READING WITH A FLIGHT RING
  • About
  • reviews
  • Contact
  • Cosplay of the Day 2
  • Company News
  • Entertainment Section
  • Convention News/Updates
  • original artwork
  • My Best Books of the Week
  • Cosplay of the day!
  • FCBD
  • Interviews
  • Webcomics

Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

Facebook Link

Stone King #1

2/23/2019

0 Comments

 
Picture
The Stone King #1
Comixology Originals 2018
Written by Kel McDonald
Illustrated by Tyler Crook


       When you become an adult, you have to prove yourself, at least that's how it works for the Stoneport thieves. Ave has decided to illegally harvest healing moss from the Stone King, a mighty giant who roams the lands. Her theft goes even better than she could have dreamed. The biggest gem she's ever seen is her prize. But is that prize worth the consequences?

      With so many different outlets for new original content it means that we have to pay attention to what is coming out or what is out that don’t know of yet. Or let people like me tell you that it’s out there and it’s something you need to know about. By the by I fell in love with Tyler’s work with Harrow County and every time I see his work advertised somewhere I know it’s something I am going to have to read. Kel on the other hand is an unknown to me, I have heard of her and I am not sure if I have something from her but as far as I can tell I haven’t. So these two factors had me extremely excited to dive into this series.

     The way this book opens is sensational! This is Tyler doing what he does best by giving us this amazing storytelling through visuals. This direction was incredibly smart and it garners the kind of interest and piques the curiosity in ways that are innumerable. There is a lot of information going on here without anyone having to needlessly over explain and I think it is one of the most refreshing changes I have seen in quite some time. This really is the first half of the book and what I love is that ability to tell a story, engage the reader and completely ignite the imagination as we see it done here.

       The only way that I know that Ave is a girl is because we’re told that. Otherwise she’s very androgynous in appearance and it took me by surprise when the feminine reference was used in regards to her. What this does is create a story in the readers mind, creating a scenario as to why that is and if it’s never publicly said I am okay with that because it’s part the charm surrounding her. The characterisation is phenomenal and you get the feeling and sense behind her actions and what motivates her. It is so easy to find how relatable she can be to the reader.

      Okay so there really are no superlatives that can adequately describe the way Tyler’s work makes me feel. He has this amazing ability to bring the characters and this world to life through this watercolour work which is stunningly gorgeous. The attention to detail here is so nice to see and the creativity and imagination that we see on display here is gorgeous. That giant schnauzer looking beast is sensational and I fell in love with him instantly. The utilisation of the page layouts and how we see the angles and perspective in the panels show off a stupendous eye for storytelling. Also I am a huge fan of the way that we see backgrounds being utilised within these pages. They help flesh out this world beautifully and give us a great sense of size and scope to the story.
​

      So the idea of the Stone King is fantastic and what Ave has done is going to be more epic than anyone can begin to realise. I love that this is almost a Dungeons and Dragons style world setting and that Ave is desperate to get out and explore the world beyond the city walls. This feels like a coming of age story unlike any other I have ever read. With some amazing writing and illustrations this is a prime example of how it’s possible to find a magnificent read everywhere you look.

0 Comments

Planet of the Nerds #1 Advance Review

2/23/2019

0 Comments

 
Picture
Planet of the Nerds #1 Advance Review
Ahoy Comics 2019
On Sale 04/17/19
Written by Paul Constant
Illustrated by Alan Robinson
Coloured by Felipe Sobreiro
Lettered by Rob Steen
Cover by David Nakayama


       Three high school jocks in the 1980s are accidentally frozen by an experimental cryogenics device, only to be revived in the tech-driven, superhero-loving, empathy-counselling world of 2019 — in other words, an era shaped by the nerds they once tormented.

       Oh my goodness first let me just say that the opening page is set in 1988 the year I graduated from Upper Secondary School. Now I have no idea if life imitates art or vice versa but I do remember the extent of the bullying I had growing up all too well. I say this because is it a stereotype if it’s true or is true because of the stereotype I am all discombobulated by thinking about it. So what does all this really mean, it means I connected with the story and I could relate to the characters and found it to be amazingly well done. This is no upstart company here these are veterans of the industry who know what good storytelling is and needs so with the second wave of books they are bringing everything we love about comics back to us!

