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Today's reviews!

Reviews for 19-12-21 
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Cryptocracy #2

7/29/2016

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Cryptocracy #2
Dark Horse Comics 2016
Written by Van Jensen
Illustrated by Pete Woods
Lettered by Nate Piekos of Blambot

    The Nine Families have ruled civilization from the shadows for time beyond memory. But now, for the first time, they are being hunted. Family leaders begrudgingly forge an alliance to discover the hunter's identity, but in so doing only place themselves in greater danger.

    I’m a sucker for a good conspiracy theory story i’ll admit it.  That there are Nine families that have secretly run the world for so very long is one that is fascinating to me.  There are aspects to that story that Van is unleashing upon slowly but surely as we see in the events of this issue and that’s fine there has to be room for revelations and understanding.  We do know that absolute power corrupts absolutely so it should come as no surprise that over the years the Nine families have formed hatred’s and rivalries with each other.  That there is mistrust and anger among them as they have grown too complacent in the way their lives have been for untold centuries.

That has all changed now, the complacency and the ruling unnoticed and unfettered.  There’s a hunter out there for Chronos who’s made himself known and he’s out to destroy the families as we saw last issue.  Then there’s a very determined young woman who knows her father was on the right track and was silenced for what he knew.  She is going to uncover whatever she can to expose those responsible and take revenge.  It’s always nice when the best laid plans of mice and men start to crumble it makes for interesting reading.

I’m pretty impressed with the characterization and storytelling here.  I like how we open with Pearl Harbor and young Grahame first being introduced to the world his Elder rules and makes.  I like it for a number of reasons and that bond created is just one of them as is the result of what’s seen I think it changed the boy and perhaps as this story and his continues we’ll see what kind of man he’s become through all this.  It wouldn’t surprise me one iota if he were to do things in much different manner than the rest of the families.  I look forward to his continued spotlight and characterization he’s definitely a highlight character and one to keep an eye on.

I’m really also enjoying what Pete’s doing with the interiors here as well.  There’s a different style from him that i’m digging and while it has the same sensibility and excellent use of pages, panels, angles, perspective and yes backgrounds it’s got a more highly animated look to it.  I’m also very impressed with the almost nudity scenes we got there was something nice about the way that was done.  

After the first issue made such a good impact on me this one has followed suit.  It’s got the right amount of continued introduction as we see the Nine families and get to know them better, as well strong characterization of those already introduced and new threats and revelations that help move the story forward.  Plus we have all that and then there are cryptids as well and they as we all know can be unpredictable and exciting in their own right.  This is a great example of creating a world and fleshing it out before committing to paper so when Van did it started to take on a life of it’s own.   

Sometimes too many ingredients can over flavour a dish but not this time they’ve all come together in just the right way.

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Action Man #2

7/29/2016

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Action Man #2
IDW Publishing 2016
Written by John Barber
Illustrated by Paolo Villanelli
Coloured by Joana Lafuente
Lettered by Neil Uyetake

Maybe it’s just me but this feels less like a British G.I. Joe and more like James Bond Jr.  Either way i’m totally into it.  I get it’s a separate agency from MI-6 and the like and they’ve got Doctor X as their main nemesis and work on a more global scale so it has the blended effect of the two for me.  Last issue we saw how the mantle was passed on to the newest man to hold the Action Man title and this issue continues his story.

John does a nice job fleshing the cast out more this issue.  Whether it’s how Ian behaves and how that behaviour is seen or be it the supporting casts own issues surrounding the nature of their work we get to see a better picture of the dynamic between them all.   With all of them the only one that raises red flags is Agent Salmons and that’s because you can tell he’s angry that Ian got the job when i’m sure he feels he would be better suited to have taken the role on himself.  Hopefully this is just a case of hurt feelings and won’t turn into something nastier or traitor in their midst because that, along with the angry man routine is a bit cliche.

I think Ian is a great choice for the Action Man role he’s young, malleable and intelligent in the right ways to really soak up what he needs to learn for this job.  It also doesn’t hurt that he looks like he fits the role as well, please don’t let Salmons get on that kick too much either.  Plus  the opening which shows him four years ago discovering the base of operations well that’s just another example of the brash cocky confidence he has and why he’s good for the role.  It also shows a skill that will come in handy throughout his adventures unless I miss my guess.

