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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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An Unkindness of Ravens #1

9/23/2020

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An Unkindness of Ravens #1
Boom! Studios 2020
Written by Dan Panosian
Illustrated by Marianna Ignazzi
Coloured by Fabiana Mascolo
Lettered by Mike Fiorentino
Excerpts Illustrated by Dan Panosian

    A supernatural mystery, where not all the witches burned during the Salem Witch Trials -- and the ones that survived did so together, protecting the ancient secrets entrusted to them for generations. They call themselves the Ravens. Wilma is the new girl in school, and she plans to go completely unnoticed -- except that she bears an eerie resemblance to the Raven member Waverly, who just went missing. The truth behind Waverly's disappearance will put the entire coven in danger -- and Wilma will have to rely on power she never knew she had to save her new friends.

    I wasn’t quite sure what to expect out of this one but it certainly wasn’t this.  Of course that is a good thing because it’s so much better than I could have imagined.  This is like some bizarre version of Mean Girls and I have to say that piling all of that we see here with Wilma being the new kid in town shows so many layers going on.  You’d think it would feel overwhelming with how much is actually thrown at us but nope this is so well crafted and structured that everything we see just feels completely natural and normal under the circumstances.  Well not that anything is normal in this town.

    I love the way that this is being told.  The story & plot development that we see here through how the sequence of events unfold and how the reader learns information is utterly amazing to see.  The way this has come together is just breathtaking in the scope of what we see for an introductory issue.  The character development is phenomenal and as we see Wilma’s first day at school and how she reacts to the situations and circumstances really gives us this amazing glimpse into who she is.  The pacing is spectacular and as it takes us through the pages revealing the story, characters and this world it is easy to see how well everything works together to create the story’s ebb & flow.  

    BOOM! Really has been on the cutting edge lately and bringing game changing titles and stories to readers.  The level and quality of the storytelling we see here is fabulous and it really does showcase just why these books have been selling out and going back for multiple printings.

    With Dan’s work doing the opening and then heading into the main story it really has this crazy weird effect on the reader.  It’s a good thing mind you as the different styles augment the different meaning in the sections.  The linework is nicely rendered and how we see everything come together to bring out the detail work is extremely nice to see.  The backgrounds we see are great as well as they flesh out the moments, bring us depth perception, a sense of scale and the overall sense of size and scope to the book.  Plus it’s nice to see the school hallways and lockers since they make it enclosed but not claustrophobic or wide open.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a nice, solid eye for storytelling.  The colour work is great and how the various hues and tones are utilised to create the shading, highlights and shadow work are rendered really rather nicely.  
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    Prepare yourself for this mixture of The Stepford Wives, Donna Reed, Mean Girls and the show Riverdale.  You won’t know what hit you by the end of this issue and you’ll be dying for more.  Smart, savvy and full of everything and nothing that you expect but need to see, this is going to be another must read series from BOOM!

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Devil's Highway #3

9/22/2020

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Devil’s Highway #3
AWA Upshot 2020
Written by Benjamin Percy
Illustrated by Brent Schoonover
Coloured by Nick Filardi
Lettered by Sal Cipriano

    Shannon Harrow, an elite military veteran with skeletons in her closet and a dark family secret, embarks on a quest to hunt down the serial killer that brutally murdered her father – only to discover that he is just one piece of a national network of evil that snakes across the country and hides in plain sight. To catch the Devil, Harrow must first embrace and unleash the darkness within.

    This book just keeps getting better with each issue.  I mean c’mon now a brutal highway filled with human trafficking and just some bad, bad peopole running things and all of it illegal as hell.  Of course that’s the appeal for this book as well and I am by no means complaining about that.  All I know is that I feel these guys are knocking this outta the park here and creating something that is incredibly powerful in storytelling that doesn’t require powers but is horrific enough that this could be ripped out of today’s headlines.  

