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Today's reviews!

Reviews for 19-12-21 
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​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
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Bloodshot Reborn #0

3/22/2017

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Bloodshot Reborn #0
Valiant Entertainment 2017
Written by Jeff Lemire
Illustrated by Renato Guedes
Coloured by Andrew Dalhouse
Lettered by Dave Lanphear

    Returning to the mainland, Bloodshot discovered that PRS released billions of nanites into Manhattan, and were able to turn civilians into deadly killing machines with the flip of a switch.  Bloodshot and Kay teamed up with Unity and were able to defeat PRS and save the civilian population.  Deathmate killed PRS head Morris Kozol in a final confrontation.  Bloodshot — AKA Ray Garrison — and his true love Magic are now free of Kozol and PRS, and can seemingly once again begin their life together after the chaos in New York City….

    I like this as it wraps up what we’ve seen from the previous arc and gives us a good look at what’s to come next.  It’s like the zero issue is really the final countdown of one story and the introduction of another and the way Jeff did that is pretty darn good.  The way this plays out is smart and I have to say it kind of took me by surprise and not because of how well Jeff did it, that’s always a given at this point, but by the implications and possibilities that now exist because of it.  I really thought things would play out differently but this is so much better.  

    GATE is a new player in town and they have the technology thanks to PRS to update the Bloodshot Corps survivors and let them re-integrate back into modern society, beholden to them of course.  Which means that should they need them they’ll expect them to come running back as agents of GATE at any given time or hope that so much time has passed and this world is too strange and that they are too alone so they’ll come back to them on their own.  Either way it’s a great premise for a new series with these characters and it’s much better than the one i’d formed in my head.

    So then there’s Kay and Diane, Agent Festival.  Thanks to PRS Kay’s back and more powerful than she ever was and that could be a problem for the Valiant Universe.  Though let’s face it she’s always been a good guy and while she’s never wanted this kind of life it’s one that found her again and brought her back to life.  I wouldn’t mind seeing a little story about the two women road-tripping it and solving some crime before hooking up with Unity and joining them full time.  Festival’s own unique talents alongside the Unity team with the power levels that Kay would bring that’s something worth exploring.  

    Renato has his own very unique style of illustrating this story.  Andrew does a magnificent job colouring that too by the way.  Renato’s use of angles, perspective and even the use of backgrounds to help the flow of the story is great to see.  There’s the introduction of one character who excites me more than the rest and he’s fascinating because of that visage we’re shown.  Somehow that face matches exactly the soul of the man and wow that’s a very impressive feat for these guys to hit!

    The more Jeff keeps bringing us of Ray and co. the more I want to know.  He’s really managed to make Bloodshot required reading these days and changed everything that I thought about the character around.

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Highlander the American Dream #2

3/18/2017

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Highlander the American Dream #2
IDW Publishing 2017
Written by Brian Ruckley
Illustrated by Andrea Mutti
Coloured by Vladimir Popov
Lettered by Dezi Sienty

    Since the dawn of time, immortals have lived amongst us. They await "The Gathering," when those who remain will battle for "The Prize." The victor will inherit unimaginable power and influence over all humanity.In 1985 Manhattan, on the eve of The Gathering, the Highlander—Connor MacLeod—has been re-united with fellow immortal Osta Vazilek. A shadow from the past looms over them: John Hooke, one of the very worst of their immortal kind, whom they first encountered and fought during the American Civil War...


    One of the most interesting aspects of the Highlander franchise is that the immortals aren’t chosen they are made.  So there is no rule or standard for who becomes one and that means that people who are inherently good or inherently evil can become immortal.  While the Highlander and his friends represent the good side it’s always nice to see how they deal with those on the opposite side of the spectrum.  Also that those who aren’t as well shall we say balanced mentally can win their fights and could possibly be the last one standing well it’s a prospect that makes things much more fascinating to follow.