There really is something fun about watching basically a kid coming into his own in a legacy role.  There’s a definite learning curve and he idolized his friend and predecor and emulates him as much as possible but in doing so he’s also proving that he has so much more to learn.  Teamwork in situations or an organization like this is essential and that John can demonstrate that while the role is his and he has so much room for growth at the same time is a nice bit of characterization.

Paolo and Joana do some nice work on the interiors here.  I like the whole current comic action/adventure style they bring to the series.  It has all the right elements for the subject matter and their use of technology is right inline with what should be seen as available today.  The Action Man suit is great and streamlined to be both effective and practical without going over the edge of superhero.  The way the book flows through the pages and panels is well done.  While i’m a firm believer that backgrounds paint the bigger picture in terms of mood and tone they have a really nice style here focusing on the characters.  Though more use of backgrounds wouldn’t hurt.  

This is a solid story that utilizes the genres extremely well.  It’s got the interpersonal drama, the action and the intrigue to make it highly enjoyable and a fun read.  With the success of Bond and Bourne Action Man is a welcome addition to the world stage.  

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Merry Men #2

7/29/2016

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Merry Men #2
Oni Press 2016
Written by Robert Rodi
Illustrated by Jackie Lewis
Coloured by Marissa Louise
Lettered by Jon Cairns

    Robert continues his story here with a closer look at the past.  Scarlet’s arrival and questions have forced Robin to explain how things have come to be where they are.  Robin’s relationship to King Richard and how Guy of Gisbourne had come have to such a loathing for him.  It’s told here and while some parts read like a historical romance novel other parts read like a story of hatred and intolerance and the contrast and blending of the two are extremely well done.  

    I like how Guy is portrayed here and how far he’s willing to go to gain power.  He’s definitely characterized well as a power hungry jealous loser of a man.  Basically a weasel in its most true form so the way Robert is writing the past to portray why he and his men are now outlawed and living in the woods well it comes across with a nice clarity.  Also the idea that a man like Robin who should live the life he leads is the target of such ire and hatred from him well that’s another aspect of this whole story.

    Jackie and Marissa’s interiors also do a lot to tell the story here.  From the whole look and feel of how the past story is told to the face, dark circles under Guy’s eyes, to the clothing they make it read visually like a tragic love story.  The use of pages and panels through angles and perspective help that tragic kind of flow happen.  The attention to detail we see is marvelous and that Richard is a hairy man or that they have those bloodstained clothes it all has this almost fantasy feel.   Then there’s Scarlet who has that whole gender fluidity and transexual style and look which is very well done.

    From the discovery Guy’s deeds to how he got away we get all the background information needed to understand why there is such animosity between them.  Then there’s Scarlet’s love and what has become of him.  Scarlet just can’t understand why the hatred is there and Robin does his best to try to make her understand.  From the Sheriff and his evil ways and bond with Guy to the rounding up and murder of any of those men who favoured men which forced the men to the woods.  It’s all laid out here only Scarlet is young and cannot see what is being told to her as many young ones are prone to being.

I do like the whole insert by Robert about the Queer History of England.  Love that it feels like some old parchment or book from history.  It feels a lot like that which happened but was glossed by or rewritten to fall in line with the church’s plans to eradicate such behavior.  I think it has a colourful edge to it that could be read the right way and how these men were at the time trying to stay ambiguous.  Kind of like the worst kept secrets of the age.  

As it goes this really is a great re-imagining of the circumstances that led Robert to become Robin Hood.  It’s very smartly written with great characterization, interaction and few unexpected twists that keep the plausible history making sense.  It’s an extremely well done book that exceeds my expectations.  

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Mechanism #1

7/29/2016

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Mechanism #1
Top Cow Productions/Image Comics 2016
Created, Written, Illustrated & Lettered by Raffaele Ienco

    First of all I have the utmost admiration for anyone who can do it all as Raffaele does here.  Not only is the story a good one but the interiors are gorgeous and they work in that special way only a creator can make them work in when doing it all alone.  It has that feeling of scope and grandeur that he wants the reader to envision and he delivers it beautifully.