    The way that this is being told is pretty damn brilliant.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is laid out beautifully.  I am so loving how we see the character going through their own way of doing things so that it adds these interesting and somewhat unexpected moments that stick with you.  It doesn’t get much better than that as it keeps your mind engaged in the story and it’s crazy how long it’ll stick with you after you’ve read it.  The character development is phenomenal and as we see them have conversations and act and react to the situations and circumstances they encounter fleshing them even out further.  The pacing is superb and as it takes us through the pages revealing the twists & turns along the way it’s easy to see how everything works together to create the story’s ebb & flow.

    I like the way that this is structured and how we see the layering within the story add that depth and diversity to the going ons.  We really do get to see some truly extraordinary moments that we wouldn’t be able to see without them and at first some seem a little arbitrary but you know what they turn out to be great examples for the overall story.

    The interiors here are bloody gorgeous!  The linework we see and the varying weights and techniques that are utilised are so damn good!  How they are utilised to create the attention to detail we see, this includes the colour work as well, and that it is so well rendered it is just stunning to behold.  How we see backgrounds with just as much detail work not only enhance the moments but bring us some great depth perception, sense of scale and the overall sense of size and scope to the story.  I mean that panel in Minneapolis is great for all of that in one fell swoop.  The utilisation of the page layouts and how we see the angles and perspective in the panels show an insanely talented eye for storytelling.  The colour work is divine and how we see the various hues and tones within any given colour being utilised to create the shading, highlights and shadow work shows someone who understands how colour works.  The imagery here is phenomenal and it just makes me incredibly happy.
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    This story epitomises why this publishing house has quickly risen through the ranks to become a premiere publisher for me.  The strength of the storytelling and the quality of the artwork we see shows us an insane level of talent all around.

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Bigs and Tiny #2

9/22/2020

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Bigs and Tiny #2
Blackbox Comics 2020
Written by Ramel Hill
Illustrated by Federico Sabbatini
Coloured by Andrea Celestini
Lettered by Ed Dukeshire

    The comedic duo of Santino Lugo and Bryan Clay are unsuspecting strangers who are forced to figure out how they ended up with super powers. They continue to unravel the mystery of a criminal underworld in the heart in New York City.

    Oh I like this more and more as I read through it a couple of times.  For those of you who were such fans of the Blue & Gold team over in JLI you will absolutely enjoy this!  I mean the writing is super solid and the jokes are actually funny and while at times it can be a bit sophomoric in nature, representative of American humour, it does fit with how we see the boys.  Plus the premise of what we see and the organisation that is behind how they got their powers all ties phenomenally well here.  Ramel has some serious writing chops and so far this has been incredibly consistent if not a tad predictable.

    I am thoroughly enjoying the way that this is being told.  The story & plot development we see through how the sequence of events unfold as well as how the reader learns information is presented extremely well.  I like the addition of the new characters and how they are introduced adding another layer of depth to the story.  There is a very natural kind vibe that comes through on the pages and while we don’t really see the boys in their “downtime” when they are together things tend to work out.  More through luck than any actual skill but that’s okay the more they play the part the more they become the part.  The character development that we see is really rather well done.  How we see the characters act and react to the situations and circumstances they encounter really do wonders to help keep them growing and evolving.  The pacing is superb and as it takes us through the pages revealing the story and more of the inhabitants of their world it’s easy to see just how well everything works together to create the story’s ebb & flow.

    I really think this is well structured and the layering within the story keeps expanding the book.  I also appreciate the way that these new characters are introduced so that we are not bombarded with them nor does it feel as if their introduction is forced upon us.  Instead there is a very natural progression and it makes reading this more enjoyable.

    I like the interiors here.  Their linework is good, strong and has some nice weight variations to them that helps bring out the detail work that we see.  I like the amount of time spent on the backgrounds as well.  They add more the mood, tone and feel as they enhance the moments as well as bring us some great depth perception, a sense of scale and that overall sense of size and scope.  Since we’re seeing a man who shrinks they are so important to demonstrate his own power and to see it done like this here is pretty darn fabulous.  I would like to see more work on faces here, the further away they are the less defined they become and it almost feels like a lack of confidence in the work.  The utilisation of the page layouts and how we see the angles and perspective in the panels show this remarkable eye for storytelling.  The colour work is incredibly solid.  How we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work is rendered beautifully.
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    This is a strongly told story that utilises the buddy comedy to create one of the most interesting and unique dynamics we are seeing in comics today.  This is why I keep telling you all that you should be looking at books that come out from these small indie publishing houses.  Do yourself a favour and have your shop or subscription service order this one for ya and see if you don’t agree with me.

