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Today's reviews!

Reviews for 19-12-21 
​Reviews for 18-12-21 Reviews for 17-12-21 Reviews for 16-12-21
​Reviews for 15-12-21 Reviews for 14-12-21 Reviews for 13-12-21
​Reviews for 12-12-21 Reviews for 11-12-21 Reviews for 10-12-21
​Reviews for 09-12-21 Reviews for 08-12-21 Reviews for 07-12-21
​Reviews for 06-12-21 Reviews for 05-12-21 Reviews for 04-12-21
​Reviews for 03-12-11 Reviews for 02-12-21 Reviews for 01-12-21

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Jughead the Hunger #3

1/28/2018

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Jughead the Hunger #3
Archie Comics Publications 2017
Written by Frank Tieri
Illustrated by Pat & Tim Kennedy & Joe Eisma
Inked by Bob Smith (1-10)
Coloured by Matt Herms
Lettered by Jack Morelli


     Archie Andrews, along with werewolf hunters Betty Cooper and her cousin Bo Cooper have been hot on the trial of their best friend/part-time werewolf Jughead Jones. They’ve followed him to the circus where he was taking a respite, but he had to flee after the brutal murder of Abbey, a beloved carnival worker. Now the entire circus is joining in on the fight against the teen. Meanwhile the death toll continues to rise as Jughead battles with his animalistic urges. Can his once-believed-to-be-dead and fellow werewolf Bingo Wilkin help coach him through his new life?

     Hands down this is one of the best books to read everyday of the week and twice on Sunday. What started with Afterlife With Archie, where the hell is that btw, then moved to Chilling Tales of Sabrina, that needs more issues too!, now this and next up a vampire book this supernatural Riverdale is one of the most exciting mind-blowing experiences to come around in a long time. It isn’t very often that a re-imagining is going to pretty much surpass expectations—including that of the company.

     I do like that That Wilkin Boy is being revived for this series. It isn’t often that a company kind of rips off it’s main character in an effort have lightning strike twice still that it was later modified so that Bingo and Jughead were found to be related to one another, cousins, and it’s nice to see Frank reaching into the plethora of characters rife for revival. Also while he may no longer be a beatnik he well versed in the family tradition and we learn a bit about how he ended up out here alive and not dead like everyone believes.

     Frank is an amazing storyteller and that he can take our squeaky clean group of ragtag misfits and make them something familiar, terrifying and ever so deadly while also making it as fun as possible well that takes real talent. The way the book is structured is phenomenal and between the constant revelations between all the various factions and they each serve to move the story along nicely. Of course there is also the characterisation that he brings to the table as well and to see them go from kids we know to some we don’t recognise well it’s quite the feat. I do so enjoy seeing these kids as they are here and it makes me want to know even more about them.

     The interiors here are interesting to say the least. The first half seems less horror oriented and more like it belongs in a Joker story. Mentally unhinged that’s how I’m seeing Bingo here and there is one moment when Jughead transforms and it’s uber gross. I do like the peek at Betty’s aunt’s face with just a hint at what she might be and what else could exist in this world. The way page layouts are used so that we see the angles and perspective in the panels show off a few nice eyes for storytelling. Also the innocence on Archie standing there after doing what he did was extremely well done!

     Then as if things weren’t already complicated enough Reggie was turned into a werewolf and unlike Jughead he is embracing his new life. Already far more in control than Jughead he’s been putting himself a small little army for him to control to repay Jughead for what he did. With the success of her character on Riverdale I’m not surprised to see Cheryl with them.
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     This really has reinvigorated the Archie franchise in ways I never thought we’d see with some of the strongest writing and complimentary interior artwork if this keeps coming out on schedule this is one of the years best series.

