good to be a one and done story arc.

    I am an absolute fan of the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development that we see through the dialogue, the character interaction as well as how we see them act and react to the situations and circumstances which they encounter and this fleshes them out even further.  The pacing is excellent and as it takes us through the pages revealing more of the story the more we’re caught up in the excitement of it all.

    How we see this being structured and how the layers within the story continue to emerge, grow, evolve and strengthen is marvellously rendered.  The layers really do open up some great avenues to be explored over time and they add this wonderful depth, dimension and complexity to the story.  How much characterisation is packed into this is amazing to me and how it is left open to really showcase Owen’s diversity.  How everything works together to create the story’s ebb & flow and how it moves the story forward is impeccably achieved.  

    I am in love with the interiors here.  The linework is superb and how we see the varying weights and techniques we see being utilised to create this level & quality of detail within the work is utterly phenomenal.  How we see the composition within the panels and how this brings us such depth perception, that sense of scale and the overall sense of size and scope to the story is utterly fantastic.  The imagination and creativity that we see with these denizens beneath the church is mind blowing and I cannot help but admire what I see.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a remarkable eye for storytelling.  The various hues and tones within the colours being utilised to create the shading, highlights and shadow work shows a great understanding of how colour works and how to maximise their effects.  Between the purple, orange and the yellow hues and tones alone we see some stunning work.
​

    Between these three characters there is such diversity in their personalities and reasons for doing what they do and to be able to see them get along and work together is really great to experience.  It is part of what makes this such a joy to read honestly.  With some sharp, intelligent writing and superb characterisation alongside these dynamic interiors we get this phenomenal example of storytelling.  

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