      The opening here is stellar stuff as the overweight, fashion challenged, comic book reading nerd is beat by what I think of as the steroid raged jock is fantastic. Chad gave me a conniption here, but bonus points for the word usage. I really do like the overall flow of the book and how the story easily draws the reader in and makes them feel at home. There is definitely that sense of familiarity that usually only comes during family gathers or high school reunions that has that uneasy start but by the end your relaxed as all get out, usually thanks to alcohol.

      The characterisation here is absolutely perfect. We have our three main characters and two of them are fleshed in such a way that we see the bully leader and then the tag-a-long and the one who is sensitive to others and doesn’t really like the bullying but is afraid to stand up to his friend. Hmm wonder why that would be? This of course is how I see these Three Amigo’s you might find you see them differently and that’s okay. Everything should be open to interpretation by each individual.

      I love the interior here. That it looks like it’s done on newsprint, that there are the crazy hair styles, I swear I looked at Jenny I kept thinking Joan Cusak from Working Girl and I loved that. The linework and the way everything is brought to life through the attention to detail that’s created brings me so much joy. There are definitely some throwback nods in the linework and I think we’ve been this level of work in comics today and if you really look at the detail work it is truly amazing how much of it there is and how much time, patience and a steady hand is needed to do this. The utilisation of the page layouts and how we see the angles and perspective in the panels show off a sensational eye for storytelling. I love how backgrounds are utilised here so that they expand the moment, improve the characterisation and show a nod of humour to the era. Also the colour work is exceptional as well. How we see colour gradation, shading and shadow use it so darn good.
​

      There is a place for all styles of comics and Ahoy has found a way to simply revitalise comics by going back to basics. Amazing writing and stunning interior artwork that’s what it takes, no tricks, gimmicks or kill em off to bring em back as well as that whole constant rebooting. You’ll find none of that here only creators doing what they do best, telling amazing stories.

0 Comments

Wulfborn #1

2/22/2019

0 Comments

 
Picture
Wulfborne #1
Scout Comics 2019
By Brian Middleton Jr.


       "Come to me and I will heal your broken heart." These words, spoken by a sweet-voiced angel, lead Wulfborne into a dark and creature-filled underworld. As he battles his way through Minotaur’s, fish creatures and other strange monsters we learn that Wulfborne has lost the love of his life, Luna. He is now torn between dealing with the angel who has whispered that she will heal his broken heart and a promise that he made to Luna. Wulfborne the Adventurer travels the Underworld in an attempt to heal his broken heart! Monstrous adversaries block his way! Strange Travellers warn him back! But the bitter swordsman is determined to see this through...no matter the cost! Will he find what he seeks at the bottom of the Underworld or does something far deadlier lie in wait?

      As I first started reading this oh okay this is kind of minimalist in nature. It grabbed me because of what I saw, or didn’t see and drew me further into the story with each panel. I had no idea if this was about a love he had and lost and while she was gone he’d continue on the path he’s tried so hard to turn his back on. I found it romantic to be honest and I was thinking aww a quest for Wulfborn to go on now right, that’s only natural. Brian you are a madman, a fool and a genius because you lured me in as if I were a moth and the book a flame and now I cannot go.

      Seriously the way that this book is structured is bloody brilliant! There is this undeniable understanding of what Wulfborn is going through as well as why so the relatability factor seems to increase page by page. Ironically enough however is the fact that there is very little in the way of dialogue coming out of Wulfborn and yet his characterisation is simply flawless. Truly I was riveted to the page waiting and waiting and waiting for something to come out of Wulfborn and panel after panel as my personal tension rose through my shoulder’s thanks to the amount of anticipation (is makin’ me late, is keepin’ me waitin’) I feel.

      There are some very odd occurrences that caught my eye and made go hmm. It is nice to see that at times my mind still works properly but I do attribute most of what I misinterpret is caused by Brian and how he’s able to write this story. This is no joke guys it really is an understated masterpiece of fiction.

      I will wholeheartedly admit that this isn’t the normal style of artwork I gravitate towards. This however doesn’t mean I don’t know how to appreciate it thank goodness. I will also admit that I was hoping to see “more” of him around that fire. There is a sensational showing of creativity and imagination in these pages and it’s so utterly fantastic to see. Sometimes we see something so incredibly out of character like this cute as heck cat and you think what the hell, but it works. So does the utilisation of the page layouts and how we see the angles and perspective in the panels, which show a superb eye for storytelling. Backgrounds aren’t utilised much here but considering the setting that’s understandable and there is just attention to detail in things that make the mind go darker in what they imagine.