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Seven Secrets #2

9/22/2020

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Seven Secrets #2
Boom! Studios 2020
Written by Tom Taylor
Illustrated by Daniele De Nicuolo
Coloured by Walter Baiamonte
Colour Assists by Katia Ranalli
Lettered by Ed Dukeshire

     After a deadly attack on the Order, their youngest member Caspar must step forward to keep the world safe from the Seven Secrets with the power to destroy it. But surviving The Trials doesn't mean just becoming the next Holder of a great Secret - it also carries dangers that will change Caspar's life in unimaginable ways…

    Well this issue certainly takes us someplace I wasn’t quite ready to go but that’s really for us to talk about next issue.  We learned in the last issue who Caspar is and who his parents were and the mission that started off this whole series.  I do like that we pick up where the last issue left off as we are still learning the history of Caspar from where his literal birth.  The way that who Caspar is and how he was raised is so essential to understanding the story is so beautifully woven throughout.  This makes it far more interesting to read than the usual tale and Tom is taking all the talent and skill has honed over the years to really create something different, unique and engaging.

    The way that this is being told is pretty amazing.  The story & plot development that we see through how the sequence of events unfold as well how the reader learns information is perfectly presented.  Seeing characters and how they act and interact with each other is different from each person’s point of view so it’s interesting to see different reactions to different folks.  I mean Canto seems like the worst kind of man to be around though i will say that are a fair amount of gay men among the Secret Keepers and I like this sort of inclusion as there’s no big deal about it, it just is.  The character development that we see is phenomenal and I am enjoying how the actions they take and how they act and react to the situations and circumstances they encounter help to keep them growing as people.  The pacing is superb and as it takes us through the pages revealing Caspar’s life it is easy to see just how well everything works together to create the story’s ebb & flow.  

    The interiors here are nice to see.  There is a great comic book sensibility to what we see and it makes reading this a joy.  Also the nearly androgynous way we see characters just adds to the mystique that surrounds them which is another high point in my opinion.  The linework is strong and how we see them utilised and how they bring out the details that we see.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a talented eye for storytelling.  There is a pretty fair amount of backgrounds being utilised here though I would like to see more of them.  How they manage to flesh out the moments and bring this overall sense of size and scope to the book is so nice to see.  The colour work is nice as well.  The mask with it’s solid colours and the painted on lips only changing depending on the light source is nicely rendered.  There is a lot of solid colour work and we do see some nice variations in the colour blocking with the various hues and tones.  
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    This is unlike any kind of academy we’ve ever seen before.  There are no powers, no magical gifts and the kids we see who make up the student body are kids that the world has forgotten about.  This place gives them new meaning, new purpose and allows the organisation to keep growing.  It is a fabulous idea and how we see it being executed is phenomenal.  Once again Boom! alongside this creative team have found another stellar award winning worthy series and I cannot wait to see how this continues to grow and evolve.  

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Cardinal Dagon #2

9/21/2020

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Cardinal Dagon #2
Behemoth Entertainment 2020
Written by Massimo Rosi
Illustrated by Giuseppe Costabile
Coloured by Renato Stevanato
Lettered by Mattia Gentili

    Preparations begin for the most exclusive end of the world party, all organized by the fantastic Satanist dandy cardinal who works for the Anti-Vatican in order to bring the Antichrist back to Earth. Where will you be when the party begins? Well, our Cardinal Dagon will be in America, ready to unleash a pandemic.