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Northguard #2

1/28/2018

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Northguard Season 2 #2
Chapterhouse Comics 2018
Written by Anthony Falcone & Aaron Feldman
Pencilled by Sergio Carrera
Inked by Federico Iglesias
Coloured by Vaneda Vireak
Lettered by Andrew Thomas


     Special agent Phil Wise stole the high-tech energy weapon known as the Uniband from Michael Evans’ Equilibrium group during an undercover investigation into Evans’ schemes. Phil then used that power in service to P.A.C.T., Canada’s Paranormal Activity Containment Team, to become the superhero known as Northguard. After a successful mission against the fanatical Aurora Dawn cult, Northguard was forced into retirement when the rampaging alien Pharos ripped his arm from his body. Now equipped with a high-tech prosthetic arm by Equilibrium, Wise is back in the suit — and has already been targeted by the assassin Wolf, and drawn the attention of the CIA…

     First of all kudos for doing something I wasn’t quite prepared for which is starting me off in one place and ending in a totally different mind space. The depiction of a U.S. Senator so dead set against anything which the United States cannot control coming into their borders yeah that’s completely on par with the reality of the world we live in, forget Big Brother, it’s Big Bully is watching you. Sometimes you don’t even have to pretend with subtlety and just go for the jugular of truth.

     When we get past the opening which is one of the few that is a sheer standout, we get to the buddy portion of today’s proceedings. Garcia is the least likely action hero around and I’m not trying to be mean but c’mon now sure he’s smart and sure he’s funny and as a CIA agent has his uses but in an in-shape fighter is not among those qualities. I for one am quite alright with that too. I will say however that this is when the action starts in earnest.

     One of the things that I really like about this is that it is for intents and purposes FUN! From the way the two old friends talk to one another, stellar dialogue, to the teasing about hairlines and whom Phil has a crush on. This is the grown up buddy feature that Blue & Gold never was and wasn’t given the chance to become. In all seriousness this is well constructed and executed book that not only has that superhero edge to it but doesn’t take itself too seriously at the same time.

     The interior artwork here is really good too. The way page layouts are used and how we see the angles and perspective in the panels is extremely well done and show a solid eye for storytelling. I like the attention to detail that we see and the last page is where everything comes together. I’m thrilled by the utilisation of backgrounds here as they really do wonders in expanding the story in every panel they appear. The faces, facial expressions and body language which are so essential to furthering the characterisation are extremely well utilised here.

     The assassin known as Wolf who has crossed paths with Northguard in the past has set his sights on Garcia. Then there’s also the idea that he’s also after the esteemed U.S. Senator from Arizona Vanessa Walsh. With a dangerous assassin on the loose gunning for what feels like everyone how are Garcia and Northguard going to keep the peace? Something about all this just doesn’t seem to add up but what is it? Oh there are answers but you’ll have to read the issue to find out what they are.
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     Chapterhouse has a built in universe full of characters who know each other and when necessary will work alongside each other. Very quietly they’ve created something strong, interesting full of the kind of characters that we want to read about. With solid writing, pacing and characterisation alongside some really nice interior artwork you shouldn’t be sleeping on this!

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Star Trek Discovery: The Light of Kahless #2

1/27/2018

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Star Trek Discovery: The Light of Kahless #2
IDW Publishing 2017
Written by Kirsten Beyer & Mike Johnson
Illustrated by Tony Shasteen
Coloured by J.D. Mettler
Lettered by AndWordDesign


      Previously in STAR TREK: DISCOVERY...
     Before he was a legendary warrior, T ’Kuvma was a young Klingon from House Gir jah, a once mighty house in deep decline. The last hope to reverse his family’s for tunes is a ruined ancestral ship, long forgotten and hidden deep in the woods, which T ’Kuvma’s sister J’Ula has vowed to rebuild. T ’Kuvma longs to stay and help his sister, but instead is sent away to the monastery on Boreth…

     Well I do like me a good Star Trek story and since I’m barely into the season I was thrilled that this wasn’t one of those books that mirrored the series. That it is a book focusing on the past of one of Klingon’s most feared and admired warrior. It is a very interesting look at this version of Klingons not to mention I do rather enjoy a coming of age story. This is an extremely solid too story too the way it’s structured the ebb & flow of how we learn about him and surprisingly it’s not what we expect.

     So Klingons are a vast array of characters that come in different shapes, sizes, colours and formations so to see T’Kuvma want to be a priest and not a warrior as is his destiny is rather fascinating. The characterisation though is so gosh darn good here and as we see the students go through their tests, or trials and those who are to survive will be the next generation to serve in Boreth. Only that isn’t the fate lies before T’Kuvma no matter how much wants it to be otherwise.