      One thing that I absolutely love about this book is that Brian pulls the reader into the story and let’s their own mind and imagination kind of supplement what we see and read. I honestly and truly believe that our own minds create much more intense and horrific things than what a creator shows upon the page. That this is what happens to me with this story is magnificent. This is why I love finding new people whose work I am not familiar with and why I love Scout Comics because they have that knack for finding the ones we need to see.

0 Comments

Warpaint #1

2/22/2019

0 Comments

 
Picture
Warpaint #1
Witchworld Limited 2018
Written by Kev Sherry
Illustrated & Lettered by Katia Vecchio


     As fashion model Sophie Ember prepares for the catwalk, she receives an upsetting message that forces her to confront events from her teenage days and the actions of her best friend Selene, the only person who had the courage to stand against the misogyny of their upbringing.

     Once again I feel like I am blessed in so many ways. Doing reviews like I do and having site has given me the opportunity for creators to reach out and inquire, ask, me to check out their work with the possibility of a review. Now if you know anything about me you know I am sucker, see huge fan, for those self/indie press comics. If you don’t understand my appeal then you really need to read books such as this one because this is a passion project and it shows in the writing and interior artwork. This would be the kind of thing I cruise Artist Alley at conventions hoping to find. This is no diamond in the rough nope this is a sparkling diamond whose radiance is mesmerising.

       The opening is perfectly structured in that we hear Sophie’s inner monologue and we see not only the expression on her face but of those around her and we are immediately drawn in. As I read this I had that need to keep going, because I just had to know what was going on. As a reader you get that feeling you know what’s coming, in terms of her past and the actions that have led her to where she is, as well as the desire planted within us to know what happened.

     There’s something about thinking back on our school days that makes us cringe. The bullying and the teachers indifference to our plight is something I know all too well. Selene however is already at this age a force of nature to be reckoned with. So what am I leading up to, well the characterisation of course. The way these girls are portrayed and how they come to life before our eyes is extremely nice to see. Kev manages to bring us what I see as already complete characters, that is to say he knows who they are and kind of knows where they are going but the journey to getting there is the great unknown.

      I am really quite taken with the interiors here. There is something about the way the linework is utilised that touches a chord within me that I wasn’t expecting to find. The way that Katia is able to use this delicate looking linework to create that attention to detail is incredibly well done. Plus the emotions that we see coming from the characters expressions shines. The individuality of the characters and how we are supposed to see them is delightful as well as the different body types and ethnicities that we see. The utilisation of the page layouts and how we see the angles and perspective in the panels show a rather lovely eye for storytelling. When we see the backgrounds they expand the moments so well and do a great job in expanding the world they live in (the scene with the girls walking home down that tree lined street sigh). The colour work that we see is really well done too and I love the way we see shadows and light sources utilised.
​

      There is some stupendous imagination and creativity in these pages and there are plenty of moments that take the reader by surprise. While the title belies what’s inside, to a degree, this coming of age story is easily relatable to for everyone. Though girls and gays will bond more with what is seen in these pages, you can trust me on that one. This is why indie/self-published books need more attention and time in the spotlight as what we get through the storytelling and illustrations leaves you wanting more and remembering your own youth both not-so and fondly.

0 Comments

Zodiac #1

2/21/2019

0 Comments

 
Picture
Zodiac #1
Zenescope Entertainment 2019
Written by Joe Brusha
Illustrated by Daniel Maine
Coloured by Jorge Cortes
Lettered by Taylor Esposito of Ghost Glyph Studios


       As the War of the Grail wages, Merlin the Magician looks to give himself an advantage by using his deadliest assassin of all time to eliminate his biggest threats in the Order of Tarot. Logan Patrick O’Connell spent his adult life ridding the streets of drugs using his own deadly methods until a mistake drove him from his home in Belfast, Ireland. Once O’Connell met Merlin, his life was forever changed and he began on the path to vengeance. Thus, Zodiac was born.

      This is firmly entrenched in the Zenescope Universe and if you don’t regularly read Grimm Fairy Tales then you may feel a little lost with this one. It is not quite as new reader friendly as I would’ve hoped it would be. The opening is one that does a nice job drawing the reader in as we see Logan Patrick talk about his outfit. In a very odd way I feel as if his outfit and such is too reminiscent of Deathstroke and I would have liked a different way of being introduced. If Merlin used the Grail to create this suit and it’s weapons I think that’s something that should’ve been focused on as the opening it would’ve been a better way of introducing new readers to the man and his suit.

