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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Visitations #1

4/19/2020

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Visitations #1
Self-Published 2016
By Scott Larson


     The Menacing Phantoms
     it's the turn of the century as we enter Chicago's oldest cemetery, Gracehill. Meet Clayton Blackwood, the Entertainer, The Pipe Boy, Santa Muerte, Beast 666, Nellie McCullough and Kincad as they battle the henchmen of crime boss Jim Colosimo. But there is more going on then even they are aware of....

     I spoke to Scott because I am not entirely sure how long I have had this in my folder. Of course I only started using this laptop about two years ago so it can't have been longer than that but still this is the life of a reviewer who runs the entire site solo. I am however somewhat grateful for the virus in that it is allowing me to read and review books that I might not have gotten to yet. I am also grateful that Scott got this to me because now that I have read the first issue I am completely and utterly hooked on the book. With the title of the book I had thought that this was going to be something entirely different and I love being proven wrong in that regard. When that happens it means I am going to be continuously surprised throughout the entire story and I really was.

     I am a huge fan of the way that this is being told. The story & plot development that we see through how the sequence of events unfolds and how the reader learns information is presented beautifully. I like how we see things open and then move into the story all while getting a nice history regarding the city of Chicago. The way this is set-up and how it goes through the pages is really, really nice to see. The character development here is interesting and I say this mainly because we have so little time focused on the characters. What we do see is really well rendered and it makes me want to see more. We learn as we got, there is no narrating what is happening or telegraphing what's to come and this makes you feel emotions that heighten the already strange things we see in this. This is how I want to read a book, without knowing the future or what is going to happen a few pages from now but in the moment alongside those we see. The pacing is phenomenal as well and how it takes us through the pages revealing one scene after another helps to create the books ebb & flow.

     I am admire anyone who can write and illustrate their own book. I will cut some slack for the Turn Of The Century splash page which looks like some cut and paste was utilised as those objects probably needed more research. The linework we see is amazing and how we see the varying weights being utilised to showcase this attention to detail is mindbogglingly magnificent work. The creativity and imagination that we see on these pages blows my mind and honestly makes me question someone's sanity lol. The utilisation of the page layouts and how we see the angles and perspective in the panels shows such a strong eye for storytelling. I think that the way we see backgrounds being utilised is fantastic and how that helps bring us this depth perception, sense of scale and the overall size and scope of the book is beautifully done. While I would have been happy with a pure black & white book the fact that this in colour as well is fabulous. How we see the various hues and tones within any given colour utilised to create the shading, highlights and shadow work bring us these stellar moments you won't forget.
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     Alternate history with a supernatural slant is completely and utterly up my alley. Plus I lived in Chicago for a number of years which has given me this affinity for books that utilise it as a setting. This is the reason I constantly tell you to go through Artist Alley at conventions and see what books these folks have to offer. You'd miss out on the chance to not only see the creator and pick up your own copy which I am sorry I don't a physical copy. This is one of the most amazing and auspicious start to a series that I have seen.

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The V-Card #3

4/19/2020

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The V-Card #3
Antarctic Press 2019
Created & Written by Dallas Casavant
Illustrated by Nick Johnson
Lettered by Sean Rinehart


     Now that Johnathan is dating Talia, will he tell her that he's a Vampire? Will the truth set him free or get him killed? Special appearance by G.I.Joe's Larry Hama!

     God I love this series! Just when you think you cannot get any more schmatlz into this they go and prove us wrong. I mean that's not a bad thing either. Because it is what this series is and it's meant to call the schmaltz police. Still it works and works incredibly well here as we see two young folks who have that whole almost Romeo & Juliet aspect to their lives that plays out exceptionally well within this strange little universe. It makes for fun reading that is exceptionally well placed within the realm of comics lovers and geeks of all sorts.