     I really think this story is pretty remarkable in that we are seeing a whole new side to the Klingons that I have never seen before. I think the way that we are seeing them be so diverse in nature and not all of them seem to be as war hungry as others well it sheds a new light on things. Of course that it is J’Ula who wanted peace among the Klingons and instead goes off to do her duty giving up her childish dreams but telling T’Kuvma to still follow them. I do like that we see these events that shape the destiny of the characters and how bowing to social pressure and upholding traditions no matter how archaic can have a ripple effect on those around them.

     The interiors here are strong and the use of page layouts and how we see the angles and perspective in the panels show a nice eye for storytelling. I am slightly disappointed in the fact that during their trials spending the night in winter in the nude we didn’t see how the Klingons are represented anatomically. I like the way backgrounds and scenery are utilised here as it serves to expand the story and give it this larger than life feel. Oh and that ship with it’s interiors yeah stunning work indeed a total wow moment from Tony and J.D.. This is yet another stunning, shining example of why I’m such a fan of Tony’s work it’s superb and above and beyond the call of duty.

     I like the way that this is a look at the events which shaped T’Kuvma and how he would become the man he was meant to be. It is a hard, long journey for that to happen and from the looks of things they aren’t going to get easier anytime soon. I also look forward to seeing how the light which guided him at Boreth if that will guide him at as well.
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     There’s plenty of room in the Star Trek universe for stories like this one and I gotta tell ya this creative team is pretty spectacular.  

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Backways #2

1/26/2018

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Backways #2
Aftershock Comics 2017
Created & Written by Justin Jordan
Created & Illustrated by Eleonora Carlini
Coloured by Silvia Tidei
Lettered by Marshall Dillon


     Coyote Bones leads Anna deep into the Backways in her search for Sylvia. Unfortunately, Coyote neglected to mention her varied and numerous enemies, or the forces moving to stop Anna in her quest!

     So I will say this much the fact that we haven’t seen Sylvia since her abduction is spectacularly well done. I kind of like that she is the catalyst for Anna being in the Backways too. This is Anna’s story as such it’s her journey and while Sylvia may or may not be in trouble I don’t want to know if or until she finds her. It is almost an itch that you can’t scratch or that moment into a room and forget why that’s kind of how Sylvia feels to me. This may be the first time I’ve ever said that too so kudos to Justin.

     The way the book is structured is fantastic and I like ebb & flow of the story here. From the opening which catches your attention in both a dark way and one that well lets be honest it makes you laugh. After all Wendy with her crows isn’t a conversationalist after all and the person she visits well he is more than capable of some intelligent conversation. I think the way Justin does their dialogue and interaction here is both fun and foreboding.

     Speaking of fun Coyote is both entertaining in her ramblings not letting Anna speak while not really saying much and being frustrating. Though she does tell us about the four kinds of magic people have to choose from or is chosen for them. Who they are and what they do as the pair walk through marketplace which is great because we learn more about Coyote. This leads to more questions that personally I do want to see answered. We all have the feeling that Coyote is distracting Anna from her quest but then that begs the question of why and what does she think she’s going to get for delivering her to someone else? There has to be some grand scheme that Coyote is trying to pull off here, if not then Justin has me running in circles.

     I am very much enjoying the interiors here. Seeing the use of magic is fantastic and then to see the colours in the magic being so vibrant against the background and still creating a light source yeah this is great. The use of page layouts so that we can see the angles and perspective show a very strong eye for storytelling. Then there’s backgrounds oh yes and thank you I love that we see them so that it enhances the story by showing us this world and giving us that chance to also become comfortable with this new dimension they are in. Before I forget to mention there’s some beautiful examples of creativity and imagination on display here as well.

     Justin is so good when it comes to pacing and doling out information to us readers. Everything in this issue does not feel rushed or overcrowded not even glossed over it really has such flow to it that is a pure joy to see. Almost as much as seeing Anna come into her own in a way that’s much too dangerous for her own good. I mean she isn’t familiar with this place and how it runs or who’s in charge where so losing your temper and unleashing your power which is just discovered and how that happened well it’s creepy, interesting and leaves me uncomfortable.
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     Those last three things those are what Freeform and SyFy try to bring with their original programming and they don’t do as well as we see here.