    I am such a huge fan of this little book!  The opening here is a perfect reason why, as Cardinal Dagon and his bodyguard, for lack of a better term, are at a popular fast food chain where through a sequence of events unleash one of the plagues.  I keep saying that Massimo is one of today’s hottest new writers and that there are few who can hold a candle to what he’s able to do and this right is a great example why.  The way that this is being told is scripted absolutely beautifully so that there’s no mistaking what I consider brilliance.  The emergence of a writer such as this is something that doesn’t happen very often and when it does you need to sit up and take notice, also by contacting your shop and having them order this for you.

    I am a huge fan of the way that this is being told and how we see the story & plot development constantly moving forward.  We see through how the sequence of events unfold as well as how the reader learns information which are presented beautifully.  One thing leads to another and Dagon is kind of having the time of his life.  However in both Vatican settings things are being seen very very differently.  How this is structured and how we see the layering within the story coming to life makes for very interesting and similar situations.  The character development we see is phenomenal and never have I seen someone having as much fun doing what they love to do as Dagon is here.  The way that we see the characters act and react to the situations and circumstances that arise really help to bring us a continually shaping vision of who they are.  The pacing here is perfect and as it takes us through the pages revealing the twists and turns along the way it is easy to see how everything works together to create the story’s ebb & flow.

    The interiors here are gorgeous!  The linework is fabulous and how we see the varying weights and various techniques being utilised here to create the detail work that we see is beyond amazing.  The emotions that come off the characters here can be felt by the reader; they are so well construed.  While I would like to see backgrounds utilised more it’s actually okay as what we do see and how the creativity and imagination that’s on display here is truly marvellous.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a superb eye for storytelling.  The colour work we see here really something extraordinary.  How we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work is incredibly well rendered.
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This is the kind of storytelling that ignites something within the reader and keeps them coming back for more and more.  Unconventional, engaging and the kind of outside the box thinking that finds a way for the reader to connect with in some obvious and not so obvious ways.  Trust me you will want to read this and you’ll want to keep reading Massimo’s work wherever you can find it.   

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XIII Vol.1 The Day of the Black Sun

9/21/2020

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XIII Vol. 1 The Day of the Black Sun
Cinebook 1984
Written by Jean Van Hamme
Illustrated by Vance
Coloured by Petra

    A man washes ashore near an old couple’s house, barely alive. When he comes to, he has forgotten everything, including his name. The only clues to his identity: a key sewn into his clothes, a bullet wound to the head… and the number XIII tattooed on his shoulder. A meagre start to reconstruct one’s self.

    I love this issue and how it starts us off on the adventure of the man known as XIII, thirteen.  I think that we open this story where we do, is pretty genius and it is all about finding out his backstory and trying to regain his memory while being hunted.  It has to be extremely frustrating to not know who you are while you keep encountering folks who don’t believe and just want to see you dead.  That idea is something that isn't really seen all that often and when this was first published in Europe it was the early 80’s so it was pretty original then.  Also for something written that long ago this holds up magnificently well in today’s world.  That makes this a timeless story that could be set in any era which I have to doth my cap to these creators for managing to create an epic masterpiece.

    The way that this is being told is bloody brilliant.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is extremely well presented.  The way that we see events utilised to propel the characters forward to the next stage in the story is pretty masterfully done.  The character development is phenomenal to see play out in these pages.  That we see glimpses into who they are through their actions and how they act and react to the situations that they encounter is marvellous to see.  The pacing is superb and as it takes us through the pages revealing the story and Thirteen’s life we see how well everything here works together to create the story’s ebb & flow.

    Now the way that this is structured and how we see the layers within the story is beautifully rendered.  I am so impressed with the way that this book flows and how we become invested and engaged in what we see here.  It takes a special kind of talent to be able to weave this into something so much more than we could have anticipated.