     I love the way that this is being written. The story & plot development that we see through the way the sequence of events unfold as well how the reader learns information is presented perfectly. The character development that we see here is amazing and I adore the way we see Johnathan in this issue particularly as he's a lovesick teenage boy and it is just utterly perfect to see him this way. It fits in with the ideal of finding someone for the first time and how things are seen through rose coloured lenses. The characterisation of everyone we meet is precisely what it should be and I have to say it just makes the reader love the book even more. The pacing that we see is superb and as it takes us through the pages it reveals such a sensational ebb & flow of the book.

     The way that this is being told really does take us to this place where we understand and feel what the characters do and in ways that we can relate to. There really is nothing better than find a story where you not only relate to it but understand in your own unique way what everything here is all about. That Dallas, Nick and Sean manage to bring this to us this way is phenomenal. This is definitely something you need to be looking at. Antarctic Press is home to extremely good storytelling and this my friends is proof positive of this.

     At first I thought that these interiors were really this kind of all-ages old indie kind of stuff but they won me over quickly. Now I can't see this being done any other way and while I would love to see this tightened up into a better near animation style this works on so many different levels. Oh the splash page here is phenomenal and I really want this to be brought back as a thing in comics, in one fell swoop we see everything we need to in order to understand the fun, brilliance and talent that Nick possesses. The utilisation of the page layouts and how we see the angles and perspective in the panels show a stellar eye for storytelling. The colour work is simple and yet effective and the colour blocking we see is really nice rendered. The hues and tones utilised to create the highlights, shading and shadow work is well done.
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     A love story gone wring or right depending on your point of view. With a colour cast of characters and some darn fine writing that's matched by the interiors we are treated to a book that is easily one of the most unique and interesting reads you are going to come across.

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Margo Intergalactic Trash Collector #3

4/18/2020

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Margo Intergalactic Trash Collector #3
FantaCo Enterprises 2019
Written & Illustrated by Jim Whiting
Lettered by Whiting Studio


     Apocalypse in Pink!
     Can Margo stop a sentient virus before it consumes the universe, and escape a time loop that always ends in her death? Margo and her crew face off with the deadly X15 in the conclusion of this mini-series. The universe will never be the same.

     Okay so this series took me by complete surprise and when Jim asked to do some reviews on it I was happy to take a look. At first glance I had thought this wasn't for me, the artwork is reminiscent of old school indie books which depending on your taste can either be good or bad. So it took me a little ways into the book as I read the story to realise just how off the wall funny and irreverent this really is. I ended up loving this in ways I hadn't expected or anticipated. Before you even know it we are completely engaged in Margo and her life and we root, cheer and scream at her like she's that girl in a horror film heading towards the basement.

     I really like the way that this is being told. The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented beautifully. The way that the story is easy to follow and how much this all feels like everything has this completely natural progression. The character development we see here is great as we start to see Margo's more than stacked she has some smarts to her as well and we keep seeing her evolution throughout the arc making her someone we want to know and see more of! The pacing we see here is fantastic and as it takes us through the pages revealing the twists and turns along the way we see how it works with everything else to create the books ebb & flow.

     I love Margo and how she finds herself in situations and circumstances generally of her own making. She's loud, obnoxious and shows off a pair you wouldn't believe and she's really not all that great at what she does but she never gives up and shows some stellar determination and chutzpah which in the end is what she needs to make it through to see another day. Plus I love how we see her interact with others and how she worries about her mum as she does.

     The interiors here are interesting to say the least. The linework is rally thick, strong and confident in how it's laid down. While I would like to see more variation in the linework the attention to detail we see is pretty gosh darn good. The utilisation of the page layouts and how we see the angles and perspective in the panels show a good solid eye for storytelling here. I like the way that we see depth perception, scale and the overall sense of size and scope we get here. The colour work is pretty solid as well. I like how we see the colour blocking and how it's utilised to show shading, highlights and shadow work.
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     I like how this issue ends and the idea that this is going to be a series of small arcs, presumably since this is only three issues right now. There is a creativity and imagination that is on display here that is marvellous and needs to be seen. It is one hell of an original concept and it's incredibly well executed and it's something you should be reading during all this crazy quarantine business.