    This is very a book you have to pay attention to when reading.  It does go from one part of the story to another and they all tie together but it takes concentration and paying attention to to really understand what’s happening.  I love that because you get so much more of an impact when you have to pay close attention.  Even when there are no words as in the opening you have the complete sense of what’s happening thanks to what he bringing to the table.  The use of pages, panels, angles and perspective alongside the use of the backgrounds are all instrumental to understanding what’s happening here.

    When we see the old man and his dog scrounging for food in an abandoned city you get that something major has happened and that the world has been irrevocably changed.  More than likely from what we saw in the previous pages and his references.  It’s strong, powerful and leaves a desire to understand more fully what’s happened.  And I can’t get over how good the interiors are I mean the white in his hair, his dog with it’s aging muzzle and all of it just has this weight to it that gives it that extra something special.

    Then we meet partners Minelli and Gibbons.  This new world still runs by old rules, such it’s not what you know or what you’ve accomplished it’s all about who you know.  That’s made pretty clear here as we witness their conversation.  The anger at being passed over for promotion after all Gibbons has accomplished leaves that sour taste in his mouth that’s relatable to.  The angry man syndrome is understandable and hopefully something that will not continue to dominate his personality as his time in the story continues.  I’d like to see the kind of man he is, that he promotes himself as instead.  After all they say it’s the measure of the man and how he deals with adversity that makes him who he is.

    There’s a final piece of the puzzle that we’re introduced to and it’s a robot.  A mechanical man and his story is revealed through bits and pieces as the story progresses.  He’s a wild card and what he can or will do is as of yet unknown but the partners, cops or military duo, know he’s there to observe.  What Raffaele does with this is give the reader just enough to wonder without truly comprehending the full scope.  This is great as it’s something that you keep looking for and want to understand better and comb over what’s happening around him.  It also means you’ll be back to see what happens with it/him next.  A prototype the only one of it’s kind near as I can tell and it seems to be a catalyst in the coming story.

    It’s a brilliantly done science fiction/disaster/horror type story that blends the genres so well.  You’ve got survivors out there alone and fighting for survival, creatures here to destroy mankind and a military style run civilisation that does what it can to ensure their own continued existence.  How they all interconnect you’ll have to read the story to see but this is a bonafide thriller that’ll have you hooked from the get go.   

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Sleigher the Heavy Metal Santa Claus #1

7/29/2016

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Sleigher the Heavy Metal Santa Claus #1
Action Lab Danger Zone 2016
Written by Robert Harrington & Adam Horrigan
Illustrated by Alessandro Alessi, Axur Eneas & Chas! Pangburn
Coloured by Alessandro Alessi

    It’s Christmas in July folks and this one isn’t for everyone but if you enjoy off-kilter humour and poking fun at the established Church and all the legends of the holiday well then this is your cup of tea, or shot of whiskey as the case may be.  This is very much a mature readers title and if you have a sense of humour I highly recommend this because personally I found it to be highly entertaining.  

    After the decidedly touchy opening where a Cardinal tries to take advantage of a young boy and Sleigher intervenes well it sets the stage for what’s to come. It also does a nice job in saying there is a lot more to Santa than meets the eye as well as his legacy for that matter.  Sleigher is the latest in the line of Santa’s and as his descendant well it comes to him to keep up the family traditions.  Only he’s a heavy metal man and his way isn’t the way things are used to being done.

    I do like the conspiracy aspect of the story that the church wants to eliminate Santa so it can wholly claim the holiday for itself.  After all if you look at it’s history the church has stolen many holidays and ideas and taken them on as their own as if they had every right to.  Then moving on to those who have been forgotten or ignored by Santa over the years also wanting to exact their revenge upon his name.  It’s a whirlwind of craziness that pits the Cluas legacy against those who would destroy it and it’s all kinds of this crazy over the top fun.