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30 Days of Night #2

1/26/2018

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30 Days of Night #2
IDW Publishing 2017
Written by Steve Niles
Illustrated by Piotr Kowlaski
Coloured by Brad Simpson
Lettered by Tom B. Long


     It’s the last day of sunlight in Barrow, Alaska, before the month-long night arrives. Walt Berle has spotted a mysterious figure it the woods, but before Officer Stella Olemaun can investigate, she finds something else—the body of her husband, sheriff Eben Olemaun!

     One of the things I really liked about the original is that finally the man was a hero in this story who lived, turned and died and was a great example of what heroism can be. Sure there are vampires here but the great thing about this is that it’s normal folks who are facing them. Steve is able bring a level of characterisation here that showcases what regular people are capable of in extreme situations and yes some rise and some fall and a few would sell you out to live but that is exactly what humans will do. I don’t know what to expect out of Stella here but since it’s Steve well heck I'm sure it be strong and believable.

     While the death of Eben so soon has thrown me for a loop, that’s part of a re-imagining, I will say that I do like the path of similarity to the original. Just the fact that parts have been tweaked in certain ways so that it makes someone familiar with it go hmm while new readers or those who only saw the film will enjoy this for what it is. I am a huge fan of Steve’s and have been for longer than I care to admit and the way he can structure a story with the ebb & flow of the plot development/advancement the characterisation and action feel as natural as being on the lazy river and running into some rapids.

     I am enjoying the fact that there is a fair amount of tension being built up here. We know here there be vampires but when they are going to make themselves known is another thing altogether and that kind of suspense is delicious. Also while no one knows how Eben died, well the technical terminology yes and by crushing his larynx it covers up a bite. It is smart and savvy thinking and I have to say this intelligent cunning activity makes me excited for what’s to come. After all monsters are scary enough but make them smart and cunning and we start to get more unnerved and afraid.

     I love Piotr’s work and the way he is able to draw people is remarkable to me. The feel natural and real in themselves and the facial expressions and body language they give off is fantastic. Also kudos to whomever is putting in the falling snow because that’s an amazing effect to see used as prolifically as it is is a huge wow factor. The way we see page layouts and the angles and perspective in the panels reaffirms my opinion of Piotr’s eye for storytelling is very strong and solid. Also the backgrounds in use here are fantastic in bringing the place, area and this town to life.

     At first I picked this up more out of curiosity because I was curious if this was a new story, and in essence it is just that. While it’s based upon what we already know this is an entity all it’s own and will behave in ways we can’t predict. That kind of anticipation is why Steve remains one of today’s best modern day storytellers. Not just of horror though he does excel in that area but the kind of storytelling that draws the reader in, takes them on a journey and leaves them gasping as the issue closes.
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     Once again the 30 Days of Night franchise is rejuvenated and being allowed to shine once more.

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Fallen Suns #2

1/26/2018

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Fallen Suns #2
Chapterhouse Comics 2017
Written by Van Jensen
Illustrated by Neil Collyer (flahsbacks) & Leila Del Duca (present day)
Coloured by Caroline Nolasco
Lettered by Andrew Thomas


     The great alien Pharos came to Earth and left death and destruction in his wake. Now Pharos has been apprehended by the military organization H.A.L.O., and awaits execution for his crimes. But there are those who wish to learn more about the warning he delivered: The Borealis, a deadly alien species, is heading to Earth. Equilibrium scientist Parminder Patel seeks to learn more about Pharos’ past before he is executed. She soon discovers that she’s not alone. One of the H.A.L.O. guards reveals himself to be a Canadian agent – and an extraterrestrial being – known as Viin!

     I am kind of really impressed with Van’s writing, the direction he takes this and how he’s able to really bring us the kind of characterisation that makes us love or hate characters. I’m still confused as to when this book fits into the timeline because as I look around they are still fighting him and here we are with Parminder interviewing him. That aside this is kick-ass book. The way it’s structured so that we get all this background information on Pharos while still keeping things rooted in the present as well as seeing how Saskia has been trying to manipulate events since this whole thing started. There is something for everyone here and a warning that we’ll get into later.

     Hindsight is always 20/20 it’s something we learn at a very early age whether or not it sinks in is another story. Pharos’ tale of his past of gaining this power and bonding with the Seed is being told from a frank and honest place. Let’s face it how many among us would take that newfound power and kind of clean house, the White House, Senate and Congress, in the United States because I am not ashamed to say I would. Unapologetically and while I might be thinking with my emotions that’s what Pharos did and in the process ruined his life, his people and his planet.