      The narration for the opening fight scene was good stuff. I like the one-sidedness of it as we don’t really hear much from the men in white suits. I will however say be careful because I understand the reasoning for seeing him use so many various options of the suit but the way he went from using one thing to another was haphazard and didn’t make sense to me. Just because we know it’s there doesn’t mean he has to use them all right away, they really should be used as the situation calls for it.

       Later at the secret underground base of Tarot we see a report being made about what happened in the second half of the opening. Our Master or Mistress, leader of the Tarot has her own game in motion behind the backs of those who follow her. I am intrigued by this and look forward to learning more about her motives and machinations because there’s something off one’s trolley about what she’s up to. The characterisation here is okay, not great but okay and we get Logan Patrick’s catalyst for how he found killing, but I hope we get stronger development as the story moves on.

       So the interiors here are another mixed bag o’ tricks for me. The characters and how they are brought to life and to see how the linework is utilised through it’s varying weights to create some stunning attention to detail is sensational to see. Now it would really help if this kind of attention were spent on the backgrounds here because by contrast they just lack in expanding the story or the moment the characters are in. So we can see the talent is here and the utilisation of the page layouts and how we see the angles and perspective in the panels show a strong eye for storytelling. I do like the colour work as well and how light sources create the shading, highlights and colour gradation, though the flames could use some tweaking. I will say using The Originals setting was a nice move.
​

      I was both thrilled and disappointed that Mystere made an appearance. The former because I love her the latter because she wasn’t around long enough. It is the right choice however given their location I just wish we’d seen more of her. What this issue does however is hits all the right buttons and makes us want to know about Zodiac. Though if truth be told I was hoping he’d at least have a look that resembled the Black Knight’s after all if she can fight with that big cross he should be able to fight with a lot less armour.

0 Comments

Crackdown #1

2/21/2019

0 Comments

 
Picture
Crackdown #1
Dynamite Entertainment 2019
Written & Lettered by Jonathan Goff
Illustrated by Ricardo Jaime
Coloured by Natalia Marques


      The hyper-powered world of Crackdown (Xbox) has made its way to the comic page! In the not-so-distant future, civilized society is more plugged-in and interconnected than ever – but criminal organizations are growing more connected as well, forming unholy alliances, and plotting for an unprecedented campaign against the world. When a series of devastating blackout attacks plunge major metropolitan areas into darkness and chaos, the global population is terrified, traditional law enforcement is overwhelmed – and it’s up to The Agency, an elite international crime-fighting task force, to restore peace and deliver justice, by any means necessary.

      I’m torn here (I’m torn, I’m all out of faith, This is how I feel, I’m cold and I am chained…) I don’t this game and as far as I know I have never heard anyone mention it. So personally I had no idea what I was getting myself into and to be honest I am still not sure. I see the potential here and I like what I think I see in that what’s next is going to be coming next.

      The world is pre-established but I am thinking they have a baseline personality set that Jonathan gets to run with here and I am hoping that the characterisation we will get moving forward is a lot better than what I am seeing here and we’ll get into that more in-depth right away. I love the gang members that we meet here because they have personality, charm, personality, style, well you get the picture. Our Agency folks seem stiff, robotic as if they are a product rather than people, except for the new kid. So I am actually looking forward to see what the Agents are going to be like without their augmentations and their link to their command centre. Like I said potential, in this case unlimited potential for character development.

      I do like the way that this book is structured. There is a great flow the events that we see here and how we get that action mixed in with the storytelling. The voice that they hear in their coms as well those modified narration boxes were able to set us up with a general knowledge of this world and it does beautifully. Jonathan uses some excellent skills and tactics to pull the reader into this world so that we can enjoy it without ever having known it is based upon something else.