    Brian does an excellent job in using that dichotomy of the two sides in this story so far.  Seeing Hooke through the Monk and Connor’s eye’s is great and that he’s so dangerous and nasty is something we need to see.  Why do we need to because everything has a balance so if there’s good in the world then it needs evil to counter it.  Pure and simple can’t have one without the other unfortunately.  Also it gives us someone to hate and root against, while secretly (or not so) wanting to see more of.

    Also his use of history here is spectacular!  That we see everything through the eyes of the immortals so that it’s less a history lesson and more a memory means that the perspective we see it from is much more personal and interesting.  Gone is the guessing instead it’s fact that it happened, first hand experience, and we get to see personalities at various times throughout their existence.  That alone is a powerful tool for characterisation and character development in a short amount of time or a series of then and now storytelling.

    I have been a huge fan of Andrea’s for some time now and his work here continues to keep me incredibly happy.  His attention to detail in what we see and in the backgrounds he provides is utterly amazing.  We get such a complete picture of what’s going on during any time period through buildings and clothing.  Plus his people are natural looking so that there is no exaggeration just something that we see everyday that’s believable.  His use of page layouts through angles and perspective are masterfully done.

    This is the complete package of how an immortal can worry, live, love and lose and still be as thoroughly entertaining and enriching through its storytelling.

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The Forever War #2

3/18/2017

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The Forever War #2
Titan Comics 2017
Written by Joe Haldeman
With Gay Haldeman
Illustrated by Marvano
Lettered by Cat Connery

    As they touch down on the planet Aleph, Platoon 1 are about to put everything they’ve learned in training into practice. They are under orders to engage the enemy – the Taurans – whom none of  them have ever seen before. Ready for battle, they set out across the alien world. The war is real now. They’re in it.  But, like everything, the expectation and the reality are markedly different.  The ideology that led them to this situation also led to decisions that none of  them could have prepared themselves for – and the lucky ones who survive will never be the same again…

    I love this for so many reasons!  The fact that we’re seeing how all this is affecting the team through the eyes of one man is amazingly well done.  I mean war is something no one should aspire to experience and from what we’re seeing it’s like these guys are there because of propaganda and fear not because of some very real threat.   This alien world that has these elements of what we know against that strange alien backdrop really is striking.  I mean that tree, if that’s what it is, looks like a termite mound and the wildlife are more like dinosaurs so it’s a very unnerving landscape for these first time out folk.

    So the first encounter with the local wildlife left me shaking my head, I didn’t see the purpose of this happening.  As far as we know they aren’t Taurans just local animals so why?  Is this some kind of inherent human reaction?  Is this how we behave in such a shoot first don’t think of consequences society?  I mean I see the American Presidency being a mockery of all it was built to be and then I see this and think wow humanity really is not ready for a cosmic stage at all.  Heck we’re not even ready for a world stage, one unified world.  That this story is an adaptation and that we get what Joe is doing with his analogies and making the reader think and see through the obvious is why it’s such a powerful story.  

    I am a huge fan of the work Marvano is doing here.  The attention to detail is utterly phenomenal!  The use of page layouts with their angles, perspective and utilisation of backgrounds really brings us the bigger picture of the world and what’s going around the crew.  The facial expressions are marvelous in showing feeling and emotion plus the creativity and imagination in bringing the alien parts to life are splendid.  

    This is a many layered story that continues to grow and evolve as we read it.  From one man’s ability to see beyond their orders and understand that actions have reactions and struggles to understand the why of it we get so much more than we bargained for.  This has that ability to make you think beyond what we see and then just appreciate what we are experiencing on the page as well.  From a science fiction war epic to a much deeper look at human behaviour and our need to change what we get out of this is dependent upon the reader.  Either way you see what’s happening here it truly is something special.


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Star Trek Deviations

3/17/2017

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Star Trek Deviations
IDW Publishing 2017
Written by Donny Cates
Illustrated by Josh Hood
Coloured by Jason Lewis
Lettered by AndWorld Design

    In a world where the Romulans discovered Earth before the Vulcans, Earth is now a brutal penal colony. Resistance fighter William Riker has uncovered a vast conspiracy, and together with his band of prisoner outlaws (you just might recognize a few!), must fight to rescue a mysterious prisoner in the darkest level of the Romulan dungeons. The only man on Earth that still holds the key to humanity's return to the stars!