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Wretches #4

4/18/2020

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Wretches #4
Scout Comics 2019
Created & Written by James E. Roche
Illustrated by Salo Farias
Coloured by Chunlin Zhao
Lettered by Chas! Pangburn


     Shea and Sean are finally within a laser's blast away from one another, and they don't even know it. Trapped behind enemy lines in the bot settlement, Timentes, Shea's inability to trust her temporary ally, Burr, might just leave her in need of rescuing. Meanwhile, armed and ready after escaping his captors, Sean needs to do whatever he can to get off Timentes in one piece. However, once he locks on to Shea in need of his help, his concern for himself goes out the window. In a last-ditch effort to act quickly and save them both, he may just take himself out of the frying pan into the fire.

     There are a number of things about this book that I really really like. Among them is the fact that James is writing this in such a way that's both killer and serious science fiction as well some tongue in cheek moments that are the flip side of the same coin. The dichotomy between the two is so well balanced that it surpasses the tightrope walkers' ability to walk. There is a reason I love Scout Comics and you have to read this series to fully understand why, I could talk till I am blue in the face but experiencing it for yourself is so much better.

     The way that this is being told is sensational. The story & plot development we see through how the sequence of events unfold as well as how the reader learns information is presented beautifully. The way we see events come upon the characters and how they act and react to the situations and circumstances is so much a part of the story development and the character development and it just blends together perfectly. James really is writing one heck of a story and demonstrating just how much skill, talent and chutzpah need to capture the readers' attention and keep it throughout. The pacing is superb and as it takes us through the pages revealing the twists and turns along the way and how this works with everything else to create the books ebb & flow is amazing.

     The interiors here are extremely nice to see. I love how we see space, how we see not just the shimmering stars but the ships and the work being done there it just captures the eye and imagination immediately. The linework is sensational and how we see the varying weights being utilised to bring out this attention to detail that we see is amazing. The creativity and imagination that we see in how unique each of these cyborgs is so mindbogglingly good and it shows this stellar work in the little details that make these characters unique. The way the backgrounds are integral to the story in how they bring us this depth perception, sense of scale and just the overall size and scope to the book is magnificently rendered. The utilisation of the page layouts and how we see the angles and perspective in the panels show such a masterful eye for storytelling. The colour work here is masterfully rendered as well. To see how the hues and tones within the colours utilised to create shading, highlights and shadow work is gorgeous.
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     There is something about this book that I just resonate with and feel a kinship with. The struggle, the heartache and the feelings of abandonment is exceptionally brought to life here. There is some beautiful examples of how to layer a story and bring the sub-plots close to each other then moving away like planets orbiting the sun. It is books like this that makes Scout such a positive place to find incredible stories.  ​

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Gung-Ho: Black Sheep #3

4/17/2020

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Gung-Ho: Black Sheep #3
Ablaze Publishing 2019
Written by Benjamin Von Ecksartsberg
Illustrated by Thomas Von Kummant
Translated by Ivanka Hahnenberger


     After a rough start to their new life at Fort Apache, Zach and Archer are starting to make friends and fit in. But then a sudden, unexpected breach to the fort happens...white reapers penetrate the colony’s defences with quick and deadly consequences. Both brothers make choices during the breach that will have lasting impacts on their lives and those around them...

     I am beyond thrilled that Ablaze started publishing last year because they have very quickly emerged as one of the best places to see some stellar storytelling take place. I love the idea of this book and the fact that we haven't seen those who reside outside the towns, those infected by the white plague, in the flesh yet has nothing but increase my curiosity and heighten the tension and danger that surround them. That we get to see at least one species which has been affected is great and I have to say that seeing this monkey is beyond creepy and just what we needed to see at this point in time.

     I am a huge fan of the way that this is being told. How we see the story & plot development through how the sequence of events unfold as well as how the reader learns information is presented perfectly. There is as much attention paid to how the reader sees this world, this community as there is to the character development that is integrated into how things progress. The character development we see here is utterly marvellous and how it allows us to see the layers within folks and to question motives and pretty much keep our opinions of the characters constantly changing. The pacing we see here is superb and how it takes us through the pages revealing the twists and turns along the way helps to create the books ebb & flow is fabulous!