    Good grief these interiors are mindbogglingly magnificent.  The linework we see is exquisite and how the varying weights and techniques are utilised to showcase the detail work that we see is utterly phenomenal.  For me they didn’t try to go ultra realism or keep too comic style instead this ends up in the middle and it really is those details that make it what it is.  The backgrounds that we see and how they enhance the moments and how they are able to bring us depth perception, a sense of scale and that overall sense of size and scope to the book is beyond my expectations.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a masters eye for storytelling.  I mean the XIII tattoo and how it looks on the skin is among the reasons I am so high on these interiors.  Then there’s the colour work that we see and it is divine.  That rose couch for instance while suits those who own it is a masterpiece of colour work unto itself.  The way we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work shows us one of the most spectacular eyes for how colour works.
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    There is no surprise to me that there are films and television shows based upon this character and in all honesty they pale in comparison to what I am seeing here.  This really is among the absolute best story I have ever seen in my life and if that doesn’t say something about this then nothing will.

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Betty & Veronica Friends Forever: Good Citizens #1

9/20/2020

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Betty & Veronica Friends Forever: Good Citizens #1
Archie Comics 2020
Written by Bill Golliher
Pencilled by Dan Parent
Inked by Jim Amash
Coloured by Glenn Whitmore
Lettered by Jack Morelli

    Betty and Veronica are two best friends with hearts of gold—and this collection of stories proves just that! Watch as the besties volunteer for kids’ summer reading program, run a fundraiser for Riverdale Children’s Hospital, answer phones at a local telethon and donate something near and dear to Veronica to help the less fortunate.

    Life is just better with these all-ages Archie books pure and simple.  These classic creators bringing back the kids to tell these stories will put a smile on your face.  I love the fact that within each vignette, there are four complete stories, which are not only entertaining with their hi-jinks and such but they all have a message and the ones in this issue all mimic each other and are something that is so poignant in today’s world.  So this is certainly something the entire family can read and then talk about at a device free meal.  It is interesting to see the takeaway folks have from these and that is just as fascinating as the stories themselves.  

    The way these are being told is utterly marvellous.  The story & plot development we see through how the sequence of events unfold as well as how the reader learns information are presented beautifully.  I also love the fact that Betty & Veronica are best friends and competitive as all get out with each other whether Archie is involved or not.  Yet we are able to see them work around that and still know their friendship is so solid that nothing, not even some healthy competition, is going to destroy that.  The character development is sensational here and the way the girls are brought to life through the way they act and react to the situations and circumstances that they encounter.  The pacing is superb and as it takes us through the pages revealing the story it is easy to see just how well everything works together to create the story’s ebb & flow.

    I am a fan of these stories, these creators and I am constantly in awe of how they can write such short stories and make them feel as epic as they do.  Sure they are fun and make us laugh as they showcase things we can do to help those around us that’s never changed but I find myself drawn to them more and more as I grow older.  This is the kind of book I wish everyone would read.

    The interiors here are absolutely stunning.  Dan lays down the foundation and he’s able to really make the kids, kids--teenagers.  He gets to play fashion plates with the girls as we see them in more and more outfits and it’s cute that he’s able to represent fashion in today’s world on Betty & Veronica.  The inking is on point and it brings everything together beautifully.  As a team they extraordinarily well together and it shows on the pages.  I adore the fact that we are seeing more and more backgrounds being utilised here to really flesh out the moments.  The utilisation of the page layouts and how we see the angles and perspective in the panels show such a masterful eye for storytelling.  Glenn’s colour work is as solid as it comes and he works his magic here to bring this four colour kind of eye to the stories perfectly.  Four colour is the way things used to be with limited shades available so that he is able to keep this as close to perfectly classic in appearance as he does shows some bloody good talent.
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    Betty & Veronica were the original leading ladies of comics, well they debuted in 1942, and ever since they’ve not only complicated Archie’s life but they've been the kind of role models that girls, and boys for that matter, can look up to.  