    The interior artwork here is all kinds of fun as well.  I like the portrayal of the characters visually.  The way they come to life are done in as much a tongue in cheek manner as the story itself and it works incredibly well.  Seeing the Cardinal as he is and his weaponry then the elves as they take on the persona of Sleigher to the creatures who are following him it’s all just the right kind of wrong.  It almost has this Rankin and Bass quality to it that’s amped up on booze and drugs to get it there and it’s just hellacious fun.

    There’s never a bad time to see the legacy of Santa take on new iterations and with Christmas in July it’s a perfect time for this to hit stands.  Forget about the upcoming deluge of holiday madness that will hit stores right after back to school and just enjoy a tale that pokes fun at our modern day look at how we see things.  

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Rom #1

7/29/2016

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Rom #1
IDW Publishing 2016
FCBD Edition
Written by Christos Gage & Chris Ryall
Penciled & Coloured by David Messina
Inked by Michela Pasta
Lettered by Shawn Lee
First Issue Material
Written by Christos Gage & Chris Ryall
Illustrated by David Messina
Colour Assists by Michele Pasta
Lettered by Shawn Lee

    So the first story is the Free Comic Book Day story so if you missed that here’s your chance to see Rom arriving on Earth and what’s already here waiting for him.   Then we move directly into the first issue and it’s a great continuation of the #0 issue.  So kudos to IDW for including the FCBD story also that’s a smart move.

    At Vandenberg Air Force Base the lone soldier who survived the previous encounter is getting quite the education during his debriefing.  I like because it shows us how far the Wraiths have infiltrated the Planet thus far.  

    We also meet Darby who is back from her stint overseas with the army and spending time with her family.  This is where we also get to see Rom in action as well.  I like what the guys are doing here they are creating a story that not only introduces new readers to who and what Rom is but at the same time they are making this incredibly new reader friendly.  This is a great giant sized issue thanks to combining it with the FCBD #0 issue so that you understand what he’s facing.  

    Thanks to this I have a pretty complete overview of what’s going to happen, who the players are and what roles either minor or major some characters will play.  Between Officer Camilla Byers and Darby whose roles with Rom are both ambiguous and clear to the way that modern technology and the Dire Wraith’s use of the humans they are posing as are taking advantage of it’s a very solidly written story.  

    David’s interiors are excellent here.  There’s a great modern comics sensibility to what he is doing and the imagination and creativity in creating the Wraith’s their infestation effects are fantastic to see.  The way he uses angles and perspective is wonderful and his style and the way he can bring characters to life here shouldn’t be missed.  Plus the man knows how to use backgrounds to really set the mood, tone and give off feelings of the bigger picture to draw you into the story even further.

    A modern day sci-fi horror story this is what we long to see.  With a strong premise, great characters and characterization, and a surprise guest star on the last page this takes a classic character and plants him firmly into the modern exceptionally well.  This is a can’t miss series!

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Predator vs Judge Dredd vs Aliens

7/28/2016

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Predator vs Judge Dredd vs Aliens #1
Dark Horse Comics/IDW Publishing 2016
Written by John Layman
Illustrated by Chris Mooneyham
Coloured by Michael Atiyeh
Lettered by Michael Heisler

    The ultimate science-fiction crossover pits the legendary lawman Judge Dredd against the universe's supreme hunters, the Predators, as they both try to survive an onslaught by the galaxy's ultimate killing machines, the Aliens!

    Now i’ll admit i’ve never been a Judge Dredd fan, don’t think i’ve actually read an issue of any of his comics really.  But let’s face it crossing over with Predators and Aliens well yeah count me in.  Plus with this latest offering it keeps the inter-company crossover alive and well and continues to prove why they are excellent choices and why they should keep on coming.

    I have to give John credit because the opening certainly captured my attention and imagination.  I also have to say that the unfactored in faction in all this are those that the Predator encounters first making the sides go from a triangle to a square and hopefully we’ll see how a four sided affair comes into play.  If not then well then i’m all for more of these characters seeing as how Buck and his companions have a great look and feel to them.

    I’d almost forgotten how good Mooneyham’s interiors were.  I’ve missed him on a monthly title and how much i’ve missed Five Ghosts.  His eye for storytelling and his attention to detail here are amazing.  From the character designs to the inside of the ship and the trophies it contains to the way angles and perspective are used in pages to help the flow the of the story are incredibly well done.  While I may not be as familiar with Judge Dredd i’ve seen enough to know he’s nailed him to a T here and i’m mightily impressed by that.