      So I am completely head over heels, stiletto’s even, for the interior artwork here. This is some outrageously good work in bringing this futuristic technology based Megalopolis to life. Natalia’s colour work and how we see the lights or those augmentations in their suits and definitely opening up with that first two-page spread where it looks like neon blueprint, holy cow! Also Love, Love, Love the difference in how we see the gang members versus the Agents! It really is dynamic and powerful to see the contrast and it also allows us to see what Ricardo is capable of when it comes to regular folks and how he manipulates the varying weights of the linework to create the attention to detail. The utilisation of the page layouts and how we see the angles and perspective in the panels show off a superb eye for storytelling. We know how capable they are with backgrounds so I would really like to see more of them being utilised.
​

      I think this is one of the best ways to take a pre-existing entity and yet still have that opportunity to be original and creative at the same time. Video games have worlds that pre-made and some story or background of characters but in comic book form the opportunity to really let loose and envision some serious storytelling is exciting. With what we see happening here and the whole catalyst that will change the lives of the Agents forever is something that as a reader I want to explore. So congratulations Dynamite has done it again with a strong team of creators who we get to see blossom as much as the characters do.

0 Comments

Sharkey The Bounty Hunter #1

2/21/2019

0 Comments

 
Picture
Sharkey The Bounty Hunter #1
Image Comics 2019
Written by Mark Millar
Illustrated by Simone Bianchi
Lettered by Peter Doherty


      Set in a brilliant new sci-fi universe, Sharkey is a blue-collar bounty hunter who tracks criminals across the galaxy in his converted, rocket-powered ice-cream truck. Aided and abetted by his ten-year-old partner, he's out for the biggest bounty of his career.

      At first I thought ya know this is pretty different from what I am used to seeing from Mark. Then after you read this and think about it you begin to realise that this is exactly the kind of work Mark does so well. This is the story about a man named Jed, poor old mountaineer –no just kidding couldn’t resist it’s a solid story about an arrogant ass of a man who happens to be a legal bounty hunter and is trying to make enough money to pay some debt and move on. Probably to create more debt but hey he’s a macho, macho man. So with his usual flair for characterisation dialled up past 10 Mark is having fun and it shows.

      The way this book is structured is pretty sensationally well done. That isn’t surprising and I gotta say Mark’s work through Image has been steadfast and amazing. So much so that I can’t get enough of it which is great because when you see, sense, a creator having fun doing what they do and do it unapologetically well it lifts your spirits. I loved the opening here and it does precisely what it’s supposed to do, it shows us his personality and how good he is at his job. Plus as an added bonus we love to hate him already. Aside from the fact that Simone is doing the interiors here we are immediately drawn to this book and to Sharkey himself.

       There is something here that we don’t normally any of in comics today and that’s all the variations of penis words and sightings. I mean I don’t know what Hosum-Dong is but I wanna order one! I am guessing it’s a drink considering what we see and it looks vile and potent but I still want one. Then the novelty condoms in the single penis variety yeah this is what makes this what it is. Also we see his purple penis, kinda, or he’s just wearing bikini briefs which would be a shame. Still now I want to get an original Sharkey ala Burt Reynolds but showing his nice purple eggplant. Oh and yeah the soundtrack here continues as you Pay for the devil, a plug to a pedal, I’m your type, Weak Knees from the level, I’m sick from the treble I’m your type of metal!

      Goodness gracious great balls of fire the work that Simone does on these interiors is Earth-Shatteringly magnificent. His signature style hasn’t changed over the years and there’s no reason it should he’s such a mega-star talent that if it ain’t broke, don’t fix it. God the attention to detail that we see everywhere blows my mind and brings this to life in ways that make these species even more believable than I could’ve imagined. The utilisation of the page layouts and how we see the angles and perspective in the panels shows us his stupendous eye for storytelling. His judicious use of backgrounds expands the moments and brings that size and scope to the story. The colour work is beyond reproach as well and the way it’s utilised to accentuate the different species well it is that verging on kitsch but not quite hitting it that’s exceptional.
​

      There is so much going on here and so many characters we are introduced to in such an organic manner. The writing is flawless with it’s pacing, story & plot development and characterisation and the interiors just take it several stages past flawless. If you think I am joking or exaggerating you need to read this and find out for yourself that this is the next level of storytelling and it’s no surprise it’s going to be a film on Netflix!

0 Comments

Stronghold #1

2/20/2019

0 Comments

 
Picture
Stronghold #1
Aftershock Comics 2019
Written by Phil Hester
Illustrated by Ryan Kelly
Coloured by Dee Cunniffe
Lettered by Simon Bowland


      Our planet is actually a prison designed to both trap and shelter an amnesiac alien entity of incalculable power. Now known as Michael Grey, this cosmic angel of destruction currently believes himself to be an ordinary, Midwestern insurance underwriter, who belongs to a global secret society dedicated to making sure he never discovers the truth about his past. To make matters worse, our hero has fallen in love with Michael Grey. And for their love to be born, Earth must die.