     The interiors here are gorgeous! I love the style that Neil has as he brings Pharos’ past to life. The linework is utterly fantastic and the attention to detail that leads into his imagination and creativity that we see is stellar stuff and that the backgrounds get the same kind of attention well that’s a joyful thing for me to see. Also I adore the fact that hominid isn’t really a thing here but it’s close enough for the audience. Leila’s work is not bad I am disappointed by the barren feel of the panels but then again they are in a cell so there’s that. It does have a very traditional earth feel to it. The use page layouts and how we see the angles and perspective in the pages is extremely well done showing off two eyes for storytelling.

     Civilisation regardless of whose it is is going to go through the same stages in it’s history. There will be those in power and those forced to live in their shadow. There will be wars for power and revolts by those who don’t feel represented. However what everyone seems to be missing is the one who waited and watched for the seed to bond with someone well that and the fact he might be leading the very cause of his planets destruction to earth but no one is listening to that.

     Saskia is so xenophobic it’s ridiculous all she wants to do is kill Pharos and tries to create that scenario to do just that. Ah the hubris is mankind to think they are the smartest, strongest and mightiest of them all. Meanwhile we can’t even unite a planet let alone a nation but sure feel free to kill an alien who came here and in a misunderstanding and unable to communicate at the time.
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     The characterisation, plot, story development and interior artwork here make this one of Chapterhouse’s stronger books right now actually one of the strongest book on sale period.

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Marvel Two-In-One #2

1/25/2018

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Marvel Two-In-One #2
Marvel Comics 2017
Written by Chip Zdarsky
Pencilled by Jim Cheung
Inked by John Dell & Walden Wong & Jim Cheung
Coloured by Frank Martin
Lettered by VC’s Joe Caramagna


     Doctor Doom alerted Ben Grimm, A.K.A. the Thing, to a message Reed Richards left behind in the event of his death. It contained directions to the Multiplane, a device that would allow the remaining members of the Fantastic Four to explore the wonders of the Multiverse together. But when Ben tracked down Johnny Storm, he found a Human Torch ravaged by grief and losing his powers. Unable to hurt Johnny further, Ben lied about the contents of the message and said that Reed and Sue might still be alive…..

     I may not have been the biggest fan of the Fantastic Four over the years and if this series isn’t planning on bringing Reed and Sue then have Doom, who now goes by Infamous Iron Man, join and bring back She-Hulk or bring Lyja back—I don’t think we could use either Medusa or Crystal again. Either way bring back or create a new Four right after all in comics no one dies forever. Moving on to the issue at hand I have to say what Chip is doing with the story is remarkably good. While this is a side of Johnny we haven’t been seeing in his appearances in Spectacular Spidey I’m not entirely sure I approve or disapprove of his behaviour.

     The fact that Chip is able to get me to like and care about these two is pretty spectacular in it’s own right. While I love the idea that the Two-In-One book is back it is very much an extension of the Fantastic Four so I’m guessing we won’t see many of Marvel’s myriad of characters guest starring, unless they can play an important role in the journey the boys are currently on. So this gives Chip a chance to really dig in and bring some extreme characterisation to the proceedings. Plus the fact that Doom is featured heavily in all this really is perfect after all for all their bickering and combativeness he’s as much part of the family as any of them.

     Jim lays down his signature gorgeous linework for the team to finish off. The attention to detail here is so sublime and makes us feel like we’re having this cinematic experience well it keeps us riveted to the page. The way page layouts are used so we see the angles and perspective in the panels showcases his masterful eye for storytelling. The colours here are just amazing as we see them go from subtle to POP, from seeing the island at a distance to Johnny’s flame wow these are a few of my favourite things. Just the imagination and creativity we see is perfectly represented in the denizens of Monster Island. Then the Flashback is so completely different in style and personality it blows me away.

     So when the boys inadvertently run into the Mole Man and the other occupants trying to figure out who’s going to rule well that’s fun begins. Leave it up to the Infamous Iron Man to come in and save the day and inadvertently become the ruler of Monster Island. Also I’m sorry but the fact that Ben is so jaded when it comes to Doom that he cannot see what the man is doing and while it may seem self-serving it isn’t at all. I see it as him wanting the man back who is able to push him to becoming the greatest version of himself he can be.
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     There is an ebb & flow to the book that is undeniably fantastic. The story, it’s development, the characterisation all of it wrapped up in this stunning artwork is what’s making this one of those must have Marvel books.