     With the way that this book is structured and how we see the complexity and the layers in both the people and story itself is one of the things that really sets this apart. It feels like there is something here that's complete, the world is complete and the story is a snapshot set within the world. We are witnessing fully formed characters who inhabit this world and we are just getting to know them with each turn of the page. Benjamin, however, already knows these folks and he's chronicling their journey for us. It is a very unique perspective to show us and it's rarely done as well as it's being done here.

     The interiors here are rather interesting to me. I am this huge fan of how we see the backgrounds and how they are so incredibly well detailed. The colours we see and how gradation is utilised is phenomenal and the various hues and tones within the colours is spectacular. Plus I do like how the flesh tones are utilised to showcase musculature. The backgrounds we see help provide the depth perception as they bring a sense of scale and that overall size and scope feeling to the book. The imagery on the whole is so stunningly expressive and full of emotion that you find in some unexpected and subtle ways. The utilisation of the page layouts and how we see the angles and perspective in the panels show this masterful eye for storytelling.
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     This has all the feeling of a slow burn as it keeps building up the tension and characterisation to levels where you find yourself feeling like a part of the community. This sense of belonging kind of sneaks up on you and it is going to mess with you when characters start dying, and make no mistake there will be death here it's like preordained in some manner. The power behind the storytelling that we see in the work here is amazing in how we see it's depth. Ablaze is trailblazing their way into American markets with these stories and I want to see the flames rise even higher. ​

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Lola XOXO Vol.3 #5

4/16/2020

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Lola XOXO Vol.3 #5
Aspen Comics 2019
By Siya Oum
Lettered by Dezi Sienty


     | PREVIOUSLY |
     Lola’s true mettle is revealed as she survived a grizzly bear attack in order to get word to the settlement about The Divide’s impending attack by the Suits. But, the respective tribes found it hard to collectively come together—even in the face of their own demise. Yet, no one person—or worse, animal—was free from death, as Lola’s cherished horse and companion, Cloud, was killed during the invasion…

     This has become one of those go to series for me. What Siya has managed to create here is this amazing world where after an apocalyptic event civilisation still manages to survive in ways that feel and are familiar and logical. I love how we see a modern day class struggle infused with this thirst for power and the corruption that thirst brings with it. The complexity and the layering we see within the story with subtext and overtly it all has this marvellous air about it that captures the readers' mind and imagination in some truly beautiful ways. I was sad that it took me so long to discover this and now that I have I simply cannot get enough of it.

     The way that this is being written is stunning. The story & plot development that we see through how the sequence of events unfold as well how the reader learns information is presented wonderfully. There is this style to the writing that allows the reader to see what they need to and not more so that we are as surprised alongside the characters when things begin to happen. It's one of the best ways for me to see a story because honestly I don't want to know too much ahead of time. The character development continues to impress me as we see how the circumstances and situations they encounter continue to flesh them out and shape who they are are. The pacing is fantastic and a it takes us through the pages revealing the twists and turns along the way which of course keeps us guessing and wondering about what's to come while also helping create the ebb & flow to the story.

     Sometimes you find a series that takes you by surprise as it seeps into your very being. This did that for me and I couldn't have been any happier about it happening either. I thought this was something else altogether and it just goes to show that “judging a book by it's cover” really is an actual thing. I really strongly urge you to find the first issue or trade and start reading one of the best books around.

     The interiors are breathtakingly beautiful. The linework is mindbogglingly gorgeous and the way we see the attention to detail here is beyond phenomenal. Then add in the watercolour work and suddenly wood grain and the whole idea of gradation takes on new meaning. This is some hella talent going on within these pages and having my own original piece from her I can attest to the talent this young woman possesses. There is nothing about the work here that isn't superb the way that we see the backgrounds being utilised and how this brings us depth perception, a sense of scale and the overall size and scope to the book leaves me gobsmacked. The utilisation of the page layouts and how we see the angles and perspective in the panels show such a masterful eye for storytelling.
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     There is a definite lacking of this kind of storytelling on the market right now and with the whole overtones of the wild west mixed with a post apocalyptic style future the world we see is beautifully rendered and the story itself is flawlessly told.