      Good golly miss Molly, actually I'd take some Molly with this because wow. There are few guarantees in life but this is Aftershock and then add into the mix these creators, all of whom are insanely talented, and it is a guarantee. I love going into books blind though it’s also why I try my darnedest to keep my reviews spoiler free. The opening for this issue is a great example of why I so enjoy Phil’s writing as it’s dynamic, interesting and expertly piques the readers curiosity in ways that really make us want to see and learn more.

      The way this is structured is sensational. The way the opening leads into the next segment of the story is transitioned beautifully. So suddenly the book kind of takes shape and things begin to get even more weird than I thought we’d be getting. I say that because well I feel like I walked into the middle of the film and right at a good part but I have entirely missed the backstory. Mind you this isn’t a bad thing as ya know it does start to make the reader wonder, their minds work and ignite their imaginations in such a stellar way. Now I have my own theories and I want to know more and that has again given a guarantee that I am coming back for more so I can see and learn what the hell is going on.

      There is also some really good characterisation going on here as well. There are a few type A personalities and plenty that fill out the rest of the spectrum not to mention a few who wish they were as bad-ass they front themselves to be. The blend and mix of people that we see is amazing and honestly I think that how we see them all here is like a hodgepodge when in reality it’s more like a 3-D Chess, thank you Star Trek. These have been strategically placed at key points so that the we meet them as the story needs us to.

      Big fan of Ryan’s here. The way that he’s able to utilise the linework here to create this level of attention to detail to bring out the features of people, see faces because that’s the hardest feature in my opinion, as well all the backgrounds that we see is superb. While the overall sensation is one of pure comic book goodness there is no escaping the level of the quality of work that we’re seeing here it’s just magnificent. There are also plenty of opportunities for us to see this creativity and imagination to shine brightly. Then there is the utilisation of the page layouts and how we see the angles and perspective in the panels shows off a stupendous eye for storytelling. I mentioned the backgrounds earlier but they along with the colour work really flesh the story out and bring us this sense of size and scope to the book.
​

      As far as first issues go this one is a great example of how you want to start off a new series. It is superbly written with it’s story & plot development, pacing and characterisation and these sensationally wonderful interiors make for one of the most dynamic of first issues around. Aftershock came onto the scene with a quiet bang and has steadily been putting out books that just don’t miss.

0 Comments

Incursion #1

2/20/2019

0 Comments

 
Picture
Incursion #1
Valiant Entertainment 2019
Written by Andy Diggle & Alex Paknadel
Illustrated by Doug Braithwaite
Coloured by Jose Villarrubia & Diego Rodriguez
Lettered by Marshall Dillon


      Beyond the margins of human reason lies a realm known as the Deadside, where the souls of the dearly departed linger – and where demons wait for us in the dark. For countless ages, Earth’s chosen protectors have guarded the veil between both worlds – but there are other doors to the Deadside, through which gruesome terrors from galaxies untold can trespass... With the planet’s freedom at stake, can the reigning Geomancer and her steadfast Eternal Warrior stand together against an invasion unlike any they’ve ever witnessed?

      Oh El Dorado, Black Vulcan and Samurai too this is a revelation in the ongoing lives of Gilad and the Geomancer Tama. Right off the bat the opening to this is spectacularly rendered so that we as the reader get to see the full effect of what’s coming to Earth. There is a familiarity and uniqueness to what we see and that’s a damn near impossible dichotomy to create. One of the many things this latest iteration of Valiant has done is expand their universe by going full steam ahead to the stars, alien races and new and unseen threats that forever change the landscape of the Valiant Universe. While I am not sure who’s in charge of what over there but whomever is responsible for allowing this kind of story to be told in this manner deserves a raise.

      The way that this is structured and the overall ebb & flow of the book is bloody brilliant! While it almost seems to me that the pacing is might quick but in reality is perfectly executed. One of the strongest points of this story is it’s pacing because what we see here isn’t looming or on the horizon as it were no this is now and the beginning that we see leads directly into the main segment of the book. So it’s almost literally hello here’s the new villain and cor you in the midst of it all so it has a very real time feel to the way it’s being told. I am completely gobsmacked by the way this issue makes me feel and then add into all this the characterisation and suddenly it feels more like something we see in the cinema, or more likely a cable network programme.