    I like the characters we see, how they are written into the story and how they will inevitably become embroiled in a war between them.  It’s smart, intelligent writing that John has mastered and can take these different factions and find a way to get them in the same place at the same time without things feeling like they were orchestrated.  

    The introduction to me of Dr. Niles Reinstot was one of the best moments of the book for me.  Crazy mad-scientist, yes redundant, with a penchant for experiments in gene-slicing and manipulation who has a Predator in his chair and the bones of the trophies from his ship.  Ah what a man like this can do out of sheer audacity, boredom and because he can.  As far as catalysts go this man has my vote for one the best most intriguing around.  If he’s a mainstay foe of Judge Dredd then I may have to find his appearances if this is his debut then bravissimo because he’s one heck of a character.

    This really a shining example of what can happen when companies let creators have access to their characters, let them honour them and team them up with other franchises to thrill audiences.  

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Captain Kid #1

7/28/2016

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Captain Kid #1
Aftershock Comics 2016
Created & Written by Mark Waid & Tom Peyer
Illustrated by Wilfredo Torres
Coloured by Kelly Fitzpatrick
Lettered by A Larger World

    Actually ya know what I liked the way this book opened.  Chris’ 45th Birthday at a bar where the talk about “old timers” and “young guns” felt as much like an observation about what’s happening inside the industry as in the real world.  It’s also an interesting way to get to know a cast of characters personalities as well.  It’s markedly different generation than the kids today who have cell phones, apps and such glued to their eyeballs so that getting out in the real world with friends is as foreign as a time when vinyl, 8-tracks or the radio were your only music choices.  

    I also like the idea behind Chris being Captain Kid as well.  He’s what about seventeen as the costumed crimefighter so it’s like being Shazam only in reverse.  The symbol on his chest I am sure has something to do with his powers and how he’s able to transform so I look forward to learning more about that as the story continues.  In the meantime it should come as no surprise that he’s able to the keep the mind of his older self I mean just cause his other identity is older doesn’t mean it knows how to handle superpowers any better so it doesn’t help the learning curve any.  

    The writing and characterization of Chris as Captain Kid is fantastic.  I like that he’ll reference comic books and Kirby and then at the same time wonder how real world implications of having powers doesn’t make one crazy then switching thoughts to the country’s infrastructure and how it’s crumbling apart and why he’s needed to save motorists caught in a manmade monsoon.  It’s this that sets these gentlemen apart from not only their contemporaries but those so-called young-guns as well.  It’s taking time to really get to know your character and flesh him out for the reader in ways that’s easily relatable to and incredibly realistic.  Well as realistic as it can be when a middle aged guy turns into a teenage superhero.

    Wilfredo has a great eye for storytelling.  His use of pages and panels to control the flow, the use of angles and perspective and the use of backgrounds, which i’d like to see more of, and the attention to detail he uses is nice to see.  Plus the age regression in our hero and the fact that his costume is pretty nicely done show a great eye as well.  

    Helea’s introduction, the way he’s learning to use his powers and the sheer fact that it seems that time is a factor, just not in a typical way, set this apart.  I look forward to seeing where this is going to go next and the last pages well more so than expected.

    Once again Aftershock is giving creators a chance to do something different and unique and tell a story they want to the way they want to.  Yes in this day and age it has some familiar rings to it but trust me it’s its own separate entity.  Great characters, characterization and story development alongside some very nice interiors and you’ve got another type of superhero story that could make an impact.  

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Titans #1

7/28/2016

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Titans #1
DC Comics 2016
Written by Dan Abnett
Penciled by Brett Booth
Inked by Norm Rapmund
Coloured by Andrew Dalhouse
Lettered by Carlos M. Mangual

    In the Rebirth we saw Wally West come back to the team and kind of give them something to look forward to.  I think what Dan is doing is pretty great so far, if you think about it the New Teen Titans had this whole epic arc sequentiality to it that you don’t realize offhand.  I mean from the way they came together to going intergalactic, Trigon and Terra these were all very big multi-part stories that were woven around smaller ones and that Dan is potentially going in that direction from what I can see is perfect.