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Meteor Swarm #1

1/25/2018

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Meteor Swarm #1
American Mythology Productions 2018
Written by Pat Shand
Illustrated by Richard Bonk
Coloured by Beezzz Studios
Lettered by Natalie Jane


     While NASA warns of the potentially devastating consequences of a meteor storm closing in on the planet, it's the horrors that hide inside the falling debris that present the real danger. An unstoppable horde of terrifying space hornets has descended upon Earth and they are going to eat their way through every living thing in their path. This is big screen drive-in grindhouse at its best! Devastating meteor impacts, diabolical alien hordes, and only one person with a chance to end the terror before Earth becomes a hive of swarming death!

     If there are things that anyone knows about me its that I like good horror stories, even bad ones to me are good, American Mythology and Pat Shand. Combine all these things into one and viola you’ve a damn good excuse to pick up a comic book. I like the way this is told and the structure of the story is extremely well done. From the eye catching opening through the journey of how Rider Kilgore gets to where we see him throughout the book as it’s present day setting.

     The whole idea here isn’t exactly far-fetched and a more reasonable explanation would be if these little meteors survived entry in our atmosphere but going up to a big one, blowing it up ala Armageddon, is a little more fun. Also that this could very well be one of those made for SyFy films and be more successful than that damn Sharknado. If you don’t think so read the book. Plus from concept to execution here this is by far one of the more fun things I’ve read lately.

     So as far as the assembled cast of characters we really only get to see Rider, well we also meet Dr. Manny Sherman and he gets wrapped in this in an interesting twist of fate. Otherwise at this juncture the only other mainstays that we see are the suits and their role gets summed up darn well by Rider himself within these pages. I look forward to seeing and meeting the people that will be alongside Rider as things become a little more sticky. After all it’s only the first issue and while Pat does a marvellous job introducing this there is still a lot more yet to happen.

     I’ve been a fan of Richard’s for a while now and it’s always a pleasure when I see his work. His people have a great authenticity to them and the creativity and imagination we get to see on display here is superb. These flying things are the perfect example of identifiable and still alien and kind of frightening as well. I love the use of page layouts and how we see the angles and perspective in the panels as they show off his eye for storytelling. Backgrounds are hit or miss and sometimes with all the action they aren’t needed, that’s not gonna stop me from wanting to see more though because when we do they expand the story nicely.

     I am really impressed. Pat’s always been a really strong writer and seeing this kind of story where he gets to kind of unleash and bring us this subject matter and bring this leading man to us is fantastic. I get feelings and influences from what we see and yet they just that because in the end everything has an originality all it’s own.
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     A modern day look at an over the top science fiction double feature show. I ask you what is more fun than that, I’ll tell you absolutely nothing! Another amazing story from American Mythology, Pat and Richard!

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Gears of War: The Rise of Raam #01

1/25/2018

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Gears of War: The Rise of Raam #01
IDW Publishing 2018
Written by Kurtis Wiebe
Illustrated by Max Dunbar
Coloured by Jose Luis Rio
Lettered by Gilberto Lazcano


     The most iconic villain of the Gears of War universe takes the spotlight! Years before he became the bane of humanity on Emergence Day, RAAM rose through the ranks to take leadership of the Locust Horde armies thanks to his intelligence, strength, and ruthlessness. Now, witness that swift and brutal ascent in... The Rise of RAAM!

     From someone who isn’t familiar with Gears of War, like myself, the good news is you don’t have to be to like this story. Kurtis does a fantastic job with the story here, now I don’t know what is in the game and what isn’t so I am coming from a newbie stance when I write this review. So in that regard let’s get to it. The way the story is structured is great it has this strong vibe and feel to it that is unmistakably masculine and warlike. So yeah it is strong and well done and the way Kurtis is able to make that bleed from the story is fantastic.

     One this this first issue does besides introduce us to Raam and his people but this world and his place in it. I like the way we see intelligence and strategy and it is easy to see why he becomes the iconic villain he’s known as. The way the story weaves through the pages is fantastic and it has this great feeling about it and it is so easy to follow and understand what is happening. The characterisation that we are getting is superb and it really makes the characters feel real and authentic.