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Belle: Hearts & Minds

9/20/2020

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Belle: Hearts & Minds
Zenescope Entertainment 2020
Written by Dave Franchini
Illustrated by Alessio Mariani
Coloured by Juan Manuel Rodriguez
Lettered by Kurt Hathaway

    Philadelphia is rich in history and home to many interesting people. One, none other than Anabelle “Belle” DiMarco, descends from a long line of beast hunters tasked with protecting our world from the creatures who stalk in the shadows.  As Belle takes in a seemingly peaceful night, she stumbles upon a problem of the witchcraft variety, which only seems to worsen as the night goes on.  Meanwhile, across town, Gretel, a woman cursed for nearly three-hundred years with magical powers and the need to eradicate the blight of witches from our world, has her own magical issues to deal with.

    Now I certainly don’t mind these one-shots because it’s better than not getting any Belle stories at all but I really do wish that we’d get a four to six issue limited series.  I mean Belle is a non-powered woman who relies on her gadgets, training and those in her inner circle to help her out and get through all this.  This is the kind of heroine we want to see more of so keep the one-shots coming and hopefully we’ll get a longer series soon enough.  Oh and it is certainly nice to see the guest star as well since she’s another newer character who doesn’t get the attention she deserves.  I am totally loving this whole new direction Zenescope is moving in with intelligent and interesting storytelling.

    I am enjoying the way that this is being told.  The story & plot development we see through how the sequence of events unfold as well as how the reader learns information are presented extremely well.  Dave has some mad skills when it comes to how he structures a book and how he can work in the layers to make things that much more interesting.  This one has potential and holes that can be explored at a later date and for now they really do keep the reader engaged.  The character development that we see is fantastic and as we see them act and react to the situations and circumstances they find themselves in says a lot about them.  The pacing here is super and as it takes us through the pages revealing the story for us it’s easy to see how everything works together to create the story’s ebb & flow.

    The interiors here are spectacular!  The linework is gorgeous and how we see the varying weights and techniques being utilised throughout really make the story sing.  The attention to detail that we see is utterly amazing and through how we see the backgrounds with this amount of detail work really is impressive.  The depth perception, sense of scale and the overall sense of size and scope of the book.  The utilisation of the page layouts and how we see the angles and perspective in the panels show this magnificent eye for storytelling.  The colour work is brilliantly rendered here as well.  How we see the hues and tones within the colours being utilised to create the shading, highlights and shadow work is done so incredibly well.  When you open the book and on the first page you see that first panel you know that this team is beyond amazing.  The trees, the cars, the light sources all of these are being utilised in such a way that shows some high quality work at an extremely high level.
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    This is one of the more interesting books around and Belle continues to thrill and amaze readers with some intelligent writing and killer artwork.  This is what you need to be reading right now.

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Heavy #1

9/19/2020

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Heavy #1
Vault Comics 2020
Written by Max Bemis
Illustrated by Eryk Donovan
Coloured by Cris Peter
Lettered by Taylor Esposito

    Bill may be dead, but he’s got a job to do. Welcome to the Big Wait, where folks who don’t quite make the cut go to work off their debt. Everyone in the Wait’s got a job. Bill is a Heavy, whose job is policing the multiverse, making sure bad eggs get what’s coming to them. He’s on track to earn his Climb and reunite with the woman he loves...until he meets his new partner: the worst dude of all time. Heavy is The Punisher for neurotics; Inception for the impatient; Preacher for…well, it’s a lot like Preacher.

    This is another highly anticipated book, which also has sold out and gone to a new printing.  There’s a reason for this too, aside from the market being really hot right now, which is Max Bemis.  The man has proven, to me anyway, that he is one talented scribe.  He has yet to disappoint me and that’s a huge feat considering how many books I read.  So that this one exceeds all expectations and brings us this interesting take on what being a Heavy is well I for one will wholeheartedly support it!  This is outside the box thinking that fits right in line with how I see Vault and their contributions within the industry.

    I am a big fan of the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented beautifully.  I’m also a fan of the way the narrative is being done, this allows us to join Billy in the now while getting caught up to speed.  This negates the necessity to revisit the past to understand what is happening in the now.  This leads me to the character development we see here.  That same narrative style of storytelling allows us the opportunity to get to know him better and then to see him interact with his boss and co-workers well it really doesn’t get much better than this at fleshing out the man.  The pacing is perfectly done and as it takes us through the pages establishing what this is it is easy to see how everything works together to create the story’s ebb & flow.