      Oh gee whiz the interiors here are just the dog’s bollocks. Good god almighty I am serious the quality that we see in the opening has this complete soft tone that belies the evil within it and the colouring and the linework with that attention to detail is mind boggling good. I love the difference in tone when we see Gilad and Tama versus these new folks it really reinforces the differences in where they come from beautifully. The utilisation of the page layouts and how we see the angles and perspective in the panels shows off this sensational eye for storytelling. That damn pin-up page where we see Gilad’s past, well part of it, does more than look good it also adds to his characterisation in such a powerful way. By the Count of Monte Cristo there is not one bad thing about the artwork on any page and it really is this strong and powerful work.

     This is beyond exceptional work that we are seeing here. The story & plot development, the pacing and the characterisation alongside the interior artwork just demonstrate what is possible when creators are able to kind of let loose their skills and have at it. While this is a mini-event I would like it to be that springboard that launches the Eternal Warrior into his own ongoing monthly series. With X-O Manowar at issue 24 this week why can’t Gilad and Tama hold their own like that? I’d entrust to either of these two men together or separate to keep their adventures nee lives current and interesting.
​

      Valiant has such great characters with unlimited potential and it needs to be unleashed!

0 Comments

Survival Fetish #05

2/19/2019

0 Comments

 
Picture
Survival Fetish #05
Black Mask Studios 2018
Created & Written by Patrick Kindlon
Created & Illustrated by Antonio Fuso
Lettered by Jim Campbell


         It all comes down to this. Escape the city or die on the pavement. Either way, this is the last run for Saheer.

       This has been one of those unexpected and stunningly dynamic book that you probably haven’t read. Hawaii, and the United States and World as a whole, has changed now survivors struggle to stay alive in their own little spaces. Meanwhile there are those who have stockpile of guns and ammunition, from where not really sure but guess what – you gotta suspend disbelief it’s not hard to do – and they rule the streets and if you are out and about without paying a tribute then you best hope you can dodge that snipers bullet.

        I first read Patrick’s work with 12 Reasons to Die but it was We Can Never Go Home that cemented my fandom for his writing. This however blows everything out of the water by comparison. I mean the structuring of this book is so damn good. The overall ebb & flow to this book is superbly done and the characterisation here has been invaluable to our getting to know the characters. The layers of their personalities and the deception that they do to survive here has been extraordinarily told. There are those we’ve come to love and those we wish would succumb to a bullet. However there is absolutely no denying the quality of the storytelling here.

        The love story here is bittersweet to me. Though there are few things that go through my mind here like What I Did For Love and West Side Story because somehow or another they both seem very apropos to what I see here. Quite honestly it’s also one of the reasons why I keep reading, looking forward to new issues and why it constantly makes my top books of the week list. While this is the culmination of Saheer’s life in the city and desperately trying to get out to make a better life for him and the girl he loves. Maybe I should think of this more like Romeo and Juliet when thinking of this but at the beginning we knew they both wouldn’t survive but we hoped.

        Antonio’s work on the interiors here is phenomenal. He mixes his signature style with all sorts of different aspects that really make this book shine. His eye for storytelling is simply stunning and as we see in the page layouts here he’s not afraid to go outside the box while still providing these amazing angles and perspectives in the panels. Black and white is a notoriously hard format to work in and it shows any mistakes or imperfections but the work Antonio does is really beyond reproach and the elegance of the linework shines. We all know I am a huge fan of backgrounds and the way Antonio utilises them works for him and hist style of storytelling.
​

      This is one of those stories that while only five issues long is one that leaves that lasting impression and leaves us wanting more. Not necessarily with these characters mind you unless of course it’s one of those whom we’ve met but has only the briefest kind of appearances. Hell who am I kidding pick a tower any tower and let’s learn how that came to be inhabited by them. So that I want to keep exploring this world just goes to show you how amazing they’ve been at bringing this to life. That as a reader you want this to continue out of pure selfishness yeah that’s when you know you’ve found some creators whom you’ll follow for as they as they produce new books.

0 Comments
<<Previous
Forward>>

    Archives

    December 2021
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    April 2015

    RSS Feed

    Categories

    All

    RSS Feed

Powered by Create your own unique website with customizable templates.