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The Blue Baron #3.2

4/15/2020

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The Blue Baron #3.2
Sitcomics 2019
Written by Darin Henry
Pencilled by Ron Frenz
Inked by Sal Buscema, Scott Koblish & Joe Rubenstein
Coloured by Glenn Whitmore
Lettered by Marshall Dillon


     The Peril of Professor Wrath!
     It's the stunning second act of the sensational Professor Wrath saga! The stakes have never been higher but the Blue Baron has never sunk lower! Will he be able to get things back on track in time to rescue the teen superteam who wanted nothing to do with him?! Meanwhile Ernie has troubles of his own when he becomes the object of a schoolgirl's crush! You won't believe what happens in the pages of this all-new instant classic!

     This is one of my favourite books, period. It is right up there with the original Teen Titans and the Superboy and the Legion of Super-Heroes, oh and New Mutants, in terms of quality and level of the storytelling through words and pictures. This is classic comic book storytelling for a modern age. The complexity in the writing and the layering within the characters that we see keeps the reader on their toes. I love that this feels like a fresh new take on something familiar and that Darin really is able to maintain that fresh feeling throughout the entire run. For me this is what I kind of grew up reading so to see it done this way and bring those feelings back to me while still managing to stay in the present is a real godsend.

     I am digging the way that this is being told. The story & plot development that we see through how the sequence of events unfold and how the reader learns information is laid out perfectly. I like that we see those instances of realisation that come out at the strangest moments that really have the impact that they do. Which of course leads us into the character development that we are seeing here. I like that both Ernie and the Baron each have some growing to do as they finally see themselves coping with the other's problems. The way that characters act and react to situations and the circumstances they encounter is that extra bonus level that really is shaping them into a better version of themselves. The pacing is fabulous and as it takes us through the pages revealing the twists and turns along the way it highlights how well the book is structured and how everything works together to create the ebb & flow of the story.

     The interiors here are utterly gorgeous I mean seriously look at the talent of these creators. The linework is spectacular and the way that we see the varying weights being utilised to showcase the quality in the attention to detail is sensational. The backgrounds we see and the attention there is fabulous as it works within the composition of the panels to bring us this nice depth perception, a sense of scale and that overall size and scope of the story. The utilisation of the page layouts and how we see the angles and perspective in the panels show such a masters eye for storytelling. The colour work is utterly gorgeous and the way we see the gradation in the hues and tones within the colours to create the shading, highlights and shadow work is perfection.
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     While the story is amazing and there is no questioning that, but with the interiors here we see this come to life in a way that mesmerises the reader. This is the fantasy and reality that we want to see in our comics and it's why some of us attend auctions to grab the slice of history that I see within these pages. This is a perfect example that you can do a modern day comic while keeping it firmly in the realm of silver and bronze age tales.

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Blade Runner 2019 #4

4/15/2020

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Blade Runner 2019 #4
Titan Comics 2019
Written by Michael Green & Mike Johnson
Illustrated by Andres Guinaldo
Coloured by Marco Lesko
Lettered by Jim Campbell


     The climax to the first original comic series set in the world of Blade Runner! Detective Ash discovers the truth behind her mysterious client, his kidnapped family, and the Replicant conspiracy hidden throughout Los Angeles!

     I apologise because I am so far behind on this series and it really is just so gosh darn good. As someone who never really got into the whole Blade Runner world this is the kind of book that you can enjoy fully and totally. With little to know knowledge of the film franchise this is still a story that has this depth and complexity to it that keeps the reader glued to and invested in what we see happening. The layers of story and how everything we see is being guided through the pages it just has this energy and intoxicating pull that you cannot resist. It really is that good.