    This is a story that would kind of reboot the Next Generation in a way that’s unexpected, interesting and dare I say blasphemously good.  Think about it the Enterprise crew went back to when that first test by Cochrane happened to prevent the Borg from succeeding in their nefarious plans.  But what if it weren’t the Vulcans who came a calling when Cochrane’s flight was made and instead it was the Romulans?   That would change EVERYTHING!

    Okay so get past that Donny is reworking the mythology here because he’s a good solid writer and more than capable of making something like this work.  Also NO this isn’t a new reality moving forward it’s just a What If…. so enjoy it for what it is.  What it is is a darn good story that is smartly written with some great characterisation and unexpected appearances by familiar characters.  The whole idea behind this that the Romulans came to Earth and pretty much made it a penal colony and enslaved the human race isn’t so far off.  I mean if you remember at the time Earth was still recovering from wars and such so it’s not a leap of logic for this to have happened to easily.

    The character redesigns are kind of awesome.  I like that this takes place so far in the future that we skip over the original cast and are already at the Next Generation’s time period. So seeing how Josh interprets this is fun and way cooler than I expected, including Data whom I wouldn’t have thought would be around but hey it works for me!  His use of page layouts with their angles and perspective are fantastic and the colouring from Jason completes everything beautifully.

    There are a million What If stories that could be written regarding the Star Trek Universe and that we’re finally seeing one with the TNG cast and that it’s this creative, imaginative and well executed makes me sorry it’s a one-shot.  Or is it?  After all this does end with something of a cliffhanger so it could continue should the powers that be say go for it, oh and the fans too.  

    The differences in the characters personalities that we see here are extremely well done in my opinion.  They represent them living a hard life and that reflects in how we perceive them though at their core they are the characters we know and love.  Though I will say that there’s one character that fans love to hate who isn’t in this at all should make many happy.  

    Comics are supposed to be fun and showcase talented creators doing the best work they can and that’s what this here does!

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American Gods #1

3/17/2017

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American Gods #1
Dark Horse Comics 2017
Story and Words by Neil Gaiman
Script and Layouts by P. Craig Russell
Illustrated by Scott Hampton
“Somewhere in America”
P. Craig Russell & Lovern Kindzierski
Lettered by Rick Parker

    Shadow Moon just got out of jail, only to discover his wife is dead. Defeated, broke, and uncertain as to where to go from here, he meets the mysterious Mr. Wednesday, who employs him to serve as his bodyguard—thrusting Shadow into a deadly world of the supernatural, where ghosts of the past come back from the dead, and a brewing war between old and new gods hits a boiling point.

    I read the book back in 2001 and thought wow was it just one helluva good read.  I mean it’s Neil Gaiman and his mind and imagination and way with words can be utterly astounding to the average person like myself.  That it’s sixteen years later and it’s being turned into a comic book series and a television series is wonderful.  Why because so much time has passed and while I may not remember the details of the book after all this time I do remember the feeling reading it gave me so now it’s a chance to rediscover it all over again from a new fresh perspective.  Also we’re talking P. Craig Russell doing the adaptation as well as some original material in this so yeah Dark Horse has an instant hit destined to be a classic in this.

    So while i’m enchanted by the story and how we meet Shadow and getting to know him i’m enthralled with the vision Scott Hampton provides in bringing this to life.  Right off the bat the castle like prison in it’s shades of stone grey just hit me and left an indelible impression.  Actually the entire issue left me thinking of just how darn talented he is.  Shadow himself with those incredible light hazel or blue eyes, the way he brings these characters to life and gives each one this personality just couldn’t have been any better.  His use of page layouts through angles, perspective and use of backgrounds or lack thereof are as instrumental to the story as the words.

    So while many will know what this is about the fact that it feels fresh and new all over again cannot be underrated.  I mean getting this introduction to the story under my belt so to speak and having a chance to meet and get to know Shadow Moon and see something of what’s in store for him makes me twitch with anticipation.   