    The interiors here are really rather interesting and well executed.  There is a definite use of creativity and imagination that we see and I couldn't be any more thrilled by it, also seeing a penis as much as we do here just made me incredibly happy.  It is about time that this happens and it’s nice to see that it fits the character and what we now know of him.  I like how we see backgrounds utilised throughout the book, they certainly add that certain je ne sais quoi to the moments and there’s some gorgeous detail work in the most unexpected places.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a solidly talented eye for storytelling.  The colour work is nicely rendered as well.  The portals have some brilliant use of colour in them and it stands apart from the “normal” scenery.  The way we see the various hues and tones within the colours utilised to create the shading, highlights and shadow work shows a great eye for placement, by that I mean where we see the colours change due to lighting and such.
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    With the way this is structured and how we see the layers within the story coming about it is easy to see that this story is one that might be personal to Max or it’s just a killer concept he had after watching something on telly.  Either way this is one of those story’s that you are going to remember and it will engage you in some great ways that will leave you thinking.  So hot damn let’s get jiggy with it folks this is going to change your way of thinking, at least it should.

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Vampirella: Trial of the Soul

9/19/2020

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Vampirella in Trial of the Soul
Dynamite Entertainment 2020
Written by Bill Willingham
Illustrated by Giuseppe Cafaro
Lettered by Carlos M. Mangual

    Does Vampirella have a soul? That is the question being asked by an immortal wizard-king who has come to determine her fate. If she does, she will be spared. If not, he must destroy her. No matter how charming he finds her…

    So this is one of the most intriguing Vampirella stories I have read yet.  For the longest time I avoided reading her stories because of her outfit, if I am being honest, I felt this was for those boys who lived in the mother’s basements if you know what I mean.  I mean I was just a young gay guy who didn’t really know any better and it’s taken me years now to try and play catch up on all the wonderful stories I have missed.  I am glad I am here now because it’s stories such as this one that demonstrate the kind of person she is and how relevant this is to life in our world.

    I love the way that this is being told.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is beautifully presented.  I mean right from the get-go we see things happen and it’s nearly one thing after another that makes this feel so damn exciting.  The character development we see is utterly sensational!  The dialogue and conversation that John and Vampirella have with one another is just mind boggling to me in the sense that in this day and age people actually think and feel this way.  Who gives anyone the right to say someone is or isn’t and then feel justified in taking action against them?  Sigh at least in comics folks like John can be more than they appear but really any religion that thinks they are god is sorely mistaken.  The pacing is perfect and as it takes us through the pages revealing more and more of this story it’s easy to see how everything works together to create the story’s ebb & flow.

    The way we see this structured and how the layers within the story play out brings out so many different feelings and emotions within the reader.  It is a powerful thing to be able to bring this level of intensity out in your readers’ through showcasing the actions of others who may or may not represent our beliefs.  

    The interiors here are gorgeous.  That opening page reminds me of the apartment I had in Chicago, which I sorely miss even with the El right off my back porch so close I felt I could touch it.  The linework is fabulous, it brings us this traditional comic book style look, tone and feel to what we see and is able to bring out this marvellous attention to detail.  The faces and facial expressions enhance the characterisation and the creativity and imagination we see is superb as it brings some of the creatures to life.  The utilisation of the page layouts and how we see the angles and perspective in the panels show a very talented eye for storytelling.  The colour work is wonderfully done and how we see the hues and tones within the colours being utilised to create the shading, highlights and shadow work show a very solid eye for how colour works.  
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    I will say this, for anyone who has ever thought that Vamipirella isn’t for me or has some preconceived notion about her then I want to pick this one-shot up.  You’ll see there is far more to her than meets the eye and she’s much deeper than that slinky little red number she barely wears.  This is a strong, powerful and usually confident woman on a world she wasn’t born on and is just trying to live the best life she can.  Sound familiar?  I should think so.

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