     The way that this is being told is freaking amazing to me. The story & plot development we see through how the sequence of events unfold as well as how the reader learns information is presented beautifully. Just the way that we see Ash go through and process what she sees, what she knows and what she believes when all of this is constantly changing and shifting like the ocean tides is magnificent. This of course naturally bleeds into how we see the character development portrayed here. I mean to be able to think, assess and act upon the right impulses is no mean feat but Ash is quite different than anyone we've ever met. Plus those we see and meet around her are fleshed extremely well, in fact we can see motives and relate to people even if we disagree with their methods. It is a testament to the writing skills and talent which these gentlemen possess that we can so fully become immersed in the story. The pacing is excellent and as it takes us through the pages revealing the twists and turns along the way we get to see the formation of the books ebb & flow.

     I also like that this isn't drawn out and made to fit more issues than it needs to so that the arcs themselves can run the way they naturally should. We need to go back to that instead of writing for trades and just tell the story the way it needs telling. Also while this is completely and thoroughly engaging it isn't done to be “sensational” in nature, see causing or garnering undue attention with promises of grandeur. This is what storytelling should always be in my humble opinion.
The interiors here are phenomenally well rendered. The linework leaves me gobsmacked in how we see its appearance and how the varying weights are being utilised to showcase the level of work in the attention to detail is mindbogglingly good. We see in the characters, their clothing, in the backgrounds and most of all the faces and facial expressions that further the characterisation in ways words alone cannot do. The way the backgrounds work within the composition of the panels show this marvellous depth perception, sense of scale and that overall sense of size and scope to the book. The utilisation of the page layouts and how we see the angles and perspective in the panels show this stupendous eye for storytelling. The colour work we see here is divine as well. Whether it's full on colour or done in muted tones for the moods that we see happening utilises the various hues and tones to create the shading, highlights and shadow work is beyond.
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     If this is your only exposure to the Blade Runner franchise it'll be that which you judge the way you see the rest, if you decide to. This book is one that takes you into it's world and makes you a part of the characters journey which is so incredibly fabulous. You don't want to leave this world because Ash is someone who's life you want to be a part of.

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John Carpenter's Tales of Science Fiction: Redhead #4

4/14/2020

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John Carpenter's Tales of Science Fiction: Redead #4
Storm King Comics 2019
Written by Duane Swierczynski
Illustrated by Jason Felix
Lettered by Janice Chiang


     It’s Marnie’s worst nightmare: trapped upside-down in a tube, the subject of a series of hellish experiments to uncover the cause of her strange condition (i.e., instantly killing anyone who comes too close to her). If she’s going to survive, Marnie is going to have learn how to harness her bizarre “power” and escape, even if that means heads will have to roll…

     This is a stunning display of storytelling happening here and it's no wonder that Storm King Comics made end of year with on their books. What Duane is doing here is demonstrating just how damn good of a writer he really truly is. I am still in awe when I think of the premise alone here and add to that the fact that we see such a bizarre and yet interesting story keep playing out before our eyes excites me like you wouldn't believe. The fact that this is as outside the box as you can get and yet remain fully in the realm of a biological warfare weapon manifesting in an unsuspecting person is not really that far fetched in today's world. Okay the manner in which she's a weapon is pure science fiction but that blurred line between reality and fantasy is what makes this as horrifically poignant as it is and that why I love Duane and Storm King Comics!

     The way that this is being told is utterly brilliant! The way we see the story & plot development through how the sequence of events unfold and how the reader learns information is perfectly presented. I am thrilled by the fact that how we see things happen with Marnie feel like they are what should be happening. This leads us into the whole character development because the behaviour of folks who think they know better then they do and how we see this play is mindbogglingly well done. The pacing is superb and how it takes us through the pages revealing the twists and turns along the way and how this works with everything else to create the books ebb & flow is stunning.