    For those that haven’t read the novel then they are in for a pure treat.  The adaptation here is utterly spectacular and hits everything exactly the way it needs to for maximum impact.  It’s no wonder Dark Horse is a leader in creative storytelling coming from existing franchises.  

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Mask Annual 2017

3/17/2017

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MASK Annual 2017
IDW Publishing 2017
Written by David A. Rodriguez
Illustrated by Andrew Griffith
Coloured by John-Paul Bove
Lettered by Gilberto Lazcano

    I welcome back the days of the Giant Sized Annuals that told a complete story that wasn’t tied into the main series.  Also welcome to the giant sized price but that’s today’s market.   So what I think this story does incredibly well is continue to solidify this new merged universe.  That the Mask team needs to team up with G.I. Joe to recover pieces of a Cybertronian who crash lands on Earth before Manheim and his Venom team can retrieve them well that’s what it’s all about.  It makes each franchise essential to the ongoing stories even if they aren’t front and center moving forward.  

    David does a nice job in bringing Mask and the Joe’s together on this one.  It’s a natural working arrangement and one that both teams will benefit from.  I also like the fact that we see how Cybertronian technology is as important to the Mask team (and Venom) since it does make up a large part of why their cars fly and suits work.  The technicalities of that are still unknown but that’s a good thing we need some sort of mystery about how Manheim got it all working.  Plus it gives us future arcs that keep cementing their interaction with other franchises.

    I like the character development and characterisation that we get here.   Not just for the Mask members but of the Joe’s as well and then there’s the fact that working together brings out aspects that are surprising and get reactions like, “Don’t look at me, I studied at Northwestern not the Enterprise” which are perfectly placed, timed and are as descriptive as it is funny.  

    The interior artwork here is really nice.  I like the way page layouts are utilised with their angles, perspective and use of backgrounds.  The characters have that animation/classic comics blended feel so it’s perfectly suited to show off both the attention to detail in the work as well as that cartoon feel.  Also a huge shoutout to John-Paul with his work on the colours because yeah they are well done indeed and when you light sources, shadows or technology focused on it’s there!

    While I never did watch the cartoon which is surprising since I was a teenager in high school, though I was working so…  anyway.  I will say this I like what we’re getting here and that I’m coming into this blind as I am it’s great to see how much care and attention this has been given to make it as new reader friendly as it’s become.  I don’t feel like i’ve missed anything so far and everything is easy to follow.  The creative team does an excellent job in bringing this to life for us, making it that extra large sized story to attract new readers and keep establishing their place in this Hasbro Universe.  

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All New Soulfire #1

3/17/2017

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All New Soulfire #1
Aspen Comics 2017
Written by J.T. Krul
Illustrated by Giuseppe Cafaro
Coloured by Wes Hartman
Lettered by Zen

    Magic is flourishing in the world...However, not all welcome it with open arms...Many live in fear of what they do not understand...Yet, some see opportunity, and have chosen to exploit it for their own personal gain…

    After the the merging of Universes it’s time for us to discover the world of Soulfire all over again and J.T. really does something unexpected with this!   I loved this issue because of where the story took us.  So yeah we open with a group of seeming petulant kids sitting on top of the Golden Gate Bridge who are chases off so they fly away.  This is the reality of the re-emergence of magic and it’s effect on society and the writing here depicts how they feel and it’s pretty different from what I was expecting.

    When we get into the story is when we really get to see the new direction this series is taking.  I think that this is something that needs to be explored this way and i’d be lying if I said I hadn’t thought what if…  That the characters are so different from when we last saw them and yet so much the same it’s a wonderfully demonstrated dichotomy.  Seeing Malakai in this way is going to be interesting because it’s something most of us have wanted.  J.T. tapped into something immediately with this idea that has great appeal.

    Cafaro does some nice work here and some that well leaves me wanting.  His city scapes are astounding, Malakai looking more feminine than masculine well I keep seeing him and thinking he’s a female character and that’s throwing me off.  Then of course the moment we see Onyx and her outfit and wings it’s like magic.  I’m hoping that we start to see a little more consistency because the talent is here for sure.  