     The opening is done in such a way that not only does it catch the eye but it also draws the reader in so that we immediately want to see more. We all know that the opening is the most important part of any book, more so when it comes to a first issue of a series and knowing that these folks nailed that and then some. It certainly got me who has never played or knows anything about the franchise into the book and wanting to see more. So it really is this story about and alien race and the hierarchy that lies within as one man puts a plan in motion to rise above them all.

     I am in love with the interior artwork here. I mean page two alone gives me life as the use of perspective, the imagination and creativity that we and the use of colour to make this pop like jiffy pop! The attention to detail is stunning and the strength of the linework here is amazing and as such really makes you see what’s happening, who are the grunts and who the leaders are. Not to mention the other species, races or whatnot that are lurking around. The use of page layouts through the angles and perspective we see in the panels showcases such a strong eye for storytelling.

     I think that IDW scored big with this one and whom they have working on it. This is an extremely strong first issue and I can see why it sold out at the distributor level. Get your while your shoppe or subscription service still has them! This is one of that transcends it’s source material nicely and becomes a solid comic book series on it’s own terms.
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     This is a great story, the ebb & flow to it is remarkable and video game or no this is one of those first issues that’s special.  

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Dissonance #01

1/24/2018

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Dissonance #01
Top Cow Productions/Image Comics 2018
Created by Melita Curphy
Written by Singgih Nugroho & Ryan Cady
Illustrated by Sami Basri
Coloured by Sakti Yuwono
Lettered by Jaka Ady


     In an alternate world where Earth is populated with powerful human-spirit hybrids called Fantasmen, Folke and Roisia Herviett, two siblings with opposing worldviews, are challenged to prove their worth and take up their parents’ positions in a devious group who secretly run the world. Meanwhile, Seraphim, a Fantasmen warrior guard, is sent to prevent a catastrophic event from affecting the Earth and its own universe.

     The idea behind this is intriguing and the world these Fantasmen come from is something that is being explored in a way that I like. Bodiless beings made of energy who have the technology and knowledge beyond our comprehension caught up in the very thing that makes that inherent need to conquer, expand and control is unexpected. Usually when this kind of stuff comes around they are beyond peaceful and into the whole judging other races for their behaviour so that this is like it is for me is a great way to go.

     I do like how this is structured while at first I thought that perhaps too much time was spent on introducing us to this turns out the more we get the more I found it works. So it does rush a bit because when the Fantasmen come to earth it looks like it’s during the Civil War so I wish we’d seen a more definitive timeline for their arrival. More so since we see a lot of advancement in the technology and such that it makes you wonder how much sooner they got to a where they are. If that rambling made sense great if not read the issue and you’ll get it.

     This also a chance for Sami and Sakti to really shine on the interiors. The imagination and creativity that we see in what become known as the various levels of Dissonance is wonderful. That they also use this hybridisation and it resembles a variety of animal wildlife that is recognisable to Earth and to the Fantasmen is a union that visually makes quite the statement. The use of page layouts with the way we see the angles and perspective in the panels is extremely well done. Backgrounds are hit or miss and with how we see them it makes me wish that they were used in all of the panels.

     So we not only get to see how the world has been kind of created and how these two species are working together to “run” earth is only explored peripherally and that leaves the door wide open which is a smart move. Also I will wholeheartedly admit that the sibling rivalry and their independent issues adds an element I wasn’t expecting. Not quite Dynasty level, yet, but it is darn close and adding that to idea behind the Dissonance well it expands everything in a way that adds the right kind of drama.

     I really like the way the inclusion of J.Riko and Seraphim as we get to see them in their “natural” state instead of bonded to a human. It both adds another part of the story and makes you sit up and wonder how this is going to cross into what else we’ve seen as well give J.Riko a chance to show the newbie, Seraphim is recently arrived on Earth, how the people of earth have reacted to their presence. The acceptance is nice and the whole racial purity folks yeah unfortunately they still exist and I guess there will always be those who oppose everything regardless of how the government and technology benefit their lives.
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     Exciting, engaging and visually creative and beautiful this is another stellar debut from Top Cow and it’s nice to see them doing some strong storytelling in unexpected ways.

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