     I couldn't be any more impressed with this if I wanted to be. This is practically perfect in every way as it is. The layering within the story is fabulous and how the characters keep coming to life and how we see the changes from the first through now is superb. I have a fan of Duane's writing for years and probably just as long as a person and this is exciting and has this verve and vigour to it that is inescapable.

     Jason's interiors here are bloody gorgeous to see. I know we've come a long way in computer generated illustration and the way this feels to me is equal parts cutting edge and stop motion animation and together it makes this whole thing come to life beyond your hopes and dreams. Plus this allows Jason to really go for the backgrounds here and bring us a level of storytelling that's truly cinematic to the eye. It also works so well within the composition of the panels in bring us depth perception, a sense of scale as well as the overall size and scope of the story. With the detail that we see playing such a strong role, see bunny rabbits, the evisceration and how she sees her microbes in play are just the beginning of how awesome this is. The utilisation of the page layouts and how we see the angles and perspective in the panels show such an amazing eye for storytelling. The colour work is stupendous as all the different hues and tones within the colours are utilised to create the shading, gradation, highlights and shadow work. The fur on the rabbits with different colours and tones throughout their fur is stunning.
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     This is the reason I still do what I do, still read comics and review them so that if you do not know just how damn awesome these stories are then I can bring them to your attention. Science fiction has such a broad range that can be utilised and this, this is a prime example of how it can be used to be as frightening a story as any slasher tale can possibly try to be.

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HiJinx #2

4/14/2020

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HiJinx #2
Missing World Media 2019
Written by Tom Stillwell
Illustrated by Dale Yaddow


     With great power comes great absurdity. Emily’s just a normal kid living in a city filled to the brim with superpowered heroes and villains. When she finds herself gifted with extraordinary abilities Emily must decide which side she falls on. Does she use her powers for Good or Evil? Neither! As Hijinx, Emily uses her powers to stick a big ol’ whipped cream pie in the face of Titan City. What good are superpowers if you can use them to have a whole lot of fun!

     Well after the girls found Emily an outfit to wear and we've been properly introduced to their lives and their world it's time to have even more fun! I am impressed with what Tom is doing here and how he's taking these two girls and making them feel like flesh and blood people. I like the way we see two sides of very much the same coin here, one rash and impulsive the other thoughtful and wanting a plan. I like the way they work together it has this really weird kind of Laverne and Shirley vibe to it and if you don't know who they are then wow I am old heh.

     I am a huge fan of the way that this is being told. The story & plot development we see through how the sequence of events unfold and how the reader learns information is presented perfectly. It isn't just how the story is told either it's how we see how the story is shaped by the girls personality traits as well. The character development we see is amazing and the more we see them the more we learn about them and that's precisely how it's supposed to be. Plus to see the circumstances and situations that arise and how they are handled, act and react to, helps the flesh them out even further. The pacing is superb and as it takes us through the pages it's actually straight up takes us through the story without all the twists turns along the way but with a few killer endings.

     I implore you all to please head and order yourself the set that's available because if you love comic books and you love good storytelling and you really enjoy how comics were before they got all dark, angsty and depressing well then you really need to have this. This along with everything else in Tom's arsenal and it takes a lot for me to get a tattoo of a character and I have one of his. Actually the character who inspired HiJinx herself.

     I find myself adoring the work that Dale is doing on the interiors here. The linework is fantastic and the way that the way the varying weights are being utilised to bring out the attention to detail is phenomenal. Can I also say those panels with the brick walls are everything, until the two didn't have them then I was what? I love seeing how backgrounds are utilised to work within the composition within the panels to bring us depth perception, a sense of scale as well as the overall sense of size and scope to the book. This does have a very nice style to the artwork and there is a great uniqueness in what Dale does and when we see the balloons utilised the way they are it's really well rendered. The colour work is pretty amazing as well. I love the vibrancy we see here and how the hues and tones within the colours are utilised to create the shading, highlights and shadow work that we see is sensational.
​

     Sure it can be cheesy at times but that's okay it's comics people. This is fun pure and simple it's where you go to get lost in a world full of colourful characters and impossible scenarios.

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