    Ah Grace and what she learns this issue is where it’s gets a little more interesting.  I like that Pili knows about the timeline’s change though not the specifics.  Just that her abilities to see the past and future have changed and that existence itself is fluid.  That for me was a great thing and that means that while things can return to some semblance of what of would be normalcy that doesn’t mean they will.   It’s completing the picture of what’s going on with this new series and where it stands right now.

    I’m excited for this and for Fathom and while they aren’t sharing the same moment in time that doesn’t matter.  There’s hope and a freshness that we haven’t seen in these characters in a while that is enticing and exciting.  

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Batwoman #1

3/16/2017

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Batwoman #1
DC Comics 2017
Written by Marguerite Bennett & James Tynion IV
Illustrated by Steve Epting
Coloured by Jeromy Cox
Lettered by Deron Bennett

    Batwoman is back and in her own monthly series though this time around she’s working more as one of Batman’s cadre than we’re used to.  I’m both excited and leary of that fact I mean it’s nice that she’s close to her family and is learning to work better with others but part of me likes that loner angst she has too.

    Well after that whole Monster Men thing Bats asked Kate to hunt down the remaining serum and get it off the world market.  Of course nothing is ever as easy as that but it does give this team a chance to turn Kate into and internationally renowned adventurer.  Oh and a way to explore the places she went in that lost year which was brought up last issue.  Uhm one little thing before I continue while I appreciate Bette’s mention here I sincerely hope she’s not attending West Point as a way of keeping her in the fringes she needs to don her outfit and fight alongside Kate!

    Well I do like the symmetry and similarities in Kate’s new life to that of Bruce’s.  I mean it really is a family affair with them nowadays isn’t it and that kind of family is good to have.  The trust that can be seen and earned as their time together grows well i’m looking forward to seeing that.  The dynamic the two women have here is remarkable already and that they’ve been able to bond during the six weeks they’ve been working together before this issue well I look forward to the kind of familiarity that women have with each other when being brutally honest.  

    Steve and Jeromy do a marvelous job on the interiors here.  I like the creativity and imagination we see in that monster.  With her internationally hopping around I can’t wait to see how the world is depicted through their work.  The Bazaar here is gorgeous and the Island pretty beautiful as well.  The attention to detail is fantastic and the way page layouts are utilised through angles, perspective and backgrounds make for exciting reading.

    I like that this isn’t so much a mystery as it is a mission.  While I wouldn’t mind seeing Kate become something of a detective that’s really Bruce and not her.  She’s a fighter and a warrior and that’s her niche so getting to see her in her element with the colourful cast of folks  she’s met over the years well that’s what I can’t wait to see.   She’s going to have to come to terms with things that happened in the past so she can move into the future and that’s where things get meaty.  Kate’s a complex character and it’s getting to see through her many layers that make her as dynamic a character as we’ve ever seen.

    This is off to a tremendous start and I look forward to see where these folks take Kate on her new journey.

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Revisionaries #1

3/16/2017

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Revisionaries #1
Self-Published 2016
Written by Andrew Adams
Illustrated by Nico Sucio

    Well this is the story about a group of time travelers that have come to World War II in order to kill Hitler.  Only they come across one of the luckiest losers ever to walk the Earth in the spinless G.I. Private Ashkenazy.  This is the kind of story that once upon a time would’ve been the definition of an Underground Comic it’s unbelievably unapologetically awesome, see so bad it’s good type of analogy.   

    The opening to this gives us this look at Private Ashkenazy as he is being reprimanded as it were by a superior officer who clearly doesn’t like him.  Although I have to say there’s one moment when he’s being used as a human shield for someone to get away without being shot that just tickled my fancy something fierce.  It’s also a chance for the reader to really see just how spineless of a man he truly is and what he’s allowing to take place here.  

    So don’t get me wrong but I almost thought there was going to be some kind of wierd porno thing happening in the opening with all the spittle flying and well what made him do and I thought to myself oh please go there.  I mean it would be the type of thing that would shock the hell out of people and just make this caricature of his commander complete.