    I also like that this is still a rebuilding phase they are going through.  With Wally being here and his stuff happening around them and the team only having just found each other and remembering their old lives not jumping into some over the top action right away is nice.  Yes we get to see that Roy’s youthful indiscretions are still intact and we learn that he’s familiar with Mammoth and what he used to do.  

    This leads to a whole new level of problem for the team that I can’t wait to see unfold.  At the same time however we also get a sneak preview at the person claiming to have erased Wally from memory in the first place though honestly while I’m going to enjoy that characters return somehow I have a feeling that there is something larger at work.  Again what I like to think of as the smaller wrapped up in the larger so that the story keeps progressing and seamlessly into one another without us even noticing the real scope of what’s happening.

    Another aspect of this that I like is Lilith.  She’s been out of the superhero game since the Titans forgot and now that the band is back together she’s rusty to put it mildly.  So with her powers being a tad less controllable and unpredictable at times it’s a nice characterization move.  It also brings her a tad closer the girl she was when she met them and I appreciate the heck out of that.

    Brett, Norm and Andrew make a really good team on the interiors.  I do like that it has Brett’s signature look but also has a more progressive now feel and by that I mean he’s evolved as an artist and yet remains instantly recognizable.  Personally i’d like to see more use of backgrounds as I feel they help tell the complete story but what we get is nicely done, which is why I want to see more.  The flow of the books through the pages and panels is nicely crafted.  

    I have the say that what is Dan is doing with the “old,” “new,” and current is extremely exciting for a longtime Titans fan like myself.  Yes I could quibble about giving Karen powers but that she, Mal and Gnarrk, not to mention Hawk & Dove, could be recurring characters brings the whole 60’s/70’s fanboy out in me in droves.  It was a groundbreaking time when kids were given the run of a book and forged their own destinies and once again that feel and unlimited possibilities emanate from what  I see here.


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Nightwing #1

7/28/2016

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Nightwing #1
DC Comics 2016
Written by Tim Seeley
Illustrated by Javier Fernandez
Coloured by Chris Sotomayor
Lettered by Carlos M. Mangual

    Tim got me with the Rebirth issue and here we are with the first issue of the ongoing series.  Dick’s has had many different routes to take all of which have made him a more complete character than we’ve seen him be before.  Now once again undercover this time infiltrating the Court of Owls as the agent they’ve wanted him to be since it was revealed when his parents were murdered.  

    What Tim’s doing with him characterization wise are things that Bruce in all his training has never had to deal with before.  All this undercover work is taking the boy he used to be and the man he’s become to places that well are pushing him to the limit of what he knows and what he can accept on a personal and moral level.  All the carefree acrobatic skilled detective in training is being taken to new levels with this story and in all honesty it’s the kind of stuff that could either make him actually better than Batman or take him to depths he may not come back from.  

    I like that while he’s still his own man he keeps trying to go to those closest to him.  Batman rejects the offer for aid claiming he’s his own man and can make his own decisions which is accurate and then there’s the whole thing with their complicated relationship that continues to grow and evolve in ways that keep separating them.  I think the small exchange we get here is really one that demonstrates why Batman is listened to but Dick is beloved by the community they are a part of.

    There’s a part of me that likes Javier’s interiors and another part that wishes they had that whole more detailed and superhero-esque feel to it.  I do like the flow of the story and how he uses pages and panels to do it.  There’s a definite darker more almost spooky feel to what he’s bringing to the table, which for me would’ve been more Constantine the Nightwing, that i’m kind of a fan of.  But I can’t shake off this whole feeling it doesn’t ring Nightwing to me but it’s still good stuff.

    With his work and infiltration of the Court of Owls and the introduction of Raptor to contend with alongside the Titans being reformed we’ll see what Tim decides to do with Dick moving forward.  There’s a deeper complexity to the character that he’s bringing to the table that we’ve never seen before which is exciting as the old elements are there but the possibility of the new ones well that’s really make this stand out.  

    

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