    Okay so when Ashkenazy meets the time travelers he’s got a massive decision to make.  It looks like he’s going to have to lose that spineless reputation and grow a pair if he’s going to hang with this rather eclectic and motley crew.  

    I think that NIco’s interiors here are utterly brilliant!  While I do wish the men of the future were given the same treatment as the women in regards to outfits he does manage to capture that old school underground feel spectacularly.  He makes reading this so much fun through the range of emotions and actions he captures on the pages.  The use of page layouts through the angles and perspective are extremely well done I just wish he’d use backgrounds more.  

    Andrew’s writing here is pretty phenomenal I mean yeah there are some moments you groan and think really grow up but overall it’s the kind of fun that we really need right now.  It’s somewhat childish, immature and silly but it’s all that in the best ways possible.  I mean c’mon once you see the personalities on display here you can’t help but laugh and smile.  When was the last time a comic made you walk away from it with a happy feeling and in a great mood?  The premise is wonderful and the way he manages to structure the story and bring it along is delightful.  There’s just this gosh darn sense of fun and laughter involved that is infectious thanks to his storytelling ability.

    This my friends is the kind of stuff that i’m thrilled to support and tell the world about it’s way beyond time that we had stuff of this caliber come back!  Check it out on Facebook at Revisionaries or head over to https://www.wanderadams.com/ and help the world be more fun again!

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Divinity III: Escape from Gulag 396

3/16/2017

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Divinity III: Escape from Gulag 396
Valiant Entertainment 2017
Written by Eliot Rahal
Illustrated by Francis Portela
Coloured by Andrew Dalhouse
Lettered by Dave Sharpe

    Archer & Armstrong: Enemies of the State! In the Soviet-controlled world of the Stalinverse, there is a place where liberty is sentenced to die…and it’s Gulag 396.  A maximum-security prison where the only escape is through death, the gulag is the final stop for all enemies and detractors of the world’s oppressive authority. But when public enemy Obadiah Archer is admitted as the latest inmate, could his gospel of goodwill and optimism be the spark that ignites a new faith in the prison’s population…including the immortal undesirable known as Aram Addi-Padda?

    Each and every one shot that has come out of this Divinity III storyline has made me want to see more of the characters in these situations.  It’s been a long time since an event series has been so well that in all reality it could support it’s own line of books that would rival the originals.  Aside from the fact that this is a completely different take on the world and how we see it the fact that we get an Archer & Armstrong at all is kind of beyond awesome.  Even better is how Eliot has structured this story.

    From the beginning we’re seeing everything from Obediah’s perspective which is kind of natural.  To see what he goes through in this reality is pretty amazing stuff and that his religion and that of his father is what keeps him going and makes him the man that we see here well I have whole new respect for that.  This is what happens when belief isn’t tainted by some narcissistic tendencies or a plot to rule the world and instead shows how it can be inspiring.  So very good job on Eliot for that portrayal here it really comes across incredibly well.

    Also I do like the way that Obediah is the catalyst for Armstrong to get out of his funk and start moving on with his life.  I mean the man’s immortal right and he’s seen empires rise and fall and taken sides in many of them.  So the real question is why has he given up now?  Does he need Archer to make him complete again, to feel alive and that he has a purpose in this world?  If so then that too comes across nicely because we’ve never seen just how important the two are to each other than right here in this one-shot story.

    Francis is an amazing artist and his work here continues to just impress the heck out of me.  His attention to detail, use of page layouts through angles, perspective and backgrounds are stunning to see.  The transformation in Obedia from child to man is marvelous!  What this man can do with his work just makes reading that much more fun and with Andrew colouring it it’s totally just a wow factor!

    If that weren’t enough we get a bonus story here too!  The Origin of the Pioneer is well suited for this reality but the question is will we see here again when the world goes back to normal?   I love Juan Jose Ryp and his artwork and seeing that cathedral coming out of the island is awe inspiring to say the least.   I love that he and Matt can do these little stories together that have that pop and zing to them.

    Valiant is one of my favourite universes to play in because of storytelling